I make that commitment with, I confess, some serious misgivings. My absolute nightmare is emulating my hero, Orson Welles, who spent the vast majority of his time trying to beg, borrow or steal the money he needed to finance his pictures. He frequently bemoaned wasting his energy on this soul-destroying scut work when he could have been, y’know, making great movies. When he died, he left a string of unfinished projects and his body of work was far, far smaller than it should have been. That represents a crime against cinema itself.
I measure myself by the latest project in front of me—and that’s a major drawback. Once I finish a book or short story or poem I quickly lose interest, already eying the next challenge. I admit it: I have been completely negligent when it comes to plugging the ten books this press has released thus far. I send out review copies, write up some accompanying background material…and then pretty much forget about it. Onward and upward!
But I’m a sentient creature, I can learn, adapt, change. So during the past week I’ve signed up for both Smashwords and Wattpad, making a substantial selection of my writings available for free downloading and sampling on those sites (see: the “Links” sidebar to the right of this post). I’ve also contributed comments to a couple of writing forums and reached out to a few fellow indies.
As well, in the coming weeks, I’ll be giving you a step-by-step (blow by blow?) account of my efforts to publish the next Black Dog Press offering, a reprint of Righteous Blood, a volume featuring two terrifying novellas originally released by PS Publishing back in 2002. You wanna know how to publish a book, experience the joy and (mainly) torments of that process firsthand, well, keep watching this space.
I spent part of last autumn getting the text of Righteous Blood into shape, making sure there were no formatting glitches, etc. I also wrote a foreword and some end story notes. That part is pretty much ready to go. But I still need to find cover art, select an interior layout person (Chris Kent will once again handle cover design) and start the production ball rolling. My tentative release date is April 1st—better get a move on.
So…busy times. But I can’t forget to leaven all that labor with a little bit of fun.
Which means…see you at the first home game of this province’s new professional lacrosse team, the Saskatchewan Rush. I’ll be driving in to Saskatoon on Friday, attending the match with four of my favourite lads (including my two sons). The forecast is for cold weather but that doesn’t deter the hardy sports fans in this part of the world. Watch for me, I’ll be the guy in the yellow/gold Bruins hat, imbibing good, Canadian ale and grinning from ear to ear.
I love lacrosse. Fantastic game. Canada’s real national sport.
For not the first time (and certainly not the last), I find myself apologizing for the lengthy interval between blog posts.
But, as I’ve pointed out previously, when I’m deeply immersed in a project I don’t have the time or energy to blog—so when these long silences (inevitably) crop up, I think you can safely assume I’m up to something.
In this instance, two short stories have been devouring my waking hours. One, “The Grey Men”, is a mystery/suspense tale clocking in at 1900 words, and “Magic Man”, the one I’m just wrapping up, is 8700 words (33 pages) long.
Upon its completion “The Grey Men” struck me as more accessible and genre specific than my usual efforts, so I did something very out of character and actually submitted it to a magazine for consideration. Longtime readers know I swore off that practice ages ago and only rarely offer my short fiction to publications or writing competitions. Why bother with extended (interminable) response times and form rejections when I can just go ahead and release my work either here or over on Scribd? But, I dunno, “The Grey Men” is a solid, convincing story and maybe just this once a perceptive editor will see its merits and snap it up. I’ll let you know.
I tackled “Magic Man”, in all honesty, because I was feeling quite smug and confident after completing “The Grey Men”. I should have known better.
The first draft of “Magic Man” was written back in 1984. I kid you not. It was one of the tales that signalled a shift from narratives centred around myself, my own life experiences, to venturing out into unexplored waters, creating entirely fictional worlds and characters. For that reason, I’ve always had a rather fond view of “Magic Man”, never completely forgot about it. And so, as an exercise, I pulled the one, typed copy of “Magic Man” out of my archives and set to work.
It was torture. First of all, I had to tap in the story, 4-5000 words of it, and that was an excruciatingly slow process because I couldn’t help correcting and doing adjustments as I went along, which really was incredibly stupid and stretched the process out. Dumb, dumb, dumb. Just type the fucking thing in, Cliff, and then start editing. Nope. Finally, got the entire draft on computer…and that’s when it really got difficult.
Obviously, I’m a much better writer now than I was thirty-one years ago. That guy back in 1984, he was still basically a rookie, a kid learning the ropes. So “Magic Man” needed work, lots and lots and lots of work. At the same time, however, I wanted to show respect to the kid, the one I remembered slaving away on this story, really excited about it because he knew it was a step, more like a lurching, uncertain stumble, in a new and different direction. I wanted to recognize that effort, the courage it took to complete “Magic Man”, and so I was also determined to preserve as much of the spirit of the original as possible.
Finally, two weeks later, it’s almost done. Sherron is downstairs reading the copy of “Magic Man” I printed last night. I didn’t tell her (never do) what I’ve been up to so she’s in for a treat. She’ll remember this story very well: after all, it’s one of the first I ever dedicated to her.
If “The Grey Men” falls into the mystery/suspense category, “Magic Man” is a bit more problematic. There are elements of dark/urban fantasy, I suppose, but for the most part it’s a mainstream effort. Realistic setting and scenario. Which will likely make it next to impossible to sell or market the bloody thing. The extended length will factor against it as well. In the old days, I might have sent it to magazines like Cemetery Dance or Midnight Graffiti, but the latter no longer exists and the former has been closed to submissions for ages. I might release the tale as a Kindle “single”, sell it for 99 cents a download, but I’m not sure what that would achieve. I’m very happy with how “Magic Man” turned out and would like to see it presented to readers in an attractive, respected venue.
So let me throw it out there: anybody know of a decent-sized anthology or magazine willing to look at an 8700-word story featuring a “touch of strange”? If so, drop me a line at firstname.lastname@example.org.
400 blog posts? Can that possibly be right? Even with all the long gaps, the periods of time when I’ve completely ignored and shunned Beautiful Desolation?
Amazing. Inconceivable. I think that averages out to 40-45 blog posts a year or around one a week. Not bad for a full-time workaholic author.
Looking back over the years it’s interesting to note the changes in tone and content. I confess I was a very, very angry man when I first started posting on Beautiful Desolation eight-and-a-half years ago—check out a few of those early blog posts and you’ll see what I mean. I was fed up with money-hungry, corporate publishers and their idiotic editors, and the greedy literary agents colluding with them to destroy any chance of interesting, innovative authors getting into print. The publishing biz, especially after the big, multi-national takeovers in the 1980s (something else to thank Ronnie Raygun for), has systemically dummied down the marketplace to the extent that sub-literate, amateur purveyors of fan fiction have a better chance getting their work in book stores and sales racks than the next Don DeLillo or David Foster Wallace. Disgusting, innit? My fury with that situation finally boiled over when a draft of my first novel, So Dark the Night, was rejected by an editor who kept me waiting over a year before delivering the bad news. I penned a very public “fuck off” letter to the industry, a portion of which which was reprinted in “GalleyCat“, an on-line site devoted (mainly) to the New York publishing scene. Folks who responded to my expletive-filled tirade warned me that I’d burned all my bridges and “would never work in this town again”.
But by that point I was beyond caring. I had recently discovered print-on-demand (POD) publishing and immediately recognized that printing had finally caught up with the times and authors now had a relatively inexpensive and efficient way of releasing their own work without involving editors and agents or gate-keepers of any kind. I had self-published my first book, Sex & Other Acts of the Imagination in 1990, but those were the bad, old days of offset printing and all the horrors associated with that. Print-on-demand simplified and streamlined the process…and it also didn’t encumber you with 500 or 1,000 copies of your book to store and inventory (with POD there are no minimum print runs).
Thanks to print-on-demand, my wee imprint, Black Dog Press, was reborn, rejuvenated…and I was a much happier camper.
And so the rants here came a lot less frequently—though topics like the amateurization of the arts and National Novel Writing Month always seem to spark more vitriol—and I settled down, embracing the independent (indie) writing world, feeling empowered and artistically fulfilled, knowing that my work was available to the reading public exactly the way I envisioned it. No middlemen, no interference.
Coming up on ten (10) books later, and I keep doing my thing, making no apologies, kickin’ against the pricks. Older, greyer, a little wiser, a “grand old man” (at 52) of self-publishing/indie writing. Still refusing to pay obeisance to fashions and trends, still refusing to whore my talent, writing what I want to write. Power to the people, motherfuckers!
I’ve got a catalog of excellent books and every single one of them is unique and original and highly literate.
After thirty years as a professional author, I’ve seen ’em come and go but, hey, here I am, still standing, still creating and publishing intelligent, highly crafted prose while many one-hit wonders and flashes-in-the-pan have slipped into obscurity or disappeared altogether. Where are they now?
I’m a “neglected” author, I’m a “cult” author, operating on the fringe, below the radar, working without the slightest desire for fame or monetary reward.
But the main thing is I’m working, staying relevant, productive, thematically and stylistically daring. Consumed by the act of creation.
It will be interesting to read blog post #500 in a couple years’ time.
I wonder how much will have changed, with my writing, the state of the world.
In either case, I can only hope (and pray) it’s for the better.
- Sherron finished “Magic Man” a few minutes after I completed this post and loved it. Just for the record…
This question has been much on my mind for the past while. I’ve been accused of being an “elitist” and what have you because I insist that if you write for the purpose of making money, seeking fame and fortune, you are little more than a whore. I have also been pretty clear that I have no interest in pursuing some big, fat publishing contract, nor do I give a tinker’s damn whether you’ve won a Hugo, an Edgar or the fucking Nobel Prize for that matter. Baubles and trinkets. Bullion and bullshit.
Kids, I’ve been offered the chance to write franchise novels (“Star Wars” or “Star Trek”) and told the agent involved to shove it. As far as I’m concerned, you do something like that, “sharecrop” someone else’s universe, you are off the artistic roll call. (Thanks, Bill, couldn’t have said it better myself.)
I don’t go to conventions, suck up to editors, try to flog my work to them like a door-to-door vacuum cleaner salesman.
I don’t shill myself by teaching writing workshops—such ventures help spread the abhorrent lie that good writers can be stamped out like fucking cookies. I’ve written about that in more detail here (the more delicate among you may have to avert your eyes at certain points in the essay).
Okay, so that’s what I don’t want…but what is my greatest aspiration as a writer?
To be the best. To push myself to the limit and produce work that breaks new ground, written in language so finely wrought it’s like reading through a score by one of the great classical musicians. Note perfect. I want to be held up there with the finest authors in the world and not be found wanting.
I have no interest in being average. A “decent” writer. Ugh. Better to be forgotten than instantly forgettable, which pretty much sums up most of the books being released these days.
Because I have chosen to go the indie route, I have automatically rendered my writing suspect in many people’s eyes. If I’m acting as my own publisher and printer that must mean my stuff is no good, rejected by mainstream places because it fails to meet their exalted standards. Which automatically begs the question: have you been in a book store recently, seen the kind of shit the traditional publishers are spewing out like a drunk’s partially digested lunch?
I expend an incredible amount of time and effort revising and polishing my work—my novel So Dark the Night took over three years to write (not including the research that preceded it). And I’m a full time writer. Imagine that. Day in and day out for 3+ years. (Shudder) But I knew I had a wonderful book, was confident that once it was finished and released, people would love it. And I was right.
But, again, because I’m not a self-promoter, I think I’ve hurt sales of both my novels. I even resisted sending out review copies, partially because I knew that no matter how good the books were, how professionally executed and bound, there would still be the stigma of the indie/self-published label. This despite a professional writing career spanning over 25 years, many publication credits, anthology appearances, critical raves. I haven’t sent copies to some of the famous authors I’m acquainted with, seeking their praise and approbation. There’s just something within me that balks at the notion. I want my books discovered, not read because of some kind of viral ad campaign.
So Dark the Night and Of the Night are superb literary efforts. They are sprinkled with genre elements (mystery, horror/dark fantasy) but they are intended for an intelligent, discerning mainstream audience. They have enormous cross-over appeal thanks to winning characters, snappy dialogue and homages to film noir, pulp fiction, and cult cinema and TV. Fans of Paul Auster, Jonathan Carroll, Nicholas Christopher, David Mitchell, Philip K. Dick and Jorge Luis Borges will find a lot to like in both novels.
What they won’t find is the kind of incompetent, derivative, semi-literate drivel that is prevalent both in the self-published world and, as I’ve just related, on the traditional publishing scene as well. You wanna read the next Stephanie Meyer or Dan Brown or J.A. Konrath? I’m sorry, you’ve come to the wrong place. I’m a real writer, boys and girls, I seek to create ART. I want to destroy your preconceptions and offer you prose that is exciting, intoxicating and pitch perfect, right down to the placement of commas.
I want to be the best writer in the world.
There. I’ve said it.
It’s a pipe dream, of course, there’s no such thing. But for me, the bar is raised to the highest possible peg and I won’t lower my expectations for any market niche, slot on the bestseller list or dollar figure you can name. My literary heroes are men and women who slaved away tirelessly, selflessly, stubbornly, refusing to conform to the whims of agents, editors or readers. Iconoclasts and artisans, defending their work, their legacies, with the ferocity of pit bulls. Facing penury, enduring lives of desperation, anonymity, pain and hopelessness, yet never forsaking their vision or abandoning their ideals.
With role models like that, it’s impossible to even entertain the possibility of selling out.
My idols would never forgive me.
The date: Wednesday, October 12th
The time: 7:30 p.m.
Alicia Horner, the affable and hard-working Events Coordinator at McNally Robinson, has put together a promo page which provides all the relevant details.
Copies of both books will be available for purchase and, natch, I’ll be happy to sign them for you.
Don’t get to do stuff like this often enough and I miss it. My readings are very performance oriented (so to speak); I hate a boring author/reader and feel a genuine sense of accomplishment when I’ve entertained a live crowd and won over some new fans. Always seem to find a receptive audience whenever I read in Saskatoon—yet another reason why that city figures prominently on the list of my favorite places on Earth.
Jot “October 12th” down on your calendar (see how much advance notice I’m giving you?) and, if you’re in the neighborhood, drop by and hang out with us for awhile. And, afterward, browse the store, buy some books, keep the sputtering flame of literacy alive.
Hope to see you in October and I look forward to introducing you to a couple of terrific page-turners.
Peter Darbyshire has just published an article in the Vancouver Province, discussing the future of books and publishing—you’ll find it here. He was good enough to ask me about my experiences as a long-standing independent author and publisher (21 years and counting) and I was only too happy to oblige.
Smart man, Peter, a guy who knows what he’s talking about. He’s had his own adventures in the publishing biz and is familiar with the new technologies that are allowing authors the chance to by-pass traditional gate-keepers and take their work directly to readers, via e-books and print on demand efforts.
As I wrote to Peter in a followup note, one of my fears is that while these technologies may empower good authors turned off by a corporate system that slots and niches books, producing dozens of copy-cat knockoffs of popular titles, it also accords terrible scribblers the opportunity to foist their mindless, adolescent crap on the world. Thus, the marketplace is currently overwhelmed by dreadful vampire porn, brain-eating zombies and godawful tripe that wouldn’t pass muster in a high school yearbook. Anyone can call themselves a writer these days and with a minimum investment can produce a decent-looking book with their name on the cover. “Look at me! Aren’t I great? And you all thought I was a loser!”
I recently posted similar views on a couple of sites frequented by amateur writers and wannabes and was soundly taken to task for my arrogant insistence that there is a difference between good writing and bad writing. One remark I’ve heard a number of times is that “we live in a post-literate society and the old standards no longer apply”. You know, standards like good spelling, syntax that isn’t tortured beyond recognition, an ear for dialogue, an aversion to over-writing, etc. etc.
In the old days, these dingbats would be working in the rightly discredited sub-sub-genre of “fan fiction”, read by a few geeks with too much time on their hands and a roomful of Star Wars action figures. Now they can inflict their offal on a far wider audience, pricing their e-books at 99 cents to draw the most possible readers and congratulating themselves for their genius.
It’s truly sickening.
I do not want to be lumped in with folks who have no respect for the printed word, who wish to emulate literary idols like Stephenie Meyer, James Patterson…the very worst of the worst. I revere great writing and devote enormous time and effort to producing the finest, most literate work I can; to hear these people crowing about how many e-books they’ve sold, how much money they’ve made, goes against everything I believe in, as an author and an artist. Their attitudes revolt me, their “writing” makes me shudder, their success impresses me not one whit. They are bottom-feeders and pornographers and if that’s what sells these days, the literary world is in more trouble than I ever imagined.
So Dark the Night is now available and ready to be added to your bookshelves. Maybe you’ll take Stefan Dziemianowicz’s advice and slot me in between Jorge Luis Borges and William S. Burroughs. I think that would make a very nice fit, frankly.
There are a number of ordering options open to you. You can purchase my novel through Amazon.com and a number of affiliates there or you can pick up the e-book OR you can buy the Kindle version. However, if you’d like signed, personally inscribed copies, I’m afraid zipping your orders my way is the only way to manage it. If that’s your choice, click on this link and it will take you to my bookstore where you’ll find So Dark the Night and several of my other titles (though most of them are available in very limited quantities).
You’ll find all the necessary info there, including shipping rates.
What can I tell you, folks?
If you’re looking for a fast-paced, exciting read, a thriller in every sense of the word, So Dark the Night is for you.
Imagine a combination of “The X Files”, H.P. Lovecraft and Raymond Chandler and you’ll get at least some idea of what I’m talking about. It’s the perfect “summer reading” adventure, featuring the most likable and endearing tandem of sleuths since Holmes and Watson. Plus the book will scare the living crap out of you.
What more could you ask for?
So…check out So Dark the Night, buy it, request it from your local bookstore (tell them it’s distributed by Ingram and, likely, Baker and Taylor) or your public library. Spread the word, tell your friends, Facebook about it, text each other your favorite quotes…or just kick back and indulge yourself with a powerful, literate offering, “a spook show that delivers everything it promises”.
And, needless to say, drop me a line here or at email@example.com with your thoughts and impressions.
I guess you can tell: I…am…pumped. Who wouldn’t be? This book cost me 3+ years of my life and now that I’ve got it in my hands, I can honestly tell you it was worth every moment I devoted to it.
But don’t take my word for it: pick up a copy and see for yourself. Or, if you like, here’s an excerpt you can browse, a sneak peak at the best supernatural thriller since Linda Blair puked pea soup all over Max von Sydow:
The latest communication from Lightning Source indicates the proof of my novel So Dark the Night will be printed tomorrow (Tuesday, April 20th) and, if there are no obvious glitches, sent off to me a short time afterward.
(Sound FX: Fingers drumming anxiously on desk top.)
In the meantime, I’ve decided to post more of my strange, ambient music—it’s on my “Audio” page, just scroll down past the spoken word stuff and you’ll get there. Really love these pieces, which I’m calling (collectively) Intervals. There’s been a big progression since my first offering and one tune from this latest batch in particular stands out for me: can you guess which it is?
Busy days around here: Sam, Liam and a number of their friends (shout out to Sean, Dylan, Jess and the rest of the crew) are deeply involved in a short film project that keeps getting bigger and bigger. I applaud their ambition. Sherron has her own film on the go, an abstract bit of business for which I’ll be supplying music. But the deadline for the local, library-sponsored film short film competition is looming, so I hope their post-production efforts go well or they’re gonna be scrambling.
Meanwhile, I’m fretting over the impending arrival of the proof, beating my brains out trying to find ways to better promote and distribute my independently produced books. I welcome your input and advice on both these points.
Let me know what you think of Intervals too. And keep watching these pages for more info on the release of So Dark the Night, a supernatural thriller with a heart of gold. Your summer reading is on its way. And I promise, you won’t be disappointed.
First of all, the cover and text files of my novel So Dark the Night have been uploaded to Lightning Source and we have been told to expect a bound proof of the book in the next week or so.
The process of prepping the book, getting the files formatted properly, meeting Lightning Source’s very complicated and detailed specifications, took some doing. Honestly, the folks at Lightning Source are great, helpful and quick to respond to questions. Full marks to them for that. But their process is so amazingly convoluted it would scare the living bejesus out of anyone with little or no tech savvy. Fortunately, my wife Sherron is fearless and possesses endless reservoirs of patience. She needed every last drop. She worked for hours on consecutive nights, trying to make sense out of the printed guide supplied by Lightning Source and then, God help her, doing her best to master Adobe Pro 9, which we needed to complete the process. She was a trooper, I tell you, plowing her way through while her husband (that’s me) had to take frequent “time outs” to maintain his composure and rein in his well-known impatience and incendiary temper.
And let me also single out our cover designer/graphic artist Chris Kent for praise, salute him for assistance and tolerance above and beyond the call of duty. When Sherron finally had to throw up her hands, he graciously agreed to meet with her and help her get those &$#@ing files sorted out. Chris, you da man!
So now it’s wait for the proof and see if there are any glitches that need correcting. This is computers we’re talking about, after all, semi-sentient creatures showing the first stirrings of consciousness. God knows what that proof will look like. Lightning Source has a promotional offer on right now–for the next month they’re waiving their set-up fee of $75. So I guess I should consider this, my initial shot, a freebie. Nothing to lose, right?
But if all goes well, we’ll get the proof, it’ll look fantastic and production can begin immediately. I’ll put in an order for 100 books and we’ll arrange a launch, peddle the books to Regina, Saskatoon, Edmonton. Send fliers to the indie bookstores still out there (damn few of them) and prevail on friends in far-flung places like Vancouver, Toronto and Los Angeles to flog the sample copies I send them.
What else can I do? Newspapers have slashed their book review pages–and, even so, indie/self-published work constantly had a hard time getting any kind of acceptance from the mainstream media. No one in Canada reviewed Righteous Blood, despite the review copies publisher Peter Crowther supplied at my insistence (sorry, Peter!). Should I try my luck with their on-line counterparts? BookNinja and Bookslut, places like that? What think you, Readers? Where do you go to get your reviews, information on interesting new releases? Let me know…
I’ve checked into shipping and, hoo boy, have prices ever skyrocketed in the past few years. Mailing out copies of So Dark the Night is going to be a pretty costly proposition. Tentatively, here are the numbers we’re looking at:
So Dark the Night—$17.95 per copy (U.S. & Canada); £13 (U.K.); €14.75 Euros (Europe)
E-Book: $9.95 (U.S. & Canada); £6.50 (U.K.); €7.50 Euros (Europe)
$8.00 Surface (USA) $9.50 Airmail (USA)
$16.50 (Air) Overseas
I’ll be making half the book available as a free PDF and I’ll also be recording the entire book, which you’ll be able to hear (free) as an MP3 download or podcast.
And there you have it; you’re now completely up to date.
Besides getting the book ready, I’ve had to register Black Dog Press as a business ($110.00) and check on my PST and GST status (thankfully, neither applies to a micro press like mine). To keep myself sane, I’ve been creating more music, which I hope to post in the next few weeks. For those of you who liked my “Soundtrack For A Science Fiction Movie Never Made” (thanks for the kind words, by the way). Anyone who hasn’t popped over to my Audio page for a whole buncha free stuff to listen to and download should check it out.
I’ll drop a line or two when the proof arrives, maybe even include a few pictures. We’re on pins and needles around here. Nervous as expectant parents. Counting the hours and hoping for the very, very best…
Yes, my friends, this is the new look for the front and back cover, courtesy our pal Chris Kent. Ado Ceric’s gorgeous cover art is still predominant, but Chris has given us a different font and overall design. My only instruction to him was “make it look like a fun read because that’s what it is”. And Chris came through for us—hoo, boy, did he ever!
You can click on the individual pictures to view them full-sized.
We’ll soon be loading these illos on to Lightning Source’s templates, along with the complete text of So Dark the Night and awaaayyyy it goes. But this is our first crack at this here new-fangled print-on-demand process so there are bound to be complications and glitches. Thank God I’ll have Sherron to do all the dirty work while I pace back and forth behind her, cursing a blue streak.
But even with the foul-ups—the folks at Lightning Source have been very patient with my questions thus far—we should still have a proof within two weeks and the book ready for publication by the end of April (as previously announced). Cover price $17.95. You will also be able to download half the book (.pdf) here at Beautiful Desolation (or over at Scribd) and read that excerpt for free, download the complete e-book for $10…or (at some point) listen to an MP3 of me reading the book for nuthin’. Your choice.
The book has been polished since the earlier version I posted, tightened and pared down. I’ll be purging that previous draft in the coming days/weeks (it has served its purpose and can now be deleted).
Don’t have much else to add—let me know what you think of the cover and please spread the word near and far that So Dark the Night is on its way…and there’s some great spring/summer reading ahead.