I’ve put together a short roster of the best of the best of these queries and my responses (though, in some cases I’ve pared the original question down and added more detail to my replies).
Here are the top ten:
What’s the difference between calling yourself a “self-publisher” and an “independent author”?
In a word, talent. Oh, and professional credentials. Oh, and the seriousness with which you approach your craft.
Before I started my own imprint back in 1990, I’d already received a Canada Council grant and published a good number of tales in various venues around the world. I toiled every day on my writing and though the money was almost nonexistent, I didn’t care, it was all about becoming the best writer I could possibly be. I was focused, obsessed with my work. I created Black Dog Press because I detected a dearth of vision and intelligence among the editors I was dealing with and since I’m the kind of guy who doesn’t take rejection lying down, I decided to empower myself, rather than accept the verdict of dingbats.
Most self-publishers, however, are hobbyists, part-timers, dolts with little knowledge of what entails good writing, they merely want to see their name on a book, regardless if it’s any good. They don’t labor over their work, endlessly polishing and editing, growing and developing as artists. Such notions are beneath them. Some have the decency to confine themselves to giving copies of their amateurish efforts to friends and family and I have no bone to pick with them. It’s the morons who’ve written a memoir about their so-called interesting life or a spin-off novel lifted from some popular franchise and are deluded enough to believe they are “real” writers that raise my ire.
Why are you such an asshole?
Yes, I’ve received a number of communications along these lines, usually from the aforementioned amateurs and wannabes. They demand that I take their vampire porn or zombie splatter or “poor me” memoirs seriously and resent the notion of applying professional standards (y’know, like spelling, syntax, grammar) to their abominable tripe.
To them, there’s no difference between great writing and garbage, since such standards are arbitrary and unfair (usually they have trouble with big words like “arbitrary”, but I digress). As I’ve written previously, I have nothing against aspiring writers, beginners, folks who genuinely care about the printed word and want to create the best work they can. It’s the ones who foolishly believe their 10-book vampire series (released as super cheap/free e-books to inflate their “sales”) is imbued with true genius that I take exception to…and vilify accordingly. They read shit, they watch shit, they write shit. I dismiss (and diss) them out of hand. They are part-time turd-peddlers and pretenders and they deserve nothing but contempt. And I give it to them…in spades.
How much money do you make?
Seriously? Dude, you think I’m gonna open my bank records to you? Let’s just say that if you got into writing (or any art) for the money, you’re a fucking prostitute, and I mean the kind of gutter trash that solicits around public toilets and drops to their knees at the slightest indication of praise or approval.
I doubt I’ll ever become rich from my writing but a number of my favorite writers lived and died in poverty and anonymity, yet their body of work out-lives them and most of their popular contemporaries. I’m in this for the long haul and will trust posterity to determine my stature as an artist. I’ve stated on numerous occasions that I’d rather have a million readers than a million dollars and anyone who knows me is well aware that I’m not joking or resorting to hyperbole. I’m an author’s author…and it’s unlikely that the fuckwits who read Fifty Shades of Grey will have much affinity for my work.
No regrets there.
You’ve been called an “elitist”–do you agree?
Yup. No question. I place high standards on my work, set the bar higher and higher with each new effort. I don’t confine myself to formula and refuse to cater to anyone’s expectations. Sales figures (see above) are irrelevant, the most important thing is releasing a work that is a celebration of the best in literature, a novel, poem or short story that pushes me to the limits of my abilities and sometimes beyond.
I write with intelligence and insight and I demand that from every film, book or artwork I see. I don’t waste my time on “popcorn movies”, mind candy or escapist entertainment. I feed my spirit and get inspired by innovative, original work.
Are you a horror writer? A fantasy or science fiction writer? How do you categorize yourself?
Well, I don’t. Not really. I utilize some of the devices and tropes from all three of the genres you mentioned but only to further the aims of my storylines. I suppose you could also call me a fabulist or surrealist…but I think any niches or slots are distinctly unhelpful when it comes to work as singular and unusual as mine.
I’m a literary writer, that’s the way I perceive myself. As for the rest…
I really think you’d like my writing. Can I send some of my stuff your way to critique?
No. Absolutely not. It’s not my role to be your editor or ego booster. Real writers write and that’s that. A thousand rejections and the opinions of others should have absolutely no effect on you if you’re truly devoted to the calling. Nabokov talked about “writing in defiance of all the world’s muteness” and that’s advice you should take to heart. Write and write and write. If you need feedback, there are plenty of opportunities for that through local writing groups and guilds and God knows how many on-line venues where up and coming writers gather to talk turkey and swap story samples. But leave the pros alone. We have our own schedules, deadlines and pressing projects. Don’t annoy us with your self-centered, egotistical lobbying.
You seem to genuinely hate traditional publishing and your harsh language must have drawn their attention. Don’t you worry about ruining your chances of becoming a truly famous writer?
Yes, I’ve heard through the grapevine that some of my remarks have made poobahs in publishing extremely cranky with me. How dare I question their intelligence, their professionalism, their psychopathology and their integrity? But, see, I’ve dealt with these bird-brains (editors, agents, publishers) for over twenty years and as I wrote in a recent post on RedRoom, I despise the vast majority of them. I hope I run into a few of the biggest arseholes before my arthritic hands wreck my chances of punching their fucking lights out. A substantial proportion of the people who decide what books get published are too stupid to be trusted with sharp objects and should be, if there was any justice in the world, employed as assistant managers of a fast food restaurant, a job more befitting their low intelligence quotient and lousy inter-personal skills.
As for being famous…it just isn’t a priority. Obviously.
I want to become an independent author too–how do I get started?
First of all, I wish you’d take a long, hard look at your work and decide, as objectively as possible, if you have anything to contribute to literature. Is your writing really that unique and unprecedented? Is it even literate? Have you spent years learning the craft of editing, ruthlessly paring and polishing your poetry/prose until it shines? There are quite enough bad, self-published books out there, why contribute to the dung pile?
But, really, if you’re determined, there are sites you can go to for advice (a couple are on my blog roll). A good ol’ Google search under “independent writing and publishing” will probably take you somewhere helpful. It’s a long, arduous process and the learning curve can be steep. And once your book is published, then you’re faced with marketing and distribution—and good luck getting your self-published offering into most book stores. I still find it a chore and I’ve been at it a long time.
Why are you so jealous of writers more successful than you (i.e. Amanda Hocking, Stephenie Meyer, E.L. James)?
Jealous of…? Er, no, I’m not jealous of rich writers or sub-literate authors who manage to score a book deal. Literary whores with the skill set of a Grade Eight diarist and the aesthetics of a village idiot. Personally, I’m envious of scribes whose talent leaves me gasping like a fish washed up on some sandy shore. I’m referring to giants like Thomas Pynchon, James Crumley, Don DeLillo, Annie Dillard—artists of the highest caliber, whose books will stand the test of time. I labor in the shadow of greatness. Daunting? You betcha. But it’s a challenge I accept every time I enter my home office, sit at my desk and commence another day of work. I crave to be an author of stature. And that has nothing to do with the size of my bank account.
I sense you’re a lonely, bitter, isolated man. Is that an accurate representation?
I’m still chuckling over this one. I don’t think the correspondent in question was trying to be offensive or “trolling”, merely curious and so my response was quite tolerant (for me).
I’ve been a loner all my life and require little in the way of companionship. I belong to no professional writing organizations, nor do I seek out other authors to befriend or chat up. I’ve been happily married for over 20 years and have two teenage sons. Between my work and my family, there’s little time left over for leisure or company. It’s just never been a priority to me. I have a small, intimate circle of friends who are fiercely loyal and who have been around me long enough to inspire my affection and trust. They understand my hectic schedule and introspective lifestyle and place no demands on me. But they also know I’m the kind of guy who’d walk through a wall of fire for a loved one and would defend a pal to my dying breath. It’s the Scotch/Irish in me, I suppose. The rage, the violence…and the passion I bring to every aspect of my life. Those who know and love me respect that and tolerate the long silences that are part and parcel of my calling.
As for everyone else…who cares what they think or believe? They don’t know me and I don’t spare a moment for their views and opinions.
* * * * *
Thanks for the questions and feedback. My email address is email@example.com.
Always pleased to hear from you…
Time to take that next step and address some of the stagnation that I believe has crept into my writing, seek out new modes of expression.
First of all, that means upgrading the technology I’ve been working with. My old Mac no longer made the nut; it was slow and lacked sufficient memory. Obsolete. It had to go. It was an emotional parting. For months Sherron has been pestering me to look into purchasing another computer but the price tag always made me balk. I’m a Mac guy but, let’s face it, there are PCs out there that could perform adequately for, literally, half the price of a new Mac. But…they weren’t Macs and I had a very bad experience with an IBM computer when I first made the leap to the digital age 20 years ago and I’ve never forgotten it.
We pondered on “settling” for a Mac mini but after consulting folks like our pal Rob (who knows more about computers than I ever will), we went for the pricier iMac. More room to grow and expand, better suited for some of the projects and tasks I had in mind.
A couple of Sundays ago, I bowed to the inevitable and we made the purchase on-line.
Then came the hard part: saving the files from my old computer and starting the shutdown process.
That ancient Mac served me well and I don’t know how many millions of words I tapped into it. Never any big glitches and nothing mechanically went wrong in the twelve years I used it to foist my weird visions on the world. Replaced a couple of keyboards that I battered to death, that’s about it.
My mourning period ended abruptly, however, when my new iMac arrived.
Within fifteen minutes of accepting the box from the delivery dude I was up and runnng. That’s hookup, internet, everything. And I am, as previously mentioned, a complete mechanical moron. That’s why I love Macs. Steve Jobs, I could kiss you!
I’ve spent the last couple of days getting acquainted. This machine has everything I could ask for, including the capability to make and edit movies, compose music, record readings and podcasts, desktop publish…cripes, I could put a man on Mars with it if I had the know-how and a trillion bucks.
I’ve promised myself I will be patient, recognizing that there’s a learning curve for a technophobe like me when dealing with a machine of this complexity. Fortunately, Sherron and both my sons are very adept using iMovie and Garageband and many of the other features this Mac offers so I’m hardly on my own, learning by trial and terror. Although that will be part of it too: doing something stupid and learning from my mistakes. So be it.
I. Am. In. Love. Utterly smitten with the promise this machine represents. A fresh start and an opportunity to explore other disciplines that have long held a fascination to me. And you’re invited along for the ride. My first efforts will be crude, unsophisticated, amateurish but I’ll get better, I promise. And I will share the results of my experiments with you, show you my successes and not shy away from relating my disasters. Bear with me, tell me about your own experiences, offer advice…I’m a slow learner but a stubborn one too. I won’t give up until I discover for myself the limits of this machine (if there are any), fusing it with my fertile, perverse imagination to create some original and daring work. That’s my second promise.
And as long as we’re on the subject of new beginnings, here’s my third vow: to interact more directly with people who find and comment on this site. Previously, I’ve maintained the policy of letting my essays speak for themselves and not responding publicly to those who have left comments, positive or negative, on Beautiful Desolation. I felt I’d said my piece in my essays and commentaries and to rebut a reply from a reader would be, to some extent, unfair. If I thought a certain question had to be addressed or a troll warned off, I did so through private communications with those individuals. Not any more. You wanna talk to me, offer praise or brickbats, I’m here.
I hereby declare from this post (#87) onward, I’ll do my best to answer your questions and debate and engage with readers directly and honestly. These discussions will be as well-mannered, fruitful and polite as I can make them…but I will continue to leave the “moderation” function on to weed out the nutbars and those who believe they can hide behind the anonymity of the internet to say scurrilous, despicable things with absolute impunity. The kind of slime Trent Reznor refers to in a recent post on some of the bizarro on-line communities that exist out there. My thanks to Mike Cane for sending me a link. Have a look, it’ll make your skin crawl.
The vast majority of people who pop by here are nothing like the douchebags Reznor describes–they’re curious, seeking alternative sources of fiction, perhaps drawn by my reputation for being, ah, outspoken, something of a maverick, an outsider who seems perfectly content with that status. My work, my life has nothing to do with perpetuating the status quo or offering warm, fuzzy words of reassurance. I’m here to upset your equilibrium, destroy carefully held preconceptions, rip you out of that comfort zone you’re happily immersed in.
I won’t dummy down my writing, compromise my talent or thrust my fists into soft, velvet gloves. That wouldn’t be doing me, you or anybody else any favours. I’ll present what I know, what I’ve experienced, what I’m thinking “with the bark on”, as FDR liked to say. The truth, the whole truth and nothing but the truth.
So help me God.
Today, a new page has been turned. Welcome to Beautiful Desolation, Phase II.
Let me hear from you and tell me what you think.