Tagged: Black Dog Press

“Electric Castles”—Cover Art

A peek at the cover of my next release through Black Dog Press, ELECTRIC CASTLES: A BOOK OF URBAN LEGENDS.

Chris Kent performed his usual design magic and special thanks to Gabriele Marras, who supplied the original photo.

My odd little imprint has always focussed on releasing the best and most beautiful books, but this cover surpasses anything we’ve come up with before. As you can probably tell, we’re mighty pleased with it.

The proof has been printed and is already winging its way toward my mailbox and the ePub and Kindle versions should be available later today.

Place your order with me if you’d like an autographed copy, otherwise buy ELECTRIC CASTLES at your favorite independent bookstore.

Support indie publishers and booksellers!

Black Dog Press, the catalog

This catalog of my books is incomplete (you can find all my titles here), but it illustrates just what beautiful volumes my odd little imprint produces.

See anything you like?

 

Coming soon from Black Dog Press

A post that is looooonng overdue.

But, as I’ve said before, if I’m not blogging I’m undoubtedly at work on some project that is utterly consuming me.

In this case, it’s actually three projects.

I should explain.

Last year I was supposed to release a collection of short stories with urban settings called Electric Castles. But that one sort of got over-taken and set aside when I wrote and released an e-book of topical and controversial non-fiction material titled Mouth: Rants and Routines.

I’ve gone back to work on editing the stories in Electric Castles...but I’ve also been assembling a collection of new poetry as well as making additions to Notebook, a compilation of thoughts, reflections and meditations I’ve been gathering for nearly ten years.

The order of publication is:  Electric Castles in June-July, 2020, Notebook in 2021 and the poetry collection in 2022 (I have a tentative title for that one, just not willing to share it yet).

Putting the finishing touches on Electric Castles has been time consuming and intense (my approach to editing obsessive and exhausting), especially the last tale in the book, a 50-page, 12,000+ word novelette. Still pondering a cover and hoping to nail that down soon. A couple of possibilities, including some of my own visual efforts.

* * * *

I realized recently that it’s now been a decade since I rebooted my Black Dog Press imprint. It sort of went into hiatus after the release of The Reality Machine in 1997. PS Publishing (U.K.) published my book Righteous Blood in 2002 and I retained some hope that finally I would be able to find presses out there that would provide a venue for my writing.

That turned out to be wishful thinking and by 2008, I’d had enough. I wrote up a venomous press release and sent it out to a couple of writing forums, announcing I was tired of playing the game, submitting work and waiting sometimes YEARS for editors/publishers to grace me with a response. Fuck that and fuck them. Basta!

Shortly thereafter, I started this blog and began posting big chunks of material, short stories and novel excerpts that thousands of people read and downloaded.

But I still wanted print versions of my books and that meant familiarizing myself with POD (print on demand) technology (and terminology) and in 2010, I published my first Black Dog Press offering in 13 years, my occult thriller So Dark the Night.

I was back, with a vengeance. Since then, I’ve produced a dozen titles, doing my best to satisfy my small but vocal cadre of readers.

The indie world is the place for me and I have permanently (I think) set aside any notion of commercial success or mainstream acceptance.

I hope those of you who are familiar with my oeuvre will continue to support this eccentric venture of mine and that new readers will drop in and discover an author who defies expectations and subverts preconceptions, creating wholly original and provocative titles for those who love challenging, literate books, short stories or poetry.

Welcome to Black Dog Press.

Pull up a chair, make yourself at home.

There’s a lot to see here and we’ve got all the time in the world.

Merry Christmas!

Christmas greeting

Merry Christmas and all the best in 2017 to our small but ferocious band of supporters and readers.

Cheers!

(From Cliff Burns & Black Dog Press)

Ordering info for my new collection (still in time for Christmas)

Promo flier:SEX

“Exceptions & Deceptions”–the cover unveiled!

Check it out:

Exceptions:cover

(Click on image to enlarge)

Cover art by Joslyn Cain

Cover design by Chris Kent

(Release date: June 15, 2013)

The kind of review that keeps me pushing my pen across the page

Front coverAn astonishing review of my New & Selected Poems (1984-2011) just posted over at a site called Pseudo-Intellectual Reviews.

The reviewer and I belong to the same LibraryThing group and she mentioned she was picking up a copy but, sheesh, I didn’t expect such a smart and, yes, glowing review.

It’s the first critique of any sort the poems have received. I get general rumblings of praise from the people who’ve read New & Selected Poems but folks seem reluctant to address the subject matter or prominent themes. I worried, in my Afterword, that the collection might be too personal, too intense and I think there might be something to that. If you watch the footage of the book launch, the poems are often received in what I would describe as strained silence. Sherron told me that at one point a woman near her was softly weeping.

Dear Lord

What kind of strange zeitgeist has my verse tapped into?

Poems are a hard enough sell these days—apocalyptic, mind-bending excavations on the human spirit may not be what readers are looking for.

Cripes, look at the bestseller list.

Yup, once again, it appears I’ve missed the mark.

“New & Selected Poems: 1984-2011”

I’ve been getting queries, folks asking about my New & Selected Poems, a volume I promised would be published in mid-July.

There have been…delays. It’s summertime, doncha know, and the pace of life slows down. One must be patient, not overly concerned with deadlines.

(Deep breaths, cue ambient bird chatter…)

But yesterday I finally received word that the proof is on the way and I anticipate (if there are no glitches, knock wood) going into production upon its receipt. Which means the end of next week. Only a month overdue.

But it will be worth the wait. Oh, yes. Last week I confessed to Sherron that the release of this collection, along with a “Best of…” compilation of prose poems that will follow in a few weeks, excites me more than any book since So Dark the Night.

The poems and prose works are a distillation of all of my major themes, obsessions…and fears. The most intimate, personal confessions, microscopic examinations of my soul, combined with cosmological and spiritual speculations, whole universes crammed into the space of a few simple sentences.

I’m delighted to have this material in print—some of it is from older editions, no longer available. It’s a pleasure to introduce it to a new generation of readers. Both volumes cover over twenty years’ worth of writing; I have to say it’s fascinating to examine the development and progression of my thoughts. Unsettling as hell too (as the Afterword to my New & Selected Poems attests).

Ordering information will be posted soon. And watch for more news on that companion volume, including a cover mockup and some sample pages.

Pop by for further details in the coming days…