A looooong interval between posts.
Well, what do you expect? I’m a working author, with a mind that doesn’t allow for much leisure or fun.
Mainly, I’ve been editing The Algebra of Inequality, my latest collection of poems. It has been an agonizing process, choosing the best poems from the past five years, winnowing out the rest. And sometimes a poem gets the chop not because it lacks tunefulness or thematic unity, but for other, more nebulous reasons. Somehow it just doesn’t quite fit with the rest. It’s a judgement call and often I had second, third and fourth thoughts, so the whole thing became ridiculously drawn out and fraught, dragging on for weeks.
But now it’s done. The interior layout is just about ready and my regular cover guy, Chris Kent, is hard at work on another doozie. I’ll be leaking a sneak peek of said cover in the coming days; it’s based on one of my paintings and, knowing Chris, it’s bound to be eye-grabbing.
Yes, what’s up with the painting, why has it become so important to me? Because when I haven’t been editing, I’ve been regularly making that trip down to my little basement dungeon and attacking canvases with acrylics, a screwdriver, awl, various other implements. Getting physical. The results are odd, distinctive, and the works tend to elicit interesting reactions from the people who see them. But it’s a thrill leaving text behind for awhile and working purely symbolically, utilizing a totally different area of my brain.
Recently, I’ve also completed a large, complex collage piece that may end up as the cover for my short story collection later this year.
One of the poems I lopped from The Algebra of Inequality was one I concocted a number of years ago, titled A Personal Cosmology. It has a strong, visual component. I used some square styrofoam and black paint to create a series of stark, geometric images. Then I employed “automatic writing” and started scribbling, one short prose bit for each of the six images. I think I posted one of these images and accompanying text a few years ago but, for the first time, this is the complete version of Cosmology.
I love this piece, it comes right from the soul, but it just wasn’t right for the collection.
It was one of the final cuts, a hard one to leave out.
Click on this link, scroll through it…enjoy:
Just returned from a weekend at Cypress Hills, a park in the southern region of the province.
Accompanied by my pal Laird, I attended a “stag party” for our mutual friend Tom. Ten guys in the semi-wilderness, celebrating the betrothal of one of their own. And a good time was had by all.
While I was there, I wrote three short pieces, inspired by the environment or conversations around the fire.
* * * *
The weather is strange these days
overcast with a chance of melancholy;
on the weekend, the sun never shines
and the grass smells of tears.
The Elements (An Introduction)
There is a tendency to
envy fire for its clear conscience
or over-praise the transparent,
placid gaze of water.
Yet no one spoils the
earth with lavish gifts
and we frequently embarrass
the air with our coughing.
Might as well fear the clouds
or prostrate yourself
before a 1000-year old
Jesus, put away your cross
Buddha, no thanks
I’m investing my faith
in some special place
worshipping where there
are no altars
July, 2017 (All Rights Reserved)
A few days ago I was sitting in my favourite pub in Saskatoon, having a pint of Guinness (and to hell with the Celiac nonsense), with a chaser of Tallisker, occasionally glancing outside at passersby—
—and then suddenly I was scrabbling for my notebook as the following came to me:
framed for a moment
like aquarium fish