Category: Literature

Blog Post #496: Automatic Crap Dispensers

My wife sent me a picture she took while waiting in Edmonton International Airport.

At first I couldn’t believe my eyes. Then I was hit with a wave of nausea…a short story machine? Tales pumped out of a dispenser like junk food?

Dear God.

Sherron, bless her heart, anticipated my reaction and printed up a number of stories to bring home for my examination. Without exception, the offerings were inept, tuneless, unoriginal, poorly executed, childish. There was no professional vetting in terms of quality and it showed. Apparently the company in question, ShortEdition, has over 80,000 stories, of varying genres and length, for potential readers to choose from. Based on the examples I scanned, you’d get more aesthetic satisfaction reading the back of a cereal box or instructions for using a pay toilet.

Awful, awful stuff, printed on thin tape for speedy consumption, as disposable and forgettable as most of the other crap we produce these days.

And the horrible thing is that we’re living in an absolute golden era in terms of the short story format. Geniuses like Jim Shepard and George Saunders are gracing us with tales that can move us deeply, while maintaining the highest literary standards. Daring, innovative prose that shatters preconceptions and offers entirely new perspectives of the world around us.

This ridiculous gadget is yet another example of the dumbing down of society, offering blatant mediocrities and tone-deaf amateurs a platform to exercise their egos. It is junk food for the post-literate, the mental equivalent of fucking Pez.

Anyone who pays for this service is a moron, anyone who enjoys the “writing” needs to stop wearing their hats so tight.

How about spending your money on real authors, men and women who devote an enormous amount of time and effort ensuring their prose is as tight and polished as it can be? Masters of the printed word.

They deserve your support, whereas the ShortEdition wannabes warrant only a snort of derision and a sad shake of the head.

 

“Algebra of Inequality”: Listen to the audio versions

Below you’ll find a 4-5 minute audio clip I created around some poems from my latest Black Dog Press release, The Algebra of Inequality.

I added some background music tracks for dramatic effect and I think this performance is an excellent teaser for the book.

If you want to hear audio renditions of more poems from the collection, recorded back in 2016 at the ancient amphitheater of Epidaurus, go to my “Other Media” page and scroll down a bit; you’ll find it.

This blog is approaching its 500th post and, of course, I have something special planned to mark the occasion.

Watch this space.

Five hundred posts, eleven years of maintaining Beautiful Desolation…that’s a lot of time (and words and music and rants).

Couldn’t do it without you, folks, your support, your public responses and private messages.

Enjoy this snippet—there’s much, much more to come:

 

THE ALGEBRA OF INEQUALITY is in the house…and a reminder of an upcoming event

My personal sales copies of The Algebra of Inequality have arrived and I’ve been signing like a madman, getting my orders out, packaging up review copies, etc. Folks are buying multiple copies, gifts for friends and family, perhaps encouraged that this selection of poetry isn’t as dark and brooding as previous efforts.

Wanted to post the flier Sherron designed to send out to booksellers and libraries. If this doesn’t draw some interest, I dunno what will:

And one last reminder that the Free Flow Dance Company will be performing a number of new works, based on some music I sent them earlier this year. Director Jackie Latendresse promises an evening of sublime entertainment, set to some of the oddest, er, “melodies” you’re likely to hear.

The show is in Saskatoon on Saturday night (June 16th) and doors open at 7:30. Ticket info, etc. can be found in a previous post, just scroll down and you’ll find it…

A poem that has nothing to do with the worst film ever made…

 

Sister Ship

 

This house is unsinkable

I have made it water tight

installed extra bulkheads

to prevent catastrophic

flooding personally inspecting

every single weld and rivet

for signs of wear or defect

 

No need for lifeboats

I tell the others in response

to their misgivings we’re

fully insured through good

old Lloyd’s of London

only liable if we’re victims of

some unforeseen act of God

 

i.e. that ice berg you never

spot until it’s far too late

“The Algebra of Inequality”–The Proof!

The proof of my latest Black Dog Press release, The Algebra of Inequality, just arrived.

And I hereby post the obligatory picture of yer favorite author with a beautiful new volume in his hands.

Order your copy from your favorite indie bookstore today!

THE ALGEBRA OF INEQUALITY: The Cover Art

My book designer, Chris Kent, labored mightily over the weekend, sending me a number of versions of the cover until he came up with the absolutely perfect look for The Algebra of Inequality.

Chris took the cover art I gave him, a painting in acrylics I completed earlier this year, and transformed it into something that is gorgeous, evocative and utterly in keeping with the mood and themes of the book.

I shall say nothing more, merely post his final version for all to see.

I believe this is Chris’s 11th book for Black Dog Press.

I think he’s got something, don’t you?


“Is there anybody…out there?”

A looooong interval between posts.

Well, what do you expect? I’m a working author, with a mind that doesn’t allow for much leisure or fun.

Mainly, I’ve been editing The Algebra of Inequality, my latest collection of poems. It has been an agonizing process, choosing the best poems from the past five years, winnowing out the rest. And sometimes a poem gets the chop not because it lacks tunefulness or thematic unity, but for other, more nebulous reasons. Somehow it just doesn’t quite fit with the rest. It’s a judgement call and often I had second, third and fourth thoughts, so the whole thing became ridiculously drawn out and fraught, dragging on for weeks.

But now it’s done. The interior layout is just about ready and my regular cover guy, Chris Kent, is hard at work on another doozie. I’ll be leaking a sneak peek of said cover in the coming days; it’s based on one of my paintings and, knowing Chris, it’s bound to be eye-grabbing.

Yes, what’s up with the painting, why has it become so important to me? Because when I haven’t been editing, I’ve been regularly making that trip down to my little basement dungeon and attacking canvases with acrylics, a screwdriver, awl, various other implements. Getting physical. The results are odd, distinctive, and the works tend to elicit interesting reactions from the people who see them. But it’s a thrill leaving text behind for awhile and working purely symbolically, utilizing a totally different area of my brain.

Recently, I’ve also completed a large, complex collage piece that may end up as the cover for my short story collection later this year.

One of the poems I lopped from The Algebra of Inequality was one I concocted a number of years ago, titled A Personal Cosmology. It has a strong, visual component. I used some square styrofoam and black paint to create a series of stark, geometric images. Then I employed “automatic writing” and started scribbling, one short prose bit for each of the six images. I think I posted one of these images and accompanying text a few years ago but, for the first time, this is the complete version of Cosmology.

I love this piece, it comes right from the soul, but it just wasn’t right for the collection.

It was one of the final cuts, a hard one to leave out.

Click on this link, scroll through it…enjoy:

A Personal Cosmology