For not the first time (and certainly not the last), I find myself apologizing for the lengthy interval between blog posts.
But, as I’ve pointed out previously, when I’m deeply immersed in a project I don’t have the time or energy to blog—so when these long silences (inevitably) crop up, I think you can safely assume I’m up to something.
In this instance, two short stories have been devouring my waking hours. One, “The Grey Men”, is a mystery/suspense tale clocking in at 1900 words, and “Magic Man”, the one I’m just wrapping up, is 8700 words (33 pages) long.
Upon its completion “The Grey Men” struck me as more accessible and genre specific than my usual efforts, so I did something very out of character and actually submitted it to a magazine for consideration. Longtime readers know I swore off that practice ages ago and only rarely offer my short fiction to publications or writing competitions. Why bother with extended (interminable) response times and form rejections when I can just go ahead and release my work either here or over on Scribd? But, I dunno, “The Grey Men” is a solid, convincing story and maybe just this once a perceptive editor will see its merits and snap it up. I’ll let you know.
I tackled “Magic Man”, in all honesty, because I was feeling quite smug and confident after completing “The Grey Men”. I should have known better.
The first draft of “Magic Man” was written back in 1984. I kid you not. It was one of the tales that signalled a shift from narratives centred around myself, my own life experiences, to venturing out into unexplored waters, creating entirely fictional worlds and characters. For that reason, I’ve always had a rather fond view of “Magic Man”, never completely forgot about it. And so, as an exercise, I pulled the one, typed copy of “Magic Man” out of my archives and set to work.
It was torture. First of all, I had to tap in the story, 4-5000 words of it, and that was an excruciatingly slow process because I couldn’t help correcting and doing adjustments as I went along, which really was incredibly stupid and stretched the process out. Dumb, dumb, dumb. Just type the fucking thing in, Cliff, and then start editing. Nope. Finally, got the entire draft on computer…and that’s when it really got difficult.
Obviously, I’m a much better writer now than I was thirty-one years ago. That guy back in 1984, he was still basically a rookie, a kid learning the ropes. So “Magic Man” needed work, lots and lots and lots of work. At the same time, however, I wanted to show respect to the kid, the one I remembered slaving away on this story, really excited about it because he knew it was a step, more like a lurching, uncertain stumble, in a new and different direction. I wanted to recognize that effort, the courage it took to complete “Magic Man”, and so I was also determined to preserve as much of the spirit of the original as possible.
Finally, two weeks later, it’s almost done. Sherron is downstairs reading the copy of “Magic Man” I printed last night. I didn’t tell her (never do) what I’ve been up to so she’s in for a treat. She’ll remember this story very well: after all, it’s one of the first I ever dedicated to her.
If “The Grey Men” falls into the mystery/suspense category, “Magic Man” is a bit more problematic. There are elements of dark/urban fantasy, I suppose, but for the most part it’s a mainstream effort. Realistic setting and scenario. Which will likely make it next to impossible to sell or market the bloody thing. The extended length will factor against it as well. In the old days, I might have sent it to magazines like Cemetery Dance or Midnight Graffiti, but the latter no longer exists and the former has been closed to submissions for ages. I might release the tale as a Kindle “single”, sell it for 99 cents a download, but I’m not sure what that would achieve. I’m very happy with how “Magic Man” turned out and would like to see it presented to readers in an attractive, respected venue.
So let me throw it out there: anybody know of a decent-sized anthology or magazine willing to look at an 8700-word story featuring a “touch of strange”? If so, drop me a line at firstname.lastname@example.org.
400 blog posts? Can that possibly be right? Even with all the long gaps, the periods of time when I’ve completely ignored and shunned Beautiful Desolation?
Amazing. Inconceivable. I think that averages out to 40-45 blog posts a year or around one a week. Not bad for a full-time workaholic author.
Looking back over the years it’s interesting to note the changes in tone and content. I confess I was a very, very angry man when I first started posting on Beautiful Desolation eight-and-a-half years ago—check out a few of those early blog posts and you’ll see what I mean. I was fed up with money-hungry, corporate publishers and their idiotic editors, and the greedy literary agents colluding with them to destroy any chance of interesting, innovative authors getting into print. The publishing biz, especially after the big, multi-national takeovers in the 1980s (something else to thank Ronnie Raygun for), has systemically dummied down the marketplace to the extent that sub-literate, amateur purveyors of fan fiction have a better chance getting their work in book stores and sales racks than the next Don DeLillo or David Foster Wallace. Disgusting, innit? My fury with that situation finally boiled over when a draft of my first novel, So Dark the Night, was rejected by an editor who kept me waiting over a year before delivering the bad news. I penned a very public “fuck off” letter to the industry, a portion of which which was reprinted in “GalleyCat“, an on-line site devoted (mainly) to the New York publishing scene. Folks who responded to my expletive-filled tirade warned me that I’d burned all my bridges and “would never work in this town again”.
But by that point I was beyond caring. I had recently discovered print-on-demand (POD) publishing and immediately recognized that printing had finally caught up with the times and authors now had a relatively inexpensive and efficient way of releasing their own work without involving editors and agents or gate-keepers of any kind. I had self-published my first book, Sex & Other Acts of the Imagination in 1990, but those were the bad, old days of offset printing and all the horrors associated with that. Print-on-demand simplified and streamlined the process…and it also didn’t encumber you with 500 or 1,000 copies of your book to store and inventory (with POD there are no minimum print runs).
Thanks to print-on-demand, my wee imprint, Black Dog Press, was reborn, rejuvenated…and I was a much happier camper.
And so the rants here came a lot less frequently—though topics like the amateurization of the arts and National Novel Writing Month always seem to spark more vitriol—and I settled down, embracing the independent (indie) writing world, feeling empowered and artistically fulfilled, knowing that my work was available to the reading public exactly the way I envisioned it. No middlemen, no interference.
Coming up on ten (10) books later, and I keep doing my thing, making no apologies, kickin’ against the pricks. Older, greyer, a little wiser, a “grand old man” (at 52) of self-publishing/indie writing. Still refusing to pay obeisance to fashions and trends, still refusing to whore my talent, writing what I want to write. Power to the people, motherfuckers!
I’ve got a catalog of excellent books and every single one of them is unique and original and highly literate.
After thirty years as a professional author, I’ve seen ’em come and go but, hey, here I am, still standing, still creating and publishing intelligent, highly crafted prose while many one-hit wonders and flashes-in-the-pan have slipped into obscurity or disappeared altogether. Where are they now?
I’m a “neglected” author, I’m a “cult” author, operating on the fringe, below the radar, working without the slightest desire for fame or monetary reward.
But the main thing is I’m working, staying relevant, productive, thematically and stylistically daring. Consumed by the act of creation.
It will be interesting to read blog post #500 in a couple years’ time.
I wonder how much will have changed, with my writing, the state of the world.
In either case, I can only hope (and pray) it’s for the better.
- Sherron finished “Magic Man” a few minutes after I completed this post and loved it. Just for the record…
Yesterday I was feeling completely listless and dull-witted. Couldn’t work up the energy to do much of anything.
Then I remembered a couple of photos Sherron sent me. Sometimes, in the morning light, our kitchen walls get these really cool shadows and patterns projected onto them; my visually-oriented wife noticed this pair and took some shots with her cell phone.
I called up the photos, placed them side-by-side on my computer screen, stared at them for about thirty seconds.
Then I grabbed my blue Hilroy exercise book…and started scribbling. No thought, no pre-planning, just went for it.
It’s an old trick…worked for the surrealists and, by God, it worked for me.
Here’s the story, accompanied by the images that inspired it:
* * * *
The Test Subject
ALL RIGHT, TERRY, YOU KNOW THE ROUTINE. WE NEED YOU TO TAKE US THROUGH WHAT YOU’RE EXPERIENCING AND DESCRIBE—
It’s hard…I don’t…there aren’t any…
COME ON, YOU HAVE TO DO BETTER THAN THAT. WE NEED SENSATIONS, COLORS. PAINT US A PICTURE.
(Laughter) You don’t…it isn’t like that. God, I wish I could explain, show you…but there’s no (indecipherable), no, ahhhh, common reference points.
ARE YOU DISORIENTED, DO YOU—
What? Did you say ‘distortion’? Everything’s distorted. It’s like…like…
…this kaleidoscope…constant movement…twisting and spiraling…
ARE YOU FEELING NAUSEOUS?
I feel—oh, Jesus! Jesus! Did you see that? It just…wow…this bolt of pure blue light…zipped right past me and it—I swear it smelled like cinnamon.
THAT’S WHAT WE WANT TO HEAR! YOU NEED TO DESCRIBE THE EFFECTS, HOW THIS THING MANIFESTS ITSELF. TERRY? TERRY, DO YOU UNDERSTAND ME?
I know. I see what you’re…but it’s really got on top of me and…and…it’s just too…and then everything just changes, like that! Did you see it? Like the whole universe suddenly switched polarities and—and flowed in the opposite direction. Whoa, trippy. And there’s something…I see something…
I dunno…a shape…presence…now it’s up there, by the ceiling, sort of floating…
POINT. SHOW US WHERE YOU MEAN.
There. It keeps shifting, flowing, like I said. I can’t quite…it blends in with these other blob things…they kind of swirl and mesh…yeah…swirl and mesh…mesh into a mess…
WHAT ELSE? DO YOU GET A SENSE OF ANY—
–someone turn up the heat? It’s freezing in here.
THE TEMPERATURE IS KEPT AT A CONSTANT 24 DEGREES CELSIUS.
I’m telling you—fuck! That time it zoomed right past me. This bright-colored blur…I could’ve reached out and—
TELL US WHAT IT LOOKED LIKE. GODDAMNIT, TERRY—
It’s made of light and…uhhh…wow! Oh, wow…there it is. Hovering, just in front of me. Holy shit, I think it’s looking at me—
EASY, TERRY, COME ON NOW. YOU’RE TRIPPING, REMEMBER? IT’S ALL IN YOUR HEAD. SO GET A GRIP—
It’s staring at me, man. Studying me. I’ve never…I’ve seen little green men before but…this thing knows…
KNOWS? WHAT DO YOU—
–knows I’m here and it’s curious too. Wondering who I am, what I’m doing. This is its backyard and I’m trespassing on…
–ONLY AN HALLUCINATION—
Bullshit! Bullshit! There’s something in here and it isn’t just the fucking drug. It sees me. It sees me and I want out. Get me out of this! Somebody! I need to–
Gimme the fucking antidote! I want to (indecipherable). This is fucked, this is totally—
AT THE REQUEST OF THE TEST SUBJECT WE ARE DISCONTINUING THE SESSION AND—
What the fuck are you? What do you want from me? Keep away from me—
IT’S OKAY, TERRY, WE’RE COMING IN. BOB AND ANGELA ARE RIGHT OUTSIDE AND THEY’LL—
Oh, Jesus, oh, Jesus– (Heavy breathing, panting)
It’s coming, it’s—ahhhhh…Christ, it’s got me…help me…it’s–(indecipherable).
(Shouts of alarm, a woman screams)
BOB? ANGIE? SECURITY! SECURITY! WE HAVE AN EMERGENCY SITUATION UP HERE AND WE NEED A COMPLETE LOCKDOWN, REPEAT—WHAT? WHO’S THAT? WHO’S THERE? IS SOMEONE OUT THERE? HELLO? HELLO?
Regular visitors to this blog know that these days I rarely submit my work to outside publications (why should I when I can publish anything I want either here or through my imprint Black Dog Press?).
But this year I came up with a tale that was so good, I really wanted to see it featured in a respected magazine, one boasting a literate readership. So, in March, with some trepidation, I submitted “Restitution” to two of Canada’s premiere literary publications, The Malahat Review and Descant.
TMR got back to me last month with a form rejection slip upon which some arsehole editor had scrawled “Cool concept, try us again!”. You wanna know why CanLit sucks, look no further. The vast majority of editors in this country belong in a fucking head injury ward. And then yesterday, after almost nine months, I hear from Descant magazine. It was the proverbial good news/bad news scenario: my story had successfully navigated the vetting process but, unfortunately, Descant is closing its doors after its next issue (Winter, 2014).
Okay, that does it. Rather than wait around another year to see this fine tale in print, I’m posting it here and over on my Scribd page. To hell with it. “Restitution” is the best story from 0-2000 words you’re going to read this year. You don’t believe me? Fine, have a look for yourself. Afterward, I’ll be waiting around for your fulsome apologies:
An intimacy only death allows.
Forced into close alignment to conserve space.
A press of upturned faces.
Rows and rows, near a field of spring wheat.
Bright sunlight, a perfect cloudless day.
In defiance of this latest atrocity.
* * *
The Last Room
Is someone there?
Why don’t you come nearer?
Step into the light…
I can barely see you.
There’s so little time.
Please, show yourself.
I don’t want to be alone.
Take pity on my penitent soul.
* * *
—careening down a narrow path, bucking and weaving through the forest, in headlong flight.
“Hurry! It’s catching up with us!”
Realizing my mistake when the trees around us begin to glow, giving off a vivid, blue light.
The ground vibrating, feeling it through the floorboard beneath my feet.
“Oh, Christ! Oh, Jesus, help me—”
The light coruscating, fierce, accompanied by a blaze of heat, the exterior of our vehicle starting to blister and smoke…
* * *
Reporting as ordered, funneled in with the rest.
Hemmed and jostled, barely able to move.
Exhausted and compliant.
A clipped, officious voice from the loudspeaker, appealing for calm.
Distant shouting, the news spreading in visible ripples through our midst.
The gates are closing…
© Copyright, 2014 Cliff Burns (All Rights Reserved)
“That’s him. That’s our guy.”
“You kidding? You’re taking the piss, right?”
“Look, I’ve been up all night, you wanted to see what I got, this is it.”
“But what is it?”
“It’s a, waddaya call it, a screen capture.”
“Like they take a picture, a still frame. Enhanced all to fuck but that’s what they came up with. There’s your perp.”
“I still don’t get it. You’re saying that’s taken from the hallway camera—”
“Yeah. What you’re looking at is, like, a single fucking frame. That new guy, Panda or Pandra, whatever the fuck, he spotted it. And, man, how he managed it, I’ll never know.”
“So he’s zipping through the footage and something clicks and he goes back and slows everything down—”
“Right, exactly. And this thing is there for a flash, right outside the fucking door, and then it’s gone.”
“Fuck that. Nothing fits. This is a locked door mystery and the two of us are hanging out to dry here. In less than an hour I gotta go upstairs, smile ever so nice and show them…what exactly? This? This fucking—”
“It’s all we got.”
“Nine of our best standing around with their thumbs up their arses while the guy we were supposed to be babysitting—“
“No one got in or out. You said so yourself.”
“No one but this guy. That’s what you’re telling me, right?”
”The question is, what are you going to tell them.”
“I’m not going to tell them anything. I’m just going to show them this. The best evidence we have.”
“Then? Then it doesn’t matter. Because it won’t be my problem any more…”
© Copyright, 2014 Cliff Burns (All Rights Reserved)
It flutters and at first I think it’s a leaf or a feather.
Run to catch it.
But it moves in my hands!
Drop it like it’s hot.
Go and get Mother.
Telling me to shush as she kneels beside it.
Looking up at me, crying.
“It’s called a butterfly. Butterfly.”
Making me repeat it, so I’ll never forget.
© Copyright, 2014 Cliff Burns (All Rights Reserved)
…confined in some kind of plummeting spacecraft, unfamiliar controls, banks of switches and gauges, a bewildering array.
Extreme disorientation, not helped by the jolting descent, my capsule pitching and rolling, a sense of increasing speed and friction–
Fire! Fire! Engulfed in a sheath of flame, watching helplessly as long, thin tracks of plastic slide down the porthole-like windows.
Turbulence reaching maximum intensity, violent gyrations and bumps, hearing the roar even through my helmet.
A shooting star.
Something…heaviness! Good old gravity. Like a slow-settling weight. Or turning to stone.
The fires are going out, leaving behind a blackened cinder.
Outside: purple. Purple-blue. Blue.
Bobbing on a choppy sea, weeping with relief.
Waiting for someone to come and get me.
Wondering how long it will take.
Copyright, 2014 (All Rights Reserved)