An intimacy only death allows.
Forced into close alignment to conserve space.
A press of upturned faces.
Rows and rows, near a field of spring wheat.
Bright sunlight, a perfect cloudless day.
In defiance of this latest atrocity.
* * *
The Last Room
Is someone there?
Why don’t you come nearer?
Step into the light…
I can barely see you.
There’s so little time.
Please, show yourself.
I don’t want to be alone.
Take pity on my penitent soul.
* * *
—careening down a narrow path, bucking and weaving through the forest, in headlong flight.
“Hurry! It’s catching up with us!”
Realizing my mistake when the trees around us begin to glow, giving off a vivid, blue light.
The ground vibrating, feeling it through the floorboard beneath my feet.
“Oh, Christ! Oh, Jesus, help me—”
The light coruscating, fierce, accompanied by a blaze of heat, the exterior of our vehicle starting to blister and smoke…
* * *
Reporting as ordered, funneled in with the rest.
Hemmed and jostled, barely able to move.
Exhausted and compliant.
A clipped, officious voice from the loudspeaker, appealing for calm.
Distant shouting, the news spreading in visible ripples through our midst.
The gates are closing…
© Copyright, 2014 Cliff Burns (All Rights Reserved)
Just posted a new tale, bit of a brain-teaser, over at Scribd.
The story is called “The 1001st Night” and clocks in at around 1450 words. Very odd, but I like it. The way it weaves back and forth, exhibiting multiple points of view and perspectives and yet somehow coalescing into…well, see for yourself.
I’ll be adding it to my “Stories” page here (eventually) but Scribd has racked up some impressive numbers for me since I signed up and I thought I’d give them first dibs.
If you’re a real completist, you should probably subscribe to my Twitter link too because I’ve been known to post little snippets and Twitter-verse there and nowhere else. Just to keep everyone on their toes.
Glad to be offering new work for your perusal.
Hope you enjoy “The 1001st Night”.
I know the news is bad (as usual), another horror unfolding right before our eyes, brought to us in real time, boasting pools of real blood. Shouts and screams; pandemonium. The gruesome footage first exploited, then preserved for posterity. There are cameras everywhere these days and not much escapes their notice. The best bits make it on to the nightly news. The ninety year-old grandma fending off two burly robbers with a replica .38. Looters smashing windows and emptying storefronts with the ferocious glee of rampaging Mongols. The fat kid facing down his tormentors in the school foyer, finally fighting back after years of taking it on the chin. Drawing on reservoirs of rage as he batters his opponent. We gape, we weep, we applaud, we shake our heads.
What a world.
But that isn’t all there is to it. There is sanity and normality out there. The crazy shit, it exists, no denying it. Usually the setting is some big city, concentrations of people leading to explosions and meltdowns with tragic consequences. But not always. Small towns and remote farm houses are just as prone to evil thoughts, the cruelties equally inventive.
I repeat: that isn’t all there is to it.
This month I’ve done more traveling than I have in ages. Usually, it’s my wife and kids who take off, leaving me alone in my office, grinding away on a big summer project. At it for eighteen hours at a time, no need to socialize or pretend to be human. It’s a ritual that’s been reprised almost every summer I can remember. But this year it was different. I had a couple of projects nearing completion and discovered a desire, an urge, an imperative, to enjoy my summer, seek out company, visit unexplored places, drink in experience. First, it was off to northern Manitoba, visiting Sherron’s brother and family. They live on the shores of a gorgeous lake and we spent several lovely evenings trolling around on their pontoon boat, our hooks dragging in the water. Snagged two lovely pickerels—no, really, here’s the proof:
Er, that’s me in the hat. My brother-in-law would never forgive me if I didn’t clarify that. And he’s a big guy, as you can tell. I caught those two babies literally our last morning there and the relief on both our faces is palpable. Finally...
Returning home, a long, ten-hour drive, barely catching our breath (it seemed) and then heading off to Grasslands National Park in southwest Saskatchewan. Stayed at a lovely bed and breakfast that used to be an old Convent (hey, Mette, Robert & Christine!), driving and hiking around the park, astonished by the diversity of the eco-system, having an unsettling encounter with a bison (no fences, folks) and constantly scanning the ground for rattlesnakes. Glorious, just glorious. Visually striking region and perhaps that explains the many artists who make their home in the vicinity. Judging by the work on exhibit at the Grasslands Gallery (hey, Laureen!) in Val Marie, there are some very talented folks in that neck of the woods. Er, bush, actually. Not many trees in those parts. Scrub, rolling ground and vast fields of wild plants and flowers.
It’s semi-arid, hilly and wind-scoured; cowboy country. This ol’ western nut felt right at home there. Wrote that poem you’ll find in the preceding post. Met a lot of really nice people who didn’t give the impression they were about to embark on an axe-murdering spree or intended to poison their neighbor in retaliation for an incident that occurred decades ago. We walked in the hills and stood on some tall bluffs and buttes that looked out over a land that was beautiful and light-filled and right. Between the sky, the universe and that modest height, there was an unspoken concord, a sense that, whatever else may be going on on the vast, spreading universe, Sherron and I had been granted a short but memorable glimpse of the goodness and majesty no dark cloud can entirely conceal.
Why didn’t I tag along (you ask, impudently)?
Because my mind isn’t ready for a vacation right now. Matter of fact, for some reason summer is the time of year when my Muse really puts the pedal to the metal. A good number of my novels and best short stories were drafted during the months of June-August. Maybe a hormonal thing, who knows? So, while everyone else is outside, barbequing or going to the lake, renting a cottage, enjoying yourselves, you’ll find me in my sweltering 10′ X 12′ home office, my door open, the fan on high to make the environment livable as I toil away on some literary project.
This year is no exception. My western novel, The Last Hunt, devours much of my time. I’m supposed to be taking a break from it at the moment but I can’t help poking my nose in, doing more research, scribbling notes, conceiving questions for some of the historians who have generously offered to lend a hand with the scenes set in Yellowstone Park. They’ll provide me with historical background, period detail and invaluable advice and input (and God bless ’em). I’ll be visiting that region of Montana later this summer, doing some on the spot scouting and location hunting. It will be my first trip of any significance in a long time (I blush to say how long). This borderline agoraphobic workaholic is trembling at the notion of being away from my desk for any length of time but I am utterly convinced of the necessity of this trip. It will better establish the mood and setting of The Last Hunt and add some of the authenticity I think the present draft is lacking.
But I must confess I have another reason for remaining home. It isn’t often I get the house to myself for days at a stretch and on those rare occasions that I do…well, I like to take full advantage of it. I play loud music, from the time I get up to the wee hours of the morning. I keep the windows shut, the drapes drawn and for one or two days I let myself go. Stalk about in my bathrobe, unshaven, neglecting the laundry, neglecting to eat properly, neglecting to answer the phone or interact with the outside world.
It’s glorious and terrifying and, ultimately, beneficial.
I sit in my office, staring at my slippers while The Vandelles, A Place to Bury Strangers, The Replacements, Black Rebel Motorcycle Club, The Brian Jonestown Massacre, etc. thunder from overhead speakers, loud enough to force me further back in my chair. Lately, I like my music hard and dirty, a la the Vandelles’ “Lovely Weather” (crank it up!).
Meanwhile, I’m doing a good deal of scribbling—journaling and spontaneous or “automatic” writing like the Surrealists used to champion. These writings represent Rorschach Tests and they give a pretty good idea of what’s on my mind, the preoccupations and fears dogging me. Plenty of speculations on the spiritual front—I keep that up, I’m liable to end up with a gazillion page Exegesis, similar to Philip K. Dick. And will likely be considered just as loony, should anyone happen to stumble across these errant, inexpert ramblings on God, the nature of reality and my own pitiful existence.
These writing exercises often trigger intervals of hellish introspection, long hours spent reviewing past sins and ruminating over the sorry state of my literary career, even after a quarter century of putting words on paper. The mental boo birds come out and I subject myself to a great deal of vitriol before the nattering voices either subside, wear themselves out or are chastened by a very Bugs Bunny-like snarl originating from the depths of my id:
I have trouble sleeping when my family’s away, find the nights hard to endure. I kill time by staying up and watching a double or triple header of movies. Guy flicks and guilty pleasures; science fiction and thrillers given precedence. This time around I’ve set aside flicks like “Michael Clayton”, “All the President’s Men”, “The Searchers”, “Shadow of the Vampire”, “The Bad Lieutenant”. Nothing too crazy, re: anything by Ken Russell or (shudder) “Eraserhead”.
And for reading material, Terence McKenna’s The Archaic Revival and Graham Hancock’s Supernatural. Far-fetched stuff? Pseudo-science? To me, what these lads propose is nowhere near as crazy as some of the notions held by billions of people of all faiths around the world. I am intrigued by what triggered that “monolith moment”, when our kind first opened their eyes to the possibility and mystery of the world and took a crucial evolutionary step, moving further away from their humble origins and toward a spectacular destiny. This transformation coincided with the earliest cave art and the enactment of burial rituals, a species awakening to the existence of other realms and principalities.
Mebbe Bill Hicks is right and a certain humble fungus, naturally occurring, is responsible. I guess we’d need a time machine to find out for sure. Intriguing thought, though…
I suppose when all is said and done, my time alone is therapeutic, cathartic. I miss out on a chance to hang out with good folks, do some boating and fishing in some of the most gorgeous scenery this country has to offer. But the soul-searching, self-Inquisition and psychic ass-kicking blows off steam, relieves the accumulated pressures that accompany the creative life. In my solitude, I can confront my demons and it’s a no-holds-barred, no quarter given bloodbath. It’s not pleasant but it is necessary. All part of the ongoing struggle to define myself as an artist, to better delineate the precepts and ideals I live by, requiring me to identify aspects within me that are working against those higher purposes and undermining my essential faith in the worthiness of my endeavors. Demons, indeed, with hideous countenances, avid, savage expressions and appetites. They are the worst parts of me and during the next few days I shall brawl, joust and treat with them, in the end probably settling for another draw, a few more months of relative peace on the emotional/spiritual front.
You say that’s not much of a bargain but, then, clearly your demons aren’t nearly as unreasonable, their intentions not as deliberately malign.
For that, count yourself lucky.
You are very fortunate indeed.
Photos by Sherron Burns
After writing my previous mini-essay, I discovered some wise words from the dean of comparative religion, Huston Smith. This excerpt is from his autobiography, Tales of Wonder, and relates his experiences following the deaths of a beloved daughter and grand-daughter. I revere Mr. Smith and this is why:
“After Karen’s death I had returned to work; after Serena’s, I sat in a dark room, to which eventually I admitted a few friends, not for them to utter words of comfort—what comfort was there?—but for the mute warmth of another presence. Yet when a reporter asked me, ‘Have your tragedies shaken your faith in God?’ I thought it a ridiculous question. What about the Holocaust and all the other catastrophes we know as history? They did not make my own loss less but kept me from imagining that I had suffered a unique vengeance that impugned the idea of God instead of making God more necessary.
Christ said, ‘Blessed are those that mourn’. Had I been living in Jerusalem, I would have joined the mourners grieving and praying at the Wailing Wall. Suffering led the Buddha to enlightenment, and it may cause us, against our will, to grow in compassion, awareness, and possibly eventually peace. In Buddhism monks daily recite the Five remembrances, which are: I will lose my youth, my health, my dear ones and everything I hold dear, and finally lose life itself, by the very nature of my being human. These are bitter reminders that the only thing that continues is the consequences of our action. The fact that all the things we hold dear and love are transient does not mean that we should love them less but—as I do Karen and Serena—love them even more. Suffering, the Buddha said, if it does not diminish love, will transport you to the farther shore.”
There’s been a lot of bad news of late. Friends and close acquaintances in dire straits. A memorial service for a kid only a few years older than our boys. Death seems to be hovering in the air around us, playing eeny-meeny-miney-mo with people we care about. A cruel, arbitrary figure, a Shade with a mean streak.
We’ve reached middle age now and we have to expect losses. Like the old Doors song goes: no one here gets out alive. But it’s not right when it’s kids who are afflicted and young mothers and devoted partners…blameless ones who shouldn’t be singled out for torment or earmarked for an early demise. They deserve better. That they should suffer is unfair and a universe that permits that to happen can’t possibly be caring or sentient or the slightest bit aware of our existence. A cold, dead universe. Endless and eternal and empty.
I know nothing of the physics of death. I can’t tell you the weight of a human soul or confirm that such a thing even exists. I’ve tried reading up on the science—the conversion of matter to energy and the possibility of alternate universes, hyper-realities—but, in the end, my intelligence and imagination just aren’t up to the task.
All I know is that I love you and these recent, grim reminders of mortality make me appreciate what we have and give thanks for every drawn breath. These bedside vigils and funerals are rehearsals for a time that is bound to come and we lose one of ours. That may sound selfish but it’s not. Our grief is just as sincere and our sympathy for what those poor families must be enduring genuine and heartfelt. We imagine what it’s like to be in their shoes and our souls quake. When faced with such a horrifying spectacle, we avert our eyes.
To experience the death of a loved one is, to my mind, the ultimate test of faith. Can your belief system withstand a loss so profound? Can your theology and/or worldview accommodate an agony that rends your very being? Can your God bear the heat of your anguish and rage?
We’ve been together a long time, you and I. Not only in this lifetime but before that. We’ve known each other and always recognize one another each time we meet. As long as you are with me, I can survive anything. I truly believe this. Grief and despair may make me a shadow of my former self but as long as I am comforted by the knowledge of your existence, I will persist, I will struggle; against the odds, against the darkness, believing to my dying breath that being your lover and confidante ennobles me and gives me purpose, the will to go on.
You are all the proof I need. There are terrible things afoot, a darkness creeping in from the edges. Let’s treasure our time together, love, rather than allow fear to take from us all that is worth keeping and preserving. We must refuse to allow mortal dread to defeat us and it is our shared strength that will save us. In the face of death, affirm that we are alive and full of passion and joy and foolish dreams. Confronted by the worst, we pledge to show a brave face, while clutching at each other for the companionship and comfort we know we will find there.
All this fun I’ve been having with Garageband means that I’ve been a trifle negligent with new blog posts and for that, my apologies.
But I’ll try to make it up to you by posting a new short story that I absolutely love. This time it’s a longer effort, around 2000 words–titled “Death Threats” for reasons that will become clear as the story progresses. I’ll post both an audio version and a PDF for those of you who either don’t like the sound of my voice (understandable) or who lack the ability to download the recording.
I have a great deal of affection for this story, which was written in mid-late May (2009). Have no idea what took me so long to add it to this blog. My guess is that this tale sort of fell by the wayside while I worked on the four linked stories that devoured my entire summer. This is a stand-alone effort and I feel quite confident that it will find favor in your eyes (and ears).
Enjoy, my friends and please do let me know what you think:
Death Threats (PDF)