Those who follow this blog are aware that I love Christmas and still cling to the faint possibility of Santa Claus (hey, the cookies I leave out are always eaten when I get up in the morning, explain that).
This year possesses an extra poignancy, I suspect, because it’s our last Christmas before our youngest lad moves out, leaving us with ye olde empty nest. And a much smaller food bill (but I digress).
Hectic around here, as it is for everybody else this time of year. Trying to finish last minute shopping, get parcels away to relatives and loved ones, keeping the walk shoveled and the house warm during some recent cold snaps.
I’ll probably do a year end review at some point but not on this occasion.
Instead I want to announce a special Christmas treat:
I’ve created, with the help of those over-priced buggers at Cafe Press, some pins/buttons. The button with the smallest print reads “Frustrate algorithms.” Sorry, despite my best efforts, I remain mediocre at taking still photos.
(Click on images to enlarge)
These pins reflect aspects of my personal philosophy, that subversive, non–conformist attitude I’ve had for as far back as I can remember.
I’m giving away three sets of pins along with three personally inscribed copies of my latest book, Exceptions & Deceptions, for the best questions or comments submitted in the next month. Post your remarks, then, if you want to be eligible for a prize, send your particulars (address, etc.) to firstname.lastname@example.org. I’ll make my choices sometime in mid-January and post the names of winners at that time.
Feeling very positive as this year comes to a close. There’s a desire now that I’m fifty to start living a more spiritually and aesthetically fulfilling life, to continue to expand my horizons by exposing myself to smart, daring books and films and music, eschewing the trivial and formulaic. Off with the old skin, on with the new.
“…Identity is the daughter of birth,
but in the end, the invention of its owner,
not an heirloom from the past.”
-Mahmoud Darwish, from Almond Blossoms & Beyond
(Translated by Mohammad Shaheen)
It doesn’t happen often, but every once in awhile my literary faculties abandon me and I’m reduced to a non-verbal level of communication. I have something to say but it can’t be expressed via text—and so I’m forced to rely on other, more tenuous, abilities to get across what I feel must be said.
Initially, I worked with collage, refusing to trust my “skills” with paint and brush. Then I shot some abstract films, usually with quasi-science fiction elements, incorporating some of the strange, spacey music I like to concoct with Garageband. You’ll find a couple of these cinematic efforts on my “Film & Music” page. I’m collecting footage for another short flick, which I hope to have ready in the new year (2014).
It took me awhile to work up the courage to paint but Sherron recently bought be a lovely set of acrylics and gave me various brushes and so…why not?
For the past month or so, I’ve labored over three pieces and I’m going to surprise my dear wife by posting them here. Y’see, normally I refuse to exhibit my visual work or allow anyone to look at it—my canvases are kept wrapped and stacked behind a chair in my office. Hidden from prying eyes. Sherron thinks that a waste and urges me to get them framed, hang them somewhere in the house (bathroom? basement?); so far I’ve resisted her prompting.
I’m not a visual artist, I have very little talent but a whole lotta inspiration and desire. An eager amateur, respectful and deferential of the painters who have mastered and transformed their discipline while acknowledging I possess none of their gifts or aesthetic affinities. My efforts may lack artfulness and sophistication, but they do pay tribute to true genius, those individuals who have transcended their medium and presented viewers with an innovative and impassioned view of the world they live(d) in.
Recently I’ve been reading about Mark Rothko and poring over his oeuvre. Simon Schama has a wonderful feature on Rothko, which can be found on YouTube. The story I love best about M.R. is when he received a huge commission to provide paintings for the Seagram building in New York and ended up giving back the money and keeping the gigantic canvases he’d executed because he dined in the restaurant where they were to hang and didn’t like the affluent patrons frequenting the establishment. Walked away from over a million bucks in today’s currency because, at heart, he was a leftie/anarchist who had little truck with institutionalized power.
My kinda guy.
A casual glance at my daubs and smears reveals a chap whose influences are all over the place. Like my writing, my visual efforts are impossible to categorize, highly personal…and decidedly not for all tastes.
For instance…”Beneath”, the first painting (top of the page)—is that some kinda blundering swipe at impressionism?
And what about the second one (above), unhelpfully titled “Rosetta”?
Obviously influenced by my love of cave painting, ancient visions of the world as imagined by minds that were proto-human…and already beginning to question the solidity and permanence of the universe around them. Oh, for a few hours in Lascaux…
Hard to do credit to these pieces in photographs—there’s lots of layering and texture that is obliterated, subtleties and nuances (yes, there are a few) utterly lost.
I use gobs of Wellbond glue, found objects, whatever I can lay my hands on to give an impression of a third dimension in my work. Scrape at the canvas with trowels, x-acto knives, sandpaper; employ toothpicks, Q-tips, styrofoam and (frequently) my fingers, often discarding brushes as too inexact.
How about this last picture (below), “Yule”, which started out as something completely different and gradually morphed into what you see here. I hope it’s apparent from this piece: I love Christmas, a Grinch who secretly desires to run down and join in the fun with the good folks in Whoville. Don’t ask me why, I won’t be able to supply you with a coherent, reasonable answer. Christmas morning, I’m the first one up, practically bouncing off the walls as I wait for our family to descend and gather in the living room for our gift opening. Possessed by child-like excitement. Hopefully, all that is evident in “Yule”.
The rest I’ll leave up to your imagination.
(Click on paintings to view enlarged versions)
Which always seemed like the perfect title for a porn film. But I digress…
Christmas approacheth and there is much to give thanks for.
First and foremost, my oldest son Liam returns from Brazil on Thursday; nearly four months away from home and hearth and, man, did we miss him. Having him back with us is the best Christmas present we could ask for. The tree is up and awaiting ornamentation, the Christmas CDs and (mainly) cassette tapes have been retrieved from the basement and dusted off. I know I have the reputation as being something of a curmudgeon but I love Christmas and there’s something about the holiday season that brings out the best in me. Even standing in a long lineup at the post office isn’t going to set me off (according to Canada Post, this is the busiest week of the year).
Other blessings of note doled out in 2012:
Three, count ’em, three new releases. Three books in one year? From me? That’s nothing less than miraculous. I’m delighted with all of them: The Last Hunt turned out far better than I’d hoped, a great story and a worthy addition to the western genre. I know I raised a lot of eyebrows when I announced I was working on a good ol’ fashioned horse opera, but I approached my task with seriousness and the respect of a true devotee. With the help of my father-in-law Ken Harman (a real, live cowboy) and folks like Lee Whittlesey, a superb historian and raconteur, I think I carried it off. Judging from the responses I’ve received, I’d say readers think so too.
The other two books are “Best of…” compilations of poetry and short prose. Stromata: Prose Works and New & Selected Poems. Both drawing from over two decades’ worth of material; slim, elegant volumes of surreal verse and prose poems. Beautiful, austere covers, powerful, intense material. I’m looking at them as I type these words and am still struck by what lovely tomes they are.
That’s the wonderful thing about being an indie author and publisher: I can supervise every aspect of my books’ creation, from their conception to their production and distribution. I even choose the margins and fonts, find the cover art. Etc. And I work with some great people, like my wife, Sherron, and my designer, Chris Kent, to ensure my books are as eye-grabbing, artful and evocative as they can possibly be. Check out my Bookstore page, see for yourself.
Shot, edited and scored three short films in 2012—have to admit, I’m most chuffed with “First Contact“, a surreal combo of music and images. Can you tell I’m a huge sci fi fan?
Also put together more of my ambient music, took lots of photographs, traveled more than I have in the past…
And the end of the year finds me plugging away on my next volume, a collection of short stories I hope to release in June or July, 2013. Already over 100 pages in and delighted by the diversity of voices, the unsettling and entrancing tales they tell.
Other then the expected sniffles and aches, we all stayed healthy in 2012—something else to give thanks for.
But I’m most grateful for my life, the freedom it affords me to follow my bliss, write in an atmosphere of peace and security, devote myself full-time to the task of creation. That’s what it’s all about. Birthing something that wouldn’t have existed, drawn breath, if it hadn’t been for your painful, protracted labor.
“Make visible what, without you, might perhaps never have been seen.” (Robert Bresson)
For me, no other existence will suffice. Without the ability to create, immerse myself completely in my invented worlds, I would wither away, cease to exist in material form. A thing more sensed than perceived, shadow-dweller, incorporeal yet still cursed with sentience, formless but denied the release of death.
I’m honored and privileged to lead the life I do. That’s something I must never forget or take for granted. I’m blessed and renewed by the knowledge that I’m serving some higher purpose, contributing (in some tiny way) to the Grand Design. Sometimes, when I’m at my absolute wits end, that’s my sole motivation for continuing to put words down on paper. That and the unqualified support and faith of my family. Whatever successes I’ve had are the result of the love and encouragement I’ve received, the sacrifices those closest to me have made to allow me such a fortunate existence.
For that and much, much more, thank you, to my family and friends, my readers…and my Creator.
Couldn’t do it without you.
Wouldn’t even try.
And, please, folks, during the holiday season let’s not forget the true origins of Christmas.
With all the consumerism and hedonistic behavior that accompany this time of year, I thought it important, nay, essential, to remind everyone there really was a St. Nicholas and the above link tells his inspiring life story, a moral lesson for us all.
Have a Merry one!
I know, it’s ridiculous.
I am, by a significantly large margin, the most cynical person I know. At times, I border on misanthropy. Show me a miracle and I’m sure to be the one who runs over and yanks back the curtain, revealing an elaborate projection system and its red-faced operator.
My philosophical role models are Hunter S. Thompson and Johnny Swift–heavy on the satire, please, and spare no one the whip hand. When it comes to contempt for our species, I make Stalin and Mao look like a couple of octogenarian nuns. It’s time to own up to it: humankind is a failed experiment, rinse out the petri dish and start again.
Except…around mid-December my normally un-sunny demeanor undergoes a marked change. Having kids has something to do with it but, when I think back about it, I’ve always loved Christmas. The closer it gets to the 25th, the more excited and tingly I get. This reaction is completely unconscious and involuntary but, regardless, I offer no defense for the shameful sentimentality that overcomes me every December. True confession: if I could, I’d spend the last two weeks of every calendar year walking around, giving money to orphans and kissing old ladies on top of their wispy, age-spotted pates.
The origins of this revolting affliction are not known to me. I have hesitated to share it with you lest I provoke the ire and scorn of my fellow curmudgeons. We aren’t exactly known as a tolerant, open-minded bunch.
I can remember very clearly, the recollection dating back over 35 years now, sitting in my pajamas and listening to an announcement on the local news that Santa’s sleigh had been picked up on radar and he was definitely on his way…
My fondest childhood Christmas memory was when I was nine (ten?). I contracted a mild form of hepatitis and missed two months of school. As an added bonus, I cleaned up at Christmas time: a couple of Hardy Boys books and one of those electronic football games, which ended up maddening me because most of the magnetized players spun in slow, futile circles on the vibrating field. My one regret was that my specialized diet meant I couldn’t have any chocolate. Watching my sisters stuff themselves just about killed me.
As I’ve gotten older, the holiday season became an opportunity to sit back and assess the year; tote up the amount of work accomplished and berate myself for everything left undone.
During that week between Boxing Day and the New Year there’s always a strong sense of something impending. Maybe 2009 with be the year. Just like 2008 was supposed to be. And 2007, come to think of it. Oh, well…
Anticipation. Expectation. Something is coming. Something important.
Waiting. Waiting. Sam Beckett made a whole career out of it.
The curmudgeon in me curls up his lip when the Hallowe’en decorations come down and the Christmas displays start going up. People have staff Christmas parties starting in mid-November. And the Santa Claus Parade often takes place a month before the fact–as a kid I often wondered how the Old Man could take time off during the busiest part of the year to haul himself up on to a float and wave inanely for two hours.
Christmas specials on TV start the first week of December. It’s the old favorites that still appeal. “Charlie Brown Christmas” and the animated “Grinch”, with Boris Karloff narrating. Alastair Sim in “The Christmas Carol” (although, in a pinch, the Muppet version will do).
We’re big fans of the “Wind in the Willows” series too so that one will likely resurface during the holidays. Anyone who has ever seen me trying to assemble something or figure out printed instructions quickly recognizes that I am the very spitting image of Toad. And my friend Dan is undoubtedly a Badger…
I haven’t seen either “Wall-E” or “Finding Nemo” so I’ve promised my family I’ll sit down and watch those two with them; I miss out on too much, sequestered away upstairs in my office. All the movies Sherron and my boys have sat through without me…
We’re not a family who believe in big, extravagant presents. It’s just not us. Small, heartfelt gifts…combined with great food, friends dropping by, the chance to spend lots of time together, no school, no work, no obligations or duties.
Sprawled on the couch or draped across the big arm chair, engrossed in a new book. My boys are teenagers now so, admittedly, there isn’t the same sort of excitement present as there was when they were little gaffers. Up until a few years ago, the house would rattle with their excitement as the big day drew ever nearer. A friend used to buy them an advent calendar and after breakfast the boys would get the calendar down and pull open the little hinged hatch to retrieve their allotted square of chocolate. It became part of our ritual, like scones on Christmas morning (we tried champagne and orange juice once but I ended up passing out at 11:00 a.m.).
Well, we’re all older…but we still enjoy sharing time and space with each other. We laugh a lot and if I was a betting man I’d say this old house will be fairly ringing with mirth in the next couple of weeks. And if this cold snap ever breaks, we’ll get a game or two of shinny in and go for long walks, gawk at the gorgeous river valley, pristine in the sharp, white light of winter.
It’s hard for even a confirmed curmudgeon to maintain an appropriate air of disdain when he is perpetually surrounded by good cheer, a loving family and devoted friends. The barbed remarks and wisecracks stick in my throat, refuse to budge.
There will be other opportunities to prick balloons, pontificate gloom and doom. This is a chance to give thanks for the blessings and good fortune that sustain me even during my darkest moments.
We’ve had enough despair. Now let us sing songs of thanks and praise for what has been bestowed upon us and be all the more grateful and deferential, knowing it can’t possibly last.