Inspired and, at the same time, still feeling his loss, I dug out some some lyrics I wrote a number of years ago, added musical accompaniment and ended up with “Alias”.
Here’s the the version I recorded…what do you think, do you detect a little Lenny in this piece?
Is it a suitable homage to a beloved troubadour?
All the times you’ve dropped by my strange, little site and found yourself confronted with yet another rant, a venting of spleen directed toward my latest bugbear. Middle of the road, milquetoast, liberal democrats are my current obsession. I despise them, down to the last strand of DNA. Don’t get me started on that.
I reported previously that I was “de-commissioning” an old notebook. I salvaged some poems, ideas…and a few bits and pieces that coalesced into a spoken word piece I’ve recorded and titled “The Boy Eternal”.
It’s personal, to some extent, but I’m never one to let facts get in the way of a good tale.
I present it to you, with my compliments. The music adds a nice, dramatic element.
Have a listen and let me know what you think:
- To listen to more of my spoken word or ambient recordings go to my Other Media page.
I comment on different topics: “The Writing Life”, “Inspired by Fear”, “Why I Love Science Fiction”.
Hope you find something worthwhile in these monologues, insights into the way I approach my craft, the psychology behind some of my best known stories.
Sherron has convinced me to offer some of my audio and spoken word pieces on the Bandcamp site.
Didn’t really cost me anything except time (uploads seemed to take forever) and now we’ll wait and see if this draws any more attention to my work. My audio stuff is available for free, as always; while BandCamp offers a decent selection, my complete output is only available here, on this site.
However you read my novel, in whatever format you favor, hope you enjoy my tall, western tale.
Tell your friends, get some word of mouth happening.
Help make this terrific indie release a huge success.
When words no longer suffice, I click on Garageband and commence work on some atmospheric, ambient melange, usually employing at least a dozen tracks before I’m satisfied the result is sufficiently whacked out and spacey. I’ve posted the best stuff on my Audio page and you’re welcome to listen to it, download…have at it.
A couple of years ago I got it into my head to write a murder ballad. I was raised on Johnny Cash and Hank Snow—one of the first tunes I can remember hearing is Johnny’s spooky version of “The Long Black Veil”.
I think I had that song in the back of my head as I sat down and wrote out the words to “Poor Mary”. The song wrote itself very quickly—I recall there were only two or three drafts. But once I finished, it was head-scratching time. What in the name of God was I going to do with the bloody thing now? I can’t read or write music, can’t play an instrument.
Ah, but I’m fortunate enough to have a pal who can pick and strum and carry a tune. So I handed the lyric sheet over to Laird Brittin and asked him if it was possible to create an actual song out of the few lines of poetry I’d composed. He liked the lyrics and came back with an arrangement that is nothing less than stunning. If you like “Poor Mary”, the vast majority of the credit goes to Laird, who truly found the perfect “sound” for the piece.
To give the tune a listen (it’s only three minutes and some long), click on the following link:
This happens to be my 200th blog post and I can think of no better way of commemorating that milestone than releasing “Poor Mary”.
Special thanks to Laird for recording, arranging and mixing this version.
My appreciation, as well, to the many, many folks who still make a regular habit of stopping by this blog and checking out my take on “the writing life”. It ain’t a particularly rewarding or empowering existence/vocation, but I’ve never regretted my decision to go the “indie” route.
It takes its toll but if this approach allows me to fully express myself as an artist, as someone with a unique perspective on the multiverse, I’ll accept the consequences, come what may.
And, hey, if I get to occasionally turn my hand to songwriting, come up with something as fun and enjoyable (and good) as “Poor Mary”, then all I can say is fucking bring it on.
“Poor Mary” © Copyright, 2010 by Laird Brittin & Cliff Burns (All Rights Reserved)
No commercial use of this song is permitted.
Couldn’t get into serious writing yesterday–still catching up on research on my western novel, The Last Hunt, and I’m not yet at the point where I can begin to tackle necessary revisions.
My science fiction story needs one final polish/run through before I send it off. I’ll likely get that done today.
Decided to create a little something with Garageband. The first effort wasn’t very good but the second tune had promise (as soundtrack music for the creepiest film ever made maybe) and then came the third number…
Well. I didn’t really set out to create a spoken word bit, but that’s how it came out. I was poking around my notebook and came across a series of phrases that, if you put them together, would almost make a kind of narrative…
I plugged in the microphone and gave it a shot. The very first vocal track was perfect and then I started building and shaping music around it.
The end result is “The Midnight Detective”, a 2 1/2 minute effort that plays around with noirish conceits and comes together for a rather tasty finale.
This piece should work on whatever audio player your computer employs (if it’s fairly new) and, of course, you’re free to download it and share it with pals and like-minded folks who might get a charge out of my whacked out, postmodern detective.
You’ll find more of my musical noodling and spoken word efforts on my Audio page.
Click here to listen to Midnight Detective
* This post is dedicated to Caroline Ames–Happy Birthday, kid.
More music-making…started this afternoon and just played the finished tune to my son, Sam, who gave it passing marks for sheer weirdness.
For those of you who want to see a complete listing of my ambient and spoken word offerings, go to my Audio page.
And now, my latest musical offering, clocking in at just over two minutes:
Click here: Tomorrowday