Category: edge fiction

“Suspect” (flash fiction)

dore2“The fuck is this?”

 

“That’s him. That’s our guy.”

 

“You kidding? You’re taking the piss, right?”

 

“Look, I’ve been up all night, you wanted to see what I got, this is it.”

 

“But what is it?”

 
“It’s a, waddaya call it, a screen capture.”

 

“A what?”

 

“Like they take a picture, a still frame. Enhanced all to fuck but that’s what they came up with. There’s your perp.”

 

“I still don’t get it. You’re saying that’s taken from the hallway camera—”

 

“Yeah. What you’re looking at is, like, a single fucking frame. That new guy, Panda or Pandra, whatever the fuck, he spotted it. And, man, how he managed it, I’ll never know.”

 

“So he’s zipping through the footage and something clicks and he goes back and slows everything down—”

 

“Right, exactly. And this thing is there for a flash, right outside the fucking door, and then it’s gone.”

 

“Time frame?”

 

“Fits.”

 

“Fuck that. Nothing fits. This is a locked door mystery and the two of us are hanging out to dry here. In less than an hour I gotta go upstairs, smile ever so nice and show them…what exactly? This? This fucking—”

 

“It’s all we got.”

 

“Nine of our best standing around with their thumbs up their arses while the guy we were supposed to be babysitting—“

 

“No one got in or out. You said so yourself.”

 

“No one but this guy. That’s what you’re telling me, right?”

 

”The question is, what are you going to tell them.”

 

“I’m not going to tell them anything. I’m just going to show them this. The best evidence we have.”

 

“And then?”

 

“Then? Then it doesn’t matter. Because it won’t be my problem any more…”

 

 

© Copyright, 2014  Cliff Burns (All Rights Reserved)

 

“Exceptions & Deceptions”–Ordering info

I’ve okayed the proof and now one hundred copies of my short story collection Exceptions & Deceptions are jetting my way.

Should be able to start filling orders within a week—and I’ve already received numerous inquiries.

Click on the “Book Store” tab at the top of the page or go here for ordering details.

Support an indie publisher and get a head start on your summer reading.

And I promise: you’re going to love this book…

Exceptions:cover

(Click on image to enlarge)

New story added to Scribd

Just posted a new tale, bit of a brain-teaser, over at Scribd.

The story is called “The 1001st Night” and clocks in at around 1450 words. Very odd, but I like it. The way it weaves back and forth, exhibiting multiple points of view and perspectives and yet somehow coalescing into…well, see for yourself.

I’ll be adding it to my “Stories” page here (eventually) but Scribd has racked up some impressive numbers for me since I signed up and I thought I’d give them first dibs.

If you’re a real completist, you should probably subscribe to my Twitter link too because I’ve been known to post little snippets and Twitter-verse there and nowhere else. Just to keep everyone on their toes.

Glad to be offering new work for your perusal.

Hope you enjoy “The 1001st Night”.

“Exceptions & Deceptions” is coming soon

This weekend, I completed final edits on my latest book, a collection of short stories titled Exceptions & Deceptions.

The title is derived from a quote by Francis Picabia: “The unknown is an exception, the known a deception”.

The collection features 19 stories, including a novella titled “Second Sight”, which is previously unpublished. It’s my first book of stories since The Reality Machine (1997) and, needless to say, I’m ecstatic to see these tales finally in print.

I’ve settled on a cover but I’ll keep it under my hat until our mate, Chris Kent, designs a mockup for us to post.

This is going to be a bee-you-tiful book.

Projected publication date of mid-June.

Stay tuned.

* * * * *

By now you’ve probably heard the rotten news regarding the health of one of the literary greats, Iain Banks.

Fifty-nine years old.

…and suddenly all the little foibles and annoyances in my own life seem pretty feeble.

If you haven’t already, make sure you seek out and read one of his fine books. The Wasp Factory, maybe the best debut novel I’ve read, and two truly magnificent science fiction offerings, Consider Phlebas and Excession.

I’ve said it before, I’ll say it again: it’s an honor sharing a universe with the likes of Iain Banks.

His work is a tribute to the power of imagination, that very human capacity to envision and describe impossible worlds…and make the faraway and exotic come to life.

Thank you, Mr. Banks. For every word you’ve committed to paper, the dreams you’ve willingly shared.

* * * * *

A wonderful surprise in my virtual mailbox this past week. Yury Sabinin, an industrious chap now residing on Canada’s west coast, has taken it upon himself to translate some of my better known works into Russian. It initially started as an exercise for a non-English speaking friend overseas but now Yury has completed a couple of translations, “Apocalypse Beach” and “Invisible Boy”, which I offer for free reading/download.

My gratitude to Yury for granting his permission to reproduce those translations here.

Just click on the links below:

Apocalypse (Translation)

Invisible Boy:Translation

Next up…STROMATA: PROSE WORKS (Publication date September 20th, 2012)

I’ve already leaked some of this over at my RedRoom page but (rubbing his hands together eagerly) here’s the cover of the companion volume to the New & Selected Poems.

Stromata: Prose Works (1992-2011) includes the creme de la creme of my short prose pieces (some folks call them prose poems).  These are brief (usually under 500 words) narrative works, often quite surreal, twisted, satirical and, frankly, vicious. These bits are perfect for performing at readings and frequently provoke gasps and, seconds later, gales of laughter.  Some of my favorites are in Stromata: “Cranes”, “A.I.”…material that hasn’t been in print and available to readers for many, many moons.  And some new pieces that, I think, show a progression in terms of themes and my approach to the subject matter.

I’ve said it before but here it is again: I love these two thin volumes.  While books like The Last Hunt and Of the Night reflect my skills as a storyteller, the collected poems and prose poems prove that I can “dangle” artistically with the best of them.

Dangle? Sorry, that’s a term that might only be familiar to hockey fans. If a player can really fly on the ice, skate fast and stickhandle you right out of your jock, we say, “man, look at that guy dangle”.  It’s like a whistle of appreciation.

I hemmed and hawed about it but there will be an e-book and Kindle version of Stromata (unlike the poems). Frankly, the books are so beautiful, who would want to settle for electronic copies? Why not get the real thing and have two lovely tomes that you can treasure forever?

Chris Kent did both covers and, I’m telling you, his book designs just keep getting better and better. He seems to understand intuitively what I’m looking for, the “less is more” mentality I apply to every aspect of my life.  Chris is a delight to work with—no huge ego, just a desire to execute  covers that are artful and eye-grabbing and irresistible.

Both the Selected Poems and Stromata retail at $12.00 (U.S.A. & Canada) and they each clock in at around 116 pages. Slim…but there’s a lot of power packed into those little gems.

New & Selected Poems is available now, today, this very instant…the release date for Stromata is September 20th.

More info to come…

(Click on covers to see larger versions)

“The Midnight Detective” (Spoken Word)

Couldn’t get into serious writing yesterday–still catching up on research on my western novel, The Last Hunt, and I’m not yet at the point where I can begin to tackle necessary revisions.

My science fiction story needs one final polish/run through before I send it off.  I’ll likely get that done today.

And so…yesterday.

Decided to create a little something with Garageband.  The first effort wasn’t very good but the second tune had promise (as soundtrack music for the creepiest film ever made maybe) and then came the third number…

Well.  I didn’t really set out to create a spoken word bit, but that’s how it came out.  I was poking around my notebook and came across a series of phrases that, if you put them together, would almost make a kind of narrative…

I plugged in the microphone and gave it a shot.  The very first vocal track was perfect and then I started building and shaping music around it.

The end result is “The Midnight Detective”, a 2 1/2 minute effort that plays around with noirish conceits and comes together for a rather tasty finale.

This piece should work on whatever audio player your computer employs (if it’s fairly new) and, of course, you’re free to download it and share it with pals and like-minded folks who might get a charge out of my whacked out, postmodern detective.

You’ll find more of my musical noodling and spoken word efforts on my Audio page.

Click here to listen to Midnight Detective

* This post is dedicated to Caroline Ames–Happy Birthday, kid.

Reading at McNally-Robinson (Saskatoon)

I’ll be reading from my two supernatural thrillers,  So Dark the Night and Of the Night, at an upcoming event at the McNally-Robinson Bookstore in Saskatoon.

The date:  Wednesday, October 12th
The time:  7:30 p.m.

Alicia Horner, the affable and hard-working Events Coordinator at McNally Robinson, has put together a promo page which provides all the relevant details.

Copies of both books will be available for purchase and, natch, I’ll be happy to sign them for you.

Don’t get to do stuff like this often enough and I miss it.  My readings are very performance oriented (so to speak); I hate a boring author/reader and feel a genuine sense of accomplishment when I’ve entertained a live crowd and won over some new fans.  Always seem to find a receptive audience whenever I read in Saskatoon—yet another reason why that city figures prominently on the list of my favorite places on Earth.

Jot “October 12th” down on your calendar (see how much advance notice I’m giving you?) and, if you’re in the neighborhood, drop by and hang out with us for awhile. And, afterward, browse the store, buy some books, keep the sputtering flame of literacy alive.

Hope to see you in October and I look forward to introducing you to a couple of terrific page-turners.

Job Satisfaction

A good day of work yesterday:

I think I nailed down the final version re: the jacket copy for Of the Night.  That’s one of the great things about being an indie writer and publisher, I have complete control over every aspect of my book, from the title and cover art to the selection of layout, fonts, even the composition of promo copy.  Some authors may not want the responsibility, the expenditure of time and effort, but I sure as hell do.  I have final say over the content and how it’s presented to readers.  I love it.

I’d decided to add an Afterword to Of the Night but for some days had been stymied as to what I wanted to say.  Yesterday the dam broke and the Afterword came in a rush.  Spent most of the day editing and cleaning it up and last night, just before bed, read it to my wife and sons.  They had some suggestions for revisions, small corrections, but for the most part they loved it.  So I’ll be adding the short essay to the end of the manuscript in the next day or two.

The book itself is close to completion, really just little niggling things that need to be touched up and smoothed over.  98% of it is finished, in the can, and I pronounce myself delighted with the end result.  Of the Night is a stand-alone effort but it’s set in the Great Lake city of Ilium, just like So Dark the Night, so it’s a short and sturdy companion piece to that longer tome.  It is not a sequel; it features a new cast of characters and an entirely different storyline.  Perhaps not as ambitious or immediately endearing as its predecessor, but Of the Night possesses a special charm of its own and readers are going to fall in love with it.  Take my word for it.

And since I mentioned So Dark the Night, let me say that it’s doing quite well, sales-wise, though it seems to be selling better in the e-book and Kindle editions than as a physical book.  The times they are a-changing.  The new technologies (e-readers et all) leave me cold and, candidly, I’ll keep buying books until the last forest is felled and converted to pulp.  Sorry, but it’s the truth.  When you buy my book, the actual “dead tree edition”, you can hold it in your hands, ogle that gorgeous cover, feel the rasp of the pages with your fingertips.

Sorry, techno geeks, your gadgets just can’t compete with that sensation.

But I’ve said my piece, given you an update so I’ll leave it there.  Gadgets/technology (pro and con) is a discussion for another time, another place.

The important thing for you to know is that Of the Night is on schedule and it looks very much like I’ll meet my self-imposed deadline and will be holding a proof of the book in my arthritic hands by my 47th birthday (end of October).  A short time later, it will be ready for ordering and reading.

Thrilling times ahead.

Watch this space…

Cut-up story…and accompanying artwork

My, my, how time flies.

It seems like only yesterday we were having the book launch but I see that a significant amount of time has passed since then, the summer well in progress…and I’m overdue for an update.

You know how it is, when this blog goes silent, that means I’m working.  So deeply immersed in a project, I’m thinking of nothing else.   Including food, water and most of the other basic necessities of life.

I’ve been feeling in a rut, writing-wise, which sometimes inspires me to bend my brain in other directions.  I know very little about visual art, theory or practice, but every so often I like to pick up a paintbrush, find an old slab of board and have at it.  This time around, my medium of choice was collage.  I keep files of visual images and dozens of issues of old magazines lying around just in case I get it into my head to try something like this.  Collage is a cumulative process; I moved the images here and there, tried them against different backdrops…but the key for me came when I decided to incorporate small blocks of text, usually relating to economic theory (the most savage form of social Darwinism imaginable).

It struck me as I was going through the literally hundreds of images I’ve collected over the past X amount of years, that I am an astonishingly morbid person.  I mean, Jesus, click on the image (above), you should get a larger sized version.  Would you trust someone who saves pictures like this to babysit your kids or date your daughter?

This is some sick, sick shit.

But as I was piecing everything together, as it all started to fall into place, I realized that what I was creating was a depiction of humanity run amok, the awful, indescribable damage we, as a species, have inflicted with our ideologies, our stupidity and greed.  Depressing, yes; sick-making?  Undoubtedly.  But is this vision inaccurate, flawed or misleading?  Well, like any creative endeavor, it’s up to each individual to decide for themselves.

The end result of that little experiment pleased me to some extent but I didn’t feel like I was quite done with cutting things up.  My eyes happened on a pile of books I’ve snagged from various thrift shops and library book sales over the years.  I decided I wanted to create an homage to one of my literary heroes, William Burroughs.  I’m sure you know all about the “cut-up method” that was developed by Burroughs and his mentor, Brion Gysin.  Take any number of literary texts, carve them up, piece them together and marvel at the wonderful word collisions and strange juxtapositions that are created.

My project started out as a noble venture but, as with most activities that involve me creatively, my Muse took over and things quickly got out my control.

I used scissors to pare out sections of a 1960 thriller called Operation Terror! I then snipped out various portions of the other books I had lying around:  an anthology of detective fiction that included Poe’s “Murders in the Rue Morgue”, a forgotten novel by Ngaio Marsh, etc. etc.  Found a heavy sheet of black cardboard, set up on our basement workbench and proceeded to play with the various passages I’d selected.

At one point I realized I was probably defeating the purpose of the whole intention of “cut ups”, that my method was too conscious and controlling but by then it was too late.  I was caught up in creating an all new narrative, trying to come up with a satisfactory climax–

Good Lord.

Once I’d arranged the text into a coherent storyline, I decided I wasn’t done:  I would then write a story based on the outline I’d created using the borrowed snippets.  A completely original work utilizing pre-existing text.  And I’d frame it as a teleplay for a long-forgotten TV series…

I repeat:  Good Lord.

But there’s no use trying to talk sense to my Muse:  she simply won’t be reasoned with.  Once she gets an idea into her head, I am powerless to resist her.

So at the conclusion of this article you’ll find a link to the PDF version of my weird, whacky “mashup”.   It’s an homage to Mistah Burroughs in the form of a script from a 1950’s crime drama that never was.  Go figger.

I make no apologies for this story and predict it might annoy a significant proportion of readers.  But fans of Burroughs and Gysin might be more inclined to give grudging approval to the thought behind this bizarre creation.  They would see it, quite rightly, as a labour of love and even if they found fault with its execution, they’d think kindly of me for at least making the attempt.

Click on the link directly below for a free download of my story:

G-Man (PDF)

“So Dark the Night” (Various)

Where to begin?

Let’s start with the fact that orders for So Dark the Night are rolling in.  The book continues to sell on Amazon and in a variety of formats.  Friends and people who’ve followed my work for a long time have been clamoring for their copies and I have done my best to oblige as quickly as possible.  On Friday, Sherron and I made a quick trip in to Saskatoon and hit some of the major bookstores.  Now readers in my favorite city will be able to buy So Dark from McNally-Robinson, Indigo Books, Turning the Tide and Stu Cousins’ fabo music emporium, “The Vinyl Diner” (on Broadway Avenue; tell him I said “hello”).  Even donated one copy of the Saskatoon Public Library.  Why not?

Jim, the manager at Indigo, provided me with my most gratifying reaction of the day.  I introduced myself and I could tell he was hesitant about taking on any new stock but as soon as he got a look at the cover, he grabbed the copies I’d brought in with me.  Thanks, Jim.

I’ve been plugging the book wherever possible but, of course, one walks a fine line when doing any promo; I don’t wanna come across as a “shill” but, at the same time, I’ve got a wonderful book that should make everybody’s summer reading list so I want to do what is necessary to spread the word.

I’m preparing for the reading and book launch we’re having here in town on Thursday, trying to decide which excerpts to read, rehearsing, etc.  I like to put on a good show…especially when I have my pal Laird Brittin “opening” for me, playing a couple of original tunes, including two we wrote together.  It’s going to be a fun evening so if you’re in the area, swing on by.

Last night Sherron and I searched out locations around town and shot footage for a book trailer we’ll be cutting together this week.  Plan on releasing it on YouTube and I’ll be sure to let you know when it’s up and running.

My thanks to the people who’ve already bought and read So Dark the Night, dropping me notes filled with kind words and praise.  Folks, you’re the reason I keep putting pen to paper.  It sure as hell ain’t the money or any desire for fame, I’ll tell you that.

To you, this author dedicates his work…and his life.