“So tribe on tribe, pouring out of the ships and shelters,
marched across the Scamander plain and the earth shook,
tremendous thunder from under trampling men and horses
drawing into position down the Scamander meadow flats
breaking into flower—men by the thousands, numberless
as the leaves and spears that flower forth in spring.”
The Iliad (Translated by Robert Fagles)
It almost didn’t happen.
I mean, it was that close.
I’d checked into some bus tours to Troy before we left home. I knew there were day trips from Istanbul and they weren’t cheap. But we decided to wait to actually book the Troy excursion until we got to Turkey—I think we held out hope that our hosts would know the best and cheapest method of getting there. In retrospect, maybe not the wisest course of action.
As it turned out, neither of our Istanbul hosts had contacts in the travel industry, so with the help of Sherron’s cell phone (and a good wi-fi connection), I started searching for tour operators that included Troy in their itinerary. There were a few and, as I feared, they turned out to be quite pricey; indeed, too pricey for my tastes. I started pondering the possibility of leaving Turkey without seeing the plain of Scamander and the remnants of the Scaean Gate—I have to say, it didn’t sit well with me.
I read Peggy Albion-Meek’s The Great Adventurer, a young adult re-telling of the story of Odysseus, when I was nine years and was enraptured.
The prolonged siege of Troy figures prominently in the book, the wily King of Ithaca responsible for coming up with the scheme that finally breaks the stalemate. Other famous figures put in appearances and I soon developed a loathing for the haughty Agamemnon, while cheering as the god-like Achilles hacked his way through half the Trojan infantry, displaying a bloodlust that made even the mighty Hector quail before him.
Troy, needless to say, holds a special place in my heart. I’d put it right near the top of my “bucket list”. But it seemed like fate was intervening and unless I was willing to pay an arm and a leg, Troy might be out of reach.
Then, a sudden breakthrough.
A communication from one company confirmed a coach was available, quoted a fee that seemed reasonable…was I interested?
The mode of conveyance was a comfortable Mercedes mini-bus, extra spacious because there were only about six or seven other people accompanying us (most of them bound for the nearby the Gallipoli battlefield, not Troy). It was a lengthy drive, down the Anatolian coast, and at one point we had to ferry across the Dardanelles to get to Canakkale on the other side, where a different bus was waiting to take us the rest of the way to Troy.
And there it was. And there I was, standing amidst the weathered, crumbling remains of a place I’d dreamed about since childhood. Well…
A peak moment. Who would’ve believed it possible?
Because of the iffy political situation in Turkey (see: previous post), tourists were in short supply and, except for a German documentary film crew, we had the site all to ourselves.
Uran Savas is the most engaging, charming, knowledgeable guide I’ve ever encountered. Uran combines a winning personality with an encyclopaedic knowledge of the history of Troy and its physical environs—he knows every square foot of the place. Uran led me around the extensive ruins, which span thousands or years, each layer revealing insights into the lives or ordinary Trojans and their ruling elites. In all, there were at least ten separate cities built on this site, ten separate eras represented. Uran could point out sections of wall denoting each of these eras, his erudition and quick wit constantly in evidence. Despite the blazing heat, he set a leisurely pace, not hurrying, pausing to point out certain landmarks or patiently respond to my seemingly constant questions.
Sherron hung back, taking pictures, including one of my favourites, where I’m touching a portion of a wall that dates back to Homeric times. That’s a keeper.
As a bonus, Uran introduced me to a good friend, the man who happens to be in charge of the on-going digs at Troy, Dr. Rustem Arslan. He answered a couple of my stammered queries and posed for a picture with us, before hurrying away, back to his duties.
End of a perfect day. Oh, except for that interminable drive back to Istanbul. All and all, it amounted to a time-consuming, wearying interlude—let’s see, we were picked up around 5:30 a.m. and dropped off back in Istanbul shortly after 10:00 p.m. Wow. Time-consuming, indeed.
We left Istanbul the next day, after ten days so confident of our grasp of the city’s commendable public transportation system we travelled to Kemal Ataturk International Airport via cab, ferry, bus and monorail, arriving on time and hardly frazzled at all.
We flew out of Istanbul shortly before 5:00 that afternoon. I realize I’m skipping a lot in this account, due to space constraints (like dealing with the persistent, ingenious carpet salesmen or meeting the remarkable Emin Senyer, a preeminent performer of Karagoz shadow puppet theatre), but that’s unavoidable. We must push on to Prague.
Yes, Prague. By reputation, one of the most beautiful cities on the continent. Boasting every modern convenience while, simultaneously, possessing a lengthy, storied past, the region frequently playing a crucial role in 20th century European politics.
One thing we immediately noticed was that it was a lot cooler and drier than Greece and Turkey. Almost like back home.
Prague was the one city both Sherron and I had at the top of our lists when we were planning our proposed Grand Tour of Europe. We felt drawn there, for a variety of reasons. To me, it’s the home of Kafka, Hrabal, Meyrink and the Capek brothers. A veritable hub of surrealism and the macabre and ground zero as far as alchemy and the black arts are concerned.
For my dear, puppet-crazed wife, Prague’s status as one of the world’s hotbeds for hand-carved wooden marionettes, not to mention innovative theatre and film, made it an irresistible destination. And there was one other attraction:
We spent over a week at a small penzion a half-hour from Prague, where Sherron took part in a workshop led by Michaela Bartonova. Michaela has a long and impressive résumé as a puppeteer and master instructor. Her students come from around the world to work with her and learn from her methods. This year’s attendees included participants from Canada (us), Israel, Spain, Hungary. And they were all sweet, wonderful people; we bonded with them, had many great, raucous conversations after each day’s session was over.
While Sherron was off designing and carving her creation (from linden wood, the Czech Republic’s national tree), I kept myself busy by journaling, reading, writing poems and hanging out with Zsolt–whose wife Aggie was taking the workshop for the second year in a row–and their kids, Philip and Heidi. We had a ball together and the week seemed to zip past.
I think the only thing we didn’t manage while we were in Prague was catch a glimpse of Jan Svankmajer, the legendary Czech animator. It would have been delightful to spend an hour or two in his studio or watching him at work on his latest effort, an adaptation of a Karl Capek story that was financed through crowd-sourcing.
Visiting Kafka’s grave and the museum in his honor were high points, as was the hour or so we spent in the Communist Museum (more properly titled The Anti-Communist Museum). Trying my first shot of absinthe…guzzling Czech beer…seeing a genuine Toyen painting…
A stop of the Millennium Gallery (not far from the Kafka Museum), introduced me to the work of Jiri Sozansky. Ondrej, a fellow fan of the macabre, showed me a number of prints by Sozansky, briefing me about the artist, a man who deliberately inhabits the far fringes of Czech art; I couldn’t resist bringing one of his pieces home with me. Very disturbing, unnerving stuff; not for all tastes. Search him out, he’s amazing (you’ll find one of his short films here).
What I won’t miss are those wicked, uneven cobblestone streets. For a metropolis renowned for being “walking city”, Prague’s city fathers couldn’t have picked a worse road surface. After the first few days traipsing around, my lower back and hips were in rough shape. Stretching and anti-inflammatories helped, some.
That said, I’ll put up with the cobblestones, endure the natural surliness that seems to be part of the Czech national character, I’ll even forgive the less than thrilling cuisine—
But how do they tolerate the tourists?
Yes, the tourists. Out of the various spots we visited in Europe, they were at their worst in Prague (particularly in “Old Town”). Swarming and pointing and gawping and barking at each other in a dozen different languages and dialects–and you could tell what they were saying always amounted to little more than: “Lookit that, honey, ain’t it neat?” Snapping selfies at every opportunity, imbuing each and every street corner or jutting steeple with significance. I was seated at a small diner and watched as a tubby, rather bookish fellow a few tables away took a picture of himself with his plate of food.
Selfies at a wall dedicated to the memory of John Lennon. Selfies in Wenceslas Square. Selfies framed in front of one of the innumerable castles or cathedrals…
I hate tourists and tried very hard never to act like one. We usually shunned areas where there was a high concentration of idiot foreigners but sometimes they were unavoidable. Streaming down the winding, constricted sidestreets, moving in groups, often consulting handheld gadgets, heads swivelling back and forth, eagerly seeking out the next attraction or point of interest.
Prague, you old whore
coquette of Mitteleuropa
adorned in gothic finery
enduring the rough pleasure
of marauding hordes
secretly derisive of their
offering your best
most familiar features
while assuring each of them
you’ve never done this before.
Every so often, Sherron and I would consciously try to slow things down, take a moment, seat ourselves on a bench or at an outdoor café and just look around, absorb what we were seeing, the little details that we might revisit later, in recollection. Trying to retain the strongest possible impression of that locale, that instant in time.
Who knew if we’d be able to manage another trip of that magnitude? Was it likely, given our financial situation? And maybe that’s why for us it was never about rushing around, patronizing all the usual tourist traps, checking them off our list and then moving on. Never stopping to reflect, experiencing Europe on the fly, through the window of a car or bus, doing our level best not to interact too much with the locals…
Interact we did, chatting with folks from every walk of life, people who quite often weren’t shy about sharing their views with us, once they realized they had an attentive, appreciative audience. We tried to be open, receptive, patient…and were rewarded with some memorable encounters and exchanges. Mustafa, one of our guides on the bus to Troy, so passionate and knowledgeable about Middle Eastern history, comes to mind; and what about Anke and Dick, Alex and Suzanne, Michaela and Ralph and Uran and Zsolt and Aggie and Emin and Ali and Eva and so many others. They shared their stories with us, welcomed us into their lives and homes, offering fresh perspectives, opinions that often didn’t jibe with what we were hearing back home.
That is the greatest benefit of traveling to a distant land and no virtual environment, no documentary can come close to emulating the experience of physically being there, at Mycenae or Epidaurus or Troy…or even buying bottled water from a cheerful vendor not far from Galata Tower.
Feeling the ground beneath your feet, hot sun directly overhead, the welcome chill of the plastic bottle against your skin. Knowing this is real, an authentic moment.
Turning to each other, clasping hands, conscious of the adjacent funicular tracks. The vendor wants to know where we’re from.
“Canada?” He grins. “Very far. Welcome! Welcome!”
Bidding us good day and waving once we’re underway, another smiling face, another encounter to add to our scrapbook, situated alongside brochures, ticket stubs and a smooth, streaked pebble collected from the beach at Kiveri.
Mementos, when photographs no longer suffice.
The final two lines of my travel journal, composed upon our return to Canada:
“For a time, I was able to forget who I was, see the world through young and innocent eyes. What do you call that, except a blessing?”
I note with chagrin that I didn’t concoct a single, solitary blog post for the entire month of September.
I don’t think that’s happened before, has it?
I confess I spent a considerable portion of the thirty days in question trying to process the sights, sounds, smells, etc., of our trip to Europe. Did a lot of reflecting and maybe a tad too much navel-gazing. Paged back and forth through my travel diary, reading passages to pique my memory, skimming through the hundreds of photos we took.
You have to understand, Sherron and I had been planning this trip for at least a decade. That’s a helluva buildup…but that month we spent in Greece, Turkey and the Czech Republic far surpassed our expectations and became, for both of us, a life-altering experience.
The pictures help but they can’t possibly capture or accurately portray the many, many special moments, the brief, chance encounters, the sense of what it felt like to be so far from home, so far outside my comfort zone. The locales ranged from the exotic and sublime to the grimiest backstreets. From the ancient world to a 21st century traffic jam.
I am a reluctant traveler, preferring to remain as near to my personal omphalos–this office where I am presently typing–as I can manage. Right here is the center of my universe, the place I feel safest. When I step across its threshold, venture outside, I am no longer in control. And the anxiety grows…
But I was determined to overcome my fears and apprehension; the time had come to expand my horizons. Full speed ahead and damn the torpedoes…
Unfortunately Air Canada got things off to a bad start. Our flight to Toronto was delayed for mechanical reasons, which meant we missed a connecting flight that would have taken us directly to Athens. Instead, we were re-routed to Heathrow, where we had to linger for six hours before we were finally on our way to Greece. So we arrived later than expected and once we were dropped off in central Athens promptly got ourselves lost and—
Never mind. We’ll skip those initial rotten bits and instead focus on getting to our quaint little Air B ’n B apartment and the view from our balcony. The Parthenon at sunset. And not just a postcard either: the real thing. We hugged each other and captured the moment with a photograph while Alex, our host, looked on in approval.
Greece in mid-July is hot. Really, really, really hot. Sherron and I are from Saskatchewan, remember? We weren’t prepared for that fierce Attic heat. Climbing the Acropolis on a day when the temperature topped 40+ degrees Celsius was not one of our smarter moves. Definitely not recommended for the faint of heart or those subject to heat stroke.
The bones of ancient Greece are in evidence all through its longtime capital. The skeletons of structures that have survived barbarian invasions, earth tremors and thousands of years beneath that harsh, unforgiving sun. The numerous excellent museums trace and name the epochs of a land inhabited since pre-history, wreathed in myth. I saw the famous funerary mask of Agamemnon (discovered by Schliemann) and posed beside a bust of Marcus Aurelius. There were some magnificent pieces at the Cyclades Museum; I was moved and inspired by the austere beauty of carved, stylized figures from the fourth millennium B.C.E. If I could have one piece of art for my collection:
Believe it or not, after three days we’d had enough of Athens and were on a bus south, to a small village called Kiveri. Friends from Saskatchewan kept a summer home there and had graciously offered to not only share their abode but also shuttle us around to other sites of interest, including Mycenae (Agamemnon’s palace and burial chamber), Thermopylae and Meteora.
Now you’re likely familiar with the first two place names I mentioned, but Meteora probably doesn’t ring any bells. The area features some amazing geology, pinnacles and steles of rock thrust into the air by massive tectonic forces. For fifteen hundred years, monks and ascetics have come to these stone towers to find refuge from the temptations and trials of the physical world. At first they built crude shelters in the eroded caves and crevasses; later, they came together, scaled those lofty peaks with ropes and ladders and built the first monastery, others rising up on adjoining fingers of rock in the centuries to come.
I can’t tell you how inaccessible and daunting some of these monasteries still appear today, even with all our modern roads and conveniences. But those mad, stubborn monks hauled and toted tons of rock and wood to the tippy-top and built themselves impregnable sanctuaries, redoubts against the evils that resided in the land far below.
Varnavas was one of the first of the hermit monks to arrive (7th century). One night at our lodging in Meteora, encouraged by the proprietor’s generously large scotches, I wrote this:
I am here
if I err
if I fall.
From Greece, it was off to Istanbul, despite the recent coup attempt and the oft-expressed misgivings of friends and family.
Istanbul, coup or no coup, is a craaaazy place. Crazy and huge and bursting out all over with life and energy. The first time I heard the local muezzin call the faithful to prayer, I was standing on the balcony of our cozy rented apartment—what a beautiful sound. I knew at that moment we’d made the right decision to come. The fellow in our neighborhood had amazing pipes; it gave me goosebumps as I listened to that voice emanating from mounted loudspeakers, echoed and magnified by his colleagues in nearby districts.
I think of Istanbul and I recall the passages that led to impossibly narrow streets; I think of the sheer mass of people that a population of twenty million souls represents. And I shudder when I remember the absolutely insane cabdrivers, who sped through the streets, honking their horns, oblivious to any life forms that ventured into their path. Those dudes rarely applied their brakes and seemed positively contemptuous of pedestrians. Once, when Sherron and I were walking near the Gallery of Modern Art, we witnessed a brawl between two cabbies, a melee which quickly attracted the attention of the police. Their customers looking on in bemusement as the two men glared at each other, shirts ripped, fists clenched, cursing and gesticulating, the cops wisely keeping them separated. Murder in the air.
There’s so much to see in Istanbul—this is a city that has played a central role in many important historical episodes; it has witnessed the rise and fall of great empires, flourishing and suffering by turns, the fate of any Eternal City.
We visited the magnificent Aya Sofia (aka Hagia Sophia), commissioned by Emperor Justinian and intended to be the most magnificent place of worship in the known world. The very quality of light seems different there—the way the beams penetrate from outside, imbuing the interior with a regal, exalted ambience. It was impressive to us but imagine the effect on pilgrims from bygone times, men and women from rustic, humble origins who were bound to be moved and awed when they walked through those massive doors and saw…this:
Aya Sofia, the Basilica Cistern, the Blue Mosque, the Hippodrome, the Grand Bazaar (with its famous book market)…so many different places to explore, each possessing its own special atmosphere and claim to fame (or infamy).
And then there was Troy…
(To be continued)
We took a lot of photos on our trip this summer. That’s the curse of digital photography: you can just keeping snapping away, deleting the duds later. Much later…
I won’t be posting many pictures of our trip, but there are bound to be a few, marking the high points of our thirty memorable days in Greece-Turkey-Czech Republic.
Here I am, touching the stones of Homeric-era Troy. Can’t put into words how powerful it felt visiting a place I’d read about since childhood. Glorious!
I also got the opportunity to make a pilgrimage, of sorts, to the grave of one of my literary heroes, Franz Kafka. Sherron snapped this one, then discreetly wandered off, letting me have a few private words with my old Master. No touristas about, no unwelcome intrusions. Special, special moment…
Recently, Milan Kundera raised a few hackles in the Czech Republic by refusing to return to his home and native land to attend a conference devoted to his work. Mr. Kundera stated that he did not wish to contribute to a “necrophile party” made up of academics and scholars, discussing and debating his work.
He also said, even more provocatively, that he considers himself a French writer and writes exclusively in that language.
Take that ye cultural nationalists!
It has long been my belief that a writer is a stateless citizen, an individual who inhabits no country and is beholden to no particular culture, gender, creed or race. To identify oneself as an “American author”, “Czech author” or what have you, is to fly in the face of the kind of universality true authors seek to achieve through the power and originality of their work.
When I make my rare public appearances I often have to provide a short bio so I can be introduced to an audience or gathering and I struggle mightily to compose something that isn’t embarrassing or misleading. Earlier this year my wife adapted a couple of my short stories into theater pieces that were performed at a function here in the small city where we live. I think the M.C. at one point called me a “local author” and I shrank down in my seat. Is that all I am? A local author? A Saskatchewan author? Even a Canadian author?
Christ, I hope not. After twenty-five years of beating my brains out and destroying my fingers and shoulders and lower back, I’d like to think I have higher aspirations for myself than that.
Nossir, I want to be read not only locally, not only nationally but around the entire fucking world. I want my books and stories and essays to be devoured and enjoyed by future inhabitants of the Martian colony. I want my collected works taken on the first flight to Alpha Centauri. I want my prose to survive long after places like “Saskatchewan” and “Canada” cease to exist.
Isn’t that what all artists of worth strive for? Immortality, an appeal that persists centuries after their bones have turned to dust. And that is also why I struggle so hard to preserve the integrity of my work, not allowing some bowdlerized or aesthetically gutted version to supersede and supplant the real thing.
I honestly wouldn’t change places with the likes of James Patterson or Stephanie Meyer for all the filthy lucre in the vaults of Fort Knox. Their work won’t survive the next twenty years, let alone the uncounted eons that lie ahead. No, let them choke on their money and watch as their books go out of print in their own lifetime.
It’s funny: this past week I commented on the on-line site for CBC (our national broadcaster), responding to a short feature devoted to Robert Charles Wilson. Mr. Wilson has managed to secure something of a reputation for himself as a SF writer, even snagged a Hugo Award for one of his novels. Frankly, I find his prose merely workmanlike; he is yet another SF scribbler (like Jack McDevitt and Robert Sawyer) who has cashed in on a modest talent for stretching neat ideas into over-long novels and, in the process, made a tidy living for himself. It’s a situation that’s pretty much endemic in SF but those guys are more guilty of that particular sin than most.
The folks who responded to my initial post comported themselves like typical, moronic SF fans. They made all sorts of assumptions about me and indulged in numerous pointed, personal, ad hominem attacks, opining that I was merely jealous of Mr. Wilson’s commercial success.
I made the mistake of trying to debate with these “minions of fan-dumb” and earned more vitriolic attacks for those efforts. Fuck it, I thought, and signed off without posting the really nasty parting shot I had composed. It would have been a waste of time. These are the same vacuous shitheads who are lining up in droves to see “Star Trek XXIV: The Quest For Profit” and the latest comic book adaptation, wearing out their thumbs on their game consoles. The only heads they have on their shoulders are blackheads from all the junk food they cram into their maws so they can stay up all night watching the “Lord of the Rings” movies back to back and wrapping “Fallout 3”. Fuck them. No way I’ll lie down with those pigs.
No, I’m bound for the stars. I write for posterity and to preserve a literary legacy that I hope will last as long as there’s a single, discerning reader out there who longs for something off the beaten track, a work that reminds them what it means to be human, the attendant hopes and accompanying foibles. A man or woman lonely, isolated, seeking the companionship of a long-dead author whose devotion to the printed word transcends time and vast distances and alien, hostile farscapes.
Keep your trophies, baubles and bullion.
I serve a higher calling…and make no allowances for those whose lack of courage and faith causes them to choose low roads and demean the gifts they have been so generously granted.