An intimacy only death allows.
Forced into close alignment to conserve space.
A press of upturned faces.
Rows and rows, near a field of spring wheat.
Bright sunlight, a perfect cloudless day.
In defiance of this latest atrocity.
* * *
The Last Room
Is someone there?
Why don’t you come nearer?
Step into the light…
I can barely see you.
There’s so little time.
Please, show yourself.
I don’t want to be alone.
Take pity on my penitent soul.
* * *
—careening down a narrow path, bucking and weaving through the forest, in headlong flight.
“Hurry! It’s catching up with us!”
Realizing my mistake when the trees around us begin to glow, giving off a vivid, blue light.
The ground vibrating, feeling it through the floorboard beneath my feet.
“Oh, Christ! Oh, Jesus, help me—”
The light coruscating, fierce, accompanied by a blaze of heat, the exterior of our vehicle starting to blister and smoke…
* * *
Reporting as ordered, funneled in with the rest.
Hemmed and jostled, barely able to move.
Exhausted and compliant.
A clipped, officious voice from the loudspeaker, appealing for calm.
Distant shouting, the news spreading in visible ripples through our midst.
The gates are closing…
© Copyright, 2014 Cliff Burns (All Rights Reserved)
And each time I’ve tried to explain that I after I finished So Dark the Night, I fully expected to write more accounts of my partners in crime…but it just didn’t happen. I could no longer hear Nightstalk’s voice and, after awhile, moved on (with regret) to other things.
But a few weeks ago, my old friend Evgeny Nightstalk dropped in for a visit. Not an extended stay, I could only pry a short story out of him, a case from their first months together, an affair (wouldn’t you know it), set around Christmas time. Maybe Nightstalk was cutting me some slack for his long absence.
Here’s the first part of “Finding Charlotte”…if you’d like to read the rest, click on the link and you’ll find the complete PDF. Free reading, I should add: read it, download it, share it with friends. And if “Finding Charlotte” strikes your fancy, have a look at So Dark the Night. It’s a grand adventure, my two supernatural detectives involved with all manner of Lovecraftian monstrosities and occult-oriented schemes. A fast-paced yarn, I think you’ll love it.
* * * * * * * *
Finding Charlotte (A Zinnea & Nightstalk Mystery)
Cassandra Zinnea called them “C.O.N.C.s”. Cases of no consequence. She could be snooty like that sometimes. I told her once, hey, even Sherlock Holmes realized they can’t all be Studies in Scarlet or whatever. When you get handed a lemon, y’know, make lemonade.
She didn’t buy it. She got bored pretty easily. Very Holmes-like that way. Only she had different diversions than a seven per cent solution of cocaine. It’s debatable if they were any healthier in the long run but, well, that’s a discussion for another time.
The affair involving the disappearance of Charlotte Bednarski didn’t have a promising beginning and you’ll have to decide for yourself if everything worked out for the best in the end. I’m not what you would call big on analysis. That’s my partner’s domain. Smart and gorgeous, the complete package. Miss Marple and a Victoria’s Secrets model all rolled into one. As kind and decent a human being as you’re likely to encounter this side of Heaven. And that’s why it was nearly killing her giving the Turnbulls the bad news.
“—so terribly sorry,” Cassandra said, standing in front of our shared desk, her voice quaking with emotion. “It’s official policy and I’m afraid there are no exceptions. We don’t handle missing persons cases or divorces. We’ve found they both involve too many…complications. You say you’ve already been to the police—”
Dennis Turnbull snorted. “Fat lot of good they were. Wouldn’t give us the time of day, would they, hon? What’s this world coming to?” He was chubby, forty-ish, some kind of nerd. Baby fat and large, soft features. Likely cried during sappy movies and was good about helping with the washing up. A “girly man”, as my buddy Arnold would say.
I was hearing warning bells. The cops in Ilium may not have been top drawer in many respects but they tended to ramp up their game when there were children involved. “How long did you say your kid’s been missing? Two days?” They nodded, tired and discouraged, leaning into each other. The wife seemed older, utilizing a full palette of makeup to disguise her true age. Offhand, I’d say she applied it with a trowel. But they were nice people, just addled, desperate. “You gave us the impression she was quite young…”
“Around nine, I would say,” Cheryl Turnbull confirmed, “but small for her age.”
That sounded funny but at that point Cassandra jumped in. “So this isn’t any ordinary runaway. She’s under-aged, alone out there…” She choked up. Mrs. Turnbull nodded, the two of them close to blubbering.
“That’s what we tried to tell the police,” she croaked, “but they wouldn’t listen.”
I could see my partner wavering and decided enough was enough. “Yeah, that’s, uh, definitely strange and if I were you I’d, uh, definitely go back there and get them to put out an A.P.B. on your daughter and—”
Dennis Turnbull was shaking his head. He tapped his wife’s leg and they rose together. “We’ve been humiliated enough, thank you very much. That Detective-Sergeant or whatever he said he was. Snowden…” I glanced at my partner. “You must know the man. He’s the one who told us to come down here. ‘The court of last resort’, he called you.”
“He’s an idiot,” Cassandra said.
“What she says,” I added.
The Turnbulls helped each other on with their coats. We could only stand there and watch.
“I have to correct you on one point, Mr. Nightstalk.” Dennis Turnbull tugged brown leather gloves over his thick fingers; it was a cold night, a week ’til Christmas, the wind off Lake Erie downright lethal. “Charlotte wasn’t our daughter. My wife and I are childless by choice.” She offered us a thin smile. Not entirely by choice, it seemed to say.
Now I was really confused. “So…she was a niece? A neighbor–”
“Oh, no, she lived with us.”
Cassandra and I exchanged befuddled looks. “Adopted?” she ventured.
“No, she was there when we moved in.” She saw our bafflement. “She came with the house.”
Nope, still didn’t get it. But Cassandra did, I could tell from her spreading smile. Suddenly the case had become much more interesting.
I blundered on. “She was living there? Like…squatting?”
“No, Nightstalk,” my partner corrected me. “She’s always lived there.”
The Turnbulls smiled at each other. “She’s the reason we bought the place,” Cheryl Turnbull confided. “The location is nice but the backyard is far too small for our tastes.”
“We both like to garden,” Dennis chimed in.
“But once Charlotte made herself known to us…we knew we couldn’t let it go.” They were standing by the door. “It’s been ten years now and we’ve never regretted it a moment.” They clasped hands. Forming a common front.
Cassandra’s demeanor had undergone a radical transformation; all at once she was in full hunt mode. “Now that we’re more fully apprised of the situation,” checking with me for confirmation, “I think we might be of service to you after all.”
“Just don’t call her a ghost,” Cheryl Turnbull pleaded, crossing toward us, holding out her hands, a big purse looped over her wrist. “That awful Snowden man kept saying that. I hate it. Ghosts are feeble and sad and pathetic. Charlotte is none of those things. She has a personality, a—a—”
“Easy now, dear,” her husband coaxed her, “we’re among friends here.” He regarded us hopefully as he patted her shoulder. “It’s nice to be with folks who don’t make you feel like you’re, y’know, coo coo.”
“We’ve lost friends, even our families won’t come to visit.” Cheryl Turnbull managed to look hurt and defiant. “Just because we set an extra place at the table or put on her favorite show when it’s time. What’s that to any of them?”
I could only manage a sickly grin so they focused their attention on my lovely colleague. She, in contrast, gave off waves of understanding and empathy.
“Come over here and have a seat. We’ll start again.” Signaling me. “My associate, Mr. Nightstalk, will take down the particulars. Give us a bit of background and talk about the day she went missing. All the details you can think of, no matter how inconsequential they might seem.” I found my steno pad and a pen. “Let’s see if we can get to the bottom of this…”
To read the complete story, click here: Finding Charlotte
I’m got a brand new book on the way, the most important people in my life are healthy and reasonably happy…oh, and I mustn’t forget that the fifth anniversary of this blog is rolling around. St. Patrick’s Day marks the unofficial birthday of Beautiful Desolation—raise a pint of Guinness in honor of a site that’s managed to beat the odds. Five years and still going strong. Surely that’s worth a toast or two, innit?
Today I put the finishing touches on a CD’s worth of ambient material and added it to my Audio page. Forty-six minutes of my oddball offerings; “Emanations” features some genuinely whacked out and trippy music. I’ve posted a 3-song sampler below. Check out my audio page for several hours of music and spoken word pieces, all of it available for FREE listening:
And while I’ve been waiting for the proof of The Last Hunt, I’ve been cleaning up my office, prepping it for the next project on my plate. Finally settling down and doing some reading as well, including a novelette by the great Jim Shepard.
Attended “Silence is Golden” at the Roxy Theater in Saskatoon and posted about it on my film blog. I’ve vowed to go on a reading and movie watching binge now that my book is done. My wife and kids are skeptical but I truly intend to ease up on the workload for awhile. Kick back and relax. Surely a few hours of leisure won’t kill me…will it?
Bit of sad news today as I was trolling through headlines. Ralph McQuarrie has passed away. Serious “Star Wars” fans will know exactly who I’m talking about. I remember seeing some of his production paintings in science fiction magazines like Starlog long before the film came out. George Lucas gives McQuarrie a good deal of the credit for the eventual look of his movie. Let’s hear it for ol’ Ralph. He helped imagineer a whole franchise. There aren’t many who can say that…
We’ve sent off the text and cover files to Lightning Source and don’t expect any problems with the setup. Expect to have the proof of The Last Hunt in around ten days and once it passes muster, the book will be on sale and officially available to readers in whatever format they choose. You can get signed copies from me (sorry, the shipping rates are getting rather dear) or order one from your favorite bookseller.
Once I was resigned to writing a western of all things, I made it my goal to concoct a good one, a tale worthy of a genre that has spawned superb authors like Allan LeMay, Richard S. Wheeler, Larry McMurtry, Elmer Kelton and Elmore Leonard and presented us with cinema classics like “Ride the High Country”, “Hombre” and “The Wild Bunch”. I don’t have the required background or understanding of the period and history and had to rely on people like my father-in-law, Ken Harman, and historian Lee Whittlesey to help me better envision 1880’s America. I pronounce myself absolutely chuffed with the end result of a year of research and writing (sometimes simultaneously)—The Last Hunt should satisfy western fans but I’m also hoping it will draw in folks who like a tall tale that’s well told, regardless of where or when it’s set.
Okay, I’ll quit yapping. There are other things I should be doing, including some initial promo stuff, preparing for the official launch, spreading the word…
You’ll help, won’t you? Facebook about The Last Hunt, tell your friends about this loopy Canuck writer who veers from supernatural thrillers to Old West gunfighter stories. Send them a link to this site. Warn them some of my stuff might blow their mind. Call me an “indie writer”. Tell them it’s not as scary as it sounds…
To read an excerpt from Cliff Burns’ latest novel, The Last Hunt, click here:
Usually in vain.
I’ve described my writing “career” as something of a train wreck and I don’t think that’s an exaggeration. I lurch from project to project, with absolutely no conception of how to “market” or promote myself, zero interest in shilling for my work, peddling it around like an itinerant vacuum cleaner salesman. My writing doesn’t comfortably fit any niche, veering from genre to genre, encompassing everything from radio plays, to short films, ambient music and spoken word pieces. My last two novels were supernatural thrillers, my latest is an old fashioned western. Huh?
But that’s the glorious thing about the new technologies that have sprouted up in the past few years. They allow creative types to try their hand at a variety of disciplines, expressing themselves through different media. I don’t discriminate between my various projects, no matter what form they take. They all reflect my interests, fears, fixations and dreams. They all originate in the labyrinthine depths of my mind.
* * * * * *
Thanks to one and all who have stuck it out thus far. Popped in to this site for a quick look…and then lingered, read more and more of the entries, downloaded big swathes of my writing or tuned in to some of the weird music I’ve made available for free listening and downloading.
Through this blog I’ve become familiar with good folks and sharp thinkers. Thoughtful, intelligent people who love the printed word as much as I do.
And I believe that somewhere among the tens of thousands of curious types who’ve visited this blog in the past 4 1/2 years there is at least one ideal reader, someone who has followed my career, read the lion’s share of my oeuvre and eagerly looks forward to each new release. That’s the gal/guy who brings me back to my desk, morning after morning, my raison d’être, my secret admirer, number one fan and staunchest defender. Every day I sit down and create purely for the purpose of entertaining, surprising and intriguing my I.R., presenting them with a narrative or tune or spoken word piece that startles them and causes them to re-appraise my work (yet again), examining it in a wholly different light.
I am prepared to go to any extent to unsettle and shake up my Ideal Reader. I don’t want them getting complacent, taking me for granted. For that reason, my work must never fall back on tried and true formulas or reinforce commonly held beliefs and preconceptions.
I have to to believe my I.R. would be very disappointed in me if I resorted to such tactics.
My Ideal Reader is as courageous and aesthetically demanding as I am.
And they’d know if I wasn’t giving them my best work…
* * * * * *
It’s become something of a custom for me to either release new work or make some kind of announcement around my birthday.
First, please note to “self-portrait” that accompanies this post. A couple of Christmases ago, Sherron and my sons gifted me with a big fat scrapbook that I was supposed to play with; included among my tasks was executing a self-portrait on canvas. Last month I finally got around to it and, well, see for yourself. I have absolutely no acumen for visual art, couldn’t even figure out how to mix pigments—that’s why my picture is in black and white.
Okay, so I’m no threat to Vinnie van Gogh.
How about another strange, spacey, ambient tune, created a couple of days ago. “Lapse (II)” clocks in at over seven minutes and I think it’s a worthy addition to my odd musical catalog.
And, finally, a couple of updates:
Edits on my western, The Last Hunt, commence soon. Looking forward to knocking that little beauty into shape. Anticipating a March, 2012 release date. I’ll keep you posted.
My science fiction novelette, “Eyes in the Sky“, should be up on Amazon/Kindle in the coming days. It’s dedicated to “the Golden Age” and I think fans of the genre will understand what I mean.
No plans for my birthday, just another work day. Forty-eight years old and maybe a tad wiser. Still a long way to go and enlightenment continues to tease and then elude me. Every time I think I’m getting close to some kind of meaningful insight into the human experience, something truly ghastly and horrific happens and I am forcefully reminded of the Alain Finkielkraut quote:
“Barbarism is not the inheritance of our pre-history. It is the companion that dogs our every step.”
What can I tell you? This one’s a stunner. I love it to pieces. A marriage of two great loves, history and sky fy.
10,000 words and guaranteed to be one of the best SF tales you read this year. How do I know that? Well, if you’re like me, you read damn few SF stories so, honestly, I don’t think the competition is all that fierce.
Here’s the pitch:
“Eyes in the Sky” features an intriguing “What if…” scenario, a captivating vision of a possible past:
What if the atom bomb hadn’t worked and the Space Age was a bust?
What if Cold War adversaries employed less traditional tactics in their efforts to keep tabs on their intractable enemies?
What if history’s dark, turbulent course had veered off in a different direction?
“Eyes in the Sky” is accompanied by original cover art by John Enright. John is a talented artist I found through the “Epilogue” site but the link I’ve provided will take you directly to his gallery.
The excerpt (about fifteen pages), will give you an excellent preview of the novelette and if you’d like to read more, it will shortly be posted, in its entirety, on Amazon (along with an Afterword I’ve written on the story’s origins and influences). I’ll add a link as soon as it’s available. Or, if you’re willing to wait awhile, “Eyes in the Sky” will be included in my upcoming short story collection, Exceptions & Deceptions (due out December, 2012).
I’m hoping the folks at Amazon will allow me to list the novelette at 99 cents—a bargain price for a terrific read. Cheaper than a lot of dumb, useless apps.
Meanwhile, click on the link below for the excerpt.
Hope you enjoy this sample from “Eyes in the Sky”.
Couldn’t get into serious writing yesterday–still catching up on research on my western novel, The Last Hunt, and I’m not yet at the point where I can begin to tackle necessary revisions.
My science fiction story needs one final polish/run through before I send it off. I’ll likely get that done today.
Decided to create a little something with Garageband. The first effort wasn’t very good but the second tune had promise (as soundtrack music for the creepiest film ever made maybe) and then came the third number…
Well. I didn’t really set out to create a spoken word bit, but that’s how it came out. I was poking around my notebook and came across a series of phrases that, if you put them together, would almost make a kind of narrative…
I plugged in the microphone and gave it a shot. The very first vocal track was perfect and then I started building and shaping music around it.
The end result is “The Midnight Detective”, a 2 1/2 minute effort that plays around with noirish conceits and comes together for a rather tasty finale.
This piece should work on whatever audio player your computer employs (if it’s fairly new) and, of course, you’re free to download it and share it with pals and like-minded folks who might get a charge out of my whacked out, postmodern detective.
You’ll find more of my musical noodling and spoken word efforts on my Audio page.
Click here to listen to Midnight Detective