Our youngest kid has now flown the coop and we are, officially, empty nesters. The house seems damn strange without our boys pounding up and down the steps, blasting music or bellowing at their video games in their basement hidey-hole. The silence, as they say, is deafening. But they’re both ready to be out in the world, anxious to be on their own. They’ll have their tough days, intervals when it seems like the whole universe has lined up against them. But they’ll make it. They’re tough and resourceful and bloody smart. Which gives them a leg up in any society.
So we begin 2014, Sherron and I, somewhat sorrowful, missing the lads but eager to get on with the next phase of our lives; back to being a couple again, exploring the world together, seeing where our dreams take us.
I’m fifty years old, as of last October, and that’s also made a difference. I thought any change or transformation would be largely symbolic but turning fifty combined with our sons’ departure has put a whole new slant on things. I feel like another man.
To start with, I realize that more than half my life is gone and if I’m lucky I could have twenty or twenty-five healthy years ahead of me (with my genetics, that might be pushing it). That’s not a lot of time. As a result, I’m not going to waste any of it on stupid discussions, movies, books, music, feuds or anything that doesn’t further my pursuit of wisdom, joy and matters relating to the spirit.
I did a considerable amount of writing in 2013 (not unexpected) but I also found myself exploring other media, employing a variety of means to express myself. As a result, I created more visual pieces than ever before: acrylic paintings, charcoal drawings, lots of photographs, ambient soundscapes, even a short film. Will this trend continue in 2014 or were all these non-literary ventures merely an aberration? Experiments, nothing more.
We shall see.
I know that for some time I’ve occasionally experienced a certain amount of frustration with the limits of language and wish to communicate via non-narrative, non-linear means. Abstraction invites collaboration, interpretation, input from the audience/viewer. The vast majority of my visual work frustrates literal-mindedness—the equivalent of Rorschach Tests, shapes demanding speculation and discussion.
Not for everyone.
Obviously, one of the high points of 2013 was the release of my short story collection Exceptions and Deceptions. The book features what I think is our best cover thus far and includes a batch of stories drawn from the past fifteen years, a couple of them previously unpublished and available nowhere else. Every time I glance up and see it on my shelf, I get a tingle. Fans of Philip K. Dick, Harlan Ellison, Jonathan Carroll, Neil Gaiman take note: this one’ll rock your socks off. Trust me.
Another fun experience was collaborating with my son Sam on an instrumental number which he then incorporated into a short film for Sherron’s “Agassiz” mask/puppet production, debuting later this month. Sam’s film is a gem and as soon as he uploads it to YouTube or Vimeo, I’ll post a link.
Let’s see, what else…in November I was astonished to learn my volume New & Selected Poems (1984-2011) was shortlisted for a ReLit independent press award. My bizarre verse? Really?
Managed to read one hundred books in 2013, though at one point I didn’t think I’d make it to #80. A big surge in November-December put me over the top. The 100th book, completed December 30th? Italo Calvino’s Under the Jaguar Sun. What a way to finish off the year.
I’ve been noticing how much my reading tastes have changed over the past number of years—hardly any genre stuff these days, except for a bit of SF and the odd mystery/thriller by LeHane or Philip Kerr. Much less fiction, overall. Gimme a fat, juicy history book any day.
We don’t have cable, so we don’t watch television. Have no idea what shows are popular on the boob tube and couldn’t care less. Ditto with movies. By far the best movie I saw last year was Peter Strickland’s “Berberian Sound Studio”. Haven’t heard of it? Tsk, tsk. Grab it off NetFlix, buy or rent it from Amazon, do not miss this flick.
Music? The new Queens of the Stone Age, as well as Nine Inch Nails (live), Steven Wilson, Mogwai, Benjamin Britten and Gene Autry’s Greatest Hits. Keepin’ it diverse.
Looking ahead: I’ll be working on my new novel, as well as prepping…ah, well, mustn’t give too much away. Let’s just say that Black Dog Press has a number of releases pending in the next eighteen months and there will be further information announced in the days to come.
All the best in 2014.
Thanks, as always, for dropping by and hanging out awhile.
Well, I couldn’t let an opportunity go by without referencing the upcoming Star Trek movie. The franchise is hanging on this one, boys and girls; the Next Generation sputtered out after the woeful “Nemesis” and nothing that followed appealed to anyone other than hardcore fans. A drastic re-tooling was in order. That’s why the guys in suits chose J.J. Abrams to carry the torch. A guaranteed crowd-pleaser. Hell, that Lost show made buckets of money–as a gun for hire he comes with a pretty high rep.
Abrams has been around awhile, longer than I realized. And he hasn’t always been a golden goose either. He receives a brief mention in Richard E. Grant’s film diary With Nails. Grant runs into him at some Hollywood gathering and with his acute perceptiveness, describes J.J. and his cronies thus: “Meet a twenty-four-year old screenwriter called J.J. who wrote ‘Regarding Henry’, has a three-picture deal, and talks real fast, as do his friends, all of whom seem young, ruthless and rich.”
Hmmm… “ruthless and rich”. Not “gifted” or “witty” or “intelligent”. Ruthless and rich. And “Regarding Henry”? Remember that turkey?
But all will be forgiven if J.J. can revitalize the old gal, make it contemporary without abandoning the campiness and charm of the original show; I’m a retro nut and I’m worried the writers (one of them the “genius” behind “Transformers: The Movie”), will bury the story under CGI, comic book level dialogue and stock characterizations, while bending as far as possible to meet the abysmally low expectations of the fan boys/girls.
End of rant.
Now, as you’ve likely guessed, since my last post a couple of weeks back I’ve been working, plugging away on new material and prepping old stuff for revision. Beginning to gear up…there’s something about the summer that gets my creative energies revved up to full throttle. I can’t explain it. While the rest of my family is off traveling or out at the beach, I’m up in my office, sweating buckets, scribbling like mad.
With the coming of warmer weather this month, something clicked into place and I’ve been at it for long stretches, working on–well, I can’t say yet. You know me. Like to play it close to the vest. Might show it to Sherron later on this week but until then–shtum.
So I’ve been working hard and every so often scrambling down the stairs to watch a period of hockey–it’s the Stanley Cup playoffs, doncha know–before rushing back upstairs to work some more and then back downstairs to check the score, watch highlights, never missing Don Cherry…
I’ve been a Boston Bruins fan for nigh on forty years–oh, yes, my children, the big, bad Bruins and I go wayyy back. Watching old footage of Bobby Orr still brings tears to my eyes. And this year…well, the boys had a terrific regular season and then they destroyed the Habs in four straight games. I hardly dare wish for anything else. Must not tempt the hockey Gods to turn on the B’s like some blind Greek guy with a taste for older women…
It’s a pleasure to watch players like Marc Savard and I love that Lucic kid. Wideman is an under-appreciated talent and Tim Thomas has been good when called upon. But if that idjit Phil Kessel doesn’t stop with the lookit-me-dangle-all-by-myself-I’m-Jason-bleedin’-Spezza lone man dashes up the ice (which, inevitably lead to odd man rushes the other way), I’m going to end up kicking the front of my television set in.
Sorry, had to get that off my chest. It’s just that one commentator described Kessel as the Bruins’ best player during the Montreal series and I just about swallowed my beer mug.
Okay, besides work and the odd period of hockey, I’ve also somehow managed to squeeze in a fair amount of reading, lotsa music and even a movie or two. Part of that whole getting-some-balance-in-my-life thing I’ve been working toward. With mixed results (hey, but at least I’m trying!).
Read John Fante’s 1939 novel Ask the Dust and absolutely loved it. Set in 1930’s Los Angeles, the story of Arturo Bandini, aspiring novelist, come West to seek his fame and fortune. I described the book elsewhere as a cross between Nathanial West (Day of the Locust) and Knut Hamsun (Hunger). I photocopied two pages and glued them into a “Book of Commonplace” I keep of favorite quotes and excerpts. I also hand-copied these sentences:
Over the city spread a white murkiness like fog. But it was not the fog: it was the desert heat, the great blasts from the Mojave and Santa Ana, the pale white fingers of the wasteland, ever reaching out to claim its captured child.
Here’s a piece from Salon.com that talks about about Mr. Fante’s life and work. Definitely a book–and an author–worthy of rediscovery.
In terms of movies, Sherron and I puzzled our way through David Lynch’s ultra-weird “Mulholland Drive” and I’m nearly done watching the second and final season on the 1967 TV series, “The Invaders”. Fun to slam down one or two episodes with a stiff glass of scotch after a hard day of writing. That’s my method for stress relief (patent pending)…
Lots of time in my office means lots of tunes playing too…and, as of yesterday, that includes Bob Dylan’s latest, Together Through Life. Not sure what I think of the new one yet. Maybe give it a few more listens before I decide. It lacks a cut with the mythic, spiritual power of something like “Man in the Long Black Coat” or, from Time out of Mind, the searing and entrancing “Highlands” (all sixteen-and-half minutes of it). Some good songs, especially “Beyond Here Lies Nothin'”, “My Wife’s Hometown” and “It’s All Good” and I like the Tex-Mex flavor but I wouldn’t count Together Through Life in the front rank of Dylan’s body of work. Not by a long shot.
Plenty of instrumental, ambient stuff pouring out of my speakers: Explosions in the Sky, God is an Astronaut, the soundtrack of “Mysterious Skin” (Harold Budd and Robin Guthrie collaborating). Old Tangerine Dream (“Atem”), Mogwai and NIN’s “Ghosts I-IV”.
The perfect accompaniment; the music transports me to a place beyond physical laws and temporal constraints. In this undetermined location I can work without distraction, removed from obligations and duties. That door over there opens on nothing, the backdrop outside my window cunningly executed but, upon close inspection, reveals imperfections, chips in the paint and swirls left by careless brush strokes–
The artifice holding, for now, but I keep the door closed and the blinds mostly drawn. To maintain the necessary illusion, preserve it through a combination of higher physics, prayer, alchemy and the judicious use of duct tape, when all else fails…
I never thought I’d do this.
This room is sacred to me, the most personal, intimate, safe place I can imagine. Here, I can let my mind roam and give myself over to all manner of foolish thoughts and schemes.
My office is on the second floor of our house, first door on the left at the top of the stairs. There must be something about this space: I don’t know how many friends and people we know have come by the house, ventured upstairs to see me…and stop cold at the threshold of my office. It’s like an invisible barrier holds them back and they peer inside, uncertain of whether or not to enter until I actually say “C’mon in, it’s all right…”
The space is so manifestly mine. It’s like an extension of my mind, all of my obsessions and interests crowded into about 120 square feet of area. High and low culture co-existing side by side. Proust and Gumby. Sam Beckett and Captain Kirk.
But, look, it’s all right, I’m smiling, waving you inside and some of your misgivings dissipate. First thing I always do is point out Sherron’s artwork (the space painting, cave art, 3-D Beckett and book sculpture are hers’), and once you’ve expressed your appreciation, steer you toward my bookshelves. As Borges famously wrote: “To arrange a library is to practice, in a quiet and modest way, the art of criticism”. It’s plain to see where my interests and reading tastes lie. I revere authors who break with convention, push the envelope until it’s somewhere beyond Alpha Centauri and stubbornly present their vision of the world without apology, eschewing artifice and formula. Pynchon, Calvino, Ballard, McCarthy, Joyce.
Not too many genre books in evidence (that should come as no surprise). I keep most of my SF and mystery books in the basement—at least until we can invest in more bookshelves. But even then they won’t be allowed in here: this is a place where I make ART, not look for diversion and escape.
“He speaks truly who speaks the shade…” (Paul Celan)
Ah, you noticed all the toys. Yes, well, that’s part of me too, I suppose. The child inside who resists the notion of growing up and putting away childish things. I think that’s why I’ve retained such curiosity for the world around me and such a profound sense of wonder. I hope that stays with me ’til my dying day.
That’s my “power shelf” there at the top; some of my most sacred objects are up there along with pictures of my family. The real source of my strength when it seems like fate, circumstances and my own stupidity are combining to take a massive diarrhetic dump on me. Below that, a shelf of spiritually oriented tomes, from Rumi’s poetry to the prison letters of Dietrich Bonhoeffer. More inspiration for when the “black dog” of depression and despair is chewing on my ass.
Sometimes this place seems filled with a creative spirit, to the extent that the hairs on my arms stand up because of such close proximity to the Ineffable. There’s a sense of connecting with, becoming part of something far vaster than I’m able to comprehend.
Other days, the air is still and dead, uninhabited.
You can see from the posters and the mini-stereo that music plays a crucial part in my life. The three CD’s I have on rotation right now are Ministry’s “Rio Grande Blood”, Nine Inch Nails’ “With Teeth” and Nick Cave’s “Grinderman” (“No Pussy Blues” fucking rocks). But at the moment I’m playing a recording of the great Jacqueline Du Pre performing Elgar’s Cello Concerto (someone once dubbed it “the saddest music in the world”).
What else? My gorgeous desk, which Sherron bought for me with a paycheck from her first real grownup job. The top opens up like a big hinge and there’s an old Olympia typewriter underneath, used only in case of emergencies. Just can’t quite let it go yet.
The computer I use is an old Power Mac a friend gave us after she upgraded. I’ve had it for about eight years but suspect that it might be time to invest in some new hardware. But…have you priced out an iMac lately? Around eighteen hundred bucks, possibly more if I wanted to get some of the specialized software that would allow me to edit movies and compose music. Maybe in a year or two…besides I detest change, any kind of change, so I suspect part of me would be quite traumatized by switching computers. Knowing me, I’ll likely drag out the process as long as I can.
The big yellow armchair isn’t as comfortable as it looks and it’s probably not good for my bad back. I’ll wait until I can get a really nice rocking chair—something that will keep my wonky spine in alignment without taking up too much room.
But, really, this office isn’t about sitting around and relaxing, it’s a work space. For 8-10 hours a day I immerse myself in my latest project, getting up frequently to pace, talk to myself or burst another one of those stress balls with constant, compulsive squeezing. And then I spring back into my chair and have at it again, repeating the process dozens of times during the course of the day.
Lately, I’ve been re-editing So Dark the Night, an incredibly tedious process, going through a 475 page manuscript over and over again. For the past while I’ve been editing standing up (Hemingway wrote that way too), which is a real departure for me but it seems to be helping the back and shoulder strain. It might be paying creative dividends as well because the editing is going faster and more smoothly than I expected.
Anything else? Yes, I’m a Boston Bruin fan—you got a problem with that? I didn’t think so (Bruin fans are notoriously pugnacious). The great Bobby Orr was my earliest hero, along with Neil Armstrong and Gene Autry. All are represented in the office (Autry symbolically, with a lineup of plastic cowboys and Indians over my office door).
Well, I think that’s everything. Whew. This hasn’t been as stressful an experience as I imagined. Rather liberating, really.
I don’t know if any of this provides you with fresh insights into my personality or work…or if it’s just given you a very good idea of what sort of disturbed mind you’re dealing with.
Regardless, thanks for stopping in.
Me? Well, in a little while I’ll head downstairs to crack open a Guinness and then it’s back up here, the fourth section of So Dark the Night awaiting my slashing red pen. One of my sons will get your coat (don’t worry, he won’t expect a tip). No problem, it was good to meet you.
Uh, sorry, would you mind closing the door behind you on the way out?
Thanks…hope to see you again soon.
I’m a Space Age guy, wired up wrong for the IT revolution that’s in the process of transforming our world into the inside of a video game. Me, I’m still stuck with Neil Armstrong on the Moon while the rest of modern civilization rushes toward The Great Singularity.
The Singularity is like the Rapture, dig, you get taken up, leave your earthly body behind and, like, evolve into a higher state. The difference is, with the Rapture you have to earn your way into heaven…the Singularity doesn’t discriminate. As long as your credit is good and you can afford the technology, you can spend the rest of eternity fucking Marilyn Monroe senseless in the honeymoon suite of the Hilton. Virtuality allows for limitless possibilities and is capable of reproducing any era, any conceivable reality. The interface between humankind and machines. The beginning of the end or the end of the beginning?
Our family has finally joined the 21st century—yup, we now have a home internet connection, a computer on-line 24 hours a day. I’ve ducked and bobbed and weaved and tried my damnedest to avoid this day. So now we’ve got a window on the world, a valuable resource, an educational aid, a tool like no other in the history of the world—my question: when I turn the fucking thing on, what’s looking back at me?
But Sherron needs to get on-line because she’s doing her Master’s and the boys can use it for their homework assignments and research projects. And with all the weird, esoteric shit I put in my tales I can benefit greatly from access to the all-knowing, all-seeing Google.
Then again, it also means I can now spend hours fucking around on favourite sites like Senses of Cinema and Book Forum…or checking to see if there are any cheap plastic model kits for sale on eBay (don’t ask)…or “tag surfing”, looking for kindred spirits out there in cyberspace, posting comments on sites of interest, only looking up when I hear the boys’ bus stopping in front of our house after school…
What next? Cable TV? Stuck in front of the Space channel when I should be bending my brain on new fiction? Right now we have two channels and don’t feel we’re really missing anything. We, my family and I, aren’t the hippest people around. Not into brand names, fashions, trends. Big readers. About the only program we follow with any regularity is the new “Dr. Who” series. We’re completely out to lunch when it comes to what’s hot and what’s not.
Confession: I have no idea what’s on the bestseller list.
I can’t tell you one of the top-selling music CD’s or singles.
I don’t remember the last recent movie I watched. “300”? God, no wonder I haven’t seen anything since. The last new release I can remember liking is “Lord of War”. The opening title sequence of that movie is…stunning.
And these are not the least of my crimes:
I’ve never seen a single entire episode of “Lost”, “Amazing Race”, “Friends” or “The Sopranos”.
Have watched less than a nanosecond of “American/Canadian Idol”.
Reality TV? What the fuck are you talking about? It’s TV, dummy. None of it is real.
To those people who arrange their schedules around a beloved TV program or camp out overnight in front of their local theatre to be first in line to see the latest, greatest sequel of a sequel of a remake, let me ask you one simple question:
WHERE THE FUCK DO YOU FIND THE TIME?
There’s a line in a very under-rated little movie called “Those Lips, Those Eyes”. Frank Langella’s character is an aging actor, clearly talented but stuck in a shitty little touring company, playing to rubes. At one point he complains bitterly of his lot, shouting: “Time’s winged chariot is flying up my ass!”.
That’s the way I feel. I’m killing myself on this writing gig, going at it seven days a week, 6-10 hours a day, keeping up a murderous pace for months on end…and meanwhile looking over my shoulder, a la Satchell Paige, wondering what’s gaining on me.
You have to understand, the men in my family are prone to shortened life spans. And it isn’t the usual suspects—heart disease, cancer—that hand them St. Peter’s calling card. Oh, no. Details are hard to nail down; secrets are tightly kept in my family. It’s like an iron curtain descends. When you ask about what happened to Uncle So-and-So, dead at thirty-two, or cousin Fred, felled in his early forties, you receive unsatisfactory, even curt replies. “Lockjaw” or, just as likely, “Lepers got him.”.
And that’s it. No amount of questioning will pry loose anything more significant or helpful than that. “Some things are better left unsaid.”
It’s likely some old, half-forgotten scandal, a small nugget of shame but people act as if the government is involved.
Now, I happen to be a particularly morbid individual and so I look at this dismal track record (Burns male = early death) and I begin to consider my own circumstances. I’m forty-three, soon to be forty-four. What grim fate awaits me?
Will it be (reluctantly, through tightly pressed lips): “Furnace explosion”? “Spontaneous combustion”? “Gangrene”? The suspense is starting to get to me.
It’s too bad. I think I’d like to live to a ripe, old age. Work right to the bitter end. Celine finished the last draft of Rigadoon, told his wife he’d completed the book and died that evening. That’s the way I’d like to go…but it’s unlikely I’ll be that fortunate.
Allergy to book dust…
Bad paper cut…
Whatever happens, it’ll have to be sudden, unpredictable and utterly preposterous. After all, I have a family tradition to uphold…
* * * *
News and Updates
This blog has grown rather large and ungainly. There are plans currently afoot to organize it. Nothing will be lost, just a reshuffling of the deck, posts filed under their proper designations, the home page slimmed down. If you can’t find something, drop me a line and let me know.
Had a busy summer, lots of writing, a few stories, many prose poems, everything still pretty much in the first draft stage. Seem to be scribbling constantly but there isn’t any focus, can’t latch on to a project that really engages my faculties. Plenty of candidates, no clear favorites. Some of the projects I have in the bin require enormous amounts of research, time and energy that I don’t possess right now. The failure to find a publisher for So Dark the Night has damaged my confidence and I feel daunted by any project longer than two or three thousand words. I spent three years on a terrific thriller that I can’t get anyone to seriously consider.
Right now, So Dark the Night is under consideration at five different (very different) publishing houses, including Ace Science Fiction (New York), who have had the manuscript for over sixteen months. In all, I’ve contacted sixty-four (64) publishers and only a small handful agreed to have a look at it. Many begged off with form letters, saying they no longer considered unsolicited manuscripts. A few didn’t bother replying at all (despite the self-addressed, stamped envelope I enclosed).
Some good news though. Kelley Jo Burke, producer for CBC Radio’s “Gallery” program, bought my short story “Matriarchy”. It should air some time in the new year (I’ll post times and dates when I get the word). It’s a mainstream offering, set immediately after a funeral. I really love the story and it’s perfect for radio. Hope you’ll be able to tune in.
Also, miracle of miracles, someone actually accepted a poem of mine. You’ll find it at the Words on Paper site. Should take you about a second a half to read it. Go ahead, time yourself.
I note that Peter Watts didn’t collect the Hugo Award he so richly deserved for Blindsight. Peter really showed a lot of growth with Blindsight and I especially admired the way he was able to make the transition to the deep space environment (Peter’s an underwater guy, not of them thar physicist-hacks). Better luck next time, Mr. Watts…and there will be a next time, bet on it.
On a personal note, our albino hedgehog Ponyma is ailing. Yeah, I said hedgehog. You just knew we wouldn’t have conventional pets, didn’t you? We have two of the buggers, part rodent, part pin cushion. Low-maintenance creatures, I’ll give them that. And they both seem very devoted to my eldest son. Even after two years I still shriek like a high school girl whenever one of the things ventures anywhere near me.
Losing a pet is tough and I think it will hit my son hard. Death rearing its ugly head. He’ll be angry, wanting answers. What kind of God allows wonderful creatures, good friends to die? Tough one. But we’re a family, we’ll get through it. And, who knows? Maybe they’ll manage to convince me to accept another oddball pet into our oddball home.
Does anyone out there know where I can lay my hands on an armadillo? A platypus on the cheap? Call this number…
* * * *
I’ve been playing lots of music lately, accompaniment for my aimless scribbling. Faves right now include Interpol (they just released a new album, “Our Love to Admire”), Grandaddy (“Just Like the Fambly Cat”), Aqualung (“Strange and Beautiful” ), Wolfmother, White Stripes (“Icky Thump” and “White Blood Cells” ), Jesus and Mary Chain, Elbow (“Asleep in the Back”), Beck (“The Information”), Ministry (“Rio Grande Blood”), Audioslave (“Revelations”), Eels (“Shootenanny”) and NIN (“Year Zero”).
In terms of my viewing pleasure, I found a site where they archive TV shows and you can tune in for nuttin’. Finally got a chance to see “The Mighty Boosh” after hearing rumblings about it for ages. Great stuff. And “Black Books” is wonderful—Dylan Moran should be declared a national treasure. And then I couldn’t help myself…I watched the very first episode of “Land of the Giants”. For old time’s sake. And reacquainted myself with “Mystery Science Theatre 3000”, a show I’ve always found hilarious.
A friend of mine (hey, Mark!) was good enough to send us a compilation of the Quay Brothers short animated flicks and that was smashing. I’ve also recently developed a passion for the films of Henri-Georges Clouzot. I’ve seen his three most notable efforts, “Le Corbeau” (1943), “Wages of Fear” (1953) and “Diabolique” (1954). I’ll take this guy over Hitchcock any day, folks. Sherron and I also viewed Bergman’s “The Virgin Spring”—very powerful. Not as visually arresting as we would have expected (Sven Nykvist was his cinematographer, after all). The vengeance von Sydow’s character wreaks at the conclusion of the film renders him almost an elemental force. And then the miraculous finale…
An author should plug a few books: I finished Margaret McMillan’s account of Nixon’s 1972 trip to China and didn’t find it nearly as interesting as her previous effort, 1919. And, yes, I made it through the last Harry Potter book. Let me quote from the notes I scrawled afterward:
“Give the gal credit—Rowling brings back practically everybody for one final appearance, including the whomping willow and the Chamber of Secrets. Lots of battles and close scrapes—some of the magic of the movies has rubbed off on Ms. Rowling. Animated suits of armour leap off the walls and there are Star Wars –type firefights in the skies over England…The conclusion seems to go on forever, another byproduct of a clunky, rather tuneless book. Rowling is determined to get the job done, gritting her teeth and winding things up with a flourish, trying her best to satisfy Harry’s myriad fans and wash her hands of the whole thing.”
I guess you can tell I wasn’t impressed.
But I was impressed by Gerard J. DeGroot’s myth-busting take on the “real” story behind the events leading up to that great day in July, 1969, Dark Side of the Moon. I’ve been an astronaut buff for years but some of this stuff was news to me. Humankind’s greatest feat was achieved with the aid of Nazi war criminals (whitewashed for public consumption), the space race only an expensive diversion for successive adminstrations who couldn’t solve thornier issues like civil rights and poverty.
In my dreams, I’m the first man on Mars. I place my right foot on the dry, rust-coloured soil, making sure to leave a deep impression, an imprint easily visible to the folks at home. Settling my full weight on an alien land. Pausing, clearing my throat. “I claim this world in the name of the people of the planet Earth…and the corporate sponsors of this mission, which include WalMart, Sony, Compaq…”
Within five years there will be gigantic billboards on Olympus Mons.
The human stain, spreading ever outward…