“Only by interposing ideological and systemic blinders between ourselves and the victims of industrial civilization can we bear to carry on. Few of us would personally rob a hungry three-year-old of his last crust or abduct his mother at gunpoint to work in a textile factory, but simply through our consumption habits and our participation in the economy, we do the equivalent every day.”
-Charles Eisenstein, The More Beautiful World Our Hearts Know is Possible
“I’ve got this personal feeling things are not supposed to be happening to people all of the time. At least I’m not designed for it. There should be more open spaces between events. That’s my clear thought for today.” (Jim Harrison, from his novella The Seven-Ounce Man)
I get quite a number of notes from individuals requesting my advice on matters relating to publishing, indie or otherwise.
Recently, two or three people queried me about how to better “monetize” their writing.
Folks, anyone who has spent even a brief period on this site or has read a mere handful of my Tweets would know that I hold such attitudes in absolute contempt.
Trying to break into writing to make money, seeking fame, fortune and bestseller-dumb? Sorry, you’ve come to the wrong place.
If you’re a purveyor of fan fiction, you should have your hands burned off with an acetylene torch. You are the shit real writers scrape off the bottom of their shoes.
If you concoct shapeshifter/paranormal romance you are a literary pornographer. You exhibit Grade Six-level writing and, it’s clear, retain an absolute horror of penetrative intercourse. As Bill Hicks would say: case fucking closed.
If you “lease” your talent to some franchise, averring that your penny dreadful writing subsidizes your “good” stuff, you’re only fooling yourself…and the gods of Literature can be very, very cruel. Regardless of how you rationalize it, you are whoring your Muse, peddling her ass for a fistful of loot. Your self-righteousness, the ferocity of your denials, only reveals the depth of your insecurity, your secret shame. You disgust me.
A twenty-something twat knows fuck all about life and has no right to claim an authoritative view on anything. You are also far too young and insignificant for a memoir. No one gives a shit about the suffering and pain (largely self-inflicted) you’ve endured during your brief existence. Your life is not unique or particularly interesting. You are part of a growing demographic: an egotistic, narcissistic non-entity with delusions of self-importance. There’s a lot of that going around nowadays and no vaccine in sight. Pity…
Demanding correct spelling and competent syntax is not “old school” thinking.
Unless you approach your craft with devotion and seriousness, work tirelessly and daily at improving yourself, you are a dabbler. A wannabe. Your efforts the equivalent of macaroni art: the gold paint may be slightly more gaudy, the noodles more generous, but it amounts to the same, unsightly mess stuck to the front of your fridge.
This blog is dedicated to a higher purpose, a celebration of the power and majesty of the printed word.
There are plenty of sites for people who compose in crayon, scribble on walls or any available surface and congratulate themselves for their artistry.
If that last sentence describes where you’re at, I think you’ve overstayed your welcome.
There’s the door.
Don’t let it hit you on the ass on the way out.
A gratifying response to my last post, a couple of the writers I cited reaching out and offering words of thanks.
No problem, folks.
But I also took some stick for neglecting to include some other neglected authors on my list and for that let me say merely mea culpa.
Here are some more names to ponder and, hopefully, seek out. These wordsmiths are/were absolute masters and deserve to be discovered (or rediscovered):
Past (Honorary) Members:
M. John Harrison
Compared to the junk currently being excreted by traditional publishing, these fine scribes are like brilliant flowers growing out of dung. Help save great works from obscurity and superb writers from the bottomless trash can of history.
Awhile back, I exchanged some e-mails with my colleague Andrez Bergen, both of us bemoaning the sorry state of the publishing biz. Andrez is a superb writer, his novel Tobacco-Stained Mountain Goat a stunning blend of Phil Dick at his best and “literary noir”—if you haven’t read it, you don’t know what you’re missing.
Which is kind of the point of this post.
In one of my final missives I joked to Andrez that I was going to start an association called The Neglected Authors Alliance (NAA), and that the two of us would be charter members. Over the ensuing weeks, the idea kind of stuck with me and sometimes, as I passed my bookshelves, I’d take note of an author or two who weren’t household names, who had either slipped into obscurity or had never been widely read in the first place. I started putting together a roster; the living and the dead.
It was a depressing task; once I saw the sheer amount of raw talent represented, I felt sick. If these guys and gals couldn’t garner the rewards and praise and posterity to which they’re entitled, what chance do I have? Thirty years I’ve been putting pen to paper and my literary profile isn’t exactly where I want it to be (he says, choosing his words with extreme care).
And so, in tribute to Andrew and some other very fine scribes who deserve(d) far, far better from fickle readers and negligent publishers, I would like to recommend to you the following authors who have labored selflessly and courageously to produce innovative, literate prose, and who I am honored to add to the rolls of our oddball “society”:
Paul Di Filippo
Abraham Rodriguez, Jr.
Steve Rasnic Tem
Past (Honorary) Members:
Louis Ferdinand Celine
Adolfo Bioy Cesares
Notice to any authors on my list who come across this post: drop me a line if you’d like to have your own, official NAA button, with all the perqs and benefits that implies.
And, in the meantime, don’t give up, don’t stop producing great work, refuse to cede the field to the hacks, “share-croppers” and pornographers plying their trade today.
We need you.
The barbarians are at the gate…
Photo by Sherron Burns
You know that’s always the case. When I’m hard at work, the last thing I think about is composing another blog entry. Don’t get me wrong, you folks are great, love hanging out with you, but writing, the creative act…well, that’s my lifeblood. My raison d’être.
This time, yes, there’s been creativity, a new short story…but, in all honesty, I’ve been devoting most of my time and energy to promoting Disloyal Son. With the hundreds, thousands of books being released every month, how do I draw attention to a solid, literate novel that anybody with two neurons to rub together will love? How do I compete with shapeshifter erotica and zombie porn and glorified fan fiction? Well, first of all, I send out review copies. Lots of review copies. To the major newspapers, mystery magazines, selected bookstores. Along with promo material and fliers that we agonize over, striving to come up with the most enticing wording. Again, trying to separate this book from the herd. The dung pile.
Good God, there are a lot of terrible books out there. Not just “self-published” either. The traditional publishers apparently believe the vast majority of contemporary readers (especially women) have the I.Q. of brain-damaged marsupials. If you’re looking for a quality book to read this summer, good luck. The trads no longer have any interest in cultivating authors, helping them find their voice and develop as artists. They’re staffed by corporate drones who merely seek “product”, mass market releases—swiftly excreted, endlessly repeated. Passionless, derivative, facile, inept.
You want to know the difference between my approach to writing, as opposed to just about everyone else’s? I care. I respect language, the traditions and legacy of literature. I treasure a well-constructed sentence and expend enormous efforts honing and shaping my work. I’m a freak when it comes to editing—meticulous to the point of, well, insanity. While many of my colleagues seem content with one or two drafts, getting their slop out as soon as possible, I drag out the process of creation to the extent that completing a short story takes weeks and a novel like So Dark the Night required over three years before I was finally satisfied and released it. And that was working on it full time, every single day.
Writing is not a craft to me, it’s an art. There’s a difference. A big difference. Most scribblers can’t make that leap. I can. Every single one of my books is intelligent, challenging, innovative; none conform to expectations or fall back on formula. I try to get that across to readers, reviewers but it’s hard. They see that Black Dog Press is my imprint and right away start thinking “this is more self-published crap”. Dismissing me out of hand. Never giving me a fair shot.
I defy anyone to read the first 5-10 pages of one of my books, choose whichever you like, and then stop. By that point it will no longer be a question of the origins of the book, the circumstances of its publication—you’ll be too caught up in a great read. Of that, I am 100% certain.
Reviewers have written about the element of surprise in my books and stories and I think that’s key. When you’re reading one of my tales you have no idea how it’s going to end or what’s coming next. I love pulling the rug out from under you, leaving you in a whimpering heap. Never saw that coming, did you?
That quality is very much in evidence in Disloyal Son. It’s a mystery, within a mystery (and then some). The truth revealed in bleeding layers. If you give it a chance, it will be the best book you read this summer, maybe this year. And I don’t need to buy a four-star Kirkus review in order to know that.