But, as I’ve said before, if I’m not blogging I’m undoubtedly at work on some project that is utterly consuming me.
In this case, it’s actually three projects.
I should explain.
Last year I was supposed to release a collection of short stories with urban settings called Electric Castles. But that one sort of got over-taken and set aside when I wrote and released an e-book of topical and controversial non-fiction material titled Mouth: Rants and Routines.
I’ve gone back to work on editing the stories in Electric Castles...but I’ve also been assembling a collection of new poetry as well as making additions to Notebook, a compilation of thoughts, reflections and meditations I’ve been gathering for nearly ten years.
The order of publication is: Electric Castles in June-July, 2020, Notebook in 2021 and the poetry collection in 2022 (I have a tentative title for that one, just not willing to share it yet).
Putting the finishing touches on Electric Castles has been time consuming and intense (my approach to editing obsessive and exhausting), especially the last tale in the book, a 50-page, 12,000+ word novelette. Still pondering a cover and hoping to nail that down soon. A couple of possibilities, including some of my own visual efforts.
* * * *
I realized recently that it’s now been a decade since I rebooted my Black Dog Press imprint. It sort of went into hiatus after the release of The Reality Machine in 1997. PS Publishing (U.K.) published my book Righteous Blood in 2002 and I retained some hope that finally I would be able to find presses out there that would provide a venue for my writing.
That turned out to be wishful thinking and by 2008, I’d had enough. I wrote up a venomous press release and sent it out to a couple of writing forums, announcing I was tired of playing the game, submitting work and waiting sometimes YEARS for editors/publishers to grace me with a response. Fuck that and fuck them. Basta!
Shortly thereafter, I started this blog and began posting big chunks of material, short stories and novel excerpts that thousands of people read and downloaded.
But I still wanted print versions of my books and that meant familiarizing myself with POD (print on demand) technology (and terminology) and in 2010, I published my first Black Dog Press offering in 13 years, my occult thriller So Dark the Night.
I was back, with a vengeance. Since then, I’ve produced a dozen titles, doing my best to satisfy my small but vocal cadre of readers.
The indie world is the place for me and I have permanently (I think) set aside any notion of commercial success or mainstream acceptance.
I hope those of you who are familiar with my oeuvre will continue to support this eccentric venture of mine and that new readers will drop in and discover an author who defies expectations and subverts preconceptions, creating wholly original and provocative titles for those who love challenging, literate books, short stories or poetry.
Welcome to Black Dog Press.
Pull up a chair, make yourself at home.
There’s a lot to see here and we’ve got all the time in the world.
You knew I had to be up to something and you were right.
A month between posts? C’mon, you know me better than that.
This summer has been my most productive, writing-wise, in several years. It’s like the taps were turned on again and I’ve been writing with all my focus and concentration, feeling the juices flowing again.
Two, count ’em, two long stories since June, quite a few poems, a short prose piece that’s one of the best things I’ve written in quite awhile…
And everything registering strongly on the aesthetic Richter Scale—nothing slight or inconsequential. Intelligent, literate efforts, not pandering to any school or taste.
I haven’t lost a fucking step.
Oh, and I’ve started work on a new novel. Well, not quite a new novel—I’m completely overhauling a 250-page manuscript I originally conceived around 2002. If I had to guess, I’d say I’m looking at 12-15 months worth of revisions, so you shouldn’t expect to see that one in print until, ballparking it, mid-2019. No teasers, except that it references a classic Victorian thriller and will be darker and more horror-related than some of my recent work.
But fear not, impatient readers, I shall be releasing not one but two full-length efforts in 2018: first, The Algebra of Inequality and Other Poems, a selection of verse culled from the past five years. The title is nicked from a line in a Don Barthelme short story that caught my eye. Ol’ Don had some zingers.
I know poetry is a hard sell to some folks but I believe it gives me the opportunity to address profound philosophical and spiritual and existential questions in the most spare, personal, unforgiving literary format. Poetry permits no artistic missteps—it really is like walking a tightrope.
And there will be (drumroll please) a new short story collection next year, Electric Castles: A Book of Urban Legends. Original tales, all centered around everything magical and terrifying about cities, near and far, real and imagined. Killer stories, spanning just about every genre, guaranteed to amaze, disturb and warp your puny perceptions and sensibilities. Consensual reality? What the hell is that?
Both books will feature, as per the custom here at Black Dog Press, gorgeous cover art and will be professionally formatted and bound. There will be an e-book version of Electric Castles, still mulling it over re: the poetry. Poetry is so unique and personal and analog…does it really belong on a tablet or phone screen?
Lots of writing and revisions in the months ahead, some highs and lows, good days and days when, as they say, “the bear gets you”. All part of the creative process: painful and terrifying, but also exhilarating and inspiring. No doubt you’ll be reading something of my triumphs and travails here…and I hope it will serve to remind you that the writing life is not easy and requires a great deal of courage and fortitude. Perseverance and sheer guts get you a lot further in any profession than mere talent. Surely you know that by now.
Some mornings I can’t imagine facing that page again.
And yet I do.
That’s the difference between an author and a poser.
I’ve said it before and I’ll say it again: for real writers, girls and boys, every fucking month is “National Novel Writing Month”.
You heard it here…
Photos by Sherron Burns
Sale copies of Sex & Other Acts of the Imagination have arrived.
As you can see from the picture below, we’re already filling orders—and I’m happy to personally inscribe books for that picky literature buff on your Christmas shopping list.
You’ll find ordering info here.
And there’s still plenty of time until Christmas…
Yesterday was my birthday so, devious creep that I am, I leaked a cover shot of my next book to a few select friends and then, later that day, allowed Sherron to post it on my Facebook page.
So, now that the cat’s out of the bag and clawing up the furniture, here’s Chris Kent’s stunning cover for Sex & Other Acts of the Imagination. Chris has been part of the creative team since So Dark the Night and his covers always manage to capture the essence of the book in question.
Is this his best one yet? Drop me a note with your opinion.
In the meantime, kids, feast your eyes on this (click on image to enlarge):
Release date: November 20, 2014
I looked up from my desk a moment ago and watched another leaf begin its slow, stately death spiral to the ground below. The end of August coming up soon, the Labour Day weekend approaching; the nights have been cooler and we’ve been keeping an eye on the temperature in case frost threatens our tomato plants, which have been slow to ripen this year and still need a couple of weeks before harvesting.
I’ve been trying to keep up with the yard work, get outside as much as I can, stay active. My sedentary lifestyle isn’t conducive to good joints and sound posture. Not too great for the heart either, I’m guessing (though I haven’t had any trouble on that count yet, knock wood). As I get older, I have to make more of an effort to maintain my general fitness, monitor what I’m putting into my body and all that. Except the other day I took my bike out for a spin and ended up pulling a muscle in my lower back about two hundred yards from home. Not a bad strain, it turns out, but I hadn’t exactly been exerting myself at the time and I’d done my usual stretching that morning—what gives?
It’s called “middle age” and I’d better learn to deal with it and stop all this raging against the “dying of the light”. I’m told by venerable friends and acquaintances it won’t do any good. Aging with dignity, that’s the important thing. That and finding the right kind of underwear.
So much for the wisdom of our “elders”.
But as I hobble about this weekend, a cold pack strapped to my back with the sash off my bathrobe, I feel nothing but gratitude for a summer well spent.
It wasn’t all work and I did some traveling (not much), visiting friends and family. Fishing, sight-seeing…no complaints on that count. Even managed to take in a few films, read some books. Pacing myself more than I used to.
But I have to say the progress I’ve made on two separate projects since the beginning of June gives me my greatest feeling of accomplishment and satisfaction.
My short story collection Sex & Other Acts of the Imagination is now finished and ready for production. Sherron completed her proofreading last week and I’ve tapped in all the necessary changes and corrections. I’ve contacted my production and design folks, inquired as to their availability—looks like it will be my usual, reliable crew.
Hoping for a pre-Christmas release of Sex and will get you a sneak peek of the cover ASAP.
Meanwhile, my novel project also proceeded by leaps and bounds this summer, to the extent that I have no doubt I’ll be able to meet my self-imposed release date of April 1, 2015. Sherron also read a rough cut of the novel and, well, I don’t want to blow my own horn but let’s just say she enjoyed it immensely and leave it at that. Everything’s looking very, very good. I’ll be writing more about that book in the coming weeks (I know, up until now I’ve kept it tightly under wraps).
So the next six-eight months bode well: two excellent, book-length projects due for release and new work also on the horizon. A great way to celebrate (in 2015) my 25th year as an independent publisher and my 30th as a professional author.
It feels like I’m in a creative “zone” right now. I don’t want the spell to be broken, the magic to end.
Please, keep those words coming…
I’d assembled a “Best of…” collection of tales and spent more than a year trying to find a publisher for it. All of the stories in that collection, titled Sex & Other Acts of the Imagination, had been previously published, some in pretty prestigious publications. A couple had aired on CBC Radio and I’d even received a generous grant from the Canada Council that helped pay for writing part of the book.
See, the widely held view is that single author short story collections, regardless of the stature of the writer, just don’t sell. Sadly, I can tell you from personal experience that this is not an urban legend, for some reason contemporary readers shun the short story format. God knows why. Regardless, publishers tend to shy away from anthologies and such and my little offering was no exception.
“These stories are well written but as you know in today’s marketplace short story collections do not attract significant sales, etc….”
Heard that one a number of times.
But, curiously enough, the one sentiment repeated over and over again was this: good writing, exciting plots and themes, but we don’t publish this type of thing.
What exactly was “this type of thing”?
My own bizarre concoction, a spicy stew of science fiction, horror, fantasy and mainstream, literary prose. A mash-up of every genre under the sun, defying categorization and safe niches. Which didn’t help matters. As far as Canadian presses were concerned anything with the slightest taint of genre was out—more than one Canuck editor gave me the impression that my stories weren’t, well, Canadian enough, didn’t conform to some weird, unwritten cultural checklist.
And as far as the Americans and Brits were concerned, I was a young, emerging writer, no following, and while my work showed originality and creative spark, it wasn’t worth risking a significant investment of time and resources.
So my book was effectively dead in the water.
But I couldn’t help thinking about a fellow I’d heard about out east, a guy who’d made it his mission in life to stick a pin in the Canadian publishing industry and, in general, make a nuisance of himself. Crad Kilodney’s best stunt, in my view, was submitting classic stories by Kafka and Hemingway and others to a national literary contest and then publicly embarrassing the judges and administrators for failing to recognize their literary merit.
Crad, understandably, found it difficult to place his work so he started publishing it himself and selling it as limited edition chapbooks on the streets of Toronto. My wife brought me back a copy of one he dubbed Bang Heads Here Suffering Bastards in the late 1980’s and I was immediately impressed by the author’s chutzpah and creative passion.
When my Sex collection was passed over by every publisher north of the Rio Grande, I recalled Crad and his fuck you, DIY mentality and thought to myself, shit, I can do that too.
It took me months to put it all together, find the right cover art, a printer and bookbinder, and the final price tag was (gulp) just over $3000 to print 500 copies. Money I did not have.
Fortunately, the entire print run sold out in about five months.
It was astonishing.
I think my old chum Mark Ziesing sold at least 70 copies through his small mail order company alone. The Regina bookstore I worked for at the time also moved a lot of copies and every time Sherron and I travelled somewhere, we always took a box with us, nabbing consignment sales in Vancouver, Edmonton, Calgary and Toronto.
There were no returns.
The crowning moment was when our bookstore staff had dinner with Canadian literary icon Timothy Findley. Once he heard I had a new book out, Tiff generously asked to see it. After reading it, he sent me the most beautiful blurb possible. I was unable to use his kind words on that edition of Sex and promised him I would never employ them on any other title except the one for which they were intended. And so when I re-release Sex and Other Acts of the Imagination on its 25th anniversary early next year (2015), it will finally feature Tiff’s warm praise:
“This is a book of hot dreams and frozen nightmares. It floats on a plane few writers achieve, where the imagery is raw but the insights are tender. The people in these stories will stay with me for a long time to come.”
Thanks, Tiff. You dear, sweet man.
I’ve published a couple of short chapbooks and a collection of novellas (Righteous Blood) through other small presses but I have to say none of those experiences came close to the joy I felt writing, editing and publishing my own work. No middle men, no editorial interference, no bullshit. Controlling all the creative and aesthetic decisions, right down to the choice of font and margins.
I was hooked.
I released books through my imprint, Black Dog Press, in 1994, 1995, 1997…but that last title (another short story collection!), The Reality Machine, cost me close to $7000 and put a serious strain on our finances. It took us awhile to recover and then I embarked on a 3 1/2 year odyssey that became, eventually, my occult thriller So Dark the Night.
The completion of that novel coincided with the arrival of print-on-demand publishing, the biggest change to the book biz since Joe Gutenberg opened his first copy shop in Mainz. Thanks to POD, publishing on a smaller scale has become much more affordable, plus I now have access to the international marketplace I’ve always coveted. Physical book or digital version, it’s up to my readers.
Since the 2010 publication of So Dark the Night, this press has released 5 more titles, each of them professionally designed and formatted, featuring eye-poppingly gorgeous cover art. You’ll find them in my bookstore and, I think you’ll agree, they look as good as any offering you’ll come across in your favorite book store. The writing isn’t bad either.
So that’s the story behind Black Dog Press, my eccentric little publishing venture. Twenty-five years and eleven titles later (two more in the pipeline), and we’re still going strong.
I may never get rich but at least my work is out there, available to readers who seek prose that veers from the familiar and mocks the very notion of consensual reality. In this era of corporate publishing, a profit-mongering environment that encourages the proliferation of sub-literate, derivative fiction, independent presses like mine offer hope and inspiration to those of us who revere the printed word and refuse to kowtow to the mediocre and witless.
Thanks for your support over the years.
The best is yet to come.
Sorry. Geez. Talk about belated.
Several weeks since my last post and I offer no excuses, no rationale. Yes, I’ve been editing the third draft of my new novel, going through its 200+ pages over and over, shaping and paring, trying to find a consistent voice, a smooth, narrative flow. And, yes, my days are long and intense and my focus can be downright scary at times. That need to immerse myself (there’s no other word) in the world I’m building, basically from scratch. It’s important to envision that creation in as much detail as I possibly can so that it seems credible and fully formed. I know my readers are pretty discerning people.
You have to understand, at times like this, when I’m going full-bore on a project, it’s easy for the rest of Earth Prime to fade away…and that means all ties, all friendships, all responsibilities become, well, superfluous. Wish I could put it more nicely but that’s just the way it is. Sometimes in order to meet the demands of my work I have to become selfish and solipsistic…it’s one of the least attractive aspects of being a creative artist. When a project reaches this state, I literally have to take a leave of absence from my regular life and that can be hard on family, friends and, yes, my small circle of readers and blog followers.
The end result is a completed novel or short story but getting there, while still retaining contact with the people who mean the most to you…that can be a struggle.
I guess what I’m trying to say is be patient with me, know that I’m operating in the thrall of my Muse, my imagination racing, my brain clicking on all cylinders. If in the performance of my duties I’m negligent in terms of my worldly obligations, it is, for me, a necessary (even mandatory) state of affairs.
You want to know what life is like for a full-time, independent author?
Well, there it is.
In the pipeline…
Some publication news for you: as well as the novel, this year I’ll be working on a new edition of my very first book, a short story collection titled Sex & Other Acts of the Imagination. The collection was released back in 1990, the entire print run selling out in a matter of months. It’s virtually impossible to lay your hands on a copy of Sex and I’m going to address that by re-issuing it with a new cover, Introduction and Afterword. I’ll be formatting and correcting the manuscript this summer and will publish it through my Black Dog Press imprint either later this year or in early 2015 (the 25th anniversary of its original publication).
The new novel, meanwhile, is slated for a Spring, 2015 release.
Drop in for further updates as the year progresses.
Our youngest kid has now flown the coop and we are, officially, empty nesters. The house seems damn strange without our boys pounding up and down the steps, blasting music or bellowing at their video games in their basement hidey-hole. The silence, as they say, is deafening. But they’re both ready to be out in the world, anxious to be on their own. They’ll have their tough days, intervals when it seems like the whole universe has lined up against them. But they’ll make it. They’re tough and resourceful and bloody smart. Which gives them a leg up in any society.
So we begin 2014, Sherron and I, somewhat sorrowful, missing the lads but eager to get on with the next phase of our lives; back to being a couple again, exploring the world together, seeing where our dreams take us.
I’m fifty years old, as of last October, and that’s also made a difference. I thought any change or transformation would be largely symbolic but turning fifty combined with our sons’ departure has put a whole new slant on things. I feel like another man.
To start with, I realize that more than half my life is gone and if I’m lucky I could have twenty or twenty-five healthy years ahead of me (with my genetics, that might be pushing it). That’s not a lot of time. As a result, I’m not going to waste any of it on stupid discussions, movies, books, music, feuds or anything that doesn’t further my pursuit of wisdom, joy and matters relating to the spirit.
I did a considerable amount of writing in 2013 (not unexpected) but I also found myself exploring other media, employing a variety of means to express myself. As a result, I created more visual pieces than ever before: acrylic paintings, charcoal drawings, lots of photographs, ambient soundscapes, even a short film. Will this trend continue in 2014 or were all these non-literary ventures merely an aberration? Experiments, nothing more.
We shall see.
I know that for some time I’ve occasionally experienced a certain amount of frustration with the limits of language and wish to communicate via non-narrative, non-linear means. Abstraction invites collaboration, interpretation, input from the audience/viewer. The vast majority of my visual work frustrates literal-mindedness—the equivalent of Rorschach Tests, shapes demanding speculation and discussion.
Not for everyone.
Obviously, one of the high points of 2013 was the release of my short story collection Exceptions and Deceptions. The book features what I think is our best cover thus far and includes a batch of stories drawn from the past fifteen years, a couple of them previously unpublished and available nowhere else. Every time I glance up and see it on my shelf, I get a tingle. Fans of Philip K. Dick, Harlan Ellison, Jonathan Carroll, Neil Gaiman take note: this one’ll rock your socks off. Trust me.
Another fun experience was collaborating with my son Sam on an instrumental number which he then incorporated into a short film for Sherron’s “Agassiz” mask/puppet production, debuting later this month. Sam’s film is a gem and as soon as he uploads it to YouTube or Vimeo, I’ll post a link.
Let’s see, what else…in November I was astonished to learn my volume New & Selected Poems (1984-2011) was shortlisted for a ReLit independent press award. My bizarre verse? Really?
Managed to read one hundred books in 2013, though at one point I didn’t think I’d make it to #80. A big surge in November-December put me over the top. The 100th book, completed December 30th? Italo Calvino’s Under the Jaguar Sun. What a way to finish off the year.
I’ve been noticing how much my reading tastes have changed over the past number of years—hardly any genre stuff these days, except for a bit of SF and the odd mystery/thriller by LeHane or Philip Kerr. Much less fiction, overall. Gimme a fat, juicy history book any day.
We don’t have cable, so we don’t watch television. Have no idea what shows are popular on the boob tube and couldn’t care less. Ditto with movies. By far the best movie I saw last year was Peter Strickland’s “Berberian Sound Studio”. Haven’t heard of it? Tsk, tsk. Grab it off NetFlix, buy or rent it from Amazon, do not miss this flick.
Music? The new Queens of the Stone Age, as well as Nine Inch Nails (live), Steven Wilson, Mogwai, Benjamin Britten and Gene Autry’s Greatest Hits. Keepin’ it diverse.
Looking ahead: I’ll be working on my new novel, as well as prepping…ah, well, mustn’t give too much away. Let’s just say that Black Dog Press has a number of releases pending in the next eighteen months and there will be further information announced in the days to come.
All the best in 2014.
Thanks, as always, for dropping by and hanging out awhile.