I’ve been going through a notebook I’ve been keeping since 2010—kind of a “scratch” book, to horse around in. Poems, lyrics, essays and short stories, in very raw form.
Found the following two poems, which may or may not make it into my next compilation, slated for release Spring, 2018:
We emulate our gods
by turns jealous and paranoid
desirous of silver and gold
hiding our indifference
behind impassive masks
reluctantly doling out favours
callow, prone to deceit
* * * *
Nothing to do with rockets
miles off course
spiralling out of control
threatening civilian populations
programmed for self-destruction
to prevent serious harm
© 2017 Cliff Burns (All Rights Reserved)
In a few months, this blog will be ten years old.
Time to upgrade the old gal, select a new theme photo, clean out some of the clutter, etc.
I’ve paid particular attention to my “Other Media” page, tossing some older efforts and adding fresh renderings of my best, most popular tales, along with a few recent electronic pieces.
More changes to come, but do let me know what you think of the “new look”—your opinion is important to me and, no, I’m not just saying that. Honest.
During the summer, I tend to favor faster, more plot-driven narratives–thrillers, mysteries, noir—but once the leaves start turning, taking on brighter hues, I seek out more somber, atmospheric efforts.
John LeCarré, for instance, is the perfect fall read. His complex novels, populated by morally compromised characters and deep, dark secrets, are well suited for cooler, drabber days and nights. British novels, in general, are better enjoyed during autumn and winter than they are brighter, cheerier times of the year. Ian McEwan and Hilary Mantel aren’t really appropriate for the beach and only a complete fool would pack Orwell or Rushdie in with the suntan lotion and towels.
Glancing at my bookshelves, I can tell you in an instant which books match each season.
Contemporary Fiction (Spring-Summer)
Literary Fiction (Autumn)
Historical Fiction (Summer)
Biography and History (Winter)
Science Fiction (Summer-Autumn)
Critical Essays/Creative Non-Fiction (Winter)
Breaking it down by individual author: Jim Harrison (Spring); Cormac McCarthy (Autumn); Jonathan Franzen (Spring); W.G. Sebald (Autumn); Colson Whitehead (Autumn); Richard Russo (Spring); Raymond Chandler (Summer); Don Delillo (Autumn); Alastair Reynolds (Summer); David Mitchell (Spring-Summer); Italo Calvino (Autumn-Winter); Denis Johnson (Autumn); Thomas Pynchon (Autumn-Winter).
There are exceptions, of course, cases where those generalizations don’t apply. Works relating to politics, ecology, religion and philosophy are sprinkled throughout the year. And every so often I can’t resist plucking up some big, fat biography (ex: Robert Caro’s magisterial portrait of Lyndon Johnson) and just having at it. A two or three day binge that leaves me disoriented, out of step with everyday life. Barely able to prepare and eat a five-minute boiled egg. And, no, I do not exaggerate.
It’s become sort of a tradition that I tackle a real forearm-strainer right after Christmas and heading into the New Year. The kind of tome you have to bench press. Hardcover, if possible. A single volume history of World War II or the collected essays of Christopher Hitchens. To counteract the effects of all that turkey, red wine and good fellowship.
Tell me I’m not alone, that someone else out there has to deal with their own version of Seasonally Adjusted Reading Disorder (SARD). Perhaps we can start our own support network, help each other overcome our entrenched habits, learn to read what we want, when we want.
Oh, and, by the way, did you hear there’s a new LeCarré book out this month.
Wouldn’t you know it?
You might call that a coincidence but I’d say it’s right on time.
When we were young we
killed time indiscriminately
savagely using swords and
laser beams slaughtering it
by the hour with hyper-active
games mindless babble or just
lying on our backs making
shapes out of obliging clouds
Now time flees from us while
we are sleeping or otherwise
occupied each new morning
revealing the extent of the
damage and no matter how often
how hard we try to save or slow
time it runs down runs out always
too soon never long enough
© Cliff Burns, 2015 (All Rights Reserved)
Ligeti is perfect for a
cold late autumn day in
Saskatchewan the first
flakes of snow visible
outside my window
trees audibly creaking
a stiff north wind
oblivious of the
bad news it bears.
© Cliff Burns; 2015