This happens to be blog post #100 and, if that isn’t enough, later on this week this site will receive its 50,000th visit.
Wow. That’s an overwhelming number of people coming to a blog devoted to a Canuck writer who has eschewed the big time, stubbornly maintained his singular vision with an orneriness not often seen in writing circles.
God bless you, folks. You’re all the proof that I need to reassure myself that the indie path is the one for me and I shall continue to produce work that fits no niches or stereotypes or genres, confident that smart, discerning readers will find me…and help spread the word.
To mark this auspicious occasion I’ve recorded three of my favorite short-short stories, adding music and sound effects to enhance the experience. Once again, Sherron lent a helping hand, pulling the whole mess together. The final result surprised and delighted me to the extent that I think it’s safe to say there will be more such efforts in the near future.
Ah, heck, enough of my jabbering. Have a listen to these pieces and, as always, I encourage you to leave a comment, letting me know what you think…
Recently, a collective cringe went through the Canadian arts community when the braintrust at the CBC (Canadian Broadcasting Corporation) announced a major shortfall in their budget.
Now, we can debate how a publicly financed, (supposedly) world class organization can end up $171 million lighter in the pocket than expected another day…what I want to talk about this time around is the importance of the CBC to individual artists in this country.
I have my complaints with the Mother Corp. and I often take exception to their namby-panby, politically correct stance, their absolute abhorrence of the notion of offering offense to the smallest segment of the general public (and slanting their supposedly objective point of view accordingly). But for many of us working in the performing and literary arts in Canada, the CBC is, quite honestly, the only game in town.
My very first sale was to CBC Radio here in Saskatchewan. This was back in 1985, youngsters, when Wayne Schmalz was the arts and culture czar down in Regina. I’m teasing: Wayne is actually one of the nicest and most unassuming guys you’ll ever meet. He was also a superb producer with eclectic tastes and an infallible ear. He aired selected material on “Gallery”, which, at the time, was a literary arts program, and took a number of my early stories, raising my profile and putting some much needed cash into the pocket of a young scribbler.
After Wayne left, Dave Redel took over the big chair and did well enough to earn himself a promotion to the regional office in Edmonton.
And then along came Kelley Jo Burke. Kelley Jo loves the arts and is a huge booster of the cultural scene here in Saskatchewan. She knows everybody and is respected throughout the province, not just for producing fine radio shows, but also for her own highly accomplished literary and dramatic efforts. Along with her colleagues Shauna Powers and Bonnie Austring-Winter, Kelley Jo helped transform the weekly CBC Saskatchewan arts spot into SoundXChange, a celebration of all aspects of the performing arts here in “living sky country”.
But the looming cuts do not bode well for local shows like “SoundXChange”. Despite its much-touted mandate to represent all regions of Canada, CBC will be closing bureaus and cutting staff in some of the far-flung places that help provide Canada with its true, diverse identity. This will mean that more programming will originate in “central Canada” (God, I hate that term) and the perspective at the Ceeb will be come even more Toronto-centric than it already is.
Over the past week, I’ve heard rumbles within the tightknit arts community here in Saskatchewan, whispers that “SoundXChange” will be drastically scaled back, if not scrapped completely. What does that mean for folks like Kelley Jo and others down there in Regina, who have worked so hard to give new and established artists a valuable venue for their work, one that won’t ever be replaced? Shows like “SoundXChange” and “OutFront” (another favorite that was dropped) give voice to people in remote places (geographically, politically, emotionally), living in unique and fascinating circumstances. Without those voices being heard, we become a poorer, less representative society; homogenous and one-dimensional.
During tough economic times, there is a temptation to view the arts as “fat” and trim, shave, hack it away. Never mind all the studies that reveal what an economic stimulus a healthy arts industry represents and the amount of spin-off dollars it creates. Nah, just cut the arts and be content with the thin, tepid gruel that’s left over: talk radio, commercial jingles and vacuous pop.
It is my hope, my expectation, that organizations, guilds and entities that support the arts and artists in this country will speak out collectively and demand that public broadcasting in this country be funded at least at a level that’s comparable to similar counterparts around the developed world.
An enhanced, secure source of funding would ensure the continuing existence of programming that shows the true face(s) of Canada; we are a complex, multi-faceted society, well-schooled and highly literate.
Why in God’s name should we settle for anything less?
Postscript: My colleague Dale Estey contacted me through my Redroom page and sent along this link to a petition protesting the cutbacks at CBC.
Drop by and add your name to the honour roll. Let’s see if we can turn the tide. And while you’re at it, check out the Friends of Canadian Broadcasting site. They’ve been advocating and lobbying on behalf of homegrown, made-in-Canada programming for many a moon…
A quick mench that CBC Radio producer Kelley Jo Burke just dropped me a line, letting me know that my short story “Matriarchy” will be airing on her Saturday afternoon SoundXChange program (February 28th, 5:00 p.m. on Radio One in Saskatchewan).
Along with my little tale will be an offering from someone named Sandra Birdsell. Yes, I thought you’d heard of her and I’m sure you’ll find “Stones” very much to your liking.
Check out the program, click on some of the links because you’ll be able to tune in to all kinds of music and performances. Eclectic as all heck, those folks.
And for those of you who’d like to have a glance at the text version of “Matriarchy”, I’m only happy to oblige…
I love radio dramas. The “theatre of the mind”.
I’ve had the good fortune to write a number of radio plays and, as has been mentioned, one of them just aired nationally on CBC Radio’s “OutFront” program.
But listening to the old stuff is what really gives me pleasure. Recently, I purchased a personal CD/MP3 player and, despite my well-documented techno-phobia, was able to hook it up to the stereo in my office. Thus, over the past couple of weeks I’ve been kicking back after a hard day of scribbling, listening to Basil Rathbone and Nigel Bruce as Sherlock Holmes and his amiable (if slightly dotty) companion Dr. John H. Watson…I also have the complete “Sam Spade” series starring Howard Duff and the four-disk dramatization of Les Miserables, produced and starring the one and only Orson Welles.
Radio, in its heyday, presented news, live sports, game shows and various types of entertainment, from comedy revues to adaptations of classic works of literature.
Now we have “talk radio”, Howard Stern and the shock jocks and “classic” stations playing the same tired playlist of golden oldies. Even the venerable CBC has dumbed itself down in the past five years, desperately seeking a younger demographic and losing its traditional listeners in the bargain.
It breaks my heart when I think of a time when the folks at CBC used to let the likes of Glenn Gould have the run of the place, accommodating his odd lifestyle by letting him come in and record and mix at any hour, working meticulously to create material like “The Idea of the North”, which I managed to snag on long playing record a number of years ago.
The Mother Corp. once had a dedicated radio drama arm in the good ol’ days but not any more. They no longer consider it part of their purview to develop young writers and there is currently no equivalent of “CBC Playhouse“…and that’s too bad.
I have, I confess, a particular soft spot for science fiction on the radio and I’ve been fortunate to find a couple of sites (check out this one and Calfkiller is fun too) where you can find shows like Dimension X and X Minus One, Mindwebs and others. Fun adaptations of classics of the genre by the likes of Arthur C, Clarke, Philip K. Dick, Ray Bradbury, J.G. Ballard, Henry Kuttner, etc. Once I figure out how to create MP3’s of these beauties, I’ll be able to listen to them up in my office as opposed to being relegated to the family computer down on the main floor, where I have to queue up, vying for time with my two sons (both of them World of Warcraft junkies, as well as using said PC for their homework and designing their own computer games). The computer I use for my writing is an old Mac, too old and decrepit for cyberspace, a word processor plain and simple.
The nice thing about the sites I’ve just mentioned is that you can listen to the programs for absolutely nuttin’ and, believe me, you will be entertained.
Listening to a radio drama requires the listener to visualize an entire universe being created purely with words and sound effects. It’s the perfect format to enliven long car trips and commutes. Thanks to the internet, these programs live again, a case where state of the art technology enables us to access an art form that is, sadly, little known and certainly under-appreciated.
I will continue to write radio plays and when the time comes that no one airs them, I will produce them myself, through podcasts. I love the special limits and demands radio drama imposes on writers and can never quite suppress the shiver of excitement I feel when I hear an announcer introducing Lux Radio Theatre’s production of To Have and Have Not, starring Humphrey Bogart and Lauren Bacall, or Petri Wine presenting “The New Adventures of Sherlock Holmes”.
I feel sorry for anyone who’s never heard a really well-rendered radio play. It is an experience not to be missed…and yet so many do.
More late, breaking news:
“Matriarchy”, a particular favorite of mine, the best of a recent crop of mainstream short stories, airs on CBC Radio (Saskatchewan) this weekend (October 27th). The show is called Sound Xchange and it starts at 5:05 Saturday afternoon. The producer is Kelley Jo Burke–Kelley’s always been a big backer of my work and I’m sure she did a smashing job with “Matriarchy”.
The story is perfect for the radio. It was originally conceived as a writing exercise, the initial drafts were only four or five pages long. Later on, I went back and saw immediately that it needed an expanded narrative, which brought out more of the back story, which added layers to the narrator’s character, nuances not apparent in those early versions. I love this little beauty. More bitter than sweet, with a last line that just hums.
Here’s a link to the SoundXchange blog, where Kelley says such nice things about yours truly, I blush to repeat them.
Skye Brandon reads “Matriarchy” and another tale, this one by me old crony Art Slade (Art Slade’s Page). Art and I have known each other for eons and it’s been a pleasure to watch his career flourish. “Stubb” is a solid effort and will give you a good idea why Art has achieved the stature he has.
If you somehow manage to miss the initial airing…well, you’re probably out of luck. I asked Kelley Jo but she said WGC rules stipulate she can’t podcast or post the story (that way you could download it later). So it looks like a one-shot deal. Enjoy it…and, afterwards, if you think about it, maybe drop a comment or two my way. I welcome your feedback.
Have a great weekend, folks.