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Binder1The time has come, methinks, to talk about my next book.

I’m a superstitious sod, rarely discussing works-in-progress, except obliquely (even with my wife). If I jabber about a book or story too much, part of me believes I’ll somehow “jinx” things and said offering will wither and die on the vine. So I play things close to the vest, wait until the project has achieved a highly polished state before I finally heave a sigh of relief and officially announce that something new is on the way.

And so it is with my latest novel, Disloyal Son.

Subtitle: A False Memoir.

This one took my wife by surprise. I spoke of it only in generalities, alluding to some of the history and background my research was turning up. When I finally handed her a finished draft the end of June (2014), she had a vague notion that the book had something to do with my father, the fibs he told us, family stories and rumors we heard as children about the mysterious deaths of two of his brothers…

But I think it’s safe to say Sherron was shocked when she opened the manuscript and discovered…a mystery novel. It took her awhile to adjust her thinking; she expected something much more personal and intimate, along the lines of my radio play “The First Room” (broadcast on CBC Radio some years ago).

The problem with treating the book as a memoir is that at some point I would have to make an appearance—and, frankly, I can’t think of a less interesting person to incorporate into my work. (In that sense, I differ from many writers I can name but, soft, let us move on from that contentious point…)

Nope, it was my determination right from the beginning to approach my father’s shameless falsehoods, his brothers’ deaths, as a fiction writer would, solving those aforementioned ancient mysteries with the tools and techniques of a storyteller. The central character is an author about my age but he’s more of an alter ego than a stand-in; a doppelganger living a parallel life, a “might have been”.

The whole book is a gigantic “what if?”.

But it’s something else too…because there are little truths and facts scattered throughout, bits of family lore boymy mother and sisters will get but no one else will. Despite my efforts, there’s perhaps more of me in this book than I intended.

What Disloyal Son is really about is the toxic effect secrets and sins can have on a family, people generations removed from the actual events but still feeling the ripples. The novel is a work of fiction but I think many out there will understand that the themes it addresses have a great deal of relevance to those who live in the shadow of childhood trauma or whose lives have been damaged by a legacy of lies and deceit.

Terrible things go on behind closed doors, many unpunished crimes, including assault, rape, even murder. Whispered about at family gatherings but, for the most part, swept under the carpet. Scarcely alluded to but not forgotten.

Time doesn’t heal all wounds and that’s why the narrator/central character of Disloyal Son is so determined, despite his family’s opposition, to deal with their dark past and uncover the truth about events that took place nearly four decades ago. His efforts lead him deeper and deeper, until he realizes there are actual skeletons in the family closet, the reality far grimmer than he imagined.

That’s all I’m prepared to say about the story line, at least for the moment—I really hate spoilers.

So…a “false memoir”.

First it was dark fantasy, horror, science fiction, poetry, mainstream literary, a tale set in the Old West…and now this. How the hell am I supposed to draw any kind of readership if I keep shedding skin like a fat snake? No wonder editors and agents shy away from me and even long time fans scratch their heads in confusion and dismay.

No apologies forthcoming from this end. Not a chance. Disloyal Son is a page-turner, a crime novel with the pacing of an Elmore Leonard yarn. Unputdownable. Featuring well-drawn characters, sudden twists and turns and a resolution you absolutely will not see coming. I can’t tell you how pleased I am with the way it turned out—talk about exceeding expectations.

Currently, Sherron is in the process of proofing the manuscript and we should be getting the cover and text files set by the first of April. May Day, 2015 is still our intended release date. I’ve done a couple of mockups for the cover design, which I’ll be passing on to my cover guy, the irreplaceable Chris Kent. And we’re welcoming aboard a new interior layout person, Jana Rade, who runs Impact Studios and comes with stellar recommendations. Hoping for a very smooth and glitch-free production this time around. C’mon, team!

I’ll be “leaking” the cover in mid-April and, meanwhile, devising a much more aggressive advertising and promotional campaign for Disloyal Son. Plugging my books has always been a problem for me—basically, once a book is done I seem to lose interest in it and the only thing I can think about is starting a NEW project, something to get the creative juices flowing again. But my writing deserves better than that and one of my resolutions this year was to devote more time and effort to raising my profile, letting people know I’ve got ten terrific books in print and that over the past thirty years as a professional author I have produced an intelligent and original body of work in a variety of genres. A literary therianthrope.

Watch for my latest offering, Disloyal Son, in a few short months.

It’s gonna rock your world.

Binder2

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100_1142Regular visitors to this blog know that these days I rarely submit my work to outside publications (why should I when I can publish anything I want either here or through my imprint Black Dog Press?).

But this year I came up with a tale that was so good, I really wanted to see it featured in a respected magazine, one boasting a literate readership. So, in March, with some trepidation, I submitted “Restitution” to two of Canada’s premiere literary publications, The Malahat Review and Descant.

TMR got back to me last month with a form rejection slip upon which some arsehole editor had scrawled “Cool concept, try us again!”. You wanna know why CanLit sucks, look no further. The vast majority of editors in this country belong in a fucking head injury ward. And then yesterday, after almost nine months, I hear from Descant magazine. It was the proverbial good news/bad news scenario: my story had successfully navigated the vetting process but, unfortunately, Descant is closing its doors after its next issue (Winter, 2014).

Adios, Descant.

Okay, that does it. Rather than wait around another year to see this fine tale in print, I’m posting it here and over on my Scribd page. To hell with it. “Restitution” is the best story from 0-2000 words you’re going to read this year. You don’t believe me? Fine, have a look for yourself. Afterward, I’ll be waiting around for your fulsome apologies:

Restitution

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Sale copies of Sex & Other Acts of the Imagination have arrived.

As you can see from the picture below, we’re already filling orders—and I’m happy to personally inscribe books for that picky literature buff on your Christmas shopping list.

You’ll find ordering info here.

And there’s still plenty of time until Christmas…

Signing

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Cowboy1

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Weather Report

 

night rain
invisibly descending
a saturating chill
bespeaking November

 

© Copyright, 2014  Cliff Burns (All Rights Reserved)

 

"Leaf" (Sherron Burns)

Photo credit:  Sherron Burns

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Yesterday was my birthday so, devious creep that I am, I leaked a cover shot of my next book to a few select friends and then, later that day, allowed Sherron to post it on my Facebook page.

So, now that the cat’s out of the bag and clawing up the furniture, here’s Chris Kent’s stunning cover for Sex & Other Acts of the Imagination. Chris has been part of the creative team since So Dark the Night and his covers always manage to capture the essence of the book in question.

Is this his best one yet? Drop me a note with your opinion.

In the meantime, kids, feast your eyes on this (click on image to enlarge):

Sex:Cover

Release date: November 20, 2014

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Picture 2        

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