Regular visitors to this blog know that these days I rarely submit my work to outside publications (why should I when I can publish anything I want either here or through my imprint Black Dog Press?).
But this year I came up with a tale that was so good, I really wanted to see it featured in a respected magazine, one boasting a literate readership. So, in March, with some trepidation, I submitted “Restitution” to two of Canada’s premiere literary publications, The Malahat Review and Descant.
TMR got back to me last month with a form rejection slip upon which some arsehole editor had scrawled “Cool concept, try us again!”. You wanna know why CanLit sucks, look no further. The vast majority of editors in this country belong in a fucking head injury ward. And then yesterday, after almost nine months, I hear from Descant magazine. It was the proverbial good news/bad news scenario: my story had successfully navigated the vetting process but, unfortunately, Descant is closing its doors after its next issue (Winter, 2014).
Okay, that does it. Rather than wait around another year to see this fine tale in print, I’m posting it here and over on my Scribd page. To hell with it. “Restitution” is the best story from 0-2000 words you’re going to read this year. You don’t believe me? Fine, have a look for yourself. Afterward, I’ll be waiting around for your fulsome apologies:
An intimacy only death allows.
Forced into close alignment to conserve space.
A press of upturned faces.
Rows and rows, near a field of spring wheat.
Bright sunlight, a perfect cloudless day.
In defiance of this latest atrocity.
* * *
The Last Room
Is someone there?
Why don’t you come nearer?
Step into the light…
I can barely see you.
There’s so little time.
Please, show yourself.
I don’t want to be alone.
Take pity on my penitent soul.
* * *
—careening down a narrow path, bucking and weaving through the forest, in headlong flight.
“Hurry! It’s catching up with us!”
Realizing my mistake when the trees around us begin to glow, giving off a vivid, blue light.
The ground vibrating, feeling it through the floorboard beneath my feet.
“Oh, Christ! Oh, Jesus, help me—”
The light coruscating, fierce, accompanied by a blaze of heat, the exterior of our vehicle starting to blister and smoke…
* * *
Reporting as ordered, funneled in with the rest.
Hemmed and jostled, barely able to move.
Exhausted and compliant.
A clipped, officious voice from the loudspeaker, appealing for calm.
Distant shouting, the news spreading in visible ripples through our midst.
The gates are closing…
© Copyright, 2014 Cliff Burns (All Rights Reserved)
“That’s him. That’s our guy.”
“You kidding? You’re taking the piss, right?”
“Look, I’ve been up all night, you wanted to see what I got, this is it.”
“But what is it?”
“It’s a, waddaya call it, a screen capture.”
“Like they take a picture, a still frame. Enhanced all to fuck but that’s what they came up with. There’s your perp.”
“I still don’t get it. You’re saying that’s taken from the hallway camera—”
“Yeah. What you’re looking at is, like, a single fucking frame. That new guy, Panda or Pandra, whatever the fuck, he spotted it. And, man, how he managed it, I’ll never know.”
“So he’s zipping through the footage and something clicks and he goes back and slows everything down—”
“Right, exactly. And this thing is there for a flash, right outside the fucking door, and then it’s gone.”
“Fuck that. Nothing fits. This is a locked door mystery and the two of us are hanging out to dry here. In less than an hour I gotta go upstairs, smile ever so nice and show them…what exactly? This? This fucking—”
“It’s all we got.”
“Nine of our best standing around with their thumbs up their arses while the guy we were supposed to be babysitting—“
“No one got in or out. You said so yourself.”
“No one but this guy. That’s what you’re telling me, right?”
”The question is, what are you going to tell them.”
“I’m not going to tell them anything. I’m just going to show them this. The best evidence we have.”
“Then? Then it doesn’t matter. Because it won’t be my problem any more…”
© Copyright, 2014 Cliff Burns (All Rights Reserved)
It flutters and at first I think it’s a leaf or a feather.
Run to catch it.
But it moves in my hands!
Drop it like it’s hot.
Go and get Mother.
Telling me to shush as she kneels beside it.
Looking up at me, crying.
“It’s called a butterfly. Butterfly.”
Making me repeat it, so I’ll never forget.
© Copyright, 2014 Cliff Burns (All Rights Reserved)
Just posted a new tale, bit of a brain-teaser, over at Scribd.
The story is called “The 1001st Night” and clocks in at around 1450 words. Very odd, but I like it. The way it weaves back and forth, exhibiting multiple points of view and perspectives and yet somehow coalescing into…well, see for yourself.
I’ll be adding it to my “Stories” page here (eventually) but Scribd has racked up some impressive numbers for me since I signed up and I thought I’d give them first dibs.
If you’re a real completist, you should probably subscribe to my Twitter link too because I’ve been known to post little snippets and Twitter-verse there and nowhere else. Just to keep everyone on their toes.
Glad to be offering new work for your perusal.
Hope you enjoy “The 1001st Night”.
From his favorite hideaway, five storeys above the ground, Little Po is an inconspicuous witness to the chaos below.
There has been talk of trouble for weeks, soldiers and police regularly taking up stations on street corners, stopping and harassing people, making a nuisance of themselves. Intimidation is the norm with the ruling junta but this time, it seems, their tactics have only succeeded in making things worse.
Shouts and screams, the rattle of automatic weapons and crak-crak-crak of small arms fire. Smoke drifts over the neighbourhood, a grey, evil-smelling pall. There are makeshift barricades and men roaming about with home-made clubs and pop bottles filled with gasoline. The building shudders from a nearby explosion, a crump as a burning car bursts its seams, provoking whoops and cheers from the surrounding crowd.
Little Po is safe or, at least, safer than he would be down there, in the midst of the mob. Some women have joined in, adding their unmistakable shrieks to the din. Most of the men are intoxicated, swilling alcohol looted from a nearby store. They swagger about, brandishing crude weapons, their courage fortified by drink. The boy creeps back under the overhang created by ducting and ventilation works. Finds his tattered blanket and slips into an uneasy sleep, sucking his thumb for comfort when the tumult disturbs his slumber. This sooty rooftop, shared with none but the occasional stray cat and roosting pigeon, is a refuge, shelter from a dangerous and hostile world.
He wakes to dull morning light, the stench of burning rubber.
His hunger is an undiminishing ache, a twisting, voracious worm in his guts. He spends most days in a surreal netherworld; sick, confused and disoriented. Bumping into buildings or colliding with passersby, clutching at them for support and being swatted and cursed for his trouble. He begs, he steals and still only manages to scrape by.
As he descends via the rickety fire escape, he is aware that slowly but surely he’s losing the battle. Malnutrition is eating his frail body and soon he will be reduced to nothing. When someone reaches such a state, people say that person has “joined the invisibles”. One day, they’re simply gone, evaporating into the air, leaving nothing behind, not even an ounce of bone dust to bury or mourn over.
The first person he spots when he ventures out is Old Fania. Her pet monkey chatters on her shoulder and she makes a warding gesture at him. He gives the witch a wide berth. The monkey eyes him sullenly but is constrained by a short leash made of twine. The little beast has been known to inflict a painful and septic bite.
The streets and avenues have been transformed overnight. Rubble and debris are scattered carelessly, gutted buildings stripped of everything that can be carried or dragged away. He scours the ground for leftovers, something to eat or barter. But he’s competing with other scavengers who fiercely guard the meager leavings, growling and threatening him if he approaches. He is smaller and weak and therefore must go without. It is not that ordinary folk are unsympathetic or hard-hearted, it is merely that deprivation has become a way of life to the people in this part of the city. They have been herded together, marginalized, made to feel they must fend for themselves. Poor and increasingly desperate, they have lost any sense of shared or communal suffering.
The riot last night followed days of demonstrations, spontaneous protests against the inhuman living conditions. There have been scores of deaths, nervous soldiers shooting into crowds, protesters beaten and dragged away by security forces.
And finally the world press has taken notice. Reporters flood in and, congruently, the economy goes into a tailspin as investment money dries up, foreign nationals leaving in droves. It is a familiar, sad story in this region of the world.
Little Po drinks from a puddle and forages from a dumpster behind a restaurant. He is covered in rat bites and festering sores that won’t heal. He knows that his situation is increasingly desperate but there is nothing to be done about it. As he clambers out of the stinking bin, the back door of the restaurant bangs open and an employee toting a five gallon pail of grease and slops spots him. They regard each other for a long moment and Little Po finally slinks away, what little food he has found clutched in his fist.
There are rumours that local businesses have hired a squad of off-duty cops and given them the job of ridding the city of riff-raff. Some kids were gunned down as they sat on the steps of a church. A church. In the last two weeks, several dozen street urchins have been either killed or spirited off in dark vans, never to be seen again.
Later that morning, Little Po is walking through a park and spots Fish and the Silent One. Fish has fresh bruises on his face, rolled for pocket change. And the thing is, everyone knows Fish has absolutely nothing worth stealing. He tells the joke that he’s so poor, someone once cut him open and stole his heart. And he’ll show you the long, zippered scar to prove it. The Silent One glowers behind him, a menacing presence. His head is squashed, misshapen. He can’t speak but his dangerous mien says don’t fuck with me, brother.
Little Po falls in alongside them and they head off to the mission together, stand in line for a bowl of watery soup. Supposedly there is a piece of chicken in there somewhere. Either donations are down or the priests have been dipping into the collection plate again. Little Po deftly palms an extra slice of bread, the maneuver escaping the sharp-eyed Brother’s notice.
When they finish, they hang out in the graveyard for awhile. Fish produces three precious cigarettes but smoking only makes Little Po queasy so he puts his away until later. Soon afterward a cranky old caretaker shows up and chases them away.
Fish says he wants to stop by Ven’s place, that he’s heard something and Ven Ficus is the one to go to if you have information to trade. Depending on his mood, he’ll either reward you generously or snap his fingers and have you turned in to a human pretzel. But Taft, Ven’s imposing gatekeeper, says his bossman isn’t in today and hints that it’s in their best interest to fuck off. Now.
Fish is disappointed but vows to come back later. Taft goes back inside and they hear him say something to the other hoods. Mocking laughter follows the trio down the street.
As they walk, Fish has to keep stopping to retch. Every time he does, he groans. He says something feels broken inside. Little Po and the Silent One exchange grim looks. Who knows when the free clinic will open again. The French doctors who ran it were declared persona non grata and given forty-eight hours to clear out. No one has replaced them. Word is the junta was embarrassed to have foreigners tending to the needs of the poor. This past winter Little Po caught a bug that made him cough until his ribs ached. He truly believed he was going to die. His lungs still feel tender, especially on cool days.
In the early afternoon he parts company with the others, waving as he angles away.
Despite the soup he is still famished, light-headed. He thinks about the slice of bread in his pocket, the one he is saving. Little Po takes out the bread, raises it to his mouth and bites off a piece. This is the way it is. You are hungry and when you have food, you eat.
Later he will curse his greed. This, too, is the way of things.
But for Little Po, time has shrunk, contracted, the future no longer measured in years, months, weeks, but days, perhaps hours. His skin is transparent, his arms and legs thin, meatless. His joints ache; pain and hunger and despair are constant companions. The world around him is losing definition, leaking away at the edges.
Soon he will join the invisibles. It is almost certain. He knows this. Maybe even tonight, on his rooftop haven, under the high, eternal stars. He wonders what it will be like to be dead. His undernourished imagination has a hard time grasping the notion. The priests speak of heaven and hell during the sermons that are mandatory with the free meals they dispense. In the afterlife our sins are remembered and judged. The worthy are rewarded and the evil ones consigned to an all-consuming fire where they burn forever and ever, a-men.
Little Po steers a course toward the only home he has, occasionally stumbling, nearly falling. Traffic rolls heedlessly by. The soldier on the corner stares past him, through him. A few moments later, Little Po looks for his shadow and can’t find it.
Perhaps it is only the angle and intensity of the sun. He moves on, seemingly lighter than air, no longer able to feel the hard, unforgiving ground beneath his feet.
© Copyright, 2009 Cliff Burns (All Rights Reserved)
* * * * *
“Among the Invisibles” was written the last time I entered a short story competition.
It didn’t even make it past the initial round of readers.
You understand now why I rarely enter these stupid contests?
To read more of my tales (and some novel excerpts), go to my Fiction & Novels page.
Okay, sorry, yes, I know, it’s been awhile. These things happen. Don’t forget, I’m an independent writer and publisher, which basically means the work never stops. When I’m not writing, I’m filling orders or sending out review copies or doing promo, trying to spread the word about my work discreetly, a word in the right ear, hoping that approach will eventually lead to a tipping point and then all at once I’m no longer an obscure scribbler from the plains of western Canada, the bastard son of Philip K. Dick and Terry Gilliam, but instead, ahem, a writer of stature.
Sigh. Yes, indeed. Wouldn’t it be nice…
But I’m always heartened when I glance at the ClusterMap (to the lower right) and see where my visitors are coming from. They originate from every continent and often drop by more than once. A substantial proportion are downloading the stories and excerpts I make available on this site. Sales of my books may not be going through the roof and I may not be getting rich, but I know for a fact that tens of thousands of people around the world have been/are reading my prose and that’s a thrill. God knows, they need an alternative to the tripe they’re finding at their local, big box bookstore.
And I’m only too happy to oblige. Bring me your bored, your lonely, your frustrated, intelligent readers, appalled by what traditional publishing venues are regurgitating like pre-chewed maggots.
Let me risk repeating myself by saying how great it is receiving your comments and personal e-mails; I’m delighted when a smart, well-read person reaches out, sends a few words my way. It’s a lonely life and sitting at this keyboard, day in and day out, I sometimes lose focus on real world obligations and duties. Interacting with literate folk is a way of bursting the bubble and re-establishing me in Earth Prime. So keep those remarks and observations coming.
Oh, and here’s a (mostly) true story, with a picture to prove it:
She spotted it first, motioning for him to join her. Both of them bending over it, quizzical and amused. Examining the carcass from a number of angles. She even stopped someone, a complete stranger, pointed at the sidewalk, asking him: “Isn’t that something?”
He grunted, unimpressed, impatient to get back to his preoccupations. Hardly giving it a glance before continuing on his way.
She was outraged. “He didn’t even care! How often does he see something like this?” Gesturing at the sidewalk.
“It’s almost Biblical, isn’t it?” her husband observed. “A rain of fish.”
It came up it conversation a number of times in the following days. Spontaneous recollections of that moment when they stood over it, speculating on how it came to get there, that spot, like it had been left for them to find. She’d taken a picture with her phone, showed it to her friends but, again, the response was disappointing.
“They didn’t get it,” she complained, her expression wounded.
Every so often she’d cue up the picture, gaze at it, reliving the sense of strangeness she’d experienced when she realized what it was, the incongruity it represented. She found it odd that, try as she might, she could recall nothing of the day in question except coming across the fish. Surely something else had happened. Something memorable and out of the ordinary. She wracked her brain. Had they eaten a good meal or gone to see a show?
It bothered her that she couldn’t remember.
The many hours she had chosen to forget.