“Neglected Authors Alliance” (Now Accepting Applications)

shadow1Awhile back, I exchanged some e-mails with my colleague Andrez Bergen, both of us bemoaning the sorry state of the publishing biz. Andrez is a superb writer, his novel Tobacco-Stained Mountain Goat a stunning blend of Phil Dick at his best and “literary noir”—if you haven’t read it, you don’t know what you’re missing.

Which is kind of the point of this post.

In one of my final missives I joked to Andrez that I was going to start an association called The Neglected Authors Alliance (NAA), and that the two of us would be charter members. Over the ensuing weeks, the idea kind of stuck with me and sometimes, as I passed my bookshelves, I’d take note of an author or two who weren’t household names, who had either slipped into obscurity or had never been widely read in the first place. I started putting together a roster; the living and the dead.

It was a depressing task; once I saw the sheer amount of raw talent represented, I felt sick. If these guys and gals couldn’t garner the rewards and praise and posterity to which they’re entitled, what chance do I have? Thirty years I’ve been putting pen to paper and my literary profile isn’t exactly where I want it to be (he says, choosing his words with extreme care).

And so, in tribute to Andrew and some other very fine scribes who deserve(d) far, far better from fickle readers and negligent publishers, I would like to recommend to you the following authors who have labored selflessly and courageously to produce innovative, literate prose, and who I am honored to add to the rolls of our oddball “society”:

Andrez Bergen
Michael Blumlein
Nicholas Christopher
John Crowley
Tony Daniel
Dennis Danvers
Peter Darbyshire
Paul Di Filippo
Katherine Dunn
Steve Erickson
Carolyn Forché
Barbara Gowdy
Ken Kalfus
Jim Knipfel
Thomas Ligotti
John Metcalf
Michael Malone
Corey Redekop
Abraham Rodriguez, Jr.
James Sallis
Steve Rasnic Tem
Christopher Tilghman
Wells Tower
Sean Virgo

Past (Honorary) Members:

Charles Beaumont
Martin Booth
Angela Carter
Louis Ferdinand Celine
Blaise Cendrars
Adolfo Bioy Cesares
James Crumley
Mahmoud Darwish
Guy Davenport
Stanley Elkin
William Fairchild
Mavis Gallant
Donald Harington
Georg Heym
Bohumil Hrabal
J.K. Huysmans
B.S. Johnson
Ernst Junger
Crad Kilodney
Rosa Luxemburg
David Markson
Seth Morgan
Flann O’Brien
Silvina Ocampo
Cynthia Ozick
Francis Picabia
James Salter
Bruno Schulz
Georg Trakl
Alexander Trocchi
Robert Walser
Denton Welch
___________________

Notice to any authors on my list who come across this post: drop me a line if you’d like to have your own, official NAA button, with all the perqs and benefits that implies.

And, in the meantime, don’t give up, don’t stop producing great work, refuse to cede the field to the hacks, “share-croppers” and pornographers plying their trade today.

We need you.

The barbarians are at the gate…

Photo by Sherron Burns

“After the Robbery” (Poem)

Fence 1

After the Robbery *

My fence keeps me safe
Yours keeps me out

His fence is broken
Hers like a fortress

Some build a barrier of guns
Others leave a gate

Theirs is but a daisy chain
(God preserve such trusting souls)

Fence 2

* This past week, two individuals used a pretext to gain admission to our home and then stole from us. Initially, I was possessed by feelings of betrayal and rage…but, finally, a sense of equanimity and calm is returning. Although I think this bit of verse reveals some on-going (and longstanding) misgivings regarding my fellow human beings.

(C. Burns)

Plugging along

Tree:faceAnother lengthy interval between posts. Talk about inconstant. Talk about maddening. Talk about…busy.

You know that’s always the case. When I’m hard at work, the last thing I think about is composing another blog entry. Don’t get me wrong, you folks are great, love hanging out with you, but writing, the creative act…well, that’s my lifeblood. My raison d’être.

This time, yes, there’s been creativity, a new short story…but, in all honesty, I’ve been devoting most of my time and energy to promoting Disloyal Son. With the hundreds, thousands of books being released every month, how do I draw attention to a solid, literate novel that anybody with two neurons to rub together will love? How do I compete with shapeshifter erotica and zombie porn and glorified fan fiction? Well, first of all, I send out review copies. Lots of review copies. To the major newspapers, mystery magazines, selected bookstores. Along with promo material and fliers that we agonize over, striving to come up with the most enticing wording. Again, trying to separate this book from the herd. The dung pile.

Good God, there are a lot of terrible books out there. Not just “self-published” either. The traditional publishers apparently believe the vast majority of contemporary readers (especially women) have the I.Q. of brain-damaged marsupials. If you’re looking for a quality book to read this summer, good luck. The trads no longer have any interest in cultivating authors, helping them find their voice and develop as artists. They’re staffed by corporate drones who merely seek “product”, mass market releases—swiftly excreted, endlessly repeated. Passionless, derivative, facile, inept.

And then something like Disloyal Son comes along. cover,jpeg

You want to know the difference between my approach to writing, as opposed to just about everyone else’s? I care. I respect language, the traditions and legacy of literature. I treasure a well-constructed sentence and expend enormous efforts honing and shaping my work. I’m a freak when it comes to editing—meticulous to the point of, well, insanity. While many of my colleagues seem content with one or two drafts, getting their slop out as soon as possible, I drag out the process of creation to the extent that completing a short story takes weeks and a novel like So Dark the Night required over three years before I was finally satisfied and released it. And that was working on it full time, every single day.

Writing is not a craft to me, it’s an art. There’s a difference. A big difference. Most scribblers can’t make that leap. I can. Every single one of my books is intelligent, challenging, innovative; none conform to expectations or fall back on formula. I try to get that across to readers, reviewers but it’s hard. They see that Black Dog Press is my imprint and right away start thinking “this is more self-published crap”. Dismissing me out of hand. Never giving me a fair shot.

I defy anyone to read the first 5-10 pages of one of my books, choose whichever you like, and then stop. By that point it will no longer be a question of the origins of the book, the circumstances of its publication—you’ll be too caught up in a great read. Of that, I am 100% certain.

Reviewers have written about the element of surprise in my books and stories and I think that’s key. When you’re reading one of my tales you have no idea how it’s going to end or what’s coming next. I love pulling the rug out from under you, leaving you in a whimpering heap. Never saw that coming, did you?

That quality is very much in evidence in Disloyal Son. It’s a mystery, within a mystery (and then some). The truth revealed in bleeding layers. If you give it a chance, it will be the best book you read this summer, maybe this year. And I don’t need to buy a four-star Kirkus review in order to know that.

Beginning again

100_0751Just to get everybody caught up:

Seven cartons, containing 160 copies of my novel Disloyal Son were deposited on my doorstep mere days ago. Not long afterward, my brand new 27″ iMac was delivered, unboxed and set up.

I was fortunate, ladies and gentlemen, because for the last couple of years I’ve been backing everything up on an external drive. When I had problems transferring files from the old Mac via ethernet cable to the new model, I called Apple Support and outlined the situation. When the Apple guy heard the age of the software in my source Mac, he whistled in dismay. Bad sign. He wasn’t too sure exactly what to do…until I mentioned that external memory. He sighed, relieved. No problem. Dump the ethernet cables, plug the external directly into the new Mac and voilà. Mission accomplished.

But let this be a lesson to anyone else out there running an obsolete operating system: that external memory was (at $125) one of the best investments I ever made. Saved me a huge headache. Think about it.

There have been a few minor glitches but so far I’m impressed by this new monster. Can’t wait to give it a real test drive. Unfortunately, the MIDI keyboard/synthesizer I ordered is still en route and I don’t have the nerve to tackle Final Cut Pro yet. So I’ll bide my time. Meanwhile, try to get acclimatized with the larger screen, slightly different configurations, the peculiarities of its machine brain.

codeSpent a couple of days tidying up this blog, updating some of the pages, slimming things down a little. I’m a bit taken aback by the sheer amount of fiction, music and even short films I’ve uploaded here over the years. It’s quite the hoard of strangeness. Sherron says it’s time for a new theme and I suppose she’s right. Still want to keep the picture, though. I find it…haunting.

I’ve been flashing copies of Disloyal Son around town, pleased by how taken folks are with the cover. People wanting to know how to pick it up, where to order. Answer: everywhere…but, preferably from your nearest independent book store (McNally-Robinson, Powell’s, etc.).

Weird how everyone responds to the book’s central theme of family secrets. Think I’ve hit on something here, purely by accident. I’m getting goosebumps and the hair on my arms is standing up. Maybe because of close proximity to the zeitgeist.

Now, whether that will translate into some decent book sales, who knows? Hard to tell in this era of shapeshifting-sado-masochistic-paranormal-romances.

Ay yi yi. What will they think of next? (No, please, don’t tell me, it’s probably better if I’m not privy to that information.)

But we forge on, boats against the current and all that.

I remain convinced that there are still smart readers out there, a small but devoted demographic desperate for a transformative experience when they open a book.

They want to believe in magic and too often are poorly treated by contemporary scribblers.

Here at Black Dog Press we offer something different, an intelligent alternative to corporate publishing.

Books for bibliophiles and devotees of the printed word.

Written and published with love.

Or maybe that should read: reverence.

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The Last Post (on my old iMac)

Nova blastTime to upgrade.

My current iMac is six years old and hasn’t received a software update in ages. My operating system is, apparently, so old and slow that Skype and Dropbox no longer want anything to do with me and I have to run an old version of Yahoo mail because the Safari browser I use can no longer keep up. Worse yet, my BBC iPlayer has started cutting out on me—and, I’m sorry, but I can’t live without BBC World Service. Those terrific features and radio dramas.

So, with the help of our young pal Sean, knowledgeable in all things relating to the Apple brand and close personal friend of Tim Cook, I ordered a brand, spanking new iMac, with an operating system so fast, it comes precariously close to artificial intelligence. 27″ monitor, tons of memory…with Final Cut Pro installed.

Some of you may have seen my odd movies. Usually accompanied by my odd music. Well, thanks to Final Cut Pro, I can up my game, utilize various effects and get a more polished look. That’s the intention anyway. To improve, to get better, to develop as a creative person.

Disloyal Son is my tenth book and at this point in my career I’d like to take some time to explore other interests, like film-making and abstract, electronic music (I ordered a MIDI keyboard/synthesizer last week too). Writing will always be front and center in my life but I also have a hankering to express myself in other mediums, beyond the constraints of the printed word. I hope the end result will always be interesting but, I’ll tell you one thing, I guarantee it will be unique.

I’m not sure if I would call this an attempt to re-invent myself but I know that since my 50th birthday I’ve felt an increasing sense of urgency to spread my wings, expose myself to new experience.  Change my wardrobe, put away some childish things.

The new iMac arrives tomorrow, the keyboard soon after. There will be a learning curve, especially since I’m something of a technophobe. Will my files transfer from my old machine without a glitch? Will anything be lost? Will this wipe hours of music from iTunes? Etc. etc.

But for the most part I’m excited to have the opportunity to employ all that fantastic technology: new tools to paint visual and aural pictures, strange narratives that haunt and bedevil, manifestations of my mischievous mind.

More to come...

“Disloyal Son”–the proof

100_proof1167

As you can see, the proof of Disloyal Son arrived and, once it was approved, I placed a big order for friends, family and a small but rabid posse of readers/freaks who have followed my jagged career arc for many a year.

Good news, folks: the books should arrive in about ten days, if Lightning Source stays true to form. You can reserve your copy now…and, of course, I’m only happy to sign it for you.

Each book costs $19.00 (USA/Canada)—Shipping:  $12.00 (Canada); USA $9.00 (Surface) $11.00 (Airmail)

Happy days around Casa Burns. Disloyal Son is in the house…