Category: Poetry

March comes capering and leaping in, like a giddy lamb

Yes, there are definite signs of spring in the air. Above zero temperatures, melting snow, slushy streets…and a rare sighting of yer author, out and about, taking tea at Cafe 4 U, our new downtown hot spot.

But hold on, folks, this is Saskatchewan. Winter isn’t done with us quite yet. Don’t put away your parka and Manitoba mukluks just because of a few balmy days. Surely you know this part of the world better than that.

A lot to report since my last post.

I’ve been grinding away on my poetry collection, The Algebra of Inequality, spending long hours going over each poem beat by beat, breath by breath, making sure, as Don Delillo puts it, I’m find not just finding the right word but the right sounding word. That distinction is so vitally important, the difference between good writers and those who merely string sentences together. I’ve trimmed five years’ worth of verse down to a hundred pages. For the first time I’m actually arranging the poems into groupings, rather than merely printing them chronologically. Trying to create a flow of thoughts and images, dramatic highs and lows. It’s been something of a slog but the end is now in sight.

I should have the manuscript of Algebra of Inequality finalized by the end of this month and then I’ll get our longtime designer, Chris Kent, slapping together some ideas for the cover. Hoping for an end-of-April release date and, naturally, there will be more info as we move the process along.

I’m over the moon about this collection. I’m improving as a poet and have an ability to cram the most complex and mind-bending notions into a four or five-line poem.  There’s a concision and sharpness to my verse that’s hard to find elsewhere. I think the brevity of my poems often works against them, folks thinking you have to write something the length of The Wasteland (complete with helpful footnotes) in order to be taken seriously.

I think only two of the poems in Algebra of Inequality were published elsewhere. About a year ago, I subscribed to a service that sends me weekly market updates, letting me know what publications are looking for poetry, fiction, personal essays, whatever. But I noticed many of these markets demand reading fees, even for three or four short poems, and that made me bristle. The point, as someone like Harlan Ellison has been saying for decades, is to pay the writer. Authors shouldn’t have to pony up hard-earned shekels in order to have their work considered for publication. That’s a rip-off and a scam and if we all refuse to have anything to do with it, editors would stop trying to flimflam us.

Some of these places are making quite a score. Charging $3.00 or $5.00 per submission, getting a thousand or more suckers—er, writers—to respond each and every issue. Do the math. And many of these places can’t even claim the expense of a print component, they are purely digital editions, a format which is dirt cheap to maintain.

Editors should be paying writers, not the other way around. Trust me.

What else?

Ah, yes, Hollywood North has come calling. Longtime friends of this blog will know I’ve had less than cheery experiences with people wishing to adapt my work for films. I had a particularly ugly episode with those idiots at—ah, never mind. Time to let bygones be bygones.

Honestly, I have high hopes for the company who picked up the rights to my novella “Living With the Foleys”. My son Sam is a budding film-maker and when he heard who was interested in “Foleys”, he immediately emailed me with the information: “Dad, these guys work with Guy Maddin!”.


Well, say no more. We’re big fans of ol’ Guy’s, love the originality and utter madness of his oeuvre. The man’s a certifiable genius—or should that read certifiable and a genius?

So, yes, I signed the contract and now they have a couple of years to see if they can make something out of my novella.

Finally, I’m abashed to note that I recently put more money into the pockets of Tim Cook and the corporate scum at Apple Computer.

I bought an iPad.

I needed a portable device, something I could have with me when I’m away from home, a word processor slash reading device slash music player. And then there are podcasts. It hasn’t taken me long to get addicted to them. “S-Town” was amazing and I’ve been tuning in regularly to “Invisibilia”, “WTF”, “Risk!” and numerous others. Hat’s off to NPR, they seem to produce or collaborate on some of the best stuff out there.

Since picking my iPad up a month ago, we’ve become just about inseparable. It’s constantly playing something—this morning while I was shaving I listened to “The Daily”, a program produced by The New Yorker.

I’m sure the habit will taper off eventually, but between my editing and tooling around on the iPad, the cold days of February zipped past.

Well, it’s much cheaper than flying to Cozumel, catching dysentery and spending a week in intensive care, pinned to an I.V. bag of antibiotics. Less invasive too.

I shall endeavor to update this blog more often. Kind of a weird beginning to the year and it’s taken me awhile to retool and get back on the bicycle (so to speak).

The days are brighter and longer, the chill lifting from my bones.

Better times ahead. New life and new hope just around the corner.

I’ll raise a glass to that…


New poem


Offer us a stick
we’ll sharpen it to a point.

Provide us with clear, running water
we’ll build a dam.

Show us how to plant a garden
we’ll raid our neighbors’ plot.

Teach us to sing
we’ll write anthems.

Make up a god
we’ll supply the jealousy and hate.


© Cliff Burns, 2017

Heavy Weather (poetry)

Severe Weather Advisory

A system of fast-moving clouds
high altitude winds speeding
them toward their destination

If it storms, will it rain?
If it rains, will it pour?
If it pours, will we drown?
If we drown, will you mourn?
When the heavens finally open
a torrential shedding of tears
overflows every ocean and sea

If it storms, will it rain?
If it rains, will it pour?
If it pours, will we drown?
If we drown, will you mourn?

Find yourself an Ararat
from the highest precipice
watch for a flicker of wings

If it storms, will it rain?
If it rains, will it pour?
If it pours, will we drown?
If we drown, will you mourn?



August, 2017: Update & Coming Attractions

You knew I had to be up to something and you were right.

A month between posts? C’mon, you know me better than that.

This summer has been my most productive, writing-wise, in several years. It’s like the taps were turned on again and I’ve been writing with all my focus and concentration, feeling the juices flowing again.

Two, count ’em, two long stories since June, quite a few poems, a short prose piece that’s one of the best things I’ve written in quite awhile…

And everything registering strongly on the aesthetic Richter Scale—nothing slight or inconsequential. Intelligent, literate efforts, not pandering to any school or taste.

I haven’t lost a fucking step.

Oh, and I’ve started work on a new novel. Well, not quite a new novel—I’m completely overhauling a 250-page manuscript I originally conceived around 2002. If I had to guess, I’d say I’m looking at 12-15 months worth of revisions, so you shouldn’t expect to see that one in print until, ballparking it, mid-2019. No teasers, except that it references a classic Victorian thriller and will be darker and more horror-related than some of my recent work.

But fear not, impatient readers, I shall be releasing not one but two full-length efforts in 2018: first, The Algebra of Inequality and Other Poems, a selection of verse culled from the past five years. The title is nicked from a line in a Don Barthelme short story that caught my eye. Ol’ Don had some zingers.

I know poetry is a hard sell to some folks but I believe it gives me the opportunity to address profound philosophical and spiritual and existential questions in the most spare, personal, unforgiving literary format. Poetry permits no artistic missteps—it really is like walking a tightrope.

And there will be (drumroll please) a new short story collection next year, Electric Castles: A Book of Urban Legends. Original tales, all centered around everything magical and terrifying about cities, near and far, real and imagined. Killer stories, spanning just about every genre, guaranteed to amaze, disturb and warp your puny perceptions and sensibilities. Consensual reality? What the hell is that?

Both books will feature, as per the custom here at Black Dog Press, gorgeous cover art and will be professionally formatted and bound. There will be an e-book version of Electric Castles, still mulling it over re: the poetry. Poetry is so unique and personal and analog…does it really belong on a tablet or phone screen?

Lots of writing and revisions in the months ahead, some highs and lows, good days and days when, as they say, “the bear gets you”. All part of the creative process: painful and terrifying, but also exhilarating and inspiring. No doubt you’ll be reading something of my triumphs and travails here…and I hope it will serve to remind you that the writing life is not easy and requires a great deal of courage and fortitude. Perseverance and sheer guts get you a lot further in any profession than mere talent. Surely you know that by now.

Some mornings I can’t imagine facing that page again.

And yet I do.

That’s the difference between an author and a poser.

I’ve said it before and I’ll say it again: for real writers, girls and boys, every fucking month is “National Novel Writing Month”.

You heard it here…

Photos by Sherron Burns