You know that’s always the case. When I’m hard at work, the last thing I think about is composing another blog entry. Don’t get me wrong, you folks are great, love hanging out with you, but writing, the creative act…well, that’s my lifeblood. My raison d’être.
This time, yes, there’s been creativity, a new short story…but, in all honesty, I’ve been devoting most of my time and energy to promoting Disloyal Son. With the hundreds, thousands of books being released every month, how do I draw attention to a solid, literate novel that anybody with two neurons to rub together will love? How do I compete with shapeshifter erotica and zombie porn and glorified fan fiction? Well, first of all, I send out review copies. Lots of review copies. To the major newspapers, mystery magazines, selected bookstores. Along with promo material and fliers that we agonize over, striving to come up with the most enticing wording. Again, trying to separate this book from the herd. The dung pile.
Good God, there are a lot of terrible books out there. Not just “self-published” either. The traditional publishers apparently believe the vast majority of contemporary readers (especially women) have the I.Q. of brain-damaged marsupials. If you’re looking for a quality book to read this summer, good luck. The trads no longer have any interest in cultivating authors, helping them find their voice and develop as artists. They’re staffed by corporate drones who merely seek “product”, mass market releases—swiftly excreted, endlessly repeated. Passionless, derivative, facile, inept.
You want to know the difference between my approach to writing, as opposed to just about everyone else’s? I care. I respect language, the traditions and legacy of literature. I treasure a well-constructed sentence and expend enormous efforts honing and shaping my work. I’m a freak when it comes to editing—meticulous to the point of, well, insanity. While many of my colleagues seem content with one or two drafts, getting their slop out as soon as possible, I drag out the process of creation to the extent that completing a short story takes weeks and a novel like So Dark the Night required over three years before I was finally satisfied and released it. And that was working on it full time, every single day.
Writing is not a craft to me, it’s an art. There’s a difference. A big difference. Most scribblers can’t make that leap. I can. Every single one of my books is intelligent, challenging, innovative; none conform to expectations or fall back on formula. I try to get that across to readers, reviewers but it’s hard. They see that Black Dog Press is my imprint and right away start thinking “this is more self-published crap”. Dismissing me out of hand. Never giving me a fair shot.
I defy anyone to read the first 5-10 pages of one of my books, choose whichever you like, and then stop. By that point it will no longer be a question of the origins of the book, the circumstances of its publication—you’ll be too caught up in a great read. Of that, I am 100% certain.
Reviewers have written about the element of surprise in my books and stories and I think that’s key. When you’re reading one of my tales you have no idea how it’s going to end or what’s coming next. I love pulling the rug out from under you, leaving you in a whimpering heap. Never saw that coming, did you?
That quality is very much in evidence in Disloyal Son. It’s a mystery, within a mystery (and then some). The truth revealed in bleeding layers. If you give it a chance, it will be the best book you read this summer, maybe this year. And I don’t need to buy a four-star Kirkus review in order to know that.
Seven cartons, containing 160 copies of my novel Disloyal Son were deposited on my doorstep mere days ago. Not long afterward, my brand new 27″ iMac was delivered, unboxed and set up.
I was fortunate, ladies and gentlemen, because for the last couple of years I’ve been backing everything up on an external drive. When I had problems transferring files from the old Mac via ethernet cable to the new model, I called Apple Support and outlined the situation. When the Apple guy heard the age of the software in my source Mac, he whistled in dismay. Bad sign. He wasn’t too sure exactly what to do…until I mentioned that external memory. He sighed, relieved. No problem. Dump the ethernet cables, plug the external directly into the new Mac and voilà. Mission accomplished.
But let this be a lesson to anyone else out there running an obsolete operating system: that external memory was (at $125) one of the best investments I ever made. Saved me a huge headache. Think about it.
There have been a few minor glitches but so far I’m impressed by this new monster. Can’t wait to give it a real test drive. Unfortunately, the MIDI keyboard/synthesizer I ordered is still en route and I don’t have the nerve to tackle Final Cut Pro yet. So I’ll bide my time. Meanwhile, try to get acclimatized with the larger screen, slightly different configurations, the peculiarities of its machine brain.
Spent a couple of days tidying up this blog, updating some of the pages, slimming things down a little. I’m a bit taken aback by the sheer amount of fiction, music and even short films I’ve uploaded here over the years. It’s quite the hoard of strangeness. Sherron says it’s time for a new theme and I suppose she’s right. Still want to keep the picture, though. I find it…haunting.
I’ve been flashing copies of Disloyal Son around town, pleased by how taken folks are with the cover. People wanting to know how to pick it up, where to order. Answer: everywhere…but, preferably from your nearest independent book store (McNally-Robinson, Powell’s, etc.).
Weird how everyone responds to the book’s central theme of family secrets. Think I’ve hit on something here, purely by accident. I’m getting goosebumps and the hair on my arms is standing up. Maybe because of close proximity to the zeitgeist.
Now, whether that will translate into some decent book sales, who knows? Hard to tell in this era of shapeshifting-sado-masochistic-paranormal-romances.
Ay yi yi. What will they think of next? (No, please, don’t tell me, it’s probably better if I’m not privy to that information.)
But we forge on, boats against the current and all that.
I remain convinced that there are still smart readers out there, a small but devoted demographic desperate for a transformative experience when they open a book.
They want to believe in magic and too often are poorly treated by contemporary scribblers.
Here at Black Dog Press we offer something different, an intelligent alternative to corporate publishing.
Books for bibliophiles and devotees of the printed word.
Written and published with love.
Or maybe that should read: reverence.
I’m still awaiting the physical proof of Disloyal Son.
However, gadget geeks have all the advantages these days, so both e-book and Kindle versions of my novel are available a couple of weeks before the actual book arrives.
Whatever format you choose, screen or dead tree edition, I’m confident you’ll find Disloyal Son a gripping read, a first-rate mystery novel and thriller.
I’ll stake my thirty years as a professional writer on it.
Well, here it is.
My tenth full-length book.
We “leaked” the cover to Facebook earlier this evening so why not post it here?
What do you think? Is Disloyal Son Chris Kent’s best cover design yet?
The release date has been moved up to mid-April.
(Click on book image to see enlarged view.)
I’m a superstitious sod, rarely discussing works-in-progress, except obliquely (even with my wife). If I jabber about a book or story too much, part of me believes I’ll somehow “jinx” things and said offering will wither and die on the vine. So I play things close to the vest, wait until the project has achieved a highly polished state before I finally heave a sigh of relief and officially announce that something new is on the way.
And so it is with my latest novel, Disloyal Son.
Subtitle: A False Memoir.
This one took my wife by surprise. I spoke of it only in generalities, alluding to some of the history and background my research was turning up. When I finally handed her a finished draft the end of June (2014), she had a vague notion that the book had something to do with my father, the fibs he told us, family stories and rumors we heard as children about the mysterious deaths of two of his brothers…
But I think it’s safe to say Sherron was shocked when she opened the manuscript and discovered…a mystery novel. It took her awhile to adjust her thinking; she expected something much more personal and intimate, along the lines of my radio play “The First Room” (broadcast on CBC Radio some years ago).
The problem with treating the book as a memoir is that at some point I would have to make an appearance—and, frankly, I can’t think of a less interesting person to incorporate into my work. (In that sense, I differ from many writers I can name but, soft, let us move on from that contentious point…)
Nope, it was my determination right from the beginning to approach my father’s shameless falsehoods, his brothers’ deaths, as a fiction writer would, solving those aforementioned ancient mysteries with the tools and techniques of a storyteller. The central character is an author about my age but he’s more of an alter ego than a stand-in; a doppelganger living a parallel life, a “might have been”.
The whole book is a gigantic “what if?”.
But it’s something else too…because there are little truths and facts scattered throughout, bits of family lore my mother and sisters will get but no one else will. Despite my efforts, there’s perhaps more of me in this book than I intended.
What Disloyal Son is really about is the toxic effect secrets and sins can have on a family, people generations removed from the actual events but still feeling the ripples. The novel is a work of fiction but I think many out there will understand that the themes it addresses have a great deal of relevance to those who live in the shadow of childhood trauma or whose lives have been damaged by a legacy of lies and deceit.
Terrible things go on behind closed doors, many unpunished crimes, including assault, rape, even murder. Whispered about at family gatherings but, for the most part, swept under the carpet. Scarcely alluded to but not forgotten.
Time doesn’t heal all wounds and that’s why the narrator/central character of Disloyal Son is so determined, despite his family’s opposition, to deal with their dark past and uncover the truth about events that took place nearly four decades ago. His efforts lead him deeper and deeper, until he realizes there are actual skeletons in the family closet, the reality far grimmer than he imagined.
That’s all I’m prepared to say about the story line, at least for the moment—I really hate spoilers.
So…a “false memoir”.
First it was dark fantasy, horror, science fiction, poetry, mainstream literary, a tale set in the Old West…and now this. How the hell am I supposed to draw any kind of readership if I keep shedding skin like a fat snake? No wonder editors and agents shy away from me and even long time fans scratch their heads in confusion and dismay.
No apologies forthcoming from this end. Not a chance. Disloyal Son is a page-turner, a crime novel with the pacing of an Elmore Leonard yarn. Unputdownable. Featuring well-drawn characters, sudden twists and turns and a resolution you absolutely will not see coming. I can’t tell you how pleased I am with the way it turned out—talk about exceeding expectations.
Currently, Sherron is in the process of proofing the manuscript and we should be getting the cover and text files set by the first of April. May Day, 2015 is still our intended release date. I’ve done a couple of mockups for the cover design, which I’ll be passing on to my cover guy, the irreplaceable Chris Kent. And we’re welcoming aboard a new interior layout person, Jana Rade, who runs Impact Studios and comes with stellar recommendations. Hoping for a very smooth and glitch-free production this time around. C’mon, team!
I’ll be “leaking” the cover in mid-April and, meanwhile, devising a much more aggressive advertising and promotional campaign for Disloyal Son. Plugging my books has always been a problem for me—basically, once a book is done I seem to lose interest in it and the only thing I can think about is starting a NEW project, something to get the creative juices flowing again. But my writing deserves better than that and one of my resolutions this year was to devote more time and effort to raising my profile, letting people know I’ve got ten terrific books in print and that over the past thirty years as a professional author I have produced an intelligent and original body of work in a variety of genres. A literary therianthrope.
Watch for my latest offering, Disloyal Son, in a few short months.
It’s gonna rock your world.