Category: Surrealism

An Agoraphobic Abroad (Part 2)

Part II

Troy (I)

Troy (I)

“So tribe on tribe, pouring out of the ships and shelters,
marched across the Scamander plain and the earth shook,
tremendous thunder from under trampling men and horses
drawing into position down the Scamander meadow flats
breaking into flower—men by the thousands, numberless
as the leaves and spears that flower forth in spring.”

The Iliad (Translated by Robert Fagles)

It almost didn’t happen.

I mean, it was that close.

I’d checked into some bus tours to Troy before we left home. I knew there were day trips from Istanbul and they weren’t cheap. But we decided to wait to actually book the Troy excursion until we got to Turkey—I think we held out hope that our hosts would know the best and cheapest method of getting there. In retrospect, maybe not the wisest course of action.

As it turned out, neither of our Istanbul hosts had contacts in the travel industry, so with the help of Sherron’s cell phone (and a good wi-fi connection), I started searching for tour operators that included Troy in their itinerary. There were a few and, as I feared, they turned out to be quite pricey; indeed, too pricey for my tastes. I started pondering the possibility of leaving Turkey without seeing the plain of Scamander and the remnants of the Scaean Gate—I have to say, it didn’t sit well with me.

I read Peggy Albion-Meek’s The Great Adventurer, a young adult re-telling of the story of Odysseus, when I was nine years and was enraptured.

The prolonged siege of Troy figures prominently in the book, the wily King of Ithaca responsible for coming up with the scheme that finally breaks the stalemate. Other famous figures put in appearances and I soon developed a loathing for the haughty Agamemnon, while cheering as the god-like Achilles hacked his way through half the Trojan infantry, displaying a bloodlust that made even the mighty Hector quail before him.

Troy (II)

Troy (II)

Troy, needless to say, holds a special place in my heart. I’d put it right near the top of my “bucket list”. But it seemed like fate was intervening and unless I was willing to pay an arm and a leg, Troy might be out of reach.

Then, a sudden breakthrough.

A communication from one company confirmed a coach was available, quoted a fee that seemed reasonable…was I interested?

Oh, yes.

The mode of conveyance was a comfortable Mercedes mini-bus, extra spacious because there were only about six or seven other people accompanying us (most of them bound for the nearby the Gallipoli battlefield, not Troy). It was a lengthy drive, down the Anatolian coast, and at one point we had to ferry across the Dardanelles to get to Canakkale on the other side, where a different bus was waiting to take us the rest of the way to Troy.

And there it was. And there I was, standing amidst the weathered, crumbling remains of a place I’d dreamed about since childhood. Well…

A peak moment. Who would’ve believed it possible?

Because of the iffy political situation in Turkey (see: previous post), tourists were in short supply and, except for a German documentary film crew, we had the site all to ourselves.

Uran Savas is the most engaging, charming, knowledgeable guide I’ve ever encountered. Uran combines a winning personality with an encyclopaedic knowledge of the history of Troy and its physical environs—he knows every square foot of the place. Uran led me around the extensive ruins, which span thousands or years, each layer revealing insights into the lives or ordinary Trojans and their ruling elites. In all, there were at least ten separate cities built on this site, ten separate eras represented. Uran could point out sections of wall denoting each of these eras, his erudition and quick wit constantly in evidence. Despite the blazing heat, he set a leisurely pace, not hurrying, pausing to point out certain landmarks or patiently respond to my seemingly constant questions.

Sherron hung back, taking pictures, including one of my favourites, where I’m touching a portion of a wall that dates back to Homeric times. That’s a keeper.

As a bonus, Uran introduced me to a good friend, the man who happens to be in charge of the on-going digs at Troy, Dr. Rustem Arslan. He answered a couple of my stammered queries and posed for a picture with us, before hurrying away, back to his duties.

End of a perfect day. Oh, except for that interminable drive back to Istanbul. All and all, it amounted to a time-consuming, wearying interlude—let’s see, we were picked up around 5:30 a.m. and dropped off back in Istanbul shortly after 10:00 p.m. Wow. Time-consuming, indeed.

We left Istanbul the next day, after ten days so confident of our grasp of the city’s commendable public transportation system we travelled to Kemal Ataturk International Airport via cab, ferry, bus and monorail, arriving on time and hardly frazzled at all.

We flew out of Istanbul shortly before 5:00 that afternoon. I realize I’m skipping a lot in this account, due to space constraints (like dealing with the persistent, ingenious carpet salesmen or meeting the remarkable Emin Senyer, a preeminent performer of Karagoz shadow puppet theatre), but that’s unavoidable. We must push on to Prague.

streetprague

Prague

Yes, Prague. By reputation, one of the most beautiful cities on the continent. Boasting every modern convenience while, simultaneously, possessing a lengthy, storied past, the region frequently playing a crucial role in 20th century European politics.

One thing we immediately noticed was that it was a lot cooler and drier than Greece and Turkey. Almost like back home.

Prague was the one city both Sherron and I had at the top of our lists when we were planning our proposed Grand Tour of Europe. We felt drawn there, for a variety of reasons. To me, it’s the home of Kafka, Hrabal, Meyrink and the Capek brothers. A veritable hub of surrealism and the macabre and ground zero as far as alchemy and the black arts are concerned.

For my dear, puppet-crazed wife, Prague’s status as one of the world’s hotbeds for hand-carved wooden marionettes, not to mention innovative theatre and film, made it an irresistible destination. And there was one other attraction:

We spent over a week at a small penzion a half-hour from Prague, where Sherron took part in a workshop led by Michaela Bartonova. Michaela has a long and impressive résumé as a puppeteer and master instructor. Her students come from around the world to work with her and learn from her methods. This year’s attendees included participants from Canada (us), Israel, Spain, Hungary. And they were all sweet, wonderful people; we bonded with them, had many great, raucous conversations after each day’s session was over.

While Sherron was off designing and carving her creation (from linden wood, the Czech Republic’s national tree), I kept myself busy by journaling, reading, writing poems and hanging out with Zsolt–whose wife Aggie was taking the workshop for the second year in a row–and their kids, Philip and Heidi. We had a ball together and the week seemed to zip past.

I think the only thing we didn’t manage while we were in Prague was catch a glimpse of Jan Svankmajer, the legendary Czech animator. It would have been delightful to spend an hour or two in his studio or watching him at work on his latest effort, an adaptation of a Karl Capek story that was financed through crowd-sourcing.

communist

Communist Museum

Visiting Kafka’s grave and the museum in his honor were high points, as was the hour or so we spent in the Communist Museum (more properly titled The Anti-Communist Museum). Trying my first shot of absinthe…guzzling Czech beer…seeing a genuine Toyen painting…

A stop of the Millennium Gallery (not far from the Kafka Museum), introduced me to the work of Jiri Sozansky. Ondrej, a fellow fan of the macabre, showed me a number of prints by Sozansky, briefing me about the artist, a man who deliberately inhabits the far fringes of Czech art; I couldn’t resist bringing one of his pieces home with me. Very disturbing, unnerving stuff; not for all tastes. Search him out, he’s amazing (you’ll find one of his short films here).

What I won’t miss are those wicked, uneven cobblestone streets. For a metropolis renowned for being “walking city”, Prague’s city fathers couldn’t have picked a worse road surface. After the first few days traipsing around, my lower back and hips were in rough shape. Stretching and anti-inflammatories helped, some.

That said, I’ll put up with the cobblestones, endure the natural surliness that seems to be part of the Czech national character, I’ll even forgive the less than thrilling cuisine—

But how do they tolerate the tourists?

Yes, the tourists. Out of the various spots we visited in Europe, they were at their worst in Prague (particularly in “Old Town”). Swarming and pointing and gawping and barking at each other in a dozen different languages and dialects–and you could tell what they were saying always amounted to little more than: “Lookit that, honey, ain’t it neat?” Snapping selfies at every opportunity, imbuing each and every street corner or jutting steeple with significance. I was seated at a small diner and watched as a tubby, rather bookish fellow a few tables away took a picture of himself with his plate of food.

Really?

narrowprague

Prague (side street)

Selfies at a wall dedicated to the memory of John Lennon. Selfies in Wenceslas Square. Selfies framed in front of one of the innumerable castles or cathedrals…

Urk.

I hate tourists and tried very hard never to act like one. We usually shunned areas where there was a high concentration of idiot foreigners but sometimes they were unavoidable. Streaming down the winding, constricted sidestreets, moving in groups, often consulting handheld gadgets, heads swivelling back and forth, eagerly seeking out the next attraction or point of interest.

Strumpet

Prague, you old whore
coquette of Mitteleuropa
adorned in gothic finery
enduring the rough pleasure
of marauding hordes
secretly derisive of their
admiring gazes
offering your best
most familiar features
while assuring each of them
you’ve never done this before.

Every so often, Sherron and I would consciously try to slow things down, take a moment, seat ourselves on a bench or at an outdoor café and just look around, absorb what we were seeing, the little details that we might revisit later, in recollection. Trying to retain the strongest possible impression of that locale, that instant in time.

Colorado-Mansfeld Palace (Prague)

Colloredo-Mansfeld Palace (Prague)

Who knew if we’d be able to manage another trip of that magnitude? Was it likely, given our financial situation? And maybe that’s why for us it was never about rushing around, patronizing all the usual tourist traps, checking them off our list and then moving on. Never stopping to reflect, experiencing Europe on the fly, through the window of a car or bus, doing our level best not to interact too much with the locals…

Interact we did, chatting with folks from every walk of life, people who quite often weren’t shy about sharing their views with us, once they realized they had an attentive, appreciative audience. We tried to be open, receptive, patient…and were rewarded with some memorable encounters and exchanges. Mustafa, one of our guides on the bus to Troy, so passionate and knowledgeable about Middle Eastern history, comes to mind; and what about Anke and Dick, Alex and Suzanne, Michaela and Ralph and Uran and Zsolt and Aggie and Emin and Ali and Eva and so many others. They shared their stories with us, welcomed us into their lives and homes, offering fresh perspectives, opinions that often didn’t jibe with what we were hearing back home.

That is the greatest benefit of traveling to a distant land and no virtual environment, no documentary can come close to emulating the experience of physically being there, at Mycenae or Epidaurus or Troy…or even buying bottled water from a cheerful vendor not far from Galata Tower.

Feeling the ground beneath your feet, hot sun directly overhead, the welcome chill of the plastic bottle against your skin. Knowing this is real, an authentic moment.

Turning to each other, clasping hands, conscious of the adjacent funicular tracks. The vendor wants to know where we’re from.

“Canada?” He grins. “Very far. Welcome! Welcome!”

Bidding us good day and waving once we’re underway, another smiling face, another encounter to add to our scrapbook, situated alongside brochures, ticket stubs and a smooth, streaked pebble collected from the beach at Kiveri.

Mementos, when photographs no longer suffice.

The final two lines of my travel journal, composed upon our return to Canada:

“For a time, I was able to forget who I was, see the world through young and innocent eyes. What do you call that, except a blessing?”

globeprague

Globe Book Store (Prague)

“Test Subject” (short story)

Yesterday I was feeling completely listless and dull-witted. Couldn’t work up the energy to do much of anything.

Then I remembered a couple of photos Sherron sent me. Sometimes, in the morning light, our kitchen walls get these really cool shadows and patterns projected onto them; my visually-oriented wife noticed this pair and took some shots with her cell phone.

I called up the photos, placed them side-by-side on my computer screen, stared at them for about thirty seconds.

Then I grabbed my blue Hilroy exercise book…and started scribbling. No thought, no pre-planning, just went for it.

It’s an old trick…worked for the surrealists and, by God, it worked for me.

Here’s the story, accompanied by the images that inspired it:

* * * *

Shadow1

The Test Subject

ALL RIGHT, TERRY, YOU KNOW THE ROUTINE. WE NEED YOU TO TAKE US THROUGH WHAT YOU’RE EXPERIENCING AND DESCRIBE—

It’s hard…I don’t…there aren’t any…

COME ON, YOU HAVE TO DO BETTER THAN THAT. WE NEED SENSATIONS, COLORS. PAINT US A PICTURE.

(Laughter) You don’t…it isn’t like that. God, I wish I could explain, show you…but there’s no (indecipherable), no, ahhhh, common reference points.

ARE YOU DISORIENTED, DO YOU—

What? Did you say ‘distortion’? Everything’s distorted. It’s like…like…

GO ON.

…this kaleidoscope…constant movement…twisting and spiraling…

ARE YOU FEELING NAUSEOUS?

I feel—oh, Jesus! Jesus! Did you see that? It just…wow…this bolt of pure blue light…zipped right past me and it—I swear it smelled like cinnamon.

THAT’S WHAT WE WANT TO HEAR! YOU NEED TO DESCRIBE THE EFFECTS, HOW THIS THING MANIFESTS ITSELF. TERRY? TERRY, DO YOU UNDERSTAND ME?

I know. I see what you’re…but it’s really got on top of me and…and…it’s just too…and then everything just changes, like that! Did you see it? Like the whole universe suddenly switched polarities and—and flowed in the opposite direction. Whoa, trippy. And there’s something…I see something…

YES?

I dunno…a shape…presence…now it’s up there, by the ceiling, sort of floating…

POINT. SHOW US WHERE YOU MEAN.

There. It keeps shifting, flowing, like I said. I can’t quite…it blends in with these other blob things…they kind of swirl and mesh…yeah…swirl and mesh…mesh into a mess…

WHAT ELSE? DO YOU GET A SENSE OF ANY—

–someone turn up the heat? It’s freezing in here.

THE TEMPERATURE IS KEPT AT A CONSTANT 24 DEGREES CELSIUS.

I’m telling you—fuck! That time it zoomed right past me. This bright-colored blur…I could’ve reached out and—

TELL US WHAT IT LOOKED LIKE. GODDAMNIT, TERRY—

It’s made of light and…uhhh…wow! Oh, wow…there it is. Hovering, just in front of me. Holy shit, I think it’s looking at me—

EASY, TERRY, COME ON NOW. YOU’RE TRIPPING, REMEMBER? IT’S ALL IN YOUR HEAD. SO GET A GRIP—

It’s staring at me, man. Studying me. I’ve never…I’ve seen little green men before but…this thing knows

KNOWS? WHAT DO YOU—

–knows I’m here and it’s curious too. Wondering who I am, what I’m doing. This is its backyard and I’m trespassing on…

–ONLY AN HALLUCINATION—

Bullshit! Bullshit! There’s something in here and it isn’t just the fucking drug. It sees me. It sees me and I want out. Get me out of this! Somebody! I need to–

TERRY! TERRY!

Gimme the fucking antidote! I want to (indecipherable). This is fucked, this is totally—

AT THE REQUEST OF THE TEST SUBJECT WE ARE DISCONTINUING THE SESSION AND—

What the fuck are you? What do you want from me? Keep away from me—

IT’S OKAY, TERRY, WE’RE COMING IN. BOB AND ANGELA ARE RIGHT OUTSIDE AND THEY’LL—

Oh, Jesus, oh, Jesus– (Heavy breathing, panting)

WHAT’S—

It’s coming, it’s—ahhhhh…Christ, it’s got me…help me…it’s–(indecipherable).

(Shouts of alarm, a woman screams)

BOB? ANGIE? SECURITY! SECURITY! WE HAVE AN EMERGENCY SITUATION UP HERE AND WE NEED A COMPLETE LOCKDOWN, REPEAT—WHAT? WHO’S THAT? WHO’S THERE? IS SOMEONE OUT THERE? HELLO? HELLO?

(End transcript)

shadow2

Quote of the day–Max Ernst

Ernst:Man Ray“…my roamings, my restlessness, my impatience, my doubts, my beliefs, my hallucinations, my loves, my fits of anger, my revolts, my contradictions, my refusal to submit to any discipline including my own…have not created a climate conducive to a serene and smiling life’s work.”

Max Ernst

Ta da!

Sex:proof

The SEX collection is here!

Ordering details to follow soon…

 

“Exceptions & Deceptions”–the cover unveiled!

Check it out:

Exceptions:cover

(Click on image to enlarge)

Cover art by Joslyn Cain

Cover design by Chris Kent

(Release date: June 15, 2013)

Two short pieces from STROMATA

Kafka Fuck

 

Once back at my place she plays it coy scuttling under the couch until I menace her with a can of Raid using it to steer her toward the bedroom antennae twitching in excitement crawling up the edge of my bedspread chittering as I run my fingers along her polished carapace stroking her thorax her withered ornamental wings fluttering mandibles dug into my pillow in insectile ecstasy while I prepare to mount her probing for anything resembling a vagina wondering if she uses protection and if not if the pupa will look anything like me.

 

* * * * *

Greenhouse Effect

 

I’m not going back to you. I’m gone. I’m outta here. You won’t find me. It’ll be like we never met. Just another face in the crowd. On a forgotten street. In a strange country.  One of the disappeared. Yeah. Lost in time and space. I wasn’t born in the first place.  Back to the womb. Stillborn. No. Aborted. A puddle of pink flesh. Gristle and blood.  Dumped in an incinerator. Reduced to ash. Floating in the troposphere. Burned by the sun. Ultraviolet radiation. A cancer on your body.

 

* * * * *

These are two of my favorite short prose pieces, excerpted from my recently released volume Stromata: Prose Works (1992-2011).

For ordering information, please go here.

Photo credit:  Sherron Burns

My book launch is over–now watch for the movie!

A memorable evening last night: we launched my two new collections, New & Selected Poems and Stromata to an enthusiastic audience and, I add (much to my relief), there were no glitches or screwups on my part.  I read for just over 35 minutes and then took questions from those in attendance. Great questions too, folks seeking clarification on my status as an independent author and also asking me about the changes in my writing over the past 25 years, among other things.

I’ll post some pictures ASAP but we also had two cameras running so in the next couple of weeks we’ll be uploading the entire reading on to YouTube where people can tune in and see me in action.

Without a trace of humbleness, I can tell you that there aren’t too many authors in this country who perform their work as well as I do. I take my responsibilities as an entertainer very seriously; I have been to too many readings where the authors have forgotten that they must also be performers. When I hit that podium, it’s my intention to blow people away, destroy their preconceptions, make it a night they won’t soon forget. And usually I succeed.

Thanks to everyone who came out on a chilly autumn night and an especially big THANK YOU to my production crew—Sherron, Sam, Sean, Micah—for their hard work.

Watch for the finished film, I really believe it captured one of the best readings I’ve ever done.

Man, was I hot