But according to the forecast, the temps will hover around -6 or -8 for most of the coming week. Balmy weather, compared to what we’ve been enduring up ’til now. Frankly, I always feel better once the first of March rolls around—I can practically hear the crocuses stirring, even under four feet of packed snow.
A flurry of e-mails and communications after my last post and I guess I should have known better. Even by alluding to my novel-in-progress I was opening a can of worms. Now everybody wants to know details about the plot, genre, etc.
Now, you folks ought to know me better than that. I know some writers talk about their on-going projects, post excerpts, furnish plot details and teasers, seeking feedback from fans and readers.
How not Cliff.
Kids, not even my wife knows more than the absolute bare bones of my current project. I keep my books, stories, poems under wraps until I’m ready to release them to the world. I want her to be surprised, amazed at my audacity (or, just as likely, dubious of my sanity). I seek no editorial input until a project is very near completion…then I’ll pass it on to Sherron and let her pick at it for errors, oversights or continuity problems. As much as I respect my small cadre of dedicated readers, they have no say in any aspect of my work…nor will I make adjustments to a book or story with the aim of pleasing them (or anyone). I don’t write “Choose Your Own Adventure” books, y’know?
Here’s what I will tell you:
My novel is tentatively titled Based on a True Story and it will clock in at around 220 pages (60,000 words). About the same length as my western, The Last Hunt. Genre? Mainstream, crime fiction (of sorts), an old mystery coming to the surface. No fantastic elements whatsoever.
Let’s see, what other questions have people been asking…
Is it a personal project?
Huh? All of my work employs my odd, personal take on things. And while much of it might contain incidents from life, very little of my writing is strictly autobiographical. Characters and situations entirely the product of my fertile and perverse imagination. You wanna write about yourself? Start a fucking diary…
Is it another case for Zinnea & Nightstalk?
Will there eventually be another Zinnea and-–
Yes. When it’s time and I clear some of the other stuff off my desk.
Other projects? Like what? Can you give me an example?
Aha. Good for you. Not a chance.
Why do you take so long to release your books?
Because I want to get them right.
Why are each of your books so different?
I don’t want to get stuck in a rut. Look, my own tastes are wide-ranging and eclectic and I want to see that reflected in my literary efforts. I disdain writers who author the same book over and over again or explore the same universe in a ridiculously long and convoluted series, milking their invented world for all it’s worth. That’s why I’m not pounding out one Zinnea & Nightstalk mystery after another, even though, God knows, that would delight many people out there. I’m not a hack, I’m a creative artist who wants to challenge himself, push the limits of a very finite and modest-sized talent. That’s the way I’ve approached literature for the past thirty (30) years and I don’t see that changing any time soon.
Is this latest book cinematic like the others? Your stuff always seems like it could easily be adapted into movies.
Hmm. Yes, definitely. I see what you mean. And a number of my efforts have been optioned…but it never seems to go anywhere. Last month a film-maker contacted me about one of my novellas and it ended badly. I wrote about it over on my RedRoom blog. It isn’t pretty. Hope it serves as an object lesson to other writers out there who might be going through the same thing. Stand up for yourself and remember: until you sign that contract, you hold all the power. Do your homework and work your ass off to get the best possible deal. Don’t get screwed because you’re humble, shy and/or dislike confrontation. People like that get eaten alive.
That’s it for now. Still have a full day of editing ahead of me. Should be finished this latest run-through (draft #3) in the next three or four days. Then some time off (it’s been 32 days straight of 10-12 hour writing sessions), do some background reading and research and then…on to draft #4.
Our youngest kid has now flown the coop and we are, officially, empty nesters. The house seems damn strange without our boys pounding up and down the steps, blasting music or bellowing at their video games in their basement hidey-hole. The silence, as they say, is deafening. But they’re both ready to be out in the world, anxious to be on their own. They’ll have their tough days, intervals when it seems like the whole universe has lined up against them. But they’ll make it. They’re tough and resourceful and bloody smart. Which gives them a leg up in any society.
So we begin 2014, Sherron and I, somewhat sorrowful, missing the lads but eager to get on with the next phase of our lives; back to being a couple again, exploring the world together, seeing where our dreams take us.
I’m fifty years old, as of last October, and that’s also made a difference. I thought any change or transformation would be largely symbolic but turning fifty combined with our sons’ departure has put a whole new slant on things. I feel like another man.
To start with, I realize that more than half my life is gone and if I’m lucky I could have twenty or twenty-five healthy years ahead of me (with my genetics, that might be pushing it). That’s not a lot of time. As a result, I’m not going to waste any of it on stupid discussions, movies, books, music, feuds or anything that doesn’t further my pursuit of wisdom, joy and matters relating to the spirit.
I did a considerable amount of writing in 2013 (not unexpected) but I also found myself exploring other media, employing a variety of means to express myself. As a result, I created more visual pieces than ever before: acrylic paintings, charcoal drawings, lots of photographs, ambient soundscapes, even a short film. Will this trend continue in 2014 or were all these non-literary ventures merely an aberration? Experiments, nothing more.
We shall see.
I know that for some time I’ve occasionally experienced a certain amount of frustration with the limits of language and wish to communicate via non-narrative, non-linear means. Abstraction invites collaboration, interpretation, input from the audience/viewer. The vast majority of my visual work frustrates literal-mindedness—the equivalent of Rorschach Tests, shapes demanding speculation and discussion.
Not for everyone.
Obviously, one of the high points of 2013 was the release of my short story collection Exceptions and Deceptions. The book features what I think is our best cover thus far and includes a batch of stories drawn from the past fifteen years, a couple of them previously unpublished and available nowhere else. Every time I glance up and see it on my shelf, I get a tingle. Fans of Philip K. Dick, Harlan Ellison, Jonathan Carroll, Neil Gaiman take note: this one’ll rock your socks off. Trust me.
Another fun experience was collaborating with my son Sam on an instrumental number which he then incorporated into a short film for Sherron’s “Agassiz” mask/puppet production, debuting later this month. Sam’s film is a gem and as soon as he uploads it to YouTube or Vimeo, I’ll post a link.
Let’s see, what else…in November I was astonished to learn my volume New & Selected Poems (1984-2011) was shortlisted for a ReLit independent press award. My bizarre verse? Really?
Managed to read one hundred books in 2013, though at one point I didn’t think I’d make it to #80. A big surge in November-December put me over the top. The 100th book, completed December 30th? Italo Calvino’s Under the Jaguar Sun. What a way to finish off the year.
I’ve been noticing how much my reading tastes have changed over the past number of years—hardly any genre stuff these days, except for a bit of SF and the odd mystery/thriller by LeHane or Philip Kerr. Much less fiction, overall. Gimme a fat, juicy history book any day.
We don’t have cable, so we don’t watch television. Have no idea what shows are popular on the boob tube and couldn’t care less. Ditto with movies. By far the best movie I saw last year was Peter Strickland’s “Berberian Sound Studio”. Haven’t heard of it? Tsk, tsk. Grab it off NetFlix, buy or rent it from Amazon, do not miss this flick.
Music? The new Queens of the Stone Age, as well as Nine Inch Nails (live), Steven Wilson, Mogwai, Benjamin Britten and Gene Autry’s Greatest Hits. Keepin’ it diverse.
Looking ahead: I’ll be working on my new novel, as well as prepping…ah, well, mustn’t give too much away. Let’s just say that Black Dog Press has a number of releases pending in the next eighteen months and there will be further information announced in the days to come.
All the best in 2014.
Thanks, as always, for dropping by and hanging out awhile.
Starting with the fun stuff, I attended a screening of F.W. Murnau’s silent classic “Nosferatu” and wrote about it over on my film blog. Some musicians from the Saskatoon Symphony provided accompaniment and, what can I tell you, it was an absolutely brilliant evening. The following day I turned fifty and couldn’t imagine a more fitting way to celebrate.
Yeah, I said celebrate. I’ve hit the big five-oh and, okay, physically I’m not as strong or durable as I was twenty years ago, but mentally and artistically I feel close to the top of my game. Growing spiritually, as well, and that’s an ongoing process. I’m in a good space, some of the fears and obsessional thinking that once upon a time dragged me down are either gone or have eased to the point where they no longer cause the kind of damage they used to. My family played a huge part in that transformation and also the sense that my life and work are serving a tiny role in a Grand Design God-knows-how-many years in progress. My faith life is essential to my entire sense of well-being; without it, I’m a miserable cur, hardly worthy of consideration, barely rating a glance.
In terms of my work:
Researching for the novel, reading reference books and trolling on-line for more info, looking for those obscure little tid-bits that add the perfect dollop of detail to a scene, imparting an authenticity that makes the Reader shiver (love those moments).
I collaborated on a sound collage with my youngest son, Sam. He’s getting to be quite the musician so when my wife asked the two of us to put together an “environment” for a puppet and mask project she’s creating, I was curious to see what we came up with. Turned out to be a weird, ambient piece nearly four minutes long. Now we’re going to edit together a short film using that soundtrack and footage Sherron’s assembled over the last couple of years. Hope to have that done in the next week or so.
What else…well, I’d been giving some thought to writing something for the CBC/Enroute Short Story Contest but every time I checked my well of inspiration, it was dry as fossilized bone. So with the deadline looming I’d pretty much given up any notion of sending anything…until a couple of days ago, when I sat down and started tapping away, managing to complete a tale that adhered to the 1500 word limit (barely) and turned out to be a darn good story. Imagine that—posted it yesterday, just under the wire.
Have to confess, I hate entering or submitting my work anywhere—as an indie, I’d rather publish it myself. But the prize money for a six page story is unbelievable, ridiculous, and the notion of spending two weeks in residence at Banff…how could I resist?
From what I’ve heard, the contest receives between 1800-2000 entries annually, so I’m not holding my breath.
But wouldn’t it be nice…
What else? Ah, I’ve been in my basement cave, doing some more painting. A couple of canvases currently being prepped, exercising my visual muscles, expressing myself beyond the precincts of the printed word. Who cares if I’m any good at it?
And music, lots of music playing, which is always an indication I’m in an inspired state of mind. Frequently heard these days: The Eels, Bob Mould, Brain Jonestown Massacre, Jimmy Eat World, R.L. Burnside, Radio Moscow, old Dylan. Keeping it eclectic.
I guess that just about sums things up. Heading into November around here, but the yard work is pretty much done, all I have to do is order some pine wood and see about winter tires for the car.
The next six to eight months will be spent on the novel (mostly), so by Spring, 2014 I should have the lion’s share of the editing done (crosses his fingers). I’ll keep you apprised of developments and, hopefully, will be posting more frequently than I have been of late.
But no promises…
Well, y’know…as I believe I’ve mentioned a few times, I’m a lousy self-promoter. I’m really bad at plugging this site and shilling my books. Daily blog entries, comments on other sites, utilizing social networks, joining on-line forums and groups, indulging in high profile flame wars, appearing at every convention, doing all the right things to draw attention to yourself…not for me. The problem, of course, is time.
I write every day. Every. Single. Day. Get up, usually around 7:30, and the first thing I do is cross the hall to my office and turn on the computer. Within ten minutes, I’m holding a really strong, well-sugared coffee and doing a quick scan of my emails, checking the overnight news. The past year or two, the good ol’ BBC has been my primary reality filter. Love their radio comedies and dramas too. Michael Hordern and Richard Briers as “Jeeves and Wooster”. Sublime.
From quite early in the morning until, often, after supper, I’m tapping away, composing or editing, and I do it about 360 days of the year (the rest, I’m either sick, dead or it’s Christmas). I’m only fully alive, fully realized when I’m hard at work on a project, all of my senses engaged. And so, as soon as I finish one book, I abandon it and move on to the next, my mind already seeking fresh material, a new intellectual or aesthetic puzzle to solve.
It’s almost machine-like, as if I’m programmed to sketch and shape words, to the detriment of almost everything else. Sometimes I’ve sacrificed valuable, irreplaceable time with my family in order to stay glued to my desk. That’s a shameful admission but also an unflinching depiction of my devotion to my work.
And I’ve been doing it, basically, since 1985, the year I turned “professional”. Over 25 years of toiling, day by day, to improve at my craft, sharpen my skills, be the best writer I can possibly be. Innovative and original and daring.
That’s why I’m so hard on wannabes and ridiculous enterprises like National Novel Writing Month (NaNoWriMo). Art is a serious, full-time business. It is a calling on the spiritual level, a voice in the absolute inner silence of your soul that insists, regardless of the circumstances, that you must pick up a pen or sit before a keyboard, marshal your tangled, chaotic thoughts and…create. And you do that not just for a month, not until you reach some artificially imposed plateau, but every single day until you are dead.
Tomorrow I’ll finish the second draft of my new novel. At this point it hovers around 200 pages and 50,000 words.
That’s what I’ve been working on, without pause, since August 3rd.
My so-called life.
Did manage to see a good movie at the Broadway Theater in Saskatoon. You’ll find my review of “Blancanieves” over at my film blog.
The last couple of nights, Sherron and Sam set up a backyard movie theater, projecting films on the side of our house. “The Artist” was smashing, earning an ovation at its conclusion, and last night it was “Amelie”. Dunno if there are going to be too many more showings. The temperature dips awful quickly after dark in these parts around this time of year.
It’s been a beautiful, warm autumn. The colors in our river valley would entrance Van Gogh (and our clear, starry nights can’t be beat). Feeling inspired, enlivened by a clarity of purpose, the certainty I am working on a project worthy of my efforts, a book that challenges and scares me a little. That frisson I experience when I sit down and open the file, stare at the screen, wondering if I can find it within me today to summon the courage and faith required to be the best writer I can be.
And then, gradually, sensing the spell begin to take hold…
Three hundred blog posts…and counting.
And the credit all belongs to…you. D’you think I’d keep this up for 300 posts I didn’t feel like I was getting through, if this site wasn’t an invaluable line of communication to friends, colleagues and readers from, well, from everywhere? You’ve commented and you’ve written, hundreds of you, and I love it. Some really smart people hang out at my place, ideal readers every one. These are the individuals I’m thinking of when I start a new poem, short story, novel. I want to constantly surprise and amaze them, show them something unexpected. Never let them down, never take them for granted.
Thanks, folks. Thanks, so much.
Not only am I celebrating #300, there’s other news:
Yesterday I completed the first draft of what appears to be a short novel. Worked on it for nineteen (19) consecutive days, 2500 words a day. The experience left me drained, exhilarated…now I have to take a few days and try to figure out what the hell I’m going to do with it. I have another manuscript waiting for revision, an older effort I’m hoping to resurrect, but think I’ll stick with this new one for awhile. It’s in really rough shape—still, I think there’s a polished gem in there somewhere. It’ll take work, tons o’ research too. Ah, well, I should be used to that.
A surprisingly pain-free draft—not assailed by the usual demons of self-doubt and I tried to take breaks, the occasional walk, get away from the keyboard. Is this the beginning of a new trend? Will I (gasp) stop punishing my body/mind/spirit in the name of art?
To add to the positive vibes around here, my wife has returned from Yellowknife, so our little family unit is intact once more. Sherron spent ten days up there with a troupe of professional artists, rehearsing and performing a dramatic presentation recreating events from the life of a longtime local character, Tom Doornbos. They used a variety of puppets and employed a number of locales around Yellowknife to tell their story and their play was a great hit. Now there’s talk of touring it…stay tuned.
After picking Sherron up at the airport, we drove to the Broadway Theater and took in a showing of “Berberian Sound Studio”, which I thought would be good…and turned out to be the best movie I’ve seen this year. You can find the review over at my film blog.
And, finally…I promised you a treat, didn’t I?
Well, how about an entire CD of free music, over forty-seven minutes worth of catchy, mind-warping “chillout” tunes? I’ve just released “Ambient i-viii” in its entirety over on Bandcamp. Here a link to the site—enjoy, download, share.
I’ll start you off with a sample track, one of my favorites, titled “Ambient vi”:
One last time: THANKS.
And keep those comments and e-mails coming.
Love to hear from you…
And did the Countenance Divine,
Shine forth upon our clouded hills?
And was Jerusalem builded here,
Among these dark Satanic Mills?
from “Jerusalem” by William Blake
One of my heroes, Ray Harryhausen, died yesterday.
Here’s a link to my tribute on Cinema Arete.
God bless you, Ray…
My son Sam and his creative partner in crime Sean Newton have finally posted their short film “Torched”.
The folks who’ve seen it are universal in their praise.
Find out why…and discover two young film-makers with a very bright future.
Michael Bay, your days are numbered.<p><a href=”http://vimeo.com/62587166″>Torched</a> from <a href=”http://vimeo.com/overactiveimagination”>Overactive Imagination Studios</a> on <a href=”http://vimeo.com”>Vimeo</a>.</p>
Be sure to pop over to my film blog and check out coverage of this year’s edition of Silence is Golden.
The format is a cineaste’s dream: a classic silent film is chosen for screening, with live accompanying music from the Saskatoon Symphony Orchestra. This time around, it was Douglas Fairbanks in the 1920 adventure “Mark of Zorro”.
An evening to remember…