A peek at the cover of my next release through Black Dog Press, ELECTRIC CASTLES: A BOOK OF URBAN LEGENDS.
Chris Kent performed his usual design magic and special thanks to Gabriele Marras, who supplied the original photo.
My odd little imprint has always focussed on releasing the best and most beautiful books, but this cover surpasses anything we’ve come up with before. As you can probably tell, we’re mighty pleased with it.
The proof has been printed and is already winging its way toward my mailbox and the ePub and Kindle versions should be available later today.
Place your order with me if you’d like an autographed copy, otherwise buy ELECTRIC CASTLES at your favorite independent bookstore.
Support indie publishers and booksellers!
Once the manuscript was corrected and perfected to my satisfaction—three months overdue but that’s par for the course—I immediately logged in to my Upwork account and posted a job listing for someone to handle the interior design and formatting for the book.
It’s always a tricky process working with someone outside my creative bubble but because of the complexities associated with using Lightning Source as a printing service, interior/text layout is not a job for amateurs and bumblers. The Lightning Source templates are very unforgiving and inflexible and the slightest glitch will get your formatted file tossed from the system. And there you are, back at the drawing board.
I’ve always had good fortune with Upwork: you post a job description and graphic designers from around the world bid on it. I tend to use people who have a lot of experience, especially with Lightning Source/Ingram Sparks. Communication is essential so folks must be very fluent in English (not too mention tolerant of my perfectionism).
Electric Castles is the 14th book to be released through my Black Dog Press imprint and other than my first book (So Dark the Night), I’ve always had someone else handle the formatting of the interior text. We tried it ourselves with So Dark and the experience was so miserable and difficult, I swore I’d never do it again.
Once again our old pal Chris Kent will be handling the cover design. I found the perfect image purely by accident and secured the rights from the artist in question, a London-based chap, Gabriele Marras.
I’ll be “leaking” a sneak peek at the cover in a couple of weeks and you’ll understand why I’m so pleased to have stumbled across Gabriele’s work.
I know I can count on Chris to deliver another beautiful looking book—he hasn’t failed us yet.
As I made my last pass through the manuscript, scrupulously checking every last comma, I couldn’t help thinking it’s a good thing I publish my own work and therefore not beholden to anyone else or subject to their taste.
The stories in this collection are amazingly diverse, veering from crime fiction to dark fantasy to mainstream literary. How that would go over with an outside editor/publisher, I don’t know. The only thing these tales have in common is that each features an urban setting of one kind or another. That’s it.
There’s always a dialogue between my inner publisher and inner author and sometimes the exchanges can get mighty ugly. I mean, Jesus, my last three books were: a volume of poetry (The Algebra of Inequality), a non-fiction book of satirical tirades against the minions of political correctness (Mouth: Rants & Routines) and, now, a collection of short stories.
All pretty much guaranteed to sell poorly, none of them featuring the kind of crowd-pleasing tripe the vast majority of readers seem to prefer.
My inner publisher wonders why I don’t come up with something more commercial and the author inside me tartly insists that the point is to release good work, not popular fluff. The publisher’s response to that point of view is too vitriolic to reproduce here.
I don’t tend to write cheery tales with happy endings. I don’t utilize common tropes or adhere to accepted formulas. Not my bag. There are plenty of other writers out there who are only too delighted to play that game and I leave you to them.
I feel more at home in the dark…a familiarity I assure you I’ve earned.
I get a bit, ah, strange when I’ve reached this phase in the publishing process: a book in the pipeline, a few weeks from publication. I exhibit symptoms of agoraphobia, part of me believing if I venture too far from home something untoward might happen to me and I’ll never live to see the book in question published. It’s a hard feeling to shake; I fully recognize this mindset is not rational or defensible, but it is, nonetheless, persuasive and insidious.
So you’ll pardon me if I reluctantly decline your dinner invitation, offering a rain check with no date filled in.
I’m this close to releasing a brand, new book.
It’s a heady time for me and nothing will distract me from getting it into my readers’ hands.
Back to work…
Mouth: Rants and Routines is now available in a couple of digital formats, which should make it easy for you to download and read the book on just about any phone, tablet or computer.
You’ll find the Kindle version over at Amazon (click here), and for those who don’t wish to give that multinational behemoth any of your hard-earned money, you can also zip over to Smashwords and find the ePub version there (click here).
I’ve priced the book at $2.99 (U.S.) which, I think, is fair, certainly a helluva a lot cheaper than what traditional publishers charge for their offerings (any e-book going for over seven or eight bucks is a rip-off as far as I’m concerned).
Read the excerpts I’ve made available or listen to the recording I made of some of the material (more are forthcoming) and then decide for yourself if this is your cup of poison. Fans of Ricky Gervais, Bill Hicks or George Carlin will love my book. On the other hand, if those dudes hold no appeal to you…er…
If you do enjoy Mouth, for God’s sake make sure you leave positive feedback on Amazon or wherever you downloaded it, help spread the word and create some buzz for a unique project (and a tiny, independent press).
And, of course, drop me a line here, telling me how the book affected you and if it was an enjoyable (or not) reading experience.
I look forward to hearing from you, one way or the other.
I confess to feeling nervous—how would people, even enlightened, progressive types, react to my rants on subjects that would strike many as too close to home?
As the clock wound down and the reading date we’d chosen inched closer and closer, I felt my nerves twanging like guitar strings. On the day in question, I set up chairs in our living room, cleaned the house from top to bottom and wondered if I’d be a few friends shyer once the evening was over.
My latest book, Mouth: Rants and Routines, is a no-holds-barred attack on political correctness and its dim-witted minions, except this time, the criticism is coming from the far Left. This will be considered unconscionable by some, a betrayal of my roots.
PC and its accompanying trendy social causes have diverted the attention of progressives and advanced the agenda of people only interested in narrow, single issues, rather than trying to build a giant tent that would encompass all those who struggle in the crushing grip of capitalism, men, women and children who lack food and health and shelter security. I’m talking about folks working two or three part-time jobs in a precarious economic climate; single mothers, people living on fixed incomes that amount to no incomes at all, once the rent and bills are paid.
And then there is the existential threat presented by climate change: while some of us fuss about, wondering where we fit on the sexual spectrum or fret over what bathroom is most appropriate or which personal pronoun to use when referring to ourselves, half the world is burning.
Mouth is a bitter pill to swallow, no question, and will offend a lot of individuals who like to wear their beliefs on their sleeves, visible to everyone, a display of righteousness and piety and sanctimoniousness that would make a medieval Pope blush.
As my Introduction to the book warns:
“If you’re a wishy-washy liberal, someone who sits on the fence until their ass is black and blue, this probably isn’t the book for you. Likewise if you recently enrolled in a Gender Studies program and/or believe that one day, God willing, Caitlyn Jenner will win a Nobel Prize for…something. If you frequently use the words ‘men’ and ‘rape culture’ in the same sentence, if you self-identify according to a particular animal clan, or consider your pets surrogate children, well, there’s the door, please use it.”
The folks in attendance that night were surprisingly receptive to my heresy and in the recording we made you’ll hear lots of laughter and noises of agreement. I was thrilled and very, very relieved.
I know I’ll take some stick for daring poke at some Lefty/liberal causes that many people hold as sacred, inviolable, untouchable. But I also know there is a strong undercurrent among political progressives and contrarians who agree with me and cheer my decision to slay these sacred cows with as much invective and sarcasm as I possibly can.
Here’s a link to that reading, recorded in our home earlier this week. I have quite a bit of spoken word material and ambient music posted over at Bandcamp, all of it available for free listening and downloading. Please, tuck in.
I welcome your responses, whether you agree with me or not.
We need to have this discussion. The Left has no hope of defeating the entrenched interests opposing us unless we act in a unified, cohesive manner, refusing to allow ourselves to be hijacked by special interest groups and a tiny, vocal minority who eschew Big Ticket issues (income inequality, poverty, hunger) in favor of identity, gender politics, etc.
Stop the atomization and division and come together in one massive plurality of those who demand fairness and equality for ALL.
It really is our only hope of slowing down or, at least, humanizing the capitalist juggernaut bearing down on us, the horrible future it portends.
- Special thanks to my pal, Laird Brittin, who bravely agreed to open the evening with some of his new, original songs. He set the tone early, warmed up the crowd and, oh, yeah, played a helluva set. A true and valued friend…
I’ve been promising a preview of the cover of my collection of political and personal rants and here it is.
My wife Sherron provided the original cover art and also handled the design.
Mouth will be released initially as an ebook and we’ll see what happens from there.
It is a harsh, unrelenting depiction of our narcissistic, superficial culture, a breath of fresh air for those who are fed up with a society narrow-focussed on the trivial, while the rest of the world burns.
Anticipating a publication date of April 30th, but I will be posting excerpts between now and then, a few teasers to whet your appetite.
I added some background music tracks for dramatic effect and I think this performance is an excellent teaser for the book.
If you want to hear audio renditions of more poems from the collection, recorded back in 2016 at the ancient amphitheater of Epidaurus, go to my “Other Media” page and scroll down a bit; you’ll find it.
This blog is approaching its 500th post and, of course, I have something special planned to mark the occasion.
Watch this space.
Five hundred posts, eleven years of maintaining Beautiful Desolation…that’s a lot of time (and words and music and rants).
Couldn’t do it without you, folks, your support, your public responses and private messages.
Enjoy this snippet—there’s much, much more to come:
My personal sales copies of The Algebra of Inequality have arrived and I’ve been signing like a madman, getting my orders out, packaging up review copies, etc. Folks are buying multiple copies, gifts for friends and family, perhaps encouraged that this selection of poetry isn’t as dark and brooding as previous efforts.
Wanted to post the flier Sherron designed to send out to booksellers and libraries. If this doesn’t draw some interest, I dunno what will:
And one last reminder that the Free Flow Dance Company will be performing a number of new works, based on some music I sent them earlier this year. Director Jackie Latendresse promises an evening of sublime entertainment, set to some of the oddest, er, “melodies” you’re likely to hear.
The show is in Saskatoon on Saturday night (June 16th) and doors open at 7:30. Ticket info, etc. can be found in a previous post, just scroll down and you’ll find it…
My book designer, Chris Kent, labored mightily over the weekend, sending me a number of versions of the cover until he came up with the absolutely perfect look for The Algebra of Inequality.
Chris took the cover art I gave him, a painting in acrylics I completed earlier this year, and transformed it into something that is gorgeous, evocative and utterly in keeping with the mood and themes of the book.
I shall say nothing more, merely post his final version for all to see.
I believe this is Chris’s 11th book for Black Dog Press.
I think he’s got something, don’t you?
A quick glance ahead at 2018 would seem to indicate a year of some promise. I have two books I am readying for release, the first a volume of poetry (The Algebra of Inequality & Other Poems), which will be out April-May. A compilation of my best poems in the past five years. I am currently in the process of culling and selecting from a roster of nearly a hundred and fifty; not an easy or pleasant task. In the fall, finances permitting, I’ll be publishing a collection of short stories, Electric Castles: A Book of Urban Legends. Two hundred plus pages of prose set in cities here, there and nowhere.
Two books in one calendar year—that will be quite a stretch for my wee press but I think we can manage (crossing his fingers).
Looking back on 2017, I see it as a year where I managed to dabble in a little bit of everything: writing, photography, painting, music…
Is it good that I’m no longer so focussed on writing, that it isn’t my sole obsession these days? Am I right to believe that any form of expression belongs in my oeuvre, regardless of the media involved?
I feel such a tremendous sense of satisfaction when I see one of my books that also features cover art that I helped create or devise. That’s empowerment, I tell you. Watch for the cover of that aforementioned volume of poetry, come April; it’s one of mine as well.
I managed to achieve my target of reading one hundred books in 2017—actually, the final tally was 103. I also watched over a hundred movies last year and I’m be posting my favorites over at Cinema Arête in the coming hours.
Here’s my “Best of…” picks for the books I discovered and devoured in 2017. My reading, as ever, far-ranging and eclectic, about evenly divided between fiction and non-fiction.
Best Fiction of 2017
The Street of Crocodiles (Stories) by Bruno Schulz
The Underground Railroad by Colson Whitehead
The Tsar of Love & Techno (Stories) by Anthony Maara
Moonglow by Michael Chabon
We The Animals by Justin Torres
Ill Will by Dan Chaon
Sleet (Selected Stories) by Stig Dagerman
Shadowbahn by Steve Erickson
The North Water by Ian McGuire
Lincoln in the Bardo by George Saunders
Trajectory (Stories) by Richard Russo
The World Made Straight by Ron Rash
Flings (Stories) by Justin Taylor
Revenger by Alastair Reynolds
Century Rain by Alastair Reynolds
The Collected Poems of Zbigniew Herbert by Zbigniew Herbert
War Primer by Bertolt Brecht
Flying at Night (Poems 1965-85) by Ted Kooser
Scarcity: Why Having So Little means So Much by S. Maullainathan & E. Shafir
The Shallows: What the Internet is Doing to Our Brains by Nicholas Carr
Post-Capitalism: A Guide to Our Future by Paul Mason
The Dilemmas of Lenin by Tariq Ali
October by China Mieville
The Lost Amazon edited by Wade Davis
The Art of Space by Ron Miller
A Philosophy of Walking by Frederic Gros
Keep Watching the Skies! American SF Movies of the Fifties by Bill Warren
A Spy Among Friends by Ben MacIntyre
Unknown Pleasures (Memoir) by Peter Hook
Footnotes in Gaza (Graphic Novel) by Joe Sacco
Trouble Boys (Biography of The Replacements) by Bob Mehr