Finally, I have some new work to share with you. Recently I’ve been moaning about this being a blog that’s supposed to prominently feature my fiction, drama and poetry and, meanwhile, I’ve been debuting very little new material on this site for some time.
But that’s about to change.
Expect a flurry of stuff in the coming days and weeks, the product of many months of labour and struggle on my part. Oh, I could be one of those hapless dolts who loads every snippet of juvenilia, first draft and/or literary belch & fart on their site, seeking as much scant praise they can garner from sympathetic fellow wannabes. But I’m afraid I veer in the opposite direction, sweating out short stories over weeks, months, revising and polishing until the very thought of the tale in question makes me want to upchuck. Which, as you can guess, is an approach to writing that tends to play hell with productivity.
But when I do release something, it’s ready. It’s been through the meat grinder, Sherron has signed off on it, the end result microscopically examined and painstakingly dissected; I know that story or poem or novel like I know the inside of my own skin.
And that’s what you’re getting whenever I offer new work.
“The Innocent Moon” is my best radio play. Bar none. I put all I learned about radio drama into this little beauty. It’s the one I submitted to the BBC competition. Kind of hurt my professional pride when I didn’t make the shortlist but c’est la guerre. It would have been difficult to produce; very complex in terms of mixing as it involves “samples” from dozens of movies and newsclips and songs. You’ll see what I mean.
This sonofabitch took forever to research and pull together (as documented in previous blog entries). The final result pleased me beyond measure. I love the the flow and ebb of voices, the way it fuses together and perfectly illustrates my fascination (obsession?) with all things relating to space.
Click here to download free PDF of “InnocentMoon“
“The Innocent Moon” is dedicated to my chum and fellow writer and moon nut, Ian Sales.
…and to all of us grown up children of the space age.
When the future seemed so bright.
“I have no desires, save the desire to express myself in defiance of all the world’s muteness.”
Sorry, it’s been awhile, hasn’t it?
Well, the news is good: I’ve finally summoned the nerve to start a new, long project and have completed an outline/first draft in just over two weeks. About 150 pages, partly typed, mainly handwritten. Raw footage. Tuneless, inconsistent, fraught with continuity errors. Really quite dreadful…
I’ll take it. Whatever form it’s in, I’ll take it. Anything is better than the alternative.
Previous postings have alluded to my confidence problems resulting from the overwhelming lack of success I had peddling my last attempt at a novel, So Dark the Night. When you spend three years on a project, beating the shit out of yourself physically, mentally and spiritually and said manuscript goes absolutely fucking nowhere…well, it can dampen your enthusiasm for attempting anything similar for a long time.
Candidly, this is actually the second full-length project I’ve taken a crack at since So Dark the Night. I wrote the first draft of a SF tale set two or three thousand years in the future, completing it…hmmm, I think it was last November. About 180 typed pages but…again, the confidence thing. After I finished typing it in, I started second-guessing myself: is it good enough? More to the point, is it worth spending a year to eighteen months researching and writing a decent draft? And even if I do write something that verges on the terrific, what chance do I have of seeing it published?
So the SF project was shelved. Not for good, there are some neat ideas and an intriguing central concept but…for now.
This new manuscript falls more into the horror category but you’ll excuse me if I don’t disclose any particulars as to its plot, characters, etc. It’s not that I’m overly worried about someone ripping me off, it’s just that I have a superstitious reluctance to talk about a project until I’m very close to finishing it. I recall a story I once heard about the great Civil War historian, Shelby Foote. For years he claimed to be gathering material for a book, rhapsodizing to friends about it, providing a surfeit of details including character summaries, etc. When Foote died, archivists looking through the voluminous amount of boxes and files he left behind couldn’t find the slightest trace of Foote’s big book.
The lesson here: don’t talk about writing something, DO it.
So I don’t usually talk about a story or poem or novel that’s in-progress. Not to you, not to my wife, not to anybody. Sherron knows nothing about this horror book I’ve got going, not even the title. The only thing I’ve told her is the page count.
I am determined that this new work will not go the same way as the SF manuscript. I’m going to find the courage and inner strength to nail this fucker. Because while I’ve been nursing my wounds and feeling sorry for myself, less talented authors, hacks and wannabes have been tapping away, foisting their horrible shit onto unwary readers.
Why should I withdraw, leaving the field to these no-talent, feeble-minded, derivative shitheads?
Last night I read an interview with Will Self, maybe one of the five or ten best writers in England. During his chat with Rick Moody (in Tin House #28), Self, not a big fan of the internet and new technologies, made the following observation:
“I do think electronic publishing is likely to further subvert the print media in the next few years, but I’ve no doubt that the medium isn’t altogether the message. Simply because there’s another way of making views known, it doesn’t mean that good style, research, or engaging opinions aren’t required. There’s an aspect of the internet forums that presupposes—and enacts!—that old canard that everyone has a novel in him. I don’t think everyone does at all—and the Net is a medium which unfortunately makes it easier for those who have bad novels and miscellaneous other screeds to get them out.”
God, bless ya, Will. I’ve said much the same in various forums, including a LibraryThing chat group made up of writers-readers and was labeled an “elitist”, a “snob”, etc. etc. A glance at the profiles of those who cried foul revealed that few of them had anything close to professional qualifications. As I remarked to my colleague John Sunseri, “there seems to be a fuck of a lot more readers in this group than actual writers”.
Listen you wannabe cocksuckers: you’re not writers until you’ve paid your dues. That means writing every single day of your life, perfecting your craft, working your ass off. You are not a writer if you once scribbled a poem about your dying grandfather or make occasional journal entries about how no one understands you, boo-fucking-hoo.
I claim the honorific as writer because despite the pain and rejection, I still pick up my pen or sit before this keyboard and do the job. Every day, rain or shine, sickness and health, wherever I am. Got that? If you aren’t doing the same and try to claim the same status as me, you are a poseur and a fake. Go fuck yourself. The people at iUniverse and all those other POD publishers will be happy to take your money and give you the illusion that you’re really something special. If you gits are the future of publishing, then God help us all.
So I shall go on, in defiance of failure and discouragement, despite editors with double digit IQ’s and readers who anxiously await Dan Brown’s followup to The DaVinci Code. I’ll write ’til my fingers break, my back gives out and the spirit leaves my body. They’ll have to pry my Ticonderoga “Executive” pen (with the thick, light barrel I prefer) out of my clawed hand.
I’ve been banging about for over 20 years now and I just don’t see surrender as an option. There’s something inside me that rebels at the notion of giving up. Especially when I know that I have more talent that 98% of the scribblers out there. What has hurt me is my refusal to compromise, my refusal to cede final say over my work to an editor who needs to write L and R on their shoes to figure out which foot goes where.
Does that sound harsh? Let me tell you something else: you may see some writers who thank editors on the acknowledgments page of their books but I guarantee you that in most cases the writer is simply reflecting his/her relief at finally seeing their book in print. The writers I know detest their publishers and denigrate their editors but if sucking up to them is what’s required to get their book out there, fuck it.
Editors today don’t have the status or intelligence or erudition of someone like Maxwell Perkins and they certainly would have little truck with Michael Korda who once said that the greatest lesson he learned as an editor was to leave writers alone and not interfere with their work.
As for genre editors…well, I’ve met more intelligent marsupials. They aren’t well-read, have no aesthetic sensibilities and possess the social skills of those inbred Appalachians in “Deliverance” (the only difference is, editors have slightly better teeth).
All right. Enough. This will have to suffice for the next couple of weeks as I bend my brain on—shit, I almost gave away the title. Clever buggers, aren’t you? I’ll pop back in for the occasional progress report and to whinge about how hard I’m working. In the meantime, I’ll gratefully accept any and all the good vibes and prayers you send my way.
Believe me, I’ll need all the help I can get…
* Our little hedgehog Promaia continues to hang in there. Part of her problem may be that she (like yours truly) has obsessive- compulsive tendencies. We switched her to a water bottle some months back and she drank and drank constantly…to the point that her bladder distended and that might be the cause for her swelling and not, as the vet initially suggested, a tumour. We’re cutting back her water, only giving it to her at night; we’ll see what happens.
** Nothing new to report on the movie front. As far as I know, “Kept” is in pre-production but whether or not it will ever go before the cameras…er, well, that’s why I insisted on a 2-year limit for the option. If filming hasn’t started by then, I keep the dough and all rights revert back to me.
*** And, finally, a tip of the hat to all you folks who have sought out this site and come in for a look. I should receive my 10,000th “hit” in the next 20 days or so and that completely blows me away. When Sherron talked me into starting “Beautiful Desolation” seven months ago, I didn’t imagine numbers anything close to that. Thanks for coming by and for the comments (good or bad). I hope I’ll continue to provide you with posts that amuse, disturb and annoy. I promised myself when I started this I’d never bore you and I’d like to think I’ve kept my word.