I’ve put together a short roster of the best of the best of these queries and my responses (though, in some cases I’ve pared the original question down and added more detail to my replies).
Here are the top ten:
What’s the difference between calling yourself a “self-publisher” and an “independent author”?
In a word, talent. Oh, and professional credentials. Oh, and the seriousness with which you approach your craft.
Before I started my own imprint back in 1990, I’d already received a Canada Council grant and published a good number of tales in various venues around the world. I toiled every day on my writing and though the money was almost nonexistent, I didn’t care, it was all about becoming the best writer I could possibly be. I was focused, obsessed with my work. I created Black Dog Press because I detected a dearth of vision and intelligence among the editors I was dealing with and since I’m the kind of guy who doesn’t take rejection lying down, I decided to empower myself, rather than accept the verdict of dingbats.
Most self-publishers, however, are hobbyists, part-timers, dolts with little knowledge of what entails good writing, they merely want to see their name on a book, regardless if it’s any good. They don’t labor over their work, endlessly polishing and editing, growing and developing as artists. Such notions are beneath them. Some have the decency to confine themselves to giving copies of their amateurish efforts to friends and family and I have no bone to pick with them. It’s the morons who’ve written a memoir about their so-called interesting life or a spin-off novel lifted from some popular franchise and are deluded enough to believe they are “real” writers that raise my ire.
Why are you such an asshole?
Yes, I’ve received a number of communications along these lines, usually from the aforementioned amateurs and wannabes. They demand that I take their vampire porn or zombie splatter or “poor me” memoirs seriously and resent the notion of applying professional standards (y’know, like spelling, syntax, grammar) to their abominable tripe.
To them, there’s no difference between great writing and garbage, since such standards are arbitrary and unfair (usually they have trouble with big words like “arbitrary”, but I digress). As I’ve written previously, I have nothing against aspiring writers, beginners, folks who genuinely care about the printed word and want to create the best work they can. It’s the ones who foolishly believe their 10-book vampire series (released as super cheap/free e-books to inflate their “sales”) is imbued with true genius that I take exception to…and vilify accordingly. They read shit, they watch shit, they write shit. I dismiss (and diss) them out of hand. They are part-time turd-peddlers and pretenders and they deserve nothing but contempt. And I give it to them…in spades.
How much money do you make?
Seriously? Dude, you think I’m gonna open my bank records to you? Let’s just say that if you got into writing (or any art) for the money, you’re a fucking prostitute, and I mean the kind of gutter trash that solicits around public toilets and drops to their knees at the slightest indication of praise or approval.
I doubt I’ll ever become rich from my writing but a number of my favorite writers lived and died in poverty and anonymity, yet their body of work out-lives them and most of their popular contemporaries. I’m in this for the long haul and will trust posterity to determine my stature as an artist. I’ve stated on numerous occasions that I’d rather have a million readers than a million dollars and anyone who knows me is well aware that I’m not joking or resorting to hyperbole. I’m an author’s author…and it’s unlikely that the fuckwits who read Fifty Shades of Grey will have much affinity for my work.
No regrets there.
You’ve been called an “elitist”–do you agree?
Yup. No question. I place high standards on my work, set the bar higher and higher with each new effort. I don’t confine myself to formula and refuse to cater to anyone’s expectations. Sales figures (see above) are irrelevant, the most important thing is releasing a work that is a celebration of the best in literature, a novel, poem or short story that pushes me to the limits of my abilities and sometimes beyond.
I write with intelligence and insight and I demand that from every film, book or artwork I see. I don’t waste my time on “popcorn movies”, mind candy or escapist entertainment. I feed my spirit and get inspired by innovative, original work.
Are you a horror writer? A fantasy or science fiction writer? How do you categorize yourself?
Well, I don’t. Not really. I utilize some of the devices and tropes from all three of the genres you mentioned but only to further the aims of my storylines. I suppose you could also call me a fabulist or surrealist…but I think any niches or slots are distinctly unhelpful when it comes to work as singular and unusual as mine.
I’m a literary writer, that’s the way I perceive myself. As for the rest…
I really think you’d like my writing. Can I send some of my stuff your way to critique?
No. Absolutely not. It’s not my role to be your editor or ego booster. Real writers write and that’s that. A thousand rejections and the opinions of others should have absolutely no effect on you if you’re truly devoted to the calling. Nabokov talked about “writing in defiance of all the world’s muteness” and that’s advice you should take to heart. Write and write and write. If you need feedback, there are plenty of opportunities for that through local writing groups and guilds and God knows how many on-line venues where up and coming writers gather to talk turkey and swap story samples. But leave the pros alone. We have our own schedules, deadlines and pressing projects. Don’t annoy us with your self-centered, egotistical lobbying.
You seem to genuinely hate traditional publishing and your harsh language must have drawn their attention. Don’t you worry about ruining your chances of becoming a truly famous writer?
Yes, I’ve heard through the grapevine that some of my remarks have made poobahs in publishing extremely cranky with me. How dare I question their intelligence, their professionalism, their psychopathology and their integrity? But, see, I’ve dealt with these bird-brains (editors, agents, publishers) for over twenty years and as I wrote in a recent post on RedRoom, I despise the vast majority of them. I hope I run into a few of the biggest arseholes before my arthritic hands wreck my chances of punching their fucking lights out. A substantial proportion of the people who decide what books get published are too stupid to be trusted with sharp objects and should be, if there was any justice in the world, employed as assistant managers of a fast food restaurant, a job more befitting their low intelligence quotient and lousy inter-personal skills.
As for being famous…it just isn’t a priority. Obviously.
I want to become an independent author too–how do I get started?
First of all, I wish you’d take a long, hard look at your work and decide, as objectively as possible, if you have anything to contribute to literature. Is your writing really that unique and unprecedented? Is it even literate? Have you spent years learning the craft of editing, ruthlessly paring and polishing your poetry/prose until it shines? There are quite enough bad, self-published books out there, why contribute to the dung pile?
But, really, if you’re determined, there are sites you can go to for advice (a couple are on my blog roll). A good ol’ Google search under “independent writing and publishing” will probably take you somewhere helpful. It’s a long, arduous process and the learning curve can be steep. And once your book is published, then you’re faced with marketing and distribution—and good luck getting your self-published offering into most book stores. I still find it a chore and I’ve been at it a long time.
Why are you so jealous of writers more successful than you (i.e. Amanda Hocking, Stephenie Meyer, E.L. James)?
Jealous of…? Er, no, I’m not jealous of rich writers or sub-literate authors who manage to score a book deal. Literary whores with the skill set of a Grade Eight diarist and the aesthetics of a village idiot. Personally, I’m envious of scribes whose talent leaves me gasping like a fish washed up on some sandy shore. I’m referring to giants like Thomas Pynchon, James Crumley, Don DeLillo, Annie Dillard—artists of the highest caliber, whose books will stand the test of time. I labor in the shadow of greatness. Daunting? You betcha. But it’s a challenge I accept every time I enter my home office, sit at my desk and commence another day of work. I crave to be an author of stature. And that has nothing to do with the size of my bank account.
I sense you’re a lonely, bitter, isolated man. Is that an accurate representation?
I’m still chuckling over this one. I don’t think the correspondent in question was trying to be offensive or “trolling”, merely curious and so my response was quite tolerant (for me).
I’ve been a loner all my life and require little in the way of companionship. I belong to no professional writing organizations, nor do I seek out other authors to befriend or chat up. I’ve been happily married for over 20 years and have two teenage sons. Between my work and my family, there’s little time left over for leisure or company. It’s just never been a priority to me. I have a small, intimate circle of friends who are fiercely loyal and who have been around me long enough to inspire my affection and trust. They understand my hectic schedule and introspective lifestyle and place no demands on me. But they also know I’m the kind of guy who’d walk through a wall of fire for a loved one and would defend a pal to my dying breath. It’s the Scotch/Irish in me, I suppose. The rage, the violence…and the passion I bring to every aspect of my life. Those who know and love me respect that and tolerate the long silences that are part and parcel of my calling.
As for everyone else…who cares what they think or believe? They don’t know me and I don’t spare a moment for their views and opinions.
* * * * *
Thanks for the questions and feedback. My email address is firstname.lastname@example.org.
Always pleased to hear from you…
Why, it’s the cover art for the next release from Black Dog Press, my New & Selected Poems. Our pal Chris Kent concocted it in a fit of creativity that would’ve made Chip Kidd swoon. I was quite vague in my directions to Chris this time around. I wanted a minimalist cover, two blocks of color, no blurbs, no jacket copy beyond the title and author’s name. The colors couldn’t be garish but nothing neutral either (that must have been a head-scratcher). I supplied him with a photo taken in one of my jaunts and asked if it could somehow be incorporated.
Chris managed to decipher my thoroughly unhelpful suggestions and produce a cover that is dignified, restrained and gorgeous.
Another winner from the big man. Did he do a killer job or what?
I’ll have the interior (text) files off to my pal Daniel at Scribe Freelance in the next twenty-four hours…so I think it’s safe to say that New & Selected Poems will make its appearance somewhere around mid-July.
I have decided that, at least for the time being, my poetry collection will be offered in print form only. You heard right: no Kindle or e-book. To me, my book is an artifact, a throwback to another time when, to paraphrase Samuel Johnson, “the chief glory of every people arose from its authors”, an epoch when the printed word wasn’t used as a sanitary napkin by the likes of E.L. James and Stephenie Meyer.
If authors are no longer held in high esteem, then poets have fallen even farther. A great art form reduced to doggerel, greeting card sentiments and self-indulgent incontinence. Poetry used to be the conscience of civilization; now it is nothing more than tuneless Muzak.
My poetry comes from a special place and demands a lot from me, taking a personal toll while pushing me to my limits as a writer, insisting on exactly the right word, a certain, precise cadence. There’s no room for error in verse, each and every beat must be accounted for and a tin ear is quickly exposed. Courage is mandatory, a willingness to work without a net. It has a special status in my heart and soul and deserves special treatment.
There are something like 100 poems in this volume—that’s drawn from over 25 years of work. My selection process has been ruthless and, as a result, I think New & Selected Poems features my very best work, a roster of poems that are personal, shrapnel sharp and utterly merciless.
Make sure you browse the sample on my Scribd page…and if you like what you see, you’ll be able to order your personal copy next month. Watch for updates.
It will be available through this site (if you’re looking for signed copies), Amazon, Barnes & Noble, Powell’s…all the usual suspects.
Coming soon…and I’m as excited as an expectant father can be. Pacing ruts in the carpet, eying the clock, constantly patting my breast pocket, making sure the cigars are still there…
Right now there are, count ’em, three volumes from E.L. James’ vile, puke-stained series Fifty Shades of Grey at the top of the bestseller list.
Let me remind you folks: this “author” honed her chops on Twilight fan fiction and has, apparently, graduated at the head of her class when it comes to derivative, amateurish, abysmally written gutter trash. Reading the first five lines of any offering by Ms. James immediately reveals her paucity of skills, the crudeness of her prose.
I would never have believed it was possible that popular fiction could sink any lower than Stephenie Meyer…but then along came Amanda Hocking (ptui! ptui!) and, now, (God help western civilization) E.L. James.
Am I supposed to draw comfort from the fact that an unheralded talent can still score a lucrative contract from a venerable publisher? Should I holler and celebrate because at least two of these authors come from the independent/DIY/self-publishing world, same as l’il ol’ me?
Sorry, but that’s not the case. I’m embarrassed by the success of authors as horrible and sub-literate as James, Hocking, et al. I’m embarrassed to belong to a society where the printed word has become so devalued and compromised, this kind of crap is not only published but gobbled up by a public whose brains have gone soft and fatty from all the junk food we take in through our eyes, mouths and ears. We immerse ourselves in trash, refuse to task our minds with challenging artists and works, seek escapism the way a junkie craves the needle. The mind is a muscle and ours’ have gone flabby, resisting even the lightest exercise.
Video games, comic book movies, books written for an intended audience with a mental age of fourteen…all part of a decline, the barbarians at the gates garbed in corporate robes, enticing us with baubles, buying our delinquent souls with the equivalent of beads and flim-flam.
I shudder to think what the next step down the evolutionary ladder might be, how much lower literature can sink.
What comes after E.L. James?
That’s something too terrible to ponder…
This question has been much on my mind for the past while. I’ve been accused of being an “elitist” and what have you because I insist that if you write for the purpose of making money, seeking fame and fortune, you are little more than a whore. I have also been pretty clear that I have no interest in pursuing some big, fat publishing contract, nor do I give a tinker’s damn whether you’ve won a Hugo, an Edgar or the fucking Nobel Prize for that matter. Baubles and trinkets. Bullion and bullshit.
Kids, I’ve been offered the chance to write franchise novels (“Star Wars” or “Star Trek”) and told the agent involved to shove it. As far as I’m concerned, you do something like that, “sharecrop” someone else’s universe, you are off the artistic roll call. (Thanks, Bill, couldn’t have said it better myself.)
I don’t go to conventions, suck up to editors, try to flog my work to them like a door-to-door vacuum cleaner salesman.
I don’t shill myself by teaching writing workshops—such ventures help spread the abhorrent lie that good writers can be stamped out like fucking cookies. I’ve written about that in more detail here (the more delicate among you may have to avert your eyes at certain points in the essay).
Okay, so that’s what I don’t want…but what is my greatest aspiration as a writer?
To be the best. To push myself to the limit and produce work that breaks new ground, written in language so finely wrought it’s like reading through a score by one of the great classical musicians. Note perfect. I want to be held up there with the finest authors in the world and not be found wanting.
I have no interest in being average. A “decent” writer. Ugh. Better to be forgotten than instantly forgettable, which pretty much sums up most of the books being released these days.
Because I have chosen to go the indie route, I have automatically rendered my writing suspect in many people’s eyes. If I’m acting as my own publisher and printer that must mean my stuff is no good, rejected by mainstream places because it fails to meet their exalted standards. Which automatically begs the question: have you been in a book store recently, seen the kind of shit the traditional publishers are spewing out like a drunk’s partially digested lunch?
I expend an incredible amount of time and effort revising and polishing my work—my novel So Dark the Night took over three years to write (not including the research that preceded it). And I’m a full time writer. Imagine that. Day in and day out for 3+ years. (Shudder) But I knew I had a wonderful book, was confident that once it was finished and released, people would love it. And I was right.
But, again, because I’m not a self-promoter, I think I’ve hurt sales of both my novels. I even resisted sending out review copies, partially because I knew that no matter how good the books were, how professionally executed and bound, there would still be the stigma of the indie/self-published label. This despite a professional writing career spanning over 25 years, many publication credits, anthology appearances, critical raves. I haven’t sent copies to some of the famous authors I’m acquainted with, seeking their praise and approbation. There’s just something within me that balks at the notion. I want my books discovered, not read because of some kind of viral ad campaign.
So Dark the Night and Of the Night are superb literary efforts. They are sprinkled with genre elements (mystery, horror/dark fantasy) but they are intended for an intelligent, discerning mainstream audience. They have enormous cross-over appeal thanks to winning characters, snappy dialogue and homages to film noir, pulp fiction, and cult cinema and TV. Fans of Paul Auster, Jonathan Carroll, Nicholas Christopher, David Mitchell, Philip K. Dick and Jorge Luis Borges will find a lot to like in both novels.
What they won’t find is the kind of incompetent, derivative, semi-literate drivel that is prevalent both in the self-published world and, as I’ve just related, on the traditional publishing scene as well. You wanna read the next Stephanie Meyer or Dan Brown or J.A. Konrath? I’m sorry, you’ve come to the wrong place. I’m a real writer, boys and girls, I seek to create ART. I want to destroy your preconceptions and offer you prose that is exciting, intoxicating and pitch perfect, right down to the placement of commas.
I want to be the best writer in the world.
There. I’ve said it.
It’s a pipe dream, of course, there’s no such thing. But for me, the bar is raised to the highest possible peg and I won’t lower my expectations for any market niche, slot on the bestseller list or dollar figure you can name. My literary heroes are men and women who slaved away tirelessly, selflessly, stubbornly, refusing to conform to the whims of agents, editors or readers. Iconoclasts and artisans, defending their work, their legacies, with the ferocity of pit bulls. Facing penury, enduring lives of desperation, anonymity, pain and hopelessness, yet never forsaking their vision or abandoning their ideals.
With role models like that, it’s impossible to even entertain the possibility of selling out.
My idols would never forgive me.
Peter Darbyshire has just published an article in the Vancouver Province, discussing the future of books and publishing—you’ll find it here. He was good enough to ask me about my experiences as a long-standing independent author and publisher (21 years and counting) and I was only too happy to oblige.
Smart man, Peter, a guy who knows what he’s talking about. He’s had his own adventures in the publishing biz and is familiar with the new technologies that are allowing authors the chance to by-pass traditional gate-keepers and take their work directly to readers, via e-books and print on demand efforts.
As I wrote to Peter in a followup note, one of my fears is that while these technologies may empower good authors turned off by a corporate system that slots and niches books, producing dozens of copy-cat knockoffs of popular titles, it also accords terrible scribblers the opportunity to foist their mindless, adolescent crap on the world. Thus, the marketplace is currently overwhelmed by dreadful vampire porn, brain-eating zombies and godawful tripe that wouldn’t pass muster in a high school yearbook. Anyone can call themselves a writer these days and with a minimum investment can produce a decent-looking book with their name on the cover. “Look at me! Aren’t I great? And you all thought I was a loser!”
I recently posted similar views on a couple of sites frequented by amateur writers and wannabes and was soundly taken to task for my arrogant insistence that there is a difference between good writing and bad writing. One remark I’ve heard a number of times is that “we live in a post-literate society and the old standards no longer apply”. You know, standards like good spelling, syntax that isn’t tortured beyond recognition, an ear for dialogue, an aversion to over-writing, etc. etc.
In the old days, these dingbats would be working in the rightly discredited sub-sub-genre of “fan fiction”, read by a few geeks with too much time on their hands and a roomful of Star Wars action figures. Now they can inflict their offal on a far wider audience, pricing their e-books at 99 cents to draw the most possible readers and congratulating themselves for their genius.
It’s truly sickening.
I do not want to be lumped in with folks who have no respect for the printed word, who wish to emulate literary idols like Stephenie Meyer, James Patterson…the very worst of the worst. I revere great writing and devote enormous time and effort to producing the finest, most literate work I can; to hear these people crowing about how many e-books they’ve sold, how much money they’ve made, goes against everything I believe in, as an author and an artist. Their attitudes revolt me, their “writing” makes me shudder, their success impresses me not one whit. They are bottom-feeders and pornographers and if that’s what sells these days, the literary world is in more trouble than I ever imagined.
Last night we had the official launch of my new novel Of the Night at the North Battleford Library.
A heartfelt thank you to Wendy and all the hardy souls who braved the first serious cold snap this winter to celebrate the birth of my latest literary offspring. Sherron and my two sons handled the lights and tech and made sure everything went off without a hitch. Thanks, guys!
Naturally, I over-prepared, endlessly rehearsing my introductory remarks and the three excerpts I had chosen to read. Ah, well. I think it went off well and the good vibes bubbled over into the book signing afterward.
Speaking of those remarks:
I’ve decided to post them, since they’re a good, concise description of my experiences over the past two decades as an independent author and publisher. I hope these words will inspire others while, at the same time, providing insights re: some of the difficulties and frustrations I’ve endured for choosing the less-travelled path (my essay “Solace of Fortitude” covers similar territory, albeit at greater length).
To all the indie authors out there, struggling to make themselves heard: write on!
* * * * * * * *
What do you do when you’ve written a good book and no one wants to publish it?
Twenty years ago, when faced with that dilemma, I made the somewhat irrational decision to go ahead and print it myself. I knew nothing about what went into producing a physical book but, to my mind, that was beside the point. Getting that book, that gruesome little book, into the hands of readers was paramount.
Because the alternative—giving up, throwing in the towel—means that a good book never even has a chance at finding a readership. It languishes in a box somewhere, years and perhaps even decades pass and it doesn’t see the light of day. It might be a lost classic…or a piece of garbage. We’ll never know. Book-lovers aren’t accorded the opportunity to render their verdict.
And let’s take a look at the recent track record of the folks who decide what gets published and what doesn’t. Hardly encouraging, to say the least. Sales figures are dropping precipitously, bookstores and chains all over the U.S. and Canada are closing or seeking bankruptcy protection; independent bookstores have almost entirely disappeared. Venerable publishing divisions have been lopped off or dramatically downsized, layoffs announced, the demise of the book predicted, onset of a post-literate culture looming—
Doesn’t sound like publishers and retailers have succeeded at capturing the contemporary zeitgeist, does it? Why have so many people, apparently, stopped reading or scaled back to the point where a substantial number of respondents in one poll indicated they hadn’t read a single work of fiction in the past year?
Could it be that the industry is printing and selling books that nobody wants to read? Perhaps in their efforts to meet the lowest common denominator, rehashing the same types of books over and over again, scraping the creosote off the bottom of the barrel, traditional publishers have alienated serious readers; worse yet, bored them with formulas, derivative prose, copycat covers and cookie cutter authors.
Publishing today has been debased by celebrity and dumbed down to attract people who normally wouldn’t tackle anything more demanding than the back of a cereal box. This mentality is abetted by greedhead agents looking to nab their 15% of the pie and corporate editors who know full well the suits upstairs want big numbers, bestsellers…and if they don’t deliver, they’ll lose that rent-controlled apartment, all those sweet perqs and per diems that make their lousy lives bearable. Shit, let’s face it, the markets take one more big dip, the guys in the boardroom start getting nervous and anyone could end up in the street. There are more than a few ex-CEOs and executive vice-presidents living behind 7-11’s, begging spare change so they can get their Blackberrys out of hock.
So let me ask you something: why should I, as an author, defer to anyone affiliated with an industry that publishes godawful tripe by the likes of Dan Brown, Stephenie Meyer, Sophie Kinsella and…well, feel free to fill in the blanks with your most detested hack of choice. Those inept scribblers aren’t better writers than I am: their prose has all the symmetry and grace of someone slipping on a wet floor with an arm-load of pots and pans. Understand, I don’t resent their big money contracts, but I sure as hell detest them for taking up valuable shelf space and making mince-meat out of the printed word.
I love good writing and revere authors who trust and respect their audience enough to break away from convention, fearlessly leading readers into strange, unknown terrain. But it’s getting harder and harder to find work that seems fresh and exciting. You have to look farther afield, to some of the small and micro-presses out there…because traditional publishing is a wasteland of zombies, vampires, tepid romance and poor-me memoirs. It’s enough to make a book-lover weep.
But there are alternatives. Those small presses I alluded to…and a growing number of independent authors who, taking a cue from their musical counterparts, have gone their own way, demanding total autonomy over their career and creations. Seizing control of the means of production, refusing to be exploited and humiliated by a system as ancient, obsolete and calcified as a dinosaur turd.
Independent authors…like me. Back in 1990 I knew I had a good book, a cool collection of short stories that counted among its fans none other than the great Timothy Findley. How could it fail? But that volume, titled Sex & Other Acts of the Imagination, was turned down by literally every press and publisher you can name. So I released it myself. We sold out the entire print run in 4 1/2 months…and I was hooked. I loved the sense of empowerment the process of self-publishing gave me, loved how every decision–from the selection of cover art to the choice of interior font–was left completely up to me.
This year, 2010, our imprint Black Dog Press is two decades old and it’s my 25th anniversary as a professional writer. Usually I’m not one who displays much interest in birthdays or anniversaries but I felt compelled, on this occasion, to do something I hadn’t done before, which is release two books in one year—just to prove my oddball micro-press is still alive, still kicking.
I think the books in question, So Dark the Night and Of the Night, are representative of the best of what independent presses are capable of producing. Thrilling, literate, original fiction; books for readers who still treasure a well-told story.
And aren’t they beautiful? For that, credit belongs to our long-suffering cover designer, Chris Kent, working his magic with lovely artwork created by Ado Ceric and Adrian Donoghue. I also want to say special thanks to Sherron, for the invaluable role she has played in the conception, creation and release of literally every single thing I’ve written for the past quarter century.
So…what do you do when you’ve written a good book and no one wants to publish it?
D.I.Y. Do it yourself. Use new technologies like print-on-demand and e-books and blogging to get your work out there. Let your readership decide if your prose is worthy…or not. Write as well as you can and edit your work carefully; do a better, more conscientious job than your traditionally published, over-paid counterparts. Help defeat the impression that the indie movement is nothing more than a haven for amateurs and never-will-bes. Most of all, don’t let anyone deny you a voice, your rightful place at the campfire. Your story is important. It’s part of a long tradition, a Great Narrative as timeless and enduring as the very fabric of Creation.
“In the beginning was the Word…”
And don’t you ever forget it.
Recently, Milan Kundera raised a few hackles in the Czech Republic by refusing to return to his home and native land to attend a conference devoted to his work. Mr. Kundera stated that he did not wish to contribute to a “necrophile party” made up of academics and scholars, discussing and debating his work.
He also said, even more provocatively, that he considers himself a French writer and writes exclusively in that language.
Take that ye cultural nationalists!
It has long been my belief that a writer is a stateless citizen, an individual who inhabits no country and is beholden to no particular culture, gender, creed or race. To identify oneself as an “American author”, “Czech author” or what have you, is to fly in the face of the kind of universality true authors seek to achieve through the power and originality of their work.
When I make my rare public appearances I often have to provide a short bio so I can be introduced to an audience or gathering and I struggle mightily to compose something that isn’t embarrassing or misleading. Earlier this year my wife adapted a couple of my short stories into theater pieces that were performed at a function here in the small city where we live. I think the M.C. at one point called me a “local author” and I shrank down in my seat. Is that all I am? A local author? A Saskatchewan author? Even a Canadian author?
Christ, I hope not. After twenty-five years of beating my brains out and destroying my fingers and shoulders and lower back, I’d like to think I have higher aspirations for myself than that.
Nossir, I want to be read not only locally, not only nationally but around the entire fucking world. I want my books and stories and essays to be devoured and enjoyed by future inhabitants of the Martian colony. I want my collected works taken on the first flight to Alpha Centauri. I want my prose to survive long after places like “Saskatchewan” and “Canada” cease to exist.
Isn’t that what all artists of worth strive for? Immortality, an appeal that persists centuries after their bones have turned to dust. And that is also why I struggle so hard to preserve the integrity of my work, not allowing some bowdlerized or aesthetically gutted version to supersede and supplant the real thing.
I honestly wouldn’t change places with the likes of James Patterson or Stephanie Meyer for all the filthy lucre in the vaults of Fort Knox. Their work won’t survive the next twenty years, let alone the uncounted eons that lie ahead. No, let them choke on their money and watch as their books go out of print in their own lifetime.
It’s funny: this past week I commented on the on-line site for CBC (our national broadcaster), responding to a short feature devoted to Robert Charles Wilson. Mr. Wilson has managed to secure something of a reputation for himself as a SF writer, even snagged a Hugo Award for one of his novels. Frankly, I find his prose merely workmanlike; he is yet another SF scribbler (like Jack McDevitt and Robert Sawyer) who has cashed in on a modest talent for stretching neat ideas into over-long novels and, in the process, made a tidy living for himself. It’s a situation that’s pretty much endemic in SF but those guys are more guilty of that particular sin than most.
The folks who responded to my initial post comported themselves like typical, moronic SF fans. They made all sorts of assumptions about me and indulged in numerous pointed, personal, ad hominem attacks, opining that I was merely jealous of Mr. Wilson’s commercial success.
I made the mistake of trying to debate with these “minions of fan-dumb” and earned more vitriolic attacks for those efforts. Fuck it, I thought, and signed off without posting the really nasty parting shot I had composed. It would have been a waste of time. These are the same vacuous shitheads who are lining up in droves to see “Star Trek XXIV: The Quest For Profit” and the latest comic book adaptation, wearing out their thumbs on their game consoles. The only heads they have on their shoulders are blackheads from all the junk food they cram into their maws so they can stay up all night watching the “Lord of the Rings” movies back to back and wrapping “Fallout 3”. Fuck them. No way I’ll lie down with those pigs.
No, I’m bound for the stars. I write for posterity and to preserve a literary legacy that I hope will last as long as there’s a single, discerning reader out there who longs for something off the beaten track, a work that reminds them what it means to be human, the attendant hopes and accompanying foibles. A man or woman lonely, isolated, seeking the companionship of a long-dead author whose devotion to the printed word transcends time and vast distances and alien, hostile farscapes.
Keep your trophies, baubles and bullion.
I serve a higher calling…and make no allowances for those whose lack of courage and faith causes them to choose low roads and demean the gifts they have been so generously granted.