Best of…2015

imagesI was fortunate this year, hitting the century mark (100+) both in terms of the number of books read and movies watched.

I’ve gone through my lists and compiled a roster of favourites–difficult, in many cases, to settle on a definitive order, impose a hierarchy of excellence. Every single selection brilliant in its own right and worthy of inclusion:

BEST BOOKS

Fiction:

Bleeding Edge (Thomas Pynchon)
Purity (Jonathan Franzen)
Stoner (John Williams)
Fat City (Leonard Gardner)
The Book of Aron (Jim Shepard)
Number9Dream (David Mitchell)
Something Rich and Strange (Ron Rash) Short Stories
Gaps (Bohumil Hrabal)
Young Skins (Colin Barrett) Short Stories
The Normals (David Gilbert)
Payback (Gert Ledig)
As Far as the Eye Can See (Robert Bausch)
Cain’s Book (Alexander Trocchi)
The Commissariate of Enlightenment (Ken Kalfus)
Strong Motion (Jonathan Franzen)
All That Outer Space Allows (Ian Sales)
Highrise (J.G. Ballard)
Three Men in a Boat * (Jerome K. Jerome)

Non-Fiction

The Price of Inequality (Joseph Stiglitz)
The Ethnic Cleansing of Palestine (Ilan Pappé)
Theodore Rex (Edmund Morris)
Colonel Roosevelt (Edmund Morris)
The More Beautiful World Our Hearts Know is Possible (Charles Eisenstein)
Werner Herzog: Conversations (with Paul Cronin)
Orson Welles’ Last Movie: The Making of “The Other Side of the Wind” (Josh Karp)
Arms: The Culture and Credo of the Gun (A.J. Somerset)
My Father and Myself (J.R. Ackerley)
When in Disgrace (Budd Boetticher)

467416-hard-to-be-a-god-hard-to-be-a-god-poster-artBEST FILMS:

“Hard to Be a God” (Directed by Aleksei German)
“Amores Perros” * (Dir. Alejandro Inarritu)
“Leviathan” (Dir. Andrey Zuyagintsev)
“Sightseers” (Dir. Ben Wheatley)
“Valerie and Her Week of Wonders” (Dir. Jaromil Jires)
“Blue Ruin” (Dir. Jeremy Saulnier)
“Winter Sleep” (Dir. Nuri Bilge Ceylan)
“Gomorrah” (Dir. Matteo Garrone)
“Amarcord” (Dir. Federico Fellini)
“Boyhood” (Dir. Richard Linklater)
“L’il QuinQuin” (Dir. Bruno Dumont)
“Time Crimes” (Dir. Nacho Vigalondo)
“The Devil’s Backbone” (Dir. Guillermo del Toro)
“The Enigma of Kaspar Hauser” (Dir. Werner Herzog)
“What We Do in the Shadows” (Dir. Taika Waititi; Jermaine Clement)
“Berberian Sound Studio” * (Dir. Peter Strickland)
“2001: A Space Odyssey” * (Dir. Stanley Kubrick)
“Chinatown” * (Dir. Roman Polanski)

Honorable Mention:

“Closely Watched Trains” (Dir. Jiri Menzel)
“Jodorowsky’s ‘Dune'” (Dir. Frank Pavich)
“Wild Tales” (Dir. Damian Szifron)
“Satyricon” (Dir. Federico Fellini)
“Ex Machina” (Dir. Alex Garland)
“Land of Silence and Darkness” (Dir. Werner Herzog)
“Stroszek” (Dir. Werner Herzog)
“Nightcrawler” (Dir. Dan Gilroy)
“Her” (Dir. Spike Jonze)
“Maps to the Stars” (Dir. David Cronenberg)

PLAYLIST (Musical Favourites)

Tom Morello “The Nightwatchman” (World Wide Protest Songs)
Ty Segall “Manipulator”
Porcupine Tree “Up the Down Staircase”
Pere Ubu “Raygun Suitcase”
The Stooges “Raw Power”
Paul Banks “The Base”
Merle Haggard “I Am What I Am”
J.D. Crowe and the New South “Lefty’s Old Guitar”

Best Comedy: Bill Hicks “Salvation: Live at Oxford”

TV

“Rick & Morty” (Seasons 1 & 2)
“True Detective” (Series 1)
“The Mighty Boosh” (Series 1-3)

  • Denotes “Previously Read” or “Previously Viewed”

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4 comments

  1. Stefanie

    So Pynchon’s book was good? It seems to have gotten a mixed reviewing so I was never really sure about it. You also remind me I want to read more David Mitchell I loved Cloud Atlas and have always meant to read more but haven’t yet. It’s great to have so many good books to choose from!

  2. Cliff Burns

    Like, sick good.

    Hard to believe the guy (Pynchon) is in his 70s. The energy, the amount of research he must have done to so successfully create the background, setting and circumstances of the novel…unbelievable. A book that has to be read in big chunks—put it down for any length of time, read it in snippets, and you lose the scope and sweep of what he’s achieving. BLEEDING EDGE is well-written and intelligent—how many reviewers these days have the intellectual chops to take on Pynchon? Which might explain some of the tepid or underwhelming reviews. And let’s not forget, his first two novels were V and GRAVITY’S RAINBOW. That’s a pretty tough act to follow.

    Mitchell is always worth reading—even SLADE HOUSE, which is less challenging and more audience friendly than his usual stuff, is a fun and invigorating read.

    Also want to plug the new Don DeLillo novel, due out in a few months. The buzz on that one is pretty amazing…

  3. Cliff Burns

    Hard to go wrong with the Pinch.

    For me, he’s the one who really sets the bar in American literature. The rest of us poor scribblers can only stand to one side and applaud…

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