Category: Surrealism

“Test Subject” (short story)

Yesterday I was feeling completely listless and dull-witted. Couldn’t work up the energy to do much of anything.

Then I remembered a couple of photos Sherron sent me. Sometimes, in the morning light, our kitchen walls get these really cool shadows and patterns projected onto them; my visually-oriented wife noticed this pair and took some shots with her cell phone.

I called up the photos, placed them side-by-side on my computer screen, stared at them for about thirty seconds.

Then I grabbed my blue Hilroy exercise book…and started scribbling. No thought, no pre-planning, just went for it.

It’s an old trick…worked for the surrealists and, by God, it worked for me.

Here’s the story, accompanied by the images that inspired it:

* * * *

Shadow1

The Test Subject

ALL RIGHT, TERRY, YOU KNOW THE ROUTINE. WE NEED YOU TO TAKE US THROUGH WHAT YOU’RE EXPERIENCING AND DESCRIBE—

It’s hard…I don’t…there aren’t any…

COME ON, YOU HAVE TO DO BETTER THAN THAT. WE NEED SENSATIONS, COLORS. PAINT US A PICTURE.

(Laughter) You don’t…it isn’t like that. God, I wish I could explain, show you…but there’s no (indecipherable), no, ahhhh, common reference points.

ARE YOU DISORIENTED, DO YOU—

What? Did you say ‘distortion’? Everything’s distorted. It’s like…like…

GO ON.

…this kaleidoscope…constant movement…twisting and spiraling…

ARE YOU FEELING NAUSEOUS?

I feel—oh, Jesus! Jesus! Did you see that? It just…wow…this bolt of pure blue light…zipped right past me and it—I swear it smelled like cinnamon.

THAT’S WHAT WE WANT TO HEAR! YOU NEED TO DESCRIBE THE EFFECTS, HOW THIS THING MANIFESTS ITSELF. TERRY? TERRY, DO YOU UNDERSTAND ME?

I know. I see what you’re…but it’s really got on top of me and…and…it’s just too…and then everything just changes, like that! Did you see it? Like the whole universe suddenly switched polarities and—and flowed in the opposite direction. Whoa, trippy. And there’s something…I see something…

YES?

I dunno…a shape…presence…now it’s up there, by the ceiling, sort of floating…

POINT. SHOW US WHERE YOU MEAN.

There. It keeps shifting, flowing, like I said. I can’t quite…it blends in with these other blob things…they kind of swirl and mesh…yeah…swirl and mesh…mesh into a mess…

WHAT ELSE? DO YOU GET A SENSE OF ANY—

–someone turn up the heat? It’s freezing in here.

THE TEMPERATURE IS KEPT AT A CONSTANT 24 DEGREES CELSIUS.

I’m telling you—fuck! That time it zoomed right past me. This bright-colored blur…I could’ve reached out and—

TELL US WHAT IT LOOKED LIKE. GODDAMNIT, TERRY—

It’s made of light and…uhhh…wow! Oh, wow…there it is. Hovering, just in front of me. Holy shit, I think it’s looking at me—

EASY, TERRY, COME ON NOW. YOU’RE TRIPPING, REMEMBER? IT’S ALL IN YOUR HEAD. SO GET A GRIP—

It’s staring at me, man. Studying me. I’ve never…I’ve seen little green men before but…this thing knows

KNOWS? WHAT DO YOU—

–knows I’m here and it’s curious too. Wondering who I am, what I’m doing. This is its backyard and I’m trespassing on…

–ONLY AN HALLUCINATION—

Bullshit! Bullshit! There’s something in here and it isn’t just the fucking drug. It sees me. It sees me and I want out. Get me out of this! Somebody! I need to–

TERRY! TERRY!

Gimme the fucking antidote! I want to (indecipherable). This is fucked, this is totally—

AT THE REQUEST OF THE TEST SUBJECT WE ARE DISCONTINUING THE SESSION AND—

What the fuck are you? What do you want from me? Keep away from me—

IT’S OKAY, TERRY, WE’RE COMING IN. BOB AND ANGELA ARE RIGHT OUTSIDE AND THEY’LL—

Oh, Jesus, oh, Jesus– (Heavy breathing, panting)

WHAT’S—

It’s coming, it’s—ahhhhh…Christ, it’s got me…help me…it’s–(indecipherable).

(Shouts of alarm, a woman screams)

BOB? ANGIE? SECURITY! SECURITY! WE HAVE AN EMERGENCY SITUATION UP HERE AND WE NEED A COMPLETE LOCKDOWN, REPEAT—WHAT? WHO’S THAT? WHO’S THERE? IS SOMEONE OUT THERE? HELLO? HELLO?

(End transcript)

shadow2

Quote of the day–Max Ernst

Ernst:Man Ray“…my roamings, my restlessness, my impatience, my doubts, my beliefs, my hallucinations, my loves, my fits of anger, my revolts, my contradictions, my refusal to submit to any discipline including my own…have not created a climate conducive to a serene and smiling life’s work.”

Max Ernst

Ta da!

Sex:proof

The SEX collection is here!

Ordering details to follow soon…

 

“Exceptions & Deceptions”–the cover unveiled!

Check it out:

Exceptions:cover

(Click on image to enlarge)

Cover art by Joslyn Cain

Cover design by Chris Kent

(Release date: June 15, 2013)

Two short pieces from STROMATA

Kafka Fuck

 

Once back at my place she plays it coy scuttling under the couch until I menace her with a can of Raid using it to steer her toward the bedroom antennae twitching in excitement crawling up the edge of my bedspread chittering as I run my fingers along her polished carapace stroking her thorax her withered ornamental wings fluttering mandibles dug into my pillow in insectile ecstasy while I prepare to mount her probing for anything resembling a vagina wondering if she uses protection and if not if the pupa will look anything like me.

 

* * * * *

Greenhouse Effect

 

I’m not going back to you. I’m gone. I’m outta here. You won’t find me. It’ll be like we never met. Just another face in the crowd. On a forgotten street. In a strange country.  One of the disappeared. Yeah. Lost in time and space. I wasn’t born in the first place.  Back to the womb. Stillborn. No. Aborted. A puddle of pink flesh. Gristle and blood.  Dumped in an incinerator. Reduced to ash. Floating in the troposphere. Burned by the sun. Ultraviolet radiation. A cancer on your body.

 

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These are two of my favorite short prose pieces, excerpted from my recently released volume Stromata: Prose Works (1992-2011).

For ordering information, please go here.

Photo credit:  Sherron Burns

My book launch is over–now watch for the movie!

A memorable evening last night: we launched my two new collections, New & Selected Poems and Stromata to an enthusiastic audience and, I add (much to my relief), there were no glitches or screwups on my part.  I read for just over 35 minutes and then took questions from those in attendance. Great questions too, folks seeking clarification on my status as an independent author and also asking me about the changes in my writing over the past 25 years, among other things.

I’ll post some pictures ASAP but we also had two cameras running so in the next couple of weeks we’ll be uploading the entire reading on to YouTube where people can tune in and see me in action.

Without a trace of humbleness, I can tell you that there aren’t too many authors in this country who perform their work as well as I do. I take my responsibilities as an entertainer very seriously; I have been to too many readings where the authors have forgotten that they must also be performers. When I hit that podium, it’s my intention to blow people away, destroy their preconceptions, make it a night they won’t soon forget. And usually I succeed.

Thanks to everyone who came out on a chilly autumn night and an especially big THANK YOU to my production crew—Sherron, Sam, Sean, Micah—for their hard work.

Watch for the finished film, I really believe it captured one of the best readings I’ve ever done.

Man, was I hot

Ten questions for the author

I receive a good number of private communications from readers, colleagues, aspiring writers and the occasional troll.

I’ve put together a short roster of the best of the best of these queries and my responses (though, in some cases I’ve pared the original question down and added more detail to my replies).

Here are the top ten:

What’s the difference between calling yourself a “self-publisher” and an “independent author”?

In a word, talent. Oh, and professional credentials. Oh, and the seriousness with which you approach your craft.

Before I started my own imprint back in 1990, I’d already received a Canada Council grant and published a good number of tales in various venues around the world. I toiled every day on my writing and though the money was almost nonexistent, I didn’t care, it was all about becoming the best writer I could possibly be. I was focused, obsessed with my work. I created Black Dog Press because I detected a dearth of vision and intelligence among the editors I was dealing with and since I’m the kind of guy who doesn’t take rejection lying down, I decided to empower myself, rather than accept the verdict of dingbats.

Most self-publishers, however, are hobbyists, part-timers, dolts with little knowledge of what entails good writing, they merely want to see their name on a book, regardless if it’s any good. They don’t labor over their work, endlessly polishing and editing, growing and developing as artists. Such notions are beneath them. Some have the decency to confine themselves to giving copies of their amateurish efforts to friends and family and I have no bone to pick with them. It’s the morons who’ve written a memoir about their so-called interesting life or a spin-off novel lifted from some popular franchise and are deluded enough to believe they are “real” writers that raise my ire.

Why are you such an asshole?

Yes, I’ve received a number of communications along these lines, usually from the aforementioned amateurs and wannabes. They demand that I take their vampire porn or zombie splatter or “poor me” memoirs seriously and resent the notion of applying professional standards (y’know, like spelling, syntax, grammar) to their abominable tripe.

To them, there’s no difference between great writing and garbage, since such standards are arbitrary and unfair (usually they have trouble with big words like “arbitrary”, but I digress). As I’ve written previously, I have nothing against aspiring writers, beginners, folks who genuinely care about the printed word and want to create the best work they can. It’s the ones who foolishly believe their 10-book vampire series (released as super cheap/free e-books to inflate their “sales”) is imbued with true genius that I take exception to…and vilify accordingly. They read shit, they watch shit, they write shit. I dismiss (and diss) them out of hand. They are part-time turd-peddlers and pretenders and they deserve nothing but contempt. And I give it to them…in spades.

How much money do you make?

Seriously? Dude, you think I’m gonna open my bank records to you? Let’s just say that if you got into writing (or any art) for the money, you’re a fucking prostitute, and I mean the kind of gutter trash that solicits around public toilets and drops to their knees at the slightest indication of praise or approval.

I doubt I’ll ever become rich from my writing but a number of my favorite writers lived and died in poverty and anonymity, yet their body of work out-lives them and most of their popular contemporaries. I’m in this for the long haul and will trust posterity to determine my stature as an artist. I’ve stated on numerous occasions that I’d rather have a million readers than a million dollars and anyone who knows me is well aware that I’m not joking or resorting to hyperbole. I’m an author’s author…and it’s unlikely that the fuckwits who read Fifty Shades of Grey will have much affinity for my work.

No regrets there.

You’ve been called an “elitist”–do you agree?

Yup. No question. I place high standards on my work, set the bar higher and higher with each new effort. I don’t confine myself to formula and refuse to cater to anyone’s expectations. Sales figures (see above) are irrelevant, the most important thing is releasing a work that is a celebration of the best in literature, a novel, poem or short story that pushes me to the limits of my abilities and sometimes beyond.

I write with intelligence and insight and I demand that from every film, book or artwork I see. I don’t waste my time on “popcorn movies”, mind candy or escapist entertainment. I feed my spirit and get inspired by innovative, original work.

Are you a horror writer? A fantasy or science fiction writer? How do you categorize yourself?

Well, I don’t. Not really. I utilize some of the devices and tropes from all three of the genres you mentioned but only to further the aims of my storylines. I suppose you could also call me a fabulist or surrealist…but I think any niches or slots are distinctly unhelpful when it comes to work as singular and unusual as mine.

I’m a literary writer, that’s the way I perceive myself. As for the rest…

I really think you’d like my writing. Can I send some of my stuff your way to critique?

No.  Absolutely not. It’s not my role to be your editor or ego booster. Real writers write and that’s that. A thousand rejections and the opinions of others should have absolutely no effect on you if you’re truly devoted to the calling. Nabokov talked about “writing in defiance of all the world’s muteness” and that’s advice you should take to heart. Write and write and write. If you need feedback, there are plenty of opportunities for that through local writing groups and guilds and God knows how many on-line venues where up and coming writers gather to talk turkey and swap story samples. But leave the pros alone. We have our own schedules, deadlines and pressing projects. Don’t annoy us with your self-centered, egotistical lobbying.

You seem to genuinely hate traditional publishing and your harsh language must have drawn their attention. Don’t you worry about ruining your chances of becoming a truly famous writer?

Yes, I’ve heard through the grapevine that some of my remarks have made poobahs in publishing extremely cranky with me. How dare I question their intelligence, their professionalism, their psychopathology and their integrity? But, see, I’ve dealt with these bird-brains (editors, agents, publishers) for over twenty years and as I wrote in a recent post on RedRoom, I despise the vast majority of them. I hope I run into a few of the biggest arseholes before my arthritic hands wreck my chances of punching their fucking lights out. A substantial proportion of the people who decide what books get published are too stupid to be trusted with sharp objects and should be, if there was any justice in the world, employed as assistant managers of a fast food restaurant, a job more befitting their low intelligence quotient and lousy inter-personal skills.

As for being famous…it just isn’t a priority. Obviously.

I want to become an independent author too–how do I get started?

First of all, I wish you’d take a long, hard look at your work and decide, as objectively as possible, if you have anything to contribute to literature. Is your writing really that unique and unprecedented? Is it even literate? Have you spent years learning the craft of editing, ruthlessly paring and polishing your poetry/prose until it shines? There are quite enough bad, self-published books out there, why contribute to the dung pile?

But, really, if you’re determined, there are sites you can go to for advice (a couple are on my blog roll). A good ol’ Google search under “independent writing and publishing” will probably take you somewhere helpful. It’s a long, arduous process and the learning curve can be steep. And once your book is published, then you’re faced with marketing and distribution—and good luck getting your self-published offering into most book stores. I still find it a chore and I’ve been at it a long time.

Why are you so jealous of writers more successful than you (i.e. Amanda Hocking, Stephenie Meyer, E.L. James)?

Jealous of…?  Er, no, I’m not jealous of rich writers or sub-literate authors who manage to score a book deal. Literary whores with the skill set of a Grade Eight diarist and the aesthetics of a village idiot.  Personally, I’m envious of scribes whose talent leaves me gasping like a fish washed up on some sandy shore. I’m referring to giants like Thomas Pynchon, James Crumley, Don DeLillo, Annie Dillard—artists of the highest caliber, whose books will stand the test of time. I labor in the shadow of greatness. Daunting? You betcha. But it’s a challenge I accept every time I enter my home office, sit at my desk and commence another day of work. I crave to be an author of stature. And that has nothing to do with the size of my bank account.

I sense you’re a lonely, bitter, isolated man. Is that an accurate representation?

I’m still chuckling over this one. I don’t think the correspondent in question was trying to be offensive or “trolling”, merely curious and so my response was quite tolerant (for me).

I’ve been a loner all my life and require little in the way of companionship. I belong to no professional writing organizations, nor do I seek out other authors to befriend or chat up. I’ve been happily married for over 20 years and have two teenage sons. Between my work and my family, there’s little time left over for leisure or company. It’s just never been a priority to me. I have a small, intimate circle of friends who are fiercely loyal and who have been around me long enough to inspire my affection and trust. They understand my hectic schedule and introspective lifestyle and place no demands on me. But they also know I’m the kind of guy who’d walk through a wall of fire for a loved one and would defend a pal to my dying breath. It’s the Scotch/Irish in me, I suppose. The rage, the violence…and the passion I bring to every aspect of my life. Those who know and love me respect that and tolerate the long silences that are part and parcel of my calling.

As for everyone else…who cares what they think or believe? They don’t know me and I don’t spare a moment for their views and opinions.

Fuck ’em.

* * * * *

Thanks for the questions and feedback. My email address is blackdogpress@yahoo.ca.

Always pleased to hear from you…