September 19, 2020
I begged you to linger
because you kept the chills at bay
but you insisted you had
and took leave of me
with an air kiss
that brushed my cheek
with the last warm breath
I’d feel until Easter
paid its ritual visit
on bended pagan knees
A peek at the cover of my next release through Black Dog Press, ELECTRIC CASTLES: A BOOK OF URBAN LEGENDS.
Chris Kent performed his usual design magic and special thanks to Gabriele Marras, who supplied the original photo.
My odd little imprint has always focussed on releasing the best and most beautiful books, but this cover surpasses anything we’ve come up with before. As you can probably tell, we’re mighty pleased with it.
The proof has been printed and is already winging its way toward my mailbox and the ePub and Kindle versions should be available later today.
Place your order with me if you’d like an autographed copy, otherwise buy ELECTRIC CASTLES at your favorite independent bookstore.
Support indie publishers and booksellers!
Once the manuscript was corrected and perfected to my satisfaction—three months overdue but that’s par for the course—I immediately logged in to my Upwork account and posted a job listing for someone to handle the interior design and formatting for the book.
It’s always a tricky process working with someone outside my creative bubble but because of the complexities associated with using Lightning Source as a printing service, interior/text layout is not a job for amateurs and bumblers. The Lightning Source templates are very unforgiving and inflexible and the slightest glitch will get your formatted file tossed from the system. And there you are, back at the drawing board.
I’ve always had good fortune with Upwork: you post a job description and graphic designers from around the world bid on it. I tend to use people who have a lot of experience, especially with Lightning Source/Ingram Sparks. Communication is essential so folks must be very fluent in English (not too mention tolerant of my perfectionism).
Electric Castles is the 14th book to be released through my Black Dog Press imprint and other than my first book (So Dark the Night), I’ve always had someone else handle the formatting of the interior text. We tried it ourselves with So Dark and the experience was so miserable and difficult, I swore I’d never do it again.
Once again our old pal Chris Kent will be handling the cover design. I found the perfect image purely by accident and secured the rights from the artist in question, a London-based chap, Gabriele Marras.
I’ll be “leaking” a sneak peek at the cover in a couple of weeks and you’ll understand why I’m so pleased to have stumbled across Gabriele’s work.
I know I can count on Chris to deliver another beautiful looking book—he hasn’t failed us yet.
As I made my last pass through the manuscript, scrupulously checking every last comma, I couldn’t help thinking it’s a good thing I publish my own work and therefore not beholden to anyone else or subject to their taste.
The stories in this collection are amazingly diverse, veering from crime fiction to dark fantasy to mainstream literary. How that would go over with an outside editor/publisher, I don’t know. The only thing these tales have in common is that each features an urban setting of one kind or another. That’s it.
There’s always a dialogue between my inner publisher and inner author and sometimes the exchanges can get mighty ugly. I mean, Jesus, my last three books were: a volume of poetry (The Algebra of Inequality), a non-fiction book of satirical tirades against the minions of political correctness (Mouth: Rants & Routines) and, now, a collection of short stories.
All pretty much guaranteed to sell poorly, none of them featuring the kind of crowd-pleasing tripe the vast majority of readers seem to prefer.
My inner publisher wonders why I don’t come up with something more commercial and the author inside me tartly insists that the point is to release good work, not popular fluff. The publisher’s response to that point of view is too vitriolic to reproduce here.
I don’t tend to write cheery tales with happy endings. I don’t utilize common tropes or adhere to accepted formulas. Not my bag. There are plenty of other writers out there who are only too delighted to play that game and I leave you to them.
I feel more at home in the dark…a familiarity I assure you I’ve earned.
I get a bit, ah, strange when I’ve reached this phase in the publishing process: a book in the pipeline, a few weeks from publication. I exhibit symptoms of agoraphobia, part of me believing if I venture too far from home something untoward might happen to me and I’ll never live to see the book in question published. It’s a hard feeling to shake; I fully recognize this mindset is not rational or defensible, but it is, nonetheless, persuasive and insidious.
So you’ll pardon me if I reluctantly decline your dinner invitation, offering a rain check with no date filled in.
I’m this close to releasing a brand, new book.
It’s a heady time for me and nothing will distract me from getting it into my readers’ hands.
Back to work…
But, as I’ve said before, if I’m not blogging I’m undoubtedly at work on some project that is utterly consuming me.
In this case, it’s actually three projects.
I should explain.
Last year I was supposed to release a collection of short stories with urban settings called Electric Castles. But that one sort of got over-taken and set aside when I wrote and released an e-book of topical and controversial non-fiction material titled Mouth: Rants and Routines.
I’ve gone back to work on editing the stories in Electric Castles...but I’ve also been assembling a collection of new poetry as well as making additions to Notebook, a compilation of thoughts, reflections and meditations I’ve been gathering for nearly ten years.
The order of publication is: Electric Castles in June-July, 2020, Notebook in 2021 and the poetry collection in 2022 (I have a tentative title for that one, just not willing to share it yet).
Putting the finishing touches on Electric Castles has been time consuming and intense (my approach to editing obsessive and exhausting), especially the last tale in the book, a 50-page, 12,000+ word novelette. Still pondering a cover and hoping to nail that down soon. A couple of possibilities, including some of my own visual efforts.
* * * *
I realized recently that it’s now been a decade since I rebooted my Black Dog Press imprint. It sort of went into hiatus after the release of The Reality Machine in 1997. PS Publishing (U.K.) published my book Righteous Blood in 2002 and I retained some hope that finally I would be able to find presses out there that would provide a venue for my writing.
That turned out to be wishful thinking and by 2008, I’d had enough. I wrote up a venomous press release and sent it out to a couple of writing forums, announcing I was tired of playing the game, submitting work and waiting sometimes YEARS for editors/publishers to grace me with a response. Fuck that and fuck them. Basta!
Shortly thereafter, I started this blog and began posting big chunks of material, short stories and novel excerpts that thousands of people read and downloaded.
But I still wanted print versions of my books and that meant familiarizing myself with POD (print on demand) technology (and terminology) and in 2010, I published my first Black Dog Press offering in 13 years, my occult thriller So Dark the Night.
I was back, with a vengeance. Since then, I’ve produced a dozen titles, doing my best to satisfy my small but vocal cadre of readers.
The indie world is the place for me and I have permanently (I think) set aside any notion of commercial success or mainstream acceptance.
I hope those of you who are familiar with my oeuvre will continue to support this eccentric venture of mine and that new readers will drop in and discover an author who defies expectations and subverts preconceptions, creating wholly original and provocative titles for those who love challenging, literate books, short stories or poetry.
Welcome to Black Dog Press.
Pull up a chair, make yourself at home.
There’s a lot to see here and we’ve got all the time in the world.
“I hate ’em,” I snarled, “they are lower order creatures, on par with ambulatory trilobites.”
Words to that effect.
But on one occasion, I was reminded that during the summer of 2016 my wife and I spent an entire month overseas, visiting three countries and soaking up the atmosphere like parched sponges. Didn’t that make me, ahem, a tourist?
Immediately after the accusation was leveled at me I became angry, defensive, denying the charge vehemently.
See, my notion of tourism is that it’s a necessary evil, like gut bacteria or liberal politicians. Yes, it can greatly benefit the economy of a nation but, in so doing, it also exacts a certain psychic toll. I mean, there were some parts of Prague that reminded me of Disneyland (and that is not a good thing).
For myself, rather than tourist, I prefer the term “visitor” or perhaps even “guest”.
Let me illustrate what I think is the difference between a visitor to a foreign country and a tourist with this analogy:
After a perfunctory knock, a stranger enters your home, basically brushing past you as he marches over to the table, seats himself and waits to be served. He doesn’t look right or left, doesn’t check out the pictures on the walls, the arrangement of the furniture; there’s no small talk, this person just wants to be fed.
And so you bring forth the courses you’ve spent all day preparing, but the food is unpleasant and exotic to the stranger, who loudly bemoans the lack of familiar favorites. The water tastes funny too and they can’t understand your weird accent.
Then, finally, the stranger glances at his watch, bolting abruptly because they have another dinner appointment further down the road (hopefully boasting better fare than this sorry joint). No real human contact, no effort made to immerse themselves in their surroundings and engage with their host. Only interested in stuffing their fat faces as quickly as possible and then moving on to the next trough.
See what I mean?
I personally think it’s quite easy to make distinctions between feelthy touristas and those who are genuinely interested in their chosen destination, doing their research, learning a few words of the language ahead of time, apprising themselves of some of the historical and cultural features specific to the region in question.
Visitors have bucket lists, tourists have checklists.
A visitor will seek out a nondescript street corner once glimpsed in an obscure “B” movie; a tourist goes on inclusive, all-you-can-eat-and-drink junkets, spending hours trying to tan their pasty bodies on a private beach, the only locals in evidence the ones employed as service personnel.
Tourists patronize expat bars and seek out others of their kind; visitors deftly avoid anyone reeking of their home country and venture far afield to escape their idiotic compatriots.
Visitors seek experience, interaction; tourists are after visuals, placing themselves front and center in every picture they take, “selfies” amid the ruins, egos the size of the Parthenon.
A tourist never gets deliberately lost or risks chance encounters.
A tourist is rarely pleasantly surprised or jolted by insight.
A tourist secretly despises the countries they visit and can’t wait to get back home and pretend otherwise.
A visitor gamely struggles with the native dialect; tourists insist on talking their own lingo in A VERY LOUD VOICE.
To a tourist, any place worth seeing has to look like it belongs on a postcard.
A tourist says “cool”, meaning worthy of yet another picture, and “quaint” when they mean old and useless.
A tourist can enter a thousand-year-old church and completely ignore the gorgeous, stained glass windows, hand-carved pulpit and ancient aura, instead fixating on a middle-aged nun praying near the back who’s a dead ringer for their aunt Gladys.
A visitor never completely shakes off the places they explore and inhabit; a tourist takes nothing from the sites and monuments they see and leaves nothing of themselves behind.
A visitor is respectful, tolerant, gracious; a tourist vain, easily bored, rude, suspicious and disdainful.
A visitor departs with regret, a tourist with relief.
Visitors smile, tourists grimace.
Visitors say “thank you”, tourists begrudge even a modest tip.
Visitors try and fit in, tourists don’t bother.
Visitors are pilgrims, tourists consumers.
I’m posting the Table of Contents below, just to illustrate the breadth and diversity of the subject matter.
In the meantime, I urge you to pop over to a site that has recently posted one of the most personal essays from Mouth, a warts-and-all overview of my three-decade long writing career, with the promising title “Man of Constant Failure”. Click here to read it.
I also posted one of my favorite bits, a takedown of stupid comic book movies and the critics who laud them, over at my film site, Cinema Arete. Click here to read it.
And don’t forget the live performance of some of the essays from Mouth I recorded in my living room before a very appreciative audience. I loaded it on to Bandcamp for free listening. Click here to tune in.
And now, the aforementioned Table of Contents. The roll call of infamy:
The Attractions of Misanthropy
This movie sucks (and so do you)
Paris is Burning
Coming Soon to Your Hometown
I’ve Seen the Future, Baby, and It’s Boring
God, A Concept
Bad At Sex
Agents of Control
Who are you? (I)
Good, Honest Hatred
Man to Man
Christians & Taliban
Foot in Mouth Disease
Who are you? (II)
Stupid People: A Case For Eugenics?
I Don’t Care
Get Out Your Hankies
Who are you? (III)
Man of Constant Failure
People Who Take Signs to Public Events
Between the Idea and the Reality
In Praise of Book Burning
I Hate White People
* * * * *
Mouth: Rants & Routines is currently being prepped for publication as an e-book/Kindle and will be available for sale and downloading by the last week of May.
Check back here in the coming days for further updates.
I confess to feeling nervous—how would people, even enlightened, progressive types, react to my rants on subjects that would strike many as too close to home?
As the clock wound down and the reading date we’d chosen inched closer and closer, I felt my nerves twanging like guitar strings. On the day in question, I set up chairs in our living room, cleaned the house from top to bottom and wondered if I’d be a few friends shyer once the evening was over.
My latest book, Mouth: Rants and Routines, is a no-holds-barred attack on political correctness and its dim-witted minions, except this time, the criticism is coming from the far Left. This will be considered unconscionable by some, a betrayal of my roots.
PC and its accompanying trendy social causes have diverted the attention of progressives and advanced the agenda of people only interested in narrow, single issues, rather than trying to build a giant tent that would encompass all those who struggle in the crushing grip of capitalism, men, women and children who lack food and health and shelter security. I’m talking about folks working two or three part-time jobs in a precarious economic climate; single mothers, people living on fixed incomes that amount to no incomes at all, once the rent and bills are paid.
And then there is the existential threat presented by climate change: while some of us fuss about, wondering where we fit on the sexual spectrum or fret over what bathroom is most appropriate or which personal pronoun to use when referring to ourselves, half the world is burning.
Mouth is a bitter pill to swallow, no question, and will offend a lot of individuals who like to wear their beliefs on their sleeves, visible to everyone, a display of righteousness and piety and sanctimoniousness that would make a medieval Pope blush.
As my Introduction to the book warns:
“If you’re a wishy-washy liberal, someone who sits on the fence until their ass is black and blue, this probably isn’t the book for you. Likewise if you recently enrolled in a Gender Studies program and/or believe that one day, God willing, Caitlyn Jenner will win a Nobel Prize for…something. If you frequently use the words ‘men’ and ‘rape culture’ in the same sentence, if you self-identify according to a particular animal clan, or consider your pets surrogate children, well, there’s the door, please use it.”
The folks in attendance that night were surprisingly receptive to my heresy and in the recording we made you’ll hear lots of laughter and noises of agreement. I was thrilled and very, very relieved.
I know I’ll take some stick for daring poke at some Lefty/liberal causes that many people hold as sacred, inviolable, untouchable. But I also know there is a strong undercurrent among political progressives and contrarians who agree with me and cheer my decision to slay these sacred cows with as much invective and sarcasm as I possibly can.
Here’s a link to that reading, recorded in our home earlier this week. I have quite a bit of spoken word material and ambient music posted over at Bandcamp, all of it available for free listening and downloading. Please, tuck in.
I welcome your responses, whether you agree with me or not.
We need to have this discussion. The Left has no hope of defeating the entrenched interests opposing us unless we act in a unified, cohesive manner, refusing to allow ourselves to be hijacked by special interest groups and a tiny, vocal minority who eschew Big Ticket issues (income inequality, poverty, hunger) in favor of identity, gender politics, etc.
Stop the atomization and division and come together in one massive plurality of those who demand fairness and equality for ALL.
It really is our only hope of slowing down or, at least, humanizing the capitalist juggernaut bearing down on us, the horrible future it portends.
- Special thanks to my pal, Laird Brittin, who bravely agreed to open the evening with some of his new, original songs. He set the tone early, warmed up the crowd and, oh, yeah, played a helluva set. A true and valued friend…
Another long interval between blog posts and, once again, I have a writing project to blame.
My collection of rants and essays, as yet untitled, moves closer toward publication. I have been writing and editing this book since November, 2018 and have been very pleasantly surprised by how quickly it’s come together.
How would I describe the general mood and content of the book? I would represent it as a kind of purging—I confront inner and outer demons, situations and subjects that infuriate me and, in my view, trivialize our society. Some of the pieces are intensely personal, others take a broader view. Most of the “routines” are satirical and drip with venom; no sensibilities are spared, no quarter given. I guarantee there will be folks, even among my own small circle of acquaintances, who will be offended by my take on hot button issues. Religion, identity politics, the climate crisis, the rise of the “idiocracy”, are among the topics I address and, you can imagine, there’s plenty of invective to go around.
I’m pondering publishing this collection first as a free PDF on this blog and, eventually, as a very cheap e-book (Kindle and ePub versions).
The release date is still somewhat up in the air but I hope to have the aforementioned PDF posted on my blog in the next two months or so.
Sigh…yet another Black Dog Press release that is nothing like the 12 previous books. Satirical, sharp-toothed, non-fiction essays…is there a market for such things? I guess we’ll find out.
No excerpts or teasers yet…but I will say that right from the beginning I wanted to attack political correctness from the hard Left. Many conservatives and Right-wingers have taken their shots but few people on the other side of the ideological spectrum are willing to confront PC and point out how intolerant and anti-democratic it can be. Freedom of expression is a longtime obsession with me: anyone who seeks to limit or control the terms of a debate is my ENEMY, regardless of their politics or rationale.
This latest book absolutely demands reader feedback and I encourage you, once it’s posted, to download it (free), dive in and let me know what you think: which parts work, which parts make you scratch your head…or want to sever mine. Are there places where I’m unfair or go too far? Drop me some lines with your thoughts, we’ll have a sober, mature dialogue, see if we can attain a meaningful meeting of minds.
I’d better get back to work, I’m anxious to finish this brute then sit back and watch what happens.
Once the dust settles, there won’t be a single sacred cow left standing.
Hand me that bolt gun, will you, and let’s get down it it…