Tagged: independent publishing

Blog Post #400–We’ve come a long way, baby

For not the first time (and certainly not the last), I find myself apologizing for the lengthy interval between blog posts.

But, as I’ve pointed out previously, when I’m deeply immersed in a project I don’t have the time or energy to blog—so when these long silences (inevitably) crop up, I think you can safely assume I’m up to something.

In this instance, two short stories have been devouring my waking hours. One, “The Grey Men”, is a mystery/suspense tale clocking in at 1900 words, and “Magic Man”, the one I’m just wrapping up, is 8700 words (33 pages) long.

Upon its completion “The Grey Men” struck me as more accessible and genre specific than my usual efforts, so I did something very out of character and actually submitted it to a magazine for consideration. Longtime readers know I swore off that practice ages ago and only rarely offer my short fiction to publications or writing competitions. Why bother with extended (interminable) response times and form rejections when I can just go ahead and release my work either here or over on Scribd? But, I dunno, “The Grey Men” is a solid, convincing story and maybe just this once a perceptive editor will see its merits and snap it up. I’ll let you know.

I tackled “Magic Man”, in all honesty, because I was feeling quite smug and confident after completing “The Grey Men”. I should have known better.

The first draft of “Magic Man” was written back in 1984. I kid you not. It was one of the tales that signalled a shift from narratives centred around myself, my own life experiences, to venturing out into unexplored waters, creating entirely fictional worlds and characters. For that reason, I’ve always had a rather fond view of “Magic Man”, never completely forgot about it. And so, as an exercise, I pulled the one, typed copy of “Magic Man” out of my archives and set to work.archives

It was torture. First of all, I had to tap in the story, 4-5000 words of it, and that was an excruciatingly slow process because I couldn’t help correcting and doing adjustments as I went along, which really was incredibly stupid and stretched the process out. Dumb, dumb, dumb. Just type the fucking thing in, Cliff, and then start editing. Nope. Finally, got the entire draft on computer…and that’s when it really got difficult.

Obviously, I’m a much better writer now than I was thirty-one years ago. That guy back in 1984, he was still basically a rookie, a kid learning the ropes. So “Magic Man” needed work, lots and lots and lots of work. At the same time, however, I wanted to show respect to the kid, the one I remembered slaving away on this story, really excited about it because he knew it was a step, more like a lurching, uncertain stumble, in a new and different direction. I wanted to recognize that effort, the courage it took to complete “Magic Man”, and so I was also determined to preserve as much of the spirit of the original as possible.

Finally, two weeks later, it’s almost done. Sherron is downstairs reading the copy of “Magic Man” I printed last night. I didn’t tell her (never do) what I’ve been up to so she’s in for a treat. She’ll remember this story very well: after all, it’s one of the first I ever dedicated to her.

If “The Grey Men” falls into the mystery/suspense category, “Magic Man” is a bit more problematic. There are elements of dark/urban fantasy, I suppose, but for the most part it’s a mainstream effort. Realistic setting and scenario. Which will likely make it next to impossible to sell or market the bloody thing. The extended length will factor against it as well. In the old days, I might have sent it to magazines like Cemetery Dance or Midnight Graffiti, but the latter no longer exists and the former has been closed to submissions for ages. I might release the tale as a Kindle “single”, sell it for 99 cents a download, but I’m not sure what that would achieve. I’m very happy with how “Magic Man” turned out and would like to see it presented to readers in an attractive, respected venue.

So let me throw it out there: anybody know of a decent-sized anthology or magazine willing to look at an 8700-word story featuring a “touch of strange”? If so, drop me a line at blackdogpress@yahoo.ca.

We’ll talk.

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400 blog posts? Can that possibly be right? Even with all the long gaps, the periods of time when I’ve completely ignored and shunned Beautiful Desolation?

Amazing. Inconceivable. I think that averages out to 40-45 blog posts a year or around one a week. Not bad for a full-time workaholic author.

Looking back over the years it’s interesting to note the changes in tone and content. I confess I was a very, very angry man when I first started posting on Beautiful Desolation eight-and-a-half years ago—check out a few of those early blog posts and you’ll see what I mean. I was fed up with money-hungry, corporate publishers and their idiotic editors, and the greedy literary agents colluding with them to destroy any chance of interesting, innovative authors getting into print. The publishing biz, especially after the big, multi-national takeovers in the 1980s (something else to thank Ronnie Raygun for), has systemically dummied down the marketplace to the extent that sub-literate, amateur purveyors of fan fiction have a better chance getting their work in book stores and sales racks than the next Don DeLillo or David Foster Wallace. Disgusting, innit? My fury with that situation finally boiled over when a draft of my first novel, So Dark the Night, was rejected by an editor who kept me waiting over a year before delivering the bad news. I penned a very public “fuck off” letter to the industry, a portion of which which was reprinted in “GalleyCat“, an on-line site devoted (mainly) to the New York publishing scene. Folks who responded to my expletive-filled tirade warned me that I’d burned all my bridges and “would never work in this town again”.

But by that point I was beyond caring.  I had recently discovered print-on-demand (POD) publishing and immediately recognized that printing had finally caught up with the times and authors now had a relatively inexpensive and efficient way of releasing their own work without involving editors and agents or gate-keepers of any kind. I had self-published my first book, Sex & Other Acts of the Imagination in 1990, but those were the bad, old days of offset printing and all the horrors associated with that. Print-on-demand simplified and streamlined the process…and it also didn’t encumber you with 500 or 1,000 copies of your book to store and inventory (with POD there are no minimum print runs).

Thanks to print-on-demand, my wee imprint, Black Dog Press, was reborn, rejuvenated…and I was a much happier camper.

And so the rants here came a lot less frequently—though topics like the amateurization of the arts and National Novel Writing Month always seem to spark more vitriol—and I settled down, embracing the independent (indie) writing world, feeling empowered and artistically fulfilled, knowing that my work was available to the reading public exactly the way I envisioned it. No middlemen, no interference.

Coming up on ten (10) books later, and I keep doing my thing, making no apologies, kickin’ against the pricks. Older, greyer, a little wiser, a “grand old man” (at 52) of self-publishing/indie writing. Still refusing to pay obeisance to fashions and trends, still refusing to whore my talent, writing what I want to write. Power to the people, motherfuckers!

I’ve got a catalog of excellent books and every single one of them is unique and original and highly literate.

After thirty years as a professional author, I’ve seen ’em come and go but, hey, here I am, still standing, still creating and publishing intelligent, highly crafted prose while many one-hit wonders and flashes-in-the-pan have slipped into obscurity or disappeared altogether. Where are they now?

I’m a “neglected” author, I’m a “cult” author, operating on the fringe, below the radar, working without the slightest desire for fame or monetary reward.

But the main thing is I’m working, staying relevant, productive, thematically and stylistically daring. Consumed by the act of creation.

It will be interesting to read blog post #500 in a couple years’ time.

I wonder how much will have changed, with my writing, the state of the world.

In either case, I can only hope (and pray) it’s for the better.

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  • Sherron finished “Magic Man” a few minutes after I completed this post and loved it. Just for the record…

Beginning again

100_0751Just to get everybody caught up:

Seven cartons, containing 160 copies of my novel Disloyal Son were deposited on my doorstep mere days ago. Not long afterward, my brand new 27″ iMac was delivered, unboxed and set up.

I was fortunate, ladies and gentlemen, because for the last couple of years I’ve been backing everything up on an external drive. When I had problems transferring files from the old Mac via ethernet cable to the new model, I called Apple Support and outlined the situation. When the Apple guy heard the age of the software in my source Mac, he whistled in dismay. Bad sign. He wasn’t too sure exactly what to do…until I mentioned that external memory. He sighed, relieved. No problem. Dump the ethernet cables, plug the external directly into the new Mac and voilà. Mission accomplished.

But let this be a lesson to anyone else out there running an obsolete operating system: that external memory was (at $125) one of the best investments I ever made. Saved me a huge headache. Think about it.

There have been a few minor glitches but so far I’m impressed by this new monster. Can’t wait to give it a real test drive. Unfortunately, the MIDI keyboard/synthesizer I ordered is still en route and I don’t have the nerve to tackle Final Cut Pro yet. So I’ll bide my time. Meanwhile, try to get acclimatized with the larger screen, slightly different configurations, the peculiarities of its machine brain.

codeSpent a couple of days tidying up this blog, updating some of the pages, slimming things down a little. I’m a bit taken aback by the sheer amount of fiction, music and even short films I’ve uploaded here over the years. It’s quite the hoard of strangeness. Sherron says it’s time for a new theme and I suppose she’s right. Still want to keep the picture, though. I find it…haunting.

I’ve been flashing copies of Disloyal Son around town, pleased by how taken folks are with the cover. People wanting to know how to pick it up, where to order. Answer: everywhere…but, preferably from your nearest independent book store (McNally-Robinson, Powell’s, etc.).

Weird how everyone responds to the book’s central theme of family secrets. Think I’ve hit on something here, purely by accident. I’m getting goosebumps and the hair on my arms is standing up. Maybe because of close proximity to the zeitgeist.

Now, whether that will translate into some decent book sales, who knows? Hard to tell in this era of shapeshifting-sado-masochistic-paranormal-romances.

Ay yi yi. What will they think of next? (No, please, don’t tell me, it’s probably better if I’m not privy to that information.)

But we forge on, boats against the current and all that.

I remain convinced that there are still smart readers out there, a small but devoted demographic desperate for a transformative experience when they open a book.

They want to believe in magic and too often are poorly treated by contemporary scribblers.

Here at Black Dog Press we offer something different, an intelligent alternative to corporate publishing.

Books for bibliophiles and devotees of the printed word.

Written and published with love.

Or maybe that should read: reverence.

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“Disloyal Son” (the cover)

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Well, here it is.

My tenth full-length book.

We “leaked” the cover to Facebook earlier this evening so why not post it here?

What do you think? Is Disloyal Son Chris Kent’s best cover design yet?

The release date has been moved up to mid-April.

Coming soon…

(Click on book image to see enlarged view.)

Something new in the works

100_0750I can hardly fathom it, but this is blog post #299.

Wow.

When I consider the amount of writing that represents, the amount of words, I’m more than a little taken aback.

I find it fascinating how much the blog has morphed in the past six years. It started out as a platform for an angry-not-so-young man venting about the stupidity of traditional publishing and now it’s pretty much anything goes.  A couple of years ago I started adding music and short films and recorded spoken word pieces—that was exciting. New technologies put film-making, the creation of music and visual art, into the hands of more of us and while that’s led to an explosion of amateurism and incompetence, it has also allowed a few bright lights to shine as they try out new disciplines (and make some rather brilliant beginner’s mistakes).

But the absolute best part of having this blog is that it puts me in person-to-person contact with my readers. I was somewhat slow getting on the whole blogging bandwagon but now I can’t tell you how thrilled I am at how many people have written and reached out to me through this site. I soon came to realize I have readers from virtually every part of the world—I recall one chap who wrote to me from a university classroom in Melbourne, Australia. Bored with his instructor, wanting to talk about writing. Still makes me smile.

I’m also pleased that Beautiful Desolation has put me in touch with fellow indie artists, writers and musicians who have little truck with the corporate scene and want to express themselves without interference or compromise. I think after close to 30 years in this biz, I’m seen as some kind of “grand old man” of indie writing/publishing. Occasionally, I’ll get calls or e-mails from someone in the press, a reporter seeking my views on independent publishing, e-books, the state of writing in general, and I have to smile. As a prognosticator, my record isn’t exactly stellar. I think I’m on record as saying a few years back that e-readers were mere gadgets and people would eventually tire of them and return to physical books.

Ahem…

Let’s face it, life ain’t easy for us indie types. Most publications refuse to take us seriously or review our work so it’s very hard to get any “buzz” going when we release new material. On top of that, there’s the absolutely unprecedented amount of writing being released these days (see my last blog post), and that flood of material, that deluge of (mostly) offal, renders it well-nigh impossible to draw readers to excellent, literate, world-class writing. Who wants to pick through a reeking dung pile in the faint hope you might find a glistening pearl?

But I’ve stuck it out for nearly three decades, refusing to be cowed by idiotic editors and scumbag agents. Yeah, the money is lousy and the rewards few and far between but, y’know what? My strange little imprint has released some really fine titles over the years and there isn’t one of them I’m not honored to call mine. No hackwork, no sharecropping, no selling out. Every one of my books, right from the first, is original, innovative, literary, intelligent. How does that compare with the shite polluting the last box store you browsed?

* * * *

A couple of weeks since my previous post and you know what that means:

25,000 words on paper in the last ten days. A new project in a new “genre” I’ve never tried before. Good Lord. Sometimes even longtime readers must just throw up their hands and wonder what possesses me. I wish I knew. All I can do is follow my Muse, wherever she leads me. And often that’s taken me into some mighty strange territories. I mean, a western, for heaven’s sake?

I’m quite encouraged by this new project (still unnamed) but it’s going to involve a lot of research at some point. As soon as this rough draft is completed, I’ll be Googling like a sumbitch, trying to find out all about—well, never mind. Think I’ll wait a bit, hold off until this piece is further along before I open up about it. Even my wife is in the dark as to what I’m up to.

Not much time for leisure and entertainment in the past while, but my sons and I did manage to zip in to Saskatoon to see Nicholas Winding Refn’s latest flick, “Only God Forgives”. My review appears over on my film blog.

One last thing:  three hundred blog posts deserves some kind of special recognition. So I’ve prepared a treat for #300, a little freebie for everyone who’s dropped in out of curiosity and came back because they liked what they saw.

My thanks to you, one and all.

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E-versions of EXCEPTIONS & DECEPTIONS now available

Looks like it’s still going to be 2-3 weeks before the physical copies of my new short story collection arrive.

Once again, it seems the geeks have an advantage over the rest of us.  If you don’t want to wait for the “dead tree edition”, you can buy either the Kindle or e-book version of Exceptions & Deceptions and fire it up on your tablet or gear of choice.  

Available today. Right now.  Just point your cursor and…click.

Amazon has their version up and running and another joint called Lybrary.com has an e-Pub version ready for downloading (which can be viewed on most reading devices). I imagine Powell’s Books and Barnes & Noble will both be selling e-versions of Exceptions & Deceptions very soon as well.

Those of you wanting to lay your hands on an actual book, alas, must wait a little longer.

Patience, my children.  As I type this a proof is winging its way to my mailbox and from there we go straight into production.

I’m as anxious as an expectant father with a pocketful of cigars…

"Blessed..."

Latest news from Black Dog Press

A flurry of activity around here, finishing projects and scheming new ones and, meanwhile, trying not to over-do it on the work front.  That means maintaining a regular regimen of stretching, getting out of the house at least once every day for a walkabout, even if it’s only to the library and back. That also means reading more and trying to familiarize myself with this notion of “relaxing”. Re-lax?

I’ve been devouring lots of memoirs of late, a genre I usually wouldn’t touch with a fully charged cattle prod. But I’m not talking about the recent crop o’ crap—whining, self-indulgent wankfests—I’m referring to stellar efforts by Bernard Cooper and Frederick Exley. Exley’s A Fan’s Notes is an amazingly accomplished and courageous book. Two titles by Daniel Pinchbeck have also impressed, Breaking Open the Head and 2012: The Return of Quetzalcoatl. I find his ideas and conjectures far more lucid and comprehensible than the late Terence McKenna’s; I predict Monsieur Pinchbeck is gonna be a star. He’ll alter more than a few consciousnesses before he’s through…

I’ve been bringing in lots of hard to find books via interlibrary loans…but, unfortunately, I’ve acquired a rather formidable stack, all of which must be read within a finite, prescribed time limit. No pissing about. Brilliant stuff like Graham Robb’s Parisians, Colson Whitehead’s Sag Harbor, The Great War and Modern Memory (Paul Fussell), The Good Soldier Svejk (Jaroslav Hasek) and an anthology of modern German poetry edited by Michael Hamburger. And more on the way…

Ah, but don’t think I’ve been devoting myself entirely to leisure. Surely you know me better than that.

I have not one but two major projects nearing completion. You heard right.

It’s always bothered me that much of my early work (pre-1997) is out of print. There were a number of limited edition chapbooks produced during that interval (That First, Wound-Bearing Layer and Genuinely Inspired Primitive), poetry (violins in the void)…and none of it is available any more. Sold out. A cursory check on-line tells me that a few enterprising souls are offering these hard-to-find editions at a pretty steep price.

So I’ve spent the last couple of months assembling, culling and editing two short volumes, clocking in at around 115 pages each.

The first, which should be out in mid-July, is New & Selected Poems (1984-2011). Over 25 years of my best verse brought together in one nice, compact tome. These poems are personal and revealing, condensed almost to the point of combustion…I love them but they scare me. I think the short Afterword I’ve provided at the end of the book explains why.

The other volume is a compilation of my short prose pieces and monologues. I’m calling it Stromata and the material it covers dates back to 1992. Stromata will be available the end of August.

The two books are intended to be companion volumes and their design will reflect that. You’ll see what I mean—I’ll upload the covers once our pal Chris Kent has put something together.

Both books will retail around $12 and, no, before you ask, no advance orders. Nothing until I have the first shipment from Lightning Source sitting in my front hallway.

Looking forward to an exciting summer…although I wish this mix of sun and rain we’ve had so far would be replaced by two weeks of hot, dry weather. A real Saskatchewan summer. Ah, well, it’s still early days. Other than the horrendous mosquitoes, last summer was just about perfect. Here’s hoping for lots sun, fun and reading in the months ahead.

See you at the lake.

Remember to bring a good book.

Here are ten poems, excerpted from New & Selected Poems, just posted on my Scribd page.  Click on the link and go have a look…

Taking Stock

Okay, sorry, yes, I know, it’s been awhile. These things happen. Don’t forget, I’m an independent writer and publisher, which basically means the work never stops. When I’m not writing, I’m filling orders or sending out review copies or doing promo, trying to spread the word about my work discreetly, a word in the right ear, hoping that approach will eventually lead to a tipping point and then all at once I’m no longer an obscure scribbler from the plains of western Canada, the bastard son of Philip K. Dick and Terry Gilliam, but instead, ahem, a writer of stature.

Sigh.  Yes, indeed. Wouldn’t it be nice…

But I’m always heartened when I glance at the ClusterMap (to the lower right) and see where my visitors are coming from. They originate from every continent and often drop by more than once.  A substantial proportion are downloading the stories and excerpts I make available on this site. Sales of my books may not be going through the roof and I may not be getting rich, but I know for a fact that tens of thousands of people around the world have been/are reading my prose and that’s a thrill. God knows, they need an alternative to the tripe they’re finding at their local, big box bookstore.

And I’m only too happy to oblige. Bring me your bored, your lonely, your frustrated, intelligent readers, appalled by what traditional publishing venues are regurgitating like pre-chewed maggots.

Let me risk repeating myself by saying how great it is receiving your comments and personal e-mails; I’m delighted when a smart, well-read person reaches out, sends a few words my way.  It’s a lonely life and sitting at this keyboard, day in and day out, I sometimes lose focus on real world obligations and duties. Interacting with literate folk is a way of bursting the bubble and re-establishing me in Earth Prime. So keep those remarks and observations coming.

Oh, and here’s a (mostly) true story, with a picture to prove it:

She spotted it first, motioning for him to join her. Both of them bending over it, quizzical and amused. Examining the carcass from a number of angles. She even stopped someone, a complete stranger, pointed at the sidewalk, asking him: “Isn’t that something?”

He grunted, unimpressed, impatient to get back to his preoccupations. Hardly giving it a glance before continuing on his way.

She was outraged. “He didn’t even care! How often does he see something like this?” Gesturing at the sidewalk.

“It’s almost Biblical, isn’t it?” her husband observed. “A rain of fish.”

It came up it conversation a number of times in the following days.  Spontaneous recollections of that moment when they stood over it, speculating on how it came to get there, that spot, like it had been left for them to find. She’d taken a picture with her phone, showed it to her friends but, again, the response was disappointing.

“They didn’t get it,” she complained, her expression wounded.

Every so often she’d cue up the picture, gaze at it, reliving the sense of strangeness she’d experienced when she realized what it was, the incongruity it represented. She found it odd that, try as she might, she could recall nothing of the day in question except coming across the fish. Surely something else had happened. Something memorable and out of the ordinary. She wracked her brain. Had they eaten a good meal or gone to see a show?

It bothered her that she couldn’t remember.

The many hours she had chosen to forget.

 

for Sherron