My current iMac is six years old and hasn’t received a software update in ages. My operating system is, apparently, so old and slow that Skype and Dropbox no longer want anything to do with me and I have to run an old version of Yahoo mail because the Safari browser I use can no longer keep up. Worse yet, my BBC iPlayer has started cutting out on me—and, I’m sorry, but I can’t live without BBC World Service. Those terrific features and radio dramas.
So, with the help of our young pal Sean, knowledgeable in all things relating to the Apple brand and close personal friend of Tim Cook, I ordered a brand, spanking new iMac, with an operating system so fast, it comes precariously close to artificial intelligence. 27″ monitor, tons of memory…with Final Cut Pro installed.
Some of you may have seen my odd movies. Usually accompanied by my odd music. Well, thanks to Final Cut Pro, I can up my game, utilize various effects and get a more polished look. That’s the intention anyway. To improve, to get better, to develop as a creative person.
Disloyal Son is my tenth book and at this point in my career I’d like to take some time to explore other interests, like film-making and abstract, electronic music (I ordered a MIDI keyboard/synthesizer last week too). Writing will always be front and center in my life but I also have a hankering to express myself in other mediums, beyond the constraints of the printed word. I hope the end result will always be interesting but, I’ll tell you one thing, I guarantee it will be unique.
I’m not sure if I would call this an attempt to re-invent myself but I know that since my 50th birthday I’ve felt an increasing sense of urgency to spread my wings, expose myself to new experience. Change my wardrobe, put away some childish things.
The new iMac arrives tomorrow, the keyboard soon after. There will be a learning curve, especially since I’m something of a technophobe. Will my files transfer from my old machine without a glitch? Will anything be lost? Will this wipe hours of music from iTunes? Etc. etc.
But for the most part I’m excited to have the opportunity to employ all that fantastic technology: new tools to paint visual and aural pictures, strange narratives that haunt and bedevil, manifestations of my mischievous mind.
More to come...
I’m a lifelong fan of science fiction. A space geek and proud of it.
Here’s my latest short film, “First Contact”, and, as the title suggests, this piece is about a close encounter with a distant, alien world, evidence of advanced, intelligent life. Abstract, indisputably odd…with accompanying ambient music.
A tip of the hat to Stan Kubrick…
Here are a few snaps of your humble author, hard at work shooting footage “on location” as it were. An overgrown lot in small town Saskatchewan, old farm buildings that we spotted alongside the highway. Whenever we identified something that might fit our overall concept of “abandonment and desolation”, we’d pull over and do our thing.
I handled a DV camera we bought off the internet a number of years ago. Very creaky, the technology practically obsolete. I can still find tapes for it at places like London Drugs in Saskatoon but I wonder how long that will be the case.
Sherron, meanwhile, was using her iPod, employing a number of settings and filters to grab some neat effects. We’ll load all the footage onto my computer and I’ll get to work trying to compose something out of what we’ve compiled.
The reason for this flurry of cinematic activity is that I’ve created a delightful seven and a half minute piece with Garageband and it’s so evocative and interesting to me that I thought it deserved some visual accompaniment.
If anything comes of this grand experiment, I will, of course, add it to the blog for your perusal and analysis.
Many thanks to Sherron for her collaboration and input. It’s a thrill to work with someone as creative and visually attuned as she is. I’m quite confident her footage will be the best we shoot—the combination of my ancient camera and ineptitude pretty much works against my ever becoming a proficient DP (director of photography).
I’d better get back to work.
Happy Labour Day to my fellow Canucks…and I dearly hope the Saskatchewan Roughriders get their asses kicked later today.
God, I hate that team and its moronic, watery-brained fans…
Here’s a short film collaboration I’d like to share with you. I created the music, the great Stan Brakhage provided the quote and Sherron captured the images and edited it all together. Hope you enjoy this abstract meditation on perception.