The atmosphere was terrific, the audience engaged and appreciative of the opportunity to meet and question a man who could well be the premier of our province in 2-3 years.
Ryan, I think it’s safe to say, is on the progressive side of the party and so I felt comfortable in my preamble excoriating the stupidity, cowardice and arrogance displayed by “center-Left” politicians and (gritting his teeth) liberal democrats.
I loathe both vile species, will never forgive them for the betrayals they’ve perpetrated on the people they purport to be serving.
I’ve posted the text of those remarks below and, as always, encourage readers to respond to or debate with any of my points and assumptions.
The evening began with my friend Laird Brittin performing a rousing rendition of Woody Guthrie’s “This Land is Your Land”.
Here’s what I said immediately following the song:
* * * *
Thank you, Laird.
And thank you, thank you, thank you, Woody Guthrie.
Does anyone happen to remember what Woody had printed on the body of his guitar in big, block letters?
“This Machine Kills Fascists.”
Woody wouldn’t have had much tolerance, I’m afraid, for those people who like to refer to themselves the “Alt-Right”. He was well-acquainted with the danger they represent and I have no doubt he would have called them by their real name.
I also think that Woody, if he was alive today, would be disappointed by the state of the political Left, how muzzled and tamed and tepid it is. And how sadly compromised, its program and rhetoric in many instances almost indistinguishable from the Tories and neo-liberals it allegedly opposes. In the name of expediency and electability, the Left has abandoned its most basic principles and lost its historical solidarity with the working class—also known as the “precariate” or “anxious class” among certain contemporary sociologists and commentators.
Our fellow citizens are disillusioned, depressed, indebted, cynical, lacking any kind of hope for a better future, the scantest possibility for improvement. They’re losing faith in notions like “social mobility” and, yes, “democracy”.
Woody could have predicted that. In the midst of the Great Depression, experiencing the horrors of the Dust Bowl firsthand, he witnessed people giving up, the light in their eyes going out as they watched their livelihoods, the very source of their identity, swept away by powers beyond their control. Such men and women are easy prey for demagogues and dictators, anyone who’s quick to supply easy answers to their questions (along with a convenient scapegoat or two).
And so it is today.
Vulnerable workers, people in low-wage jobs with no benefits, men and women one paycheck away from a repossessed car…or a notice of eviction. Folks who look around and don’t see their lives getting any better…and no one addressing their fears and anxieties.
As the saying goes, a drowning man will clutch the point of a sword.
Especially if that’s all they’re being offered.
Clearly, progressives have been doing a poor job of presenting a relevant, well-articulated alternative to the neo-liberal/corporate agenda and we’ve failed to connect with people who are at the end of their rope and desperately in need of some relief from the constant strain and pressure of daily existence.
From their point of view, we’ve abandoned them—and did so once we started spouting the same jargon as the other guys and kept gutlessly tacking to the middle of the road in the hope of making our policies more palatable to international money markets and guys in suits worshipping at the altar of the Chicago School of Economics.
We need to spare struggling citizens our rote sympathy and manufactured outrage and, instead, help them better cope with a fluid, volatile world that, without some kind of outside intervention, will treat them like chattel, while reducing our environment to the equivalent of a smoldering rubbish tip.
Our counterparts on the Right are quick to put forward solutions that promise the electorate the efficiency and rigorous structure of a Toyota factory floor. Conservative ideologues–many of them, not coincidentally, wealthy businessmen—cannot conceive of why every government service can’t either be privatized, down-sized or delivered in a manner that conforms to sound management practices and tried-and-true business methodologies.
But do we really want the profit motive and neo-liberal economics applied to our education and health care systems?
Doesn’t that kind of top-down, austerity-driven model lead, in other spheres, to boom-and-bust cycles, insolvency, mass layoffs, cronyism, corruption…and is that the mindset we want to embed in our hospitals and schools?
Tariq Ali calls it “tooth-and-nails capitalism” and I think he’s bang on.
And since I’m tossing quotes around, I’ll throw in another one, this one from Terence McKenna:
Because the future is rushing toward us and it is a future for which we are wholly unprepared. We approach dangerous new frontiers in almost every branch of science and find ourselves confronted with technologies that will alter our conception and definition of humanity. Genetic engineering and the development of artificial intelligence present us with extraordinary ethical dilemmas. And if we prove to be unable or incapable of facing up to our responsibilities, others will be more than happy to make critical decisions on our behalf.
But these are huge issues and so we feel helpless and stupid when we try wrapping our minds around them. How can we manage?
May I remind everyone that we live in the birthplace of the cooperative movement? At one point in time, we were the bellwether as far as the socialist experiment in North America was concerned.
Individually we might feel overwhelmed, but by acting in concert, with a shared vision and a shared sense of urgency, we might have a chance to slow this juggernaut down and introduce some kind of sustainability and human compassion into a world-spanning ideology that is starting to eat itself.
We need people in the vanguard who are willing to defy the status quo and resist the temptations and blandishments offered by the ruling class.
Dr. Meili’s prescription for a healthy society requires that we recognize the role of scarcity and insecurity in undermining wellness in all its guises.
It acknowledges that without a strong social safety net, too many will founder when faced with the innate indifference of market forces and rampant consumerism.
Any government that refuses to protect its citizens from unemployment, social exclusion, inequality and marginalization based on race, class or gender, has abdicated its constitutional responsibilities and is unfit to represent the people who mistakenly elected it.
Tonight, we’re dreaming big.
We’re looking down the road a few years when there will be an opportunity to show the people of Saskatchewan that there is a real alternative, another course to choose.
It will involve innumerable challenges and it will ask each of us to contribute what we can toward forging a brighter future…for us, and generations to come. A participatory, grassroots-oriented democracy that values the ideas and input of one and all, harnessing the tremendous creative and entrepreneurial energies of our people.
A special kind of leader is required for a movement like that—someone who understands the enormous potential that exists when we pool our collective resources, achieving more in concert that we ever could have alone.
Since announcing his candidacy, Ryan Meili has impressed many of us with his composure, his candour, his comprehensive understanding of the vital issues facing us…and the personable, thoughtful manner in which he responds to them.
It’s my pleasure to welcome Ryan to the Gog tonight and invite him to step forward and present his platform to you and, later, take your questions.
Without further ado, allow me to introduce our special guest and featured speaker, Dr. Ryan Meili.
“If this isn’t the end of the Republican Party, it’ll be a shame. They dominated American political life for 50 years and were never anything but monsters. They bred in their voters the incredible attitude that Republicans were the only people within our borders who raised children, loved their country, died in battle or paid their taxes. They even sullied the word ‘American’ by insisting they were the only real ones. They preferred Lubbock to Paris, and their idea of an intellectual was Newt Gingrich. Their leaders, from Ralph Reed to Bill Frist to Tom DeLay to Rick Santorum to Romney and Ryan, were an interminable assembly line of shrieking, witch-hunting celibates, all with the same haircut—the kind of people who thought Iran-Contra was nothing, but would grind the affairs of state to a halt over a blow job or Terri Schiavo’s feeding tube.
A century ago, the small-town American was Gary Cooper: tough, silent, upright and confident. The modern Republican Party changed that person into a haranguing neurotic who couldn’t make it through a dinner without quizzing you about your politics. They destroyed the American character. No hell is hot enough for them. And when Trump came along, they rolled over like the weaklings they’ve always been, bowing more or less instantly to his parodic show of strength.”
Matt Taibbi, Insane Clown President (2017)
I spent some time this past week mulling over CEO Trump and his corporate cabal, now legally installed as overseers of the United States of America.
Some bad times ahead, but as Sun Tzu observes: “Opportunities multiply as they are seized”. Progressives, those seeking the emergence of a New Left, must put forward platforms and alternatives to counter the agenda being pursued by the one-per-centers and their archons. Merely lying low for the next four years, waiting for the Donald to implode is not an option.
I wrote my thoughts down in an article I’ve titled “The Thing at the Bottom of the Stairs”.
It’s an unequivocal call to arms, a refusal to be cowed by the thugocracy Trump intends to impose on his nation and the rest of the world.
Click on the link below to read the article:
* Thanks to Gord Ames for proof-reading and commenting on this article.
I’ve posted my views on Donald Trump’s election on social media, Tweeting and Facebooking…but then I started hearing from folks that while my little quotes and snippets were nice, some deeper analysis was necessary. There were some not-so-subtle hints that I was shirking my duties as resident curmudgeon and unrepentant Leftie. Surely I had something more substantial to say…
And so, to make amends, I offer a longer response, a piece that makes the shocking assertion that the Donald’s occupancy of the White House might be the best thing that could have happened to the political Left.
That made you sit up and take notice, didn’t it?
Read this…and feel free to offer your own opinions and reactions:
Watching Donald Trump lurch from erratic to downright despicable behavior, I find myself shaking my head in dismay, but am I surprised? By the Donald?
The man is the very picture of consistency. No matter what the circumstances or stakes, when the chips are down, Donald will be, well, Donald.
His demeanor reminds me of Orson Welles’ favourite parable, the one about the scorpion and the frog. I’m sure you’re familiar with it but, just in case, here it is, recited by the Master himself:
The allusion, methinks, is fairly obvious.
Whether it’s shaming an ex-beauty queen or sparring with the bereaved parents of a dead American serviceman, the Donald constantly gives the impression that he just can’t help himself.
Stung by his poor performance in the first presidential debate, the alleged billionaire had to lash out at somebody. What was the name of that gal Hillary referenced in one of her tiresome talking points? Bingo! It’s three in the morning, can’t sleep, guts are acting up, I’ll have a go at her…
That such a mindset is hardly, er, presidential, doesn’t really enter into it. Cultivating a statesmanlike persona is difficult when you’re continually resorting to groin shots and head butts, biting in the clinches. Not sporting, you say? F**k you, pal! You don’t like it, grow thicker skin. Where’s your sense of humour?
This is America, after all: brash, disrespectful, rude. The bad boy of the international scene. USA, dude. Love it or leave it.
Other commentators have described the current poisonous state of American politics, the toxic effect money and the access to power it buys has had on democratic institutions.
The mere fact that a man with the history and background of Donald Trump is one of the last two individuals contesting for the highest office in the land says a lot about the “state of the union”—bad, very bad indeed.
The notion that somehow, through some distortion of reality I cannot comprehend, there are millions of salt of the earth, working class citizens out there actually rooting for the Donald, intending to (God spare their immortal souls) vote for the man, come November 8th, bespeaks of a spirit of profound helplessness and despair present in the American psyche. A drowning man grasping the point of a sword and all that.
But, maybe, and this is just a thought, there’s a method to Trump’s madness. I’m not talking about some bizarre strategy to get himself elected and never mind what the pundits and spin doctors say. I’m proposing that his frequent lapses in judgement, the many times he’s gone “off reservation”, picked fights when he didn’t have to, are actually part of a careful campaign of self-sabotage.
Hear me out.
I believe that as far as the Donald’s concerned, the race is everything and the thought of taking the oath of office, assuming the burdens of being the President of the United States, bores the living hell out of him. Can you imagine D.T. enduring an endless state dinner on behalf of a potentate from some African “republic” or South American kleptocracy, trying to make small talk, grinning through the ordeal?
The mind reels.
No, the Donald has had his fun, his ego boost, but the game is starting to lose his interest. He’s done wonders for the Trump trademark, of course, and maybe that was part of his clever plan all along. When he loses, he goes back to his business empire (its true worth still very much in doubt), cashing in on his heightened media profile. Thanks to his Fox-fuelled campaign, he has successfully climbed and blustered and elbowed his way to the top of the celebrity food chain, assuring himself a place on the “A” list for years to come. Trump Hotels, Trump Casinos filled to capacity with punters hoping to catch a glimpse of that famous orange swatch of hair, ringed by bodyguards, bound for the penthouse, deigning to look neither right nor left.
“That man could have been president,” they’ll whisper among themselves.
As if it would have been a good thing.
Or, at least, that’s how it seems.
Where did the past month go? Well, I’ll tell you:
Mostly it was swallowed up by a 12,000-word novelette set in my “Ilium” universe. At one point I spent eighteen consecutive days slaving away on said project, from eight in the morning until eight at night. Fun, fun, fun.
Because for me to be at my most creative I have to be fully immersed in a work, utterly incognizant of the “real world” around me.
And so it’s been with this latest piece.
I’ve barely been reading, just some essays from a posthumous collection by the great Tony Judt. So burned out the most I can manage in terms of entertainment the last few nights are a couple of old Gene Autry westerns. I kid you not. The singin’ cowboy a balm on my brain.
But yesterday I finally printed up my “Sherron Draft” and this weekend my devoted and long-suffering wife will go through the novelette and render her verdict. And from there: revisions and more revisions until at last I’m satisfied I’ve got it as note perfect as I can.
The ceaseless grind. That’s the part they don’t tell you about in those helpful “how to” articles in Writer’s Digest or that expensive creative writing class you just enrolled in. Creation, getting words down on paper, that’s the easy part…it’s the process that comes afterward that tests your mettle. How much effort are you prepared to expend to make your story or poem the best it can possibly be? Meticulous, tireless editing. That’s the difference between genius and wannabes.
Somehow I also managed to complete an overview of a fictional Quebecois film-maker and enfant terrible, a 2000-word “mockumentary” that’s the best piece of satire I’ve written in ages. I have some plans for that one and will likely release it in the next week or so. I’ll update you as soon as there’s anything to report on that front.
…and like everybody else, I’ve been watching the political shenanigans south of the border with growing incredulity.
Here’s my two cents worth:
First of all, this talk of a “contest” on the Democratic side is a joke. Hillary has the money and power, Bernie is a nice guy with some cool ideas. Bernie represents a movement; Hillary is a fucking machine. She’s got this one wired tight. End of story.
Regarding the Republicans, I’m starting to see shades of Barry Goldwater in 1964.
Name not familiar to you youngsters? He’s the dude who famously said: “Extremism in the defence of liberty is no vice”.
Still doesn’t ring any bells?
Never mind. The point is that in 1964 Goldwater and his followers were like today’s Tea Party—pissed off about special interests and insiders controlling Washington, the whole thing in need of a radical overhaul, etc. Richard Nixon and the GOP hierarchy came to the conclusion that Lyndon Johnson, wearing the mantle of an assassinated president (JFK), was unbeatable in 1964 and decided to let Goldwater and his lunatic fringe seize the reins of the Republican party. Once they were annihilated, they would go slinking back to their rat holes and the true king-makers and lever-pullers could take back the party in time for 1968.
Which is exactly what happened.
Makes me wonder if today’s Republican poobahs aren’t intending the same thing in 2016. Let Trump and his dickhead followers lead the party to certain ruin against the Hillary juggernaut, and then regain control in time for congressional and senate elections and a run at the presidency (hopefully with a more proven, viable candidate) in 2020.
Right now the GOP establishment is spooked—their two star candidates, Jeb Bush and Marco Rubio, have failed to produce any excitement or momentum. Bush, in particular, never looked statesmanlike and comfortable in the spotlight and clearly wasn’t interested in making a serious bid. Hopefully, we’ve seen the last Bush in the Oval Office (my daily mantra). Rubio’s been rallying of late but does he have the balls to go toe-to-toe with the Donald? That remains to be seen. He needs better gag writers and he has to take the gloves off. Marco, if you can’t manage to engage with and whup a coiffed, spoiled blowhard, frankly you don’t deserve a shot at the big chair.
I’ve been a political junkie for as long as I can remember and that sphere (especially south of the border) just keeps getting weirder and weirder.
Money has distorted the process and attaining power and stature have become the primary motivations of those seeking to represent us.
Public service? Accountability? Transparency? Ethics?
Mere words, lacking currency or value in a world increasingly fixated on satisfying selfish desires, while consciously and arrogantly absolving itself of the consequences of its greed and stupidity.
Don’t make me laugh.
People, it has been said, get the form of government they most deserve.
In that sense, today’s theatrics and hijinks don’t say much about us as a society and civilizing influence, do they?
I get quite a number of notes from individuals requesting my advice on matters relating to publishing, indie or otherwise.
Recently, two or three people queried me about how to better “monetize” their writing.
Folks, anyone who has spent even a brief period on this site or has read a mere handful of my Tweets would know that I hold such attitudes in absolute contempt.
Trying to break into writing to make money, seeking fame, fortune and bestseller-dumb? Sorry, you’ve come to the wrong place.
If you’re a purveyor of fan fiction, you should have your hands burned off with an acetylene torch. You are the shit real writers scrape off the bottom of their shoes.
If you concoct shapeshifter/paranormal romance you are a literary pornographer. You exhibit Grade Six-level writing and, it’s clear, retain an absolute horror of penetrative intercourse. As Bill Hicks would say: case fucking closed.
If you “lease” your talent to some franchise, averring that your penny dreadful writing subsidizes your “good” stuff, you’re only fooling yourself…and the gods of Literature can be very, very cruel. Regardless of how you rationalize it, you are whoring your Muse, peddling her ass for a fistful of loot. Your self-righteousness, the ferocity of your denials, only reveals the depth of your insecurity, your secret shame. You disgust me.
A twenty-something twat knows fuck all about life and has no right to claim an authoritative view on anything. You are also far too young and insignificant for a memoir. No one gives a shit about the suffering and pain (largely self-inflicted) you’ve endured during your brief existence. Your life is not unique or particularly interesting. You are part of a growing demographic: an egotistic, narcissistic non-entity with delusions of self-importance. There’s a lot of that going around nowadays and no vaccine in sight. Pity…
Demanding correct spelling and competent syntax is not “old school” thinking.
Unless you approach your craft with devotion and seriousness, work tirelessly and daily at improving yourself, you are a dabbler. A wannabe. Your efforts the equivalent of macaroni art: the gold paint may be slightly more gaudy, the noodles more generous, but it amounts to the same, unsightly mess stuck to the front of your fridge.
This blog is dedicated to a higher purpose, a celebration of the power and majesty of the printed word.
There are plenty of sites for people who compose in crayon, scribble on walls or any available surface and congratulate themselves for their artistry.
If that last sentence describes where you’re at, I think you’ve overstayed your welcome.
There’s the door.
Don’t let it hit you on the ass on the way out.
Awhile back, I exchanged some e-mails with my colleague Andrez Bergen, both of us bemoaning the sorry state of the publishing biz. Andrez is a superb writer, his novel Tobacco-Stained Mountain Goat a stunning blend of Phil Dick at his best and “literary noir”—if you haven’t read it, you don’t know what you’re missing.
Which is kind of the point of this post.
In one of my final missives I joked to Andrez that I was going to start an association called The Neglected Authors Alliance (NAA), and that the two of us would be charter members. Over the ensuing weeks, the idea kind of stuck with me and sometimes, as I passed my bookshelves, I’d take note of an author or two who weren’t household names, who had either slipped into obscurity or had never been widely read in the first place. I started putting together a roster; the living and the dead.
It was a depressing task; once I saw the sheer amount of raw talent represented, I felt sick. If these guys and gals couldn’t garner the rewards and praise and posterity to which they’re entitled, what chance do I have? Thirty years I’ve been putting pen to paper and my literary profile isn’t exactly where I want it to be (he says, choosing his words with extreme care).
And so, in tribute to Andrew and some other very fine scribes who deserve(d) far, far better from fickle readers and negligent publishers, I would like to recommend to you the following authors who have labored selflessly and courageously to produce innovative, literate prose, and who I am honored to add to the rolls of our oddball “society”:
Paul Di Filippo
Abraham Rodriguez, Jr.
Steve Rasnic Tem
Past (Honorary) Members:
Louis Ferdinand Celine
Adolfo Bioy Cesares
Notice to any authors on my list who come across this post: drop me a line if you’d like to have your own, official NAA button, with all the perqs and benefits that implies.
And, in the meantime, don’t give up, don’t stop producing great work, refuse to cede the field to the hacks, “share-croppers” and pornographers plying their trade today.
We need you.
The barbarians are at the gate…
Photo by Sherron Burns
That kind of longevity, in any vocation, is pretty rare, but when it comes to the arts? Writing? Are you kidding? It either shows tremendous faith, an overweening ego…or the simple acknowledgement that there’s nothing else I’m any good at. Or all of the above.
Over the past three decades, I’ve witnessed a lot of changes in terms of technology, trends, the way the publishing business is run. Hell, I’m so old, I can recall a time when it wasn’t embarrassing to call yourself a horror writer and John Updike and Ray Carver represented the high bar in terms of American literature. Jesus, where’s my cane and adult diapers?
In that interval, I’ve seen ’em come and I’ve seen ’em go. One-hit wonders, lighting up the sky like a rogue comet and then exploding, leaving not the slightest trace of their passing. The darlings of the critics and cultural poobahs, earnest scribblers telling their very personal stories of suffering and courage and redemption, seeking applause and acclamation the way a junkie probes for a fresh vein. Their offerings winning all the literary prizes, earning highly coveted media attention, getting their names in lights. Hooray!
Except…where are they now?
I won’t name names (that would be cruel) but how many highly touted scribblers have popped up during my 30-year tenure, sucked up some attention (and sometimes a considerable amount of money) and then faded away? Check out the prize lists since 1985—Pulitzers and Bookers and GGs and Gillers, right down to the regional level: how many of those names are still prominent today, still producing quality work?
Exactly. I’d have to use a quantum calculator to determine the number of “bold new talents” and “exciting voices” that have come down the pike in my professional lifetime. It’s an annual rite, like checking to see if Wiarton Willy can spot his shadow. Never mind that the vast majority of the “stories” these bright, young things are telling are very much their own: fictionalized accounts of their journals and diaries, their pathetic lives laid bare. A love affair gone bad, tender hearts cruelly broken; often one detects a faint whiff of revenge. The only problem is, when you write solely about yourself, sooner or later the material grows stale…or runs out all together.
Which is why the latest “next Margaret Atwood” or “next ______” (your favorite literary icon here) invariably lasts one or two books and is never heard from again.
I’m reminded of the old song that goes: It don’t mean a thing/’til you prove it all night.
True, I think, for any worthwhile endeavor.
The creative life demands a special kind of courage and commitment—it requires a soul-defining leap of faith because there’s no guarantee you’ll be successful, very little chance of your work achieving posterity. Many superb artists have died broke and unknown.
But those who are truly chosen don’t give a whit for fame and fortune, they create for the sheer pleasure of knowing that they are working without restrictions or outside expectations, designing and shaping their efforts to their own specifications and aesthetic purposes. They’re not trying to emulate someone else or jump on a popular bandwagon. Their visions may be personal, unprecedented, bizarre (by popular standards), but there’s a shining brilliance to them, helping them achieve a universality that makes them accessible to people of vastly different geographies, even epochs.
Think Homer. Sophocles. Poe. Baudelaire. Kafka. Picabia.
Authors who defy convention, risk penury, disapprobation, despair.
Vasili Grossman and Friedrich Reck, writing in the face of discovery, imprisonment, death.
And yet they persevered.
So you’ve written a clever poem, a halfway decent short story, posted it on your blog. Six people have “Liked” it. Good for you.
Are you prepared to sit down tomorrow and the next day and the day after that…until your allotment of days run out? Writing and re-writing, driving yourself to distraction trying to achieve quality, well-crafted prose. The search for improvement, perfection never ceases. I’ll testify to that.
I’ve been in this biz a long time, much longer than most, and it’s still hard, still a challenge every day to summon the courage to walk into my office, plunk myself down and commence work on my latest writing project. As I’ve gotten older, my standards have risen and so the act of composition has become even more challenging and immersive than it was when I first started out. In other words, it doesn’t get easier, kids, it gets harder.
Dreaming about writing doesn’t get you there, promising yourself that you’ll start something serious in November, when National Novel Writing Month rolls around, won’t cut it either. If you’re a writer, a real writer, you can’t wait. As much as the chore of writing depresses and intimidates you, you can’t resist reaching for a pen and putting something down on paper. Anything to fill that blank page, defeating the white silence. Only then is there a sense of fulfillment, completion, our purpose for existing realized.
How does that gibe with your experience?
Are you a dabbler? A hobbyist? A wannabe?
Or do you have the courage to take a great leap…without the slightest notion or concern for what awaits you far below?