I love radio dramas. The “theatre of the mind”.
I’ve had the good fortune to write a number of radio plays and, as has been mentioned, one of them just aired nationally on CBC Radio’s “OutFront” program.
But listening to the old stuff is what really gives me pleasure. Recently, I purchased a personal CD/MP3 player and, despite my well-documented techno-phobia, was able to hook it up to the stereo in my office. Thus, over the past couple of weeks I’ve been kicking back after a hard day of scribbling, listening to Basil Rathbone and Nigel Bruce as Sherlock Holmes and his amiable (if slightly dotty) companion Dr. John H. Watson…I also have the complete “Sam Spade” series starring Howard Duff and the four-disk dramatization of Les Miserables, produced and starring the one and only Orson Welles.
Radio, in its heyday, presented news, live sports, game shows and various types of entertainment, from comedy revues to adaptations of classic works of literature.
Now we have “talk radio”, Howard Stern and the shock jocks and “classic” stations playing the same tired playlist of golden oldies. Even the venerable CBC has dumbed itself down in the past five years, desperately seeking a younger demographic and losing its traditional listeners in the bargain.
It breaks my heart when I think of a time when the folks at CBC used to let the likes of Glenn Gould have the run of the place, accommodating his odd lifestyle by letting him come in and record and mix at any hour, working meticulously to create material like “The Idea of the North”, which I managed to snag on long playing record a number of years ago.
The Mother Corp. once had a dedicated radio drama arm in the good ol’ days but not any more. They no longer consider it part of their purview to develop young writers and there is currently no equivalent of “CBC Playhouse“…and that’s too bad.
I have, I confess, a particular soft spot for science fiction on the radio and I’ve been fortunate to find a couple of sites (check out this one and Calfkiller is fun too) where you can find shows like Dimension X and X Minus One, Mindwebs and others. Fun adaptations of classics of the genre by the likes of Arthur C, Clarke, Philip K. Dick, Ray Bradbury, J.G. Ballard, Henry Kuttner, etc. Once I figure out how to create MP3’s of these beauties, I’ll be able to listen to them up in my office as opposed to being relegated to the family computer down on the main floor, where I have to queue up, vying for time with my two sons (both of them World of Warcraft junkies, as well as using said PC for their homework and designing their own computer games). The computer I use for my writing is an old Mac, too old and decrepit for cyberspace, a word processor plain and simple.
The nice thing about the sites I’ve just mentioned is that you can listen to the programs for absolutely nuttin’ and, believe me, you will be entertained.
Listening to a radio drama requires the listener to visualize an entire universe being created purely with words and sound effects. It’s the perfect format to enliven long car trips and commutes. Thanks to the internet, these programs live again, a case where state of the art technology enables us to access an art form that is, sadly, little known and certainly under-appreciated.
I will continue to write radio plays and when the time comes that no one airs them, I will produce them myself, through podcasts. I love the special limits and demands radio drama imposes on writers and can never quite suppress the shiver of excitement I feel when I hear an announcer introducing Lux Radio Theatre’s production of To Have and Have Not, starring Humphrey Bogart and Lauren Bacall, or Petri Wine presenting “The New Adventures of Sherlock Holmes”.
I feel sorry for anyone who’s never heard a really well-rendered radio play. It is an experience not to be missed…and yet so many do.