Tagged: British literature
Ah, what I wouldn’t give to have someone like the redoubtable Jeeves in my life.
An individual endowed with almost supernatural competence, intelligence and aplomb. Absolutely unflappable. Capable of quickly and expertly assessing any situation, offering the most expedient and logical course of action, which is all but guaranteed to achieve the desired result.
But it’s more than that. A true Jeeves is able to anticipate setbacks and complications, avoiding them like a poorly disguised tiger trap. His abilities are practically psychic—how else do you explain how he materializes even before he is summoned, showing up the instant his services are required?
P.G. Wodehouse, creator of Jeeves and his impetuous, dim-witted employer, Bertram Wilberforce Wooster, has the perfect word for Jeeves’ sudden, timely appearances: he simply “shimmers” into a room.
Bertie is excitable, craven, shallow, gullible, naïve, inept; if it wasn’t for his phlegmatic, faithful manservant, he’d be in a pickle literally every waking moment of his life.
For Jeeves is the ultimate fixer—perhaps Bertie is right and it’s all the fish he eats. Whatever the source of his genius, Jeeves never fails to provide unstinting, courteous service and when compelled to suggest some subtle stratagem or artifice, you can count on Jeeves to save the day.
No impasse is so hopeless, no cause so lost that Jeeves can’t provide a ready remedy.
A Jeeves would organize my affairs, ensure the bills are paid, prevent our household finances from creeping into the red. He could fend off lovelorn friends, bossy aunts, irate foes and deal with those pesky Jehovah’s Witnesses that keep ruining my quiet, peaceful Saturday mornings.
Bearing in a pot of strong tea and my daily newspaper as soon as he hears me stirring. Reminding me of an appointment or birthday I’ve forgotten. Drawing my bath, making sure it’s exactly the right temperature. Purring words of comfort and consideration while laying out my clothes for the day.
My man, Jeeves.
Truly, he stands alone!
* In my view the best way to experience “Jeeves and Wooster” is to listen to the BBC Radio dramatizations of Wodehouse’s stories. Michael Hordern and Richard Briers are stellar—the productions are first rate, the supporting players well-cast, the end result always hilarious.
Winding up David Mitchell’s THE BONE CLOCKS
I’m still pondering James Wood’s rather unenthusiastic review of David Mitchell’s The Bone Clocks.
I read the review about an hour ago and now that I’ve had a chance to shower and clear my head, I’d like to get some thoughts down, try to sum up why I think Mr. Wood—and a number of other critics—have missed the point. Let me make clear, I have nothing against Wood, I think he’s a thoughtful, articulate reviewer, a smart man…I just don’t always agree with him.
There’s a taint, if I can put it like that, to his review, a whiff of innuendo. Mitchell’s a good storyteller, he allows, and The Bone Clocks is admittedly “entertaining”, but…
Well, apparently, The Bone Clocks lacks coherence, there’s a dearth of human significance and, then, near the conclusion of his critique, Mr. Wood finally lets the mask slip and his biases show:
“Gradually, the reader begins to understand that the realism—the human activity—is relatively unimportant…the emphasis is shifted away from the human characters toward the supernatural goings on, and the human characters become mere decoders of the peculiar mystery that has befallen them: detectives of drivel. The fantasy rigs the narrative, so that there is something wearingly formulaic whenever Mitchell stages, as he regularly does, a spot of ‘realistic’ skepticism.”
I’m not sure how much fantastic fiction Mr. Wood has read but he must be aware of some of its noble practitioners, Kafka and Borges, Maupassant and Poe. While Mr. Wood opines that “supernatural” skullduggery detracts from the human story, I wonder if he would say the same thing if he was reading a novel or short story by one of the authors I just cited.
What I like most about Mr. Mitchell’s work is that it refuses to acknowledge genre constraints; he delights in playing with tropes and is fearless about introducing SFnal elements to his narratives, creating a vast and varied universe that astonishes literally at every turn.
Mr. Wood’s final assertion, that The Bone Clocks is a “theological allegory”, reflecting a “bleak Gnosticism” must have made the author laugh out loud.
Really, Mr. Wood?
I suspect David Mitchell’s bookshelves are extensive and a good deal more eclectic than James Wood’s. He (Mitchell) is also of a generation whose childhood was enlivened by tales of the mysterious and macabre, whether in books, movies or on TV. From “Dan Dare” to “Dr. Who”; Lord of the Rings to the magic of Ray Harryhausen. All of those influences going into the creative hopper…and what emerges is a mashup that doesn’t discriminate between “literary” and “genre” fiction, employing elements of both, worshipping at the altar of neither.
Maybe that’s why a number of science fiction scribes I know are less than approving of Mr. Mitchell’s body of work. They think he’s nicking their best material without giving due credit, while some of literary crowd (like James Wood) would accuse him of slumming every time he goes off reservation and presents them with a “bad-faith tussle with a fantastic assailant who has already won”.
I’ll admit, initially I found the supernatural elements in The Bone Clocks a bit off-putting. I’d read no reviews or advance articles on the novel, not wanting to risk spoilers (and you won’t find any in this piece, I promise). The book startled me, intrigued me, then absolutely drew me in. Imagine a collaboration between Jonathan Carroll and Thomas Pynchon, both operating at the top of their form. There are conspiracies and mazes and secret societies and psychic shootouts…but, sorry, I swore I wouldn’t ruin the fun for you.
If The Bone Clocks was a song, it would have “crossover hit” written on it in big, block letters. The novel defies mere description and resists being slotted into any safe, comfortable niche.
Like its author, it is ambitious, ridiculously intelligent, culturally attuned, charming, witty and serenely confident.
David Mitchell is a marvel.
He’s managed to surprise us, yet again.
What a guy.