I get quite a number of notes from individuals requesting my advice on matters relating to publishing, indie or otherwise.
Recently, two or three people queried me about how to better “monetize” their writing.
Folks, anyone who has spent even a brief period on this site or has read a mere handful of my Tweets would know that I hold such attitudes in absolute contempt.
Trying to break into writing to make money, seeking fame, fortune and bestseller-dumb? Sorry, you’ve come to the wrong place.
If you’re a purveyor of fan fiction, you should have your hands burned off with an acetylene torch. You are the shit real writers scrape off the bottom of their shoes.
If you concoct shapeshifter/paranormal romance you are a literary pornographer. You exhibit Grade Six-level writing and, it’s clear, retain an absolute horror of penetrative intercourse. As Bill Hicks would say: case fucking closed.
If you “lease” your talent to some franchise, averring that your penny dreadful writing subsidizes your “good” stuff, you’re only fooling yourself…and the gods of Literature can be very, very cruel. Regardless of how you rationalize it, you are whoring your Muse, peddling her ass for a fistful of loot. Your self-righteousness, the ferocity of your denials, only reveals the depth of your insecurity, your secret shame. You disgust me.
A twenty-something twat knows fuck all about life and has no right to claim an authoritative view on anything. You are also far too young and insignificant for a memoir. No one gives a shit about the suffering and pain (largely self-inflicted) you’ve endured during your brief existence. Your life is not unique or particularly interesting. You are part of a growing demographic: an egotistic, narcissistic non-entity with delusions of self-importance. There’s a lot of that going around nowadays and no vaccine in sight. Pity…
Demanding correct spelling and competent syntax is not “old school” thinking.
Unless you approach your craft with devotion and seriousness, work tirelessly and daily at improving yourself, you are a dabbler. A wannabe. Your efforts the equivalent of macaroni art: the gold paint may be slightly more gaudy, the noodles more generous, but it amounts to the same, unsightly mess stuck to the front of your fridge.
This blog is dedicated to a higher purpose, a celebration of the power and majesty of the printed word.
There are plenty of sites for people who compose in crayon, scribble on walls or any available surface and congratulate themselves for their artistry.
If that last sentence describes where you’re at, I think you’ve overstayed your welcome.
There’s the door.
Don’t let it hit you on the ass on the way out.
I’m still awaiting the physical proof of Disloyal Son.
However, gadget geeks have all the advantages these days, so both e-book and Kindle versions of my novel are available a couple of weeks before the actual book arrives.
Whatever format you choose, screen or dead tree edition, I’m confident you’ll find Disloyal Son a gripping read, a first-rate mystery novel and thriller.
I’ll stake my thirty years as a professional writer on it.
Looks like it’s still going to be 2-3 weeks before the physical copies of my new short story collection arrive.
Once again, it seems the geeks have an advantage over the rest of us. If you don’t want to wait for the “dead tree edition”, you can buy either the Kindle or e-book version of Exceptions & Deceptions and fire it up on your tablet or gear of choice.
Available today. Right now. Just point your cursor and…click.
Amazon has their version up and running and another joint called Lybrary.com has an e-Pub version ready for downloading (which can be viewed on most reading devices). I imagine Powell’s Books and Barnes & Noble will both be selling e-versions of Exceptions & Deceptions very soon as well.
Those of you wanting to lay your hands on an actual book, alas, must wait a little longer.
Patience, my children. As I type this a proof is winging its way to my mailbox and from there we go straight into production.
I’m as anxious as an expectant father with a pocketful of cigars…
Awhile back I noticed that sales of the e-book versions of So Dark the Night and Of the Night had really flattened. No growth, which meant my best marketing device (word of mouth) wasn’t having much of an impact.
Then I came across a blog entry from a gal who had read the e-book of So Dark the Night and complained that its formatting was funky and created a number of annoying glitches. Not good news.
Not long afterward I learned about the ePub format, which supposedly renders text compatible with most tablets and reading devices. So I contacted my chum Daniel at Scribe Freelance and had him whip up ePub versions of both my “Ilium” novels and dispatched them to Lightning Source, instructing them to replace the old files with this latest batch. Now we’ll wait and see if this helps re-ignite sales.
I admit (eyes cast down) I’m a very poor self-promoter. As a publisher, I complain bitterly but as an author I won’t be moved. I leave it up to readers to discover my work and I’m absolutely convinced that once they do, they become fans for life. And only too happy to spread the word about this whacked out Canuck writer who defies all conventions, tackles every genre and has carved a different path for himself, independent of the mainstream.
I’ve sent out some review copies of The Last Hunt to some western-themed magazines but, honestly, does anyone read book reviews any more? In those few publications that still deign to leave some space for something as retrograde and uncool as books…
It can be disheartening. How do you draw attention to one particular title when the media is flooded with thousands of new releases (books, e-books, CDs, DVDs, games) every day? You begin to feel like a tiny, insignificant figure lost amidst all the others in one of those Where’s Waldo? books.
On the other hand, this tiny press has been responsible for some pretty fine books over the past twenty (+) years and my readership is growing, albeit very, very slowly. My wife reminds me that I’m always been a late bloomer…let’s just hope it’s not too late. At some point, I’d like to enjoy the fruits of my labor. Instead of getting pelted with them.
What I wouldn’t give to be able to make the “Grand Tour”—see all the great capitals of Europe, capping things off with a long-anticipated visit to Thermopylae.
But will it ever happen? Will my workaholic nature and bouts of agoraphobia allow such a scenario? I’m dubious.
If nothing else, it’s a helpful, distracting fantasy.
A possibility, however remote, that some day all this craziness will lead to better, happier times.
A golden age, yet to come.
I was talking to someone recently and spoke of the pressure I feel as an independent writer and publisher to ensure my work achieves professional standards. I’ve been an indie guy for over twenty (20) years and I can tell you I take what I do very, very seriously. I labor without respite, without consideration to either health or sanity, to release volumes of the highest possible caliber, painstakingly conceived and lovingly produced.
To me, it’s important to present readers with a complete package: a book that’s lovely to look at and hold, the formatting easy on the eyes and, most important of all, the quality of the writing is in evidence in every line.
Sometimes you can tell a book by its cover.
Self-publishers, especially those who primarily favor the e-book format (for cheapness and ease), select the most generically ugly covers imaginable. Artless, crude, formulaic. And, chances are, those adjectives can also be applied the prose they excrete at an alarming rate. It’s amazing how many books you can churn out when you don’t edit or proofread. Or spell check.
I look at these efforts by my “colleagues” and shudder. And feel an even greater motivation to somehow separate my fiction from the terrible slop that people are constantly releasing thanks to e-books, blogs and print-on-demand (POD). How can I convince readers that my work is the exception that disproves the rule: not all independently produced writing is sub-literate, juvenile, asinine tripe?
That question has bedeviled me for a long time, my friends. I can’t describe to you what a downer it is to walk into a bookstore with some of my books and see the manager’s face fall when I tell him/her my work is released under my own imprint. Book employees are constantly being approached by people pushing their dreadful poetry, memoirs and cookbooks on them, demanding precious shelf space, while simultaneously giving every impression of enduring lives of endless persecution and unacknowledged suffering. But I have to say, the book people I’ve dealt with usually do an abrupt volte-face when I pull out a copy of a Black Dog Press release and show it to them. The covers are always eye-grabbers and that helps, then they spot the glowing reviews and blurbs, open the book, feel the pages, glance over the formatting…more often than not they end up taking a few copies. And not begrudgingly either.
I’m learning to accept that I can’t do much about the silly, deluded people who are determined to foist their unpolished, inept scribbles on the world, flooding the market, reproducing themselves with the prodigious energy of hormone-laced hares. I must keep on keeping on, positioning myself before this keyboard every single day as I have for the past quarter century or more. Seeking no fame or recompense, wishing only to improve my craft, grow and develop an an author. Clinging to a kind of belated faith that there are still serious readers out there, bibliophiles avidly seeking out literate, well-honed prose.
If I keep at it long enough, remain devoted and true to my calling, they’ll eventually find me.
It’s kind of like believing in God, only the evidence is far more tenuous, the suspension of disbelief even harder to maintain…
So Dark the Night is now available and ready to be added to your bookshelves. Maybe you’ll take Stefan Dziemianowicz’s advice and slot me in between Jorge Luis Borges and William S. Burroughs. I think that would make a very nice fit, frankly.
There are a number of ordering options open to you. You can purchase my novel through Amazon.com and a number of affiliates there or you can pick up the e-book OR you can buy the Kindle version. However, if you’d like signed, personally inscribed copies, I’m afraid zipping your orders my way is the only way to manage it. If that’s your choice, click on this link and it will take you to my bookstore where you’ll find So Dark the Night and several of my other titles (though most of them are available in very limited quantities).
You’ll find all the necessary info there, including shipping rates.
What can I tell you, folks?
If you’re looking for a fast-paced, exciting read, a thriller in every sense of the word, So Dark the Night is for you.
Imagine a combination of “The X Files”, H.P. Lovecraft and Raymond Chandler and you’ll get at least some idea of what I’m talking about. It’s the perfect “summer reading” adventure, featuring the most likable and endearing tandem of sleuths since Holmes and Watson. Plus the book will scare the living crap out of you.
What more could you ask for?
So…check out So Dark the Night, buy it, request it from your local bookstore (tell them it’s distributed by Ingram and, likely, Baker and Taylor) or your public library. Spread the word, tell your friends, Facebook about it, text each other your favorite quotes…or just kick back and indulge yourself with a powerful, literate offering, “a spook show that delivers everything it promises”.
And, needless to say, drop me a line here or at firstname.lastname@example.org with your thoughts and impressions.
I guess you can tell: I…am…pumped. Who wouldn’t be? This book cost me 3+ years of my life and now that I’ve got it in my hands, I can honestly tell you it was worth every moment I devoted to it.
But don’t take my word for it: pick up a copy and see for yourself. Or, if you like, here’s an excerpt you can browse, a sneak peak at the best supernatural thriller since Linda Blair puked pea soup all over Max von Sydow:
That’s right, kids, it’s that time of the year again.
E-Books have grown in popularity exponentially over the past 5 years and there are no indications that trend has run its course. Especially when the folks at Apple have us all salivating over their new “tablet”.
Pop over to the e-Book site Rita Toews has set up, check out some of the contests and download the many freebies their partners (including yers truly) have provided. Dip your toes into the e-book waters, folks: the temperature’s fine and there’s no pollution from those industrial giants in New York, Toronto and London. Just terrific prose from people with a lifelong love of the printed word.
See you over there…
I’ve been accused of lacking a certain amount of, well, esprit de corps when it comes to the plight of my colleagues in publishing. These are not the best of times for people in the biz: staffs are being cut, longtime employees dismissed, whole divisions lopped off in response to plunging book sales and evaporating profit margins.
But rather than commiserating with the editors and book folk who have been handed their walking papers, my reactions have been cold-blooded, remorseless and decidedly ungenerous. Why?
Try to see it from my point of view: these people have failed. They have failed to excite the reading public, they have failed to choose and promote books that appeal to the tastes of their purported readership. Their gross ineptitude has led to their bosses absorbing big financial losses and, quite understandably, looking to clean house. Honestly, why should we care if they’re called to account for their incompetence, summoned into an office and given ten minutes to collect their name plates and personalized coffee mugs and get the hell out of Dodge?
Is jetissoning them any great loss? Are they irreplaceable? Tireless advocates of excellence in literature and the power and glory of the printed word? Not in my experience.
Don’t forget, I’ve dealt with publishing types for nearly twenty-five years and I have all too frequently found myself on the receiving end of their stupidity and outright dishonesty. When I think of editors and those who serve with them as cogs in the corporate publishing mega-monster, I’m not exactly overwhelmed by warm, fuzzy feelings.
Occasionally, as I read the latest casualty rolls in some industry mouthpiece like MediaBistro’s “Galleycat” site, certain names make me perk up. ____________ and _____________ (names removed for legal reasons) were both editors at major New York publishing houses who were given the boot within a few months of each other.
The two editors treated me abominably, hanging onto my manuscripts for ungodly periods of time, refusing to respond to my communications. In desperation, I finally called one and at first the editor in question seemed genuinely contrite. “Oh, God, yes, I remember liking that one. I’ll get to you next week”. But a week passed and then a month…and when I called a second time, I was given a rude brush-off.
“I’ll get to it when I get to it, all right?”
Never heard from her again.
I’ve detailed my many odd and surreal experiences in the world of publishing in my essay “Solace of Fortitude”. Not a word of it is manufactured or exaggerated, I assure you. I only wish that were the case. (Warning: This essay not to be read on a full stomach.)
The truth is that in my quarter century as a professional author I can count the number of intelligent and thoughtful editors I’ve encountered on the fingers of one hand (sans thumb). Ditto for agents.
So why in the name of eternal, infinite God should I give a tinker’s damn if, as a species, editors cease to exist? Should I wear a black armband because the same people who have mistreated me, lied to me and denigrated my work are dangling from every lamp post in lower Manhattan? Fat chance.
To me, all this downsizing is a golden opportunity to pare away some of the dead wood that the industry has been carrying far too long. Editors and execs who have grown old, fat, stale and comfortable in their corner offices, as secure as tenured professors (and just as paranoid and senile). Insular, self-serving, fickle. Highly resistant to change. Time for some new blood, I say, new ideas and approaches.
Traditional publishing seems to be dead, so to me the obvious question that arises is: WHAT NEXT?
Clearly the corporate approach ain’t the answer. Publishing by committee, collating and analyzing spreadsheets, projected sales figures, flow charts and pie graphs. Slitting open a sheep for good measure and rooting about in its entrails for any insights that might be gleaned there. Always on the look-out for the next blockbuster, something sort of different but mainly the same. But while the big ticket scribblers like Rowling and Dan Brown may plump up the sales numbers for a few quarters, what are editors/publishers doing to grow and sustain a stable, longterm readership? Maintaining a lifetime consumer base that’s literate (something less and less important in these days of text messaging, emoticons and three line e-mails) and devoted to the printed word, unwilling to see books relegated to the status of artifacts and curios.
The way ahead lies with smaller, tightly run publishing concerns, staffed by informed, dedicated, reader-savvy men and women. Independent in spirit, offering a more diverse, iconoclastic selection of titles thanks to the wonders of print-on-demand (POD) publishing and e-book hard/software. Works which are then promoted through podcasts, blog reviews and on-line interviews, “virtual” book tours. Live “web chats”; YouTube readings and short films.
Computer technology also enables readers to connect directly with their favorite authors through personal sites, Facebook, etc., as well as allowing them to join forums devoted to writers or genres of interest. Forming a vast, far-reaching community of book-lovers and devotees, unimpeded by geographic boundaries and undeterred by small details like race, politics, gender.
The end of corporate publishing is nigh. The signs are all there. The multi-nationals are fed up with the red ink their book divisions keep hemorrhaging. First they went at the fat with scalpels, now they’re using machetes. Desperate tactics enacted by desperate people…and I suspect it won’t make one bit of difference. The die has been cast and nothing the suits do will have the slightest effect on the massive changes technology is bringing about and a paradigm shift that is part cultural, part economic and wholly beyond the control of Wall Street, Fleet Street…or anywhere else.
These are actually great times to be a writer, or, really, anyone who works and creates in the arts. Never before have we, as artists, had access to (potentially) such a vast audience, drawn from every corner of the world. And the good news is that we can acquire this access for a relatively modest investment. No longer do writers (for example) need to kowtow to the traditional gate-keepers of publishing, the editors and agents who are largely to blame for the present moribund state of the industry. Those self-appointed arbiters of taste have been rendered superfluous, shown to be incapable of identifying or developing authors gifted with originality, power and grace—the very qualities that get people excited about reading again.
It’s my personal belief that a good deal more publishing poobahs need to have their tickets punched before authors and the general reading public have any hope of being better-served. And if the end result of these lay-offs and staff reductions is better books, a wider selection and variety of formats for readers to choose from, more authors having their voices heard, I say:
HASTA LA VISTA, YOU WHITE COLLAR, SELF-REGARDING, MARTINI-GUZZLING, TOFU-EATING, FAKE-MEMOIR-SOPHIE KINSELLA-PIMPING IDJITS! AND GOOD RIDDANCE, TOO…
The artist is an Australian chap, Adrian Donoghue, and here’s a link to his RedBubble page. He’s young, he’s talented and I’m fortunate that he saw fit to allow us to use “Gotham City” for my book. This kid’s going places. And I can’t believe how perfectly the piece matches the mood of the novel.
Check out the picture, then click on my Novels page to download and read Of the Night. It’s FREE. You heard right. A fast, scary as hell, full-length book, yours for the asking.
To quote from my jacket copy:
Of the Night is a thriller set in the same universe as So Dark the Night, but taking place two years later, with a different cast of characters.
A series of events lead to a breach in the continuum, allowing fearsome creatures to break through and terrorize the citizens of Ilium. Police detective Gus Novak soon realizes that the mutilated bodies popping up all over the city are not the handiwork of your garden variety psychopath and he enlists the aid of fellow denizens of the night in order to thwart a cruel and inhuman foe.
Intrigued? Well, for God’s sake, what are you waiting for: go have a look. The price is right, what do you have to lose?