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Archive for the ‘Opinions and Rants’ Category

DSC00189Shame on you.

You’re the kind of person who hunts through Google or Yahoo entertainment sidebars looking for “Jennifer Aniston Heats Up Red Carpet” or “Miley Cyrus Grinds Her Way to Adulthood”. You can’t wait to find out the latest poop with the Kardashians and have a sick fascination with the British royal family that borders on obsession.

What is it with you and celebrities? Why do you instinctively reach for a tabloid the way a chimpanzee is drawn to a scatter of dimes?

Take a gander around, look at the culture you and your monkey-brain kind have created with your stupid, acquisitive, wide-eyed ways.

Sequels and spin-offs and comic book adaptations, because your minds are too scattered to grasp original concepts. Bad, derivative art, audio/visual porn, easy to assimilate, just as quickly forgotten.

Here’s a question for you:

Instead of endlessly trolling the internet for a glimpse of Jennifer Aniston’s rather mundane aureole, why aren’t you:

—working on a cure for ovarian cancer or coming up with a new, revolutionary branch of cosmology?

—concocting a plan to end the stalemate in the Middle East?

—devising an all-inclusive religion that will help humankind attain its destiny in the stars?

Yes, indeed. You’re the sort of inane, pathetic asshole who will happily pony up fifteen bucks to see any piece of crap movie and rationalize it afterward: “Yeah, I knew it was just fluff…” Your NetFlix queue would make a twelve year old blush in terms of its sheer vapidity. “Transformers 3″, “Fast & Furious 6″…how about: I/Q. 68.

At what point do you draw the line? What, and I’m deadly serious, is too stupid even for your egregiously short attention span and under-developed forebrain?

How far would you go for a look, the most fleeting glance, at a celeb’s nether regions?

And how much would you be dumb enough to pay?

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Cliff/SnowTake a look at this.

We’ve had more snow this winter than in at least a decade. We’ve broken one snow shovel, shaken our fists at the sky and moved God knows how many tons of snow from our sidewalks and property. And, of course, this much snow means a big run-off come Spring. It’s a good thing we’re situated on a fairly substantial hill—hopefully the water will flow down and away from us.

I notice that at 49, snow shoveling is a whole lot less fun than it used to be. I have to take frequent breaks, lean on my shovel, gazing glumly at the white expanse in front of me. Our long driveway has become my nemesis; I joke that it’s an alternative landing strip for the space shuttle. I say even worse things when I’m scraping it off at thirty below. Because as well as being a snowy winter in these parts, it’s also been seasonably cold. Note the choice of words. We’ve gotten off lucky for the past few years, experiencing relatively mild cold seasons. Not this year. 2012-13, we’re getting the real deal. Saskatchewan at its most nasty and inclement.

In the old days, the cold never got to me. I could play road hockey with my pals until our clothes were frozen stiff as cardboard, our cheeks and noses raw and inflamed. Not any more. My body has developed a strange sensitivity over the past decade and I’m prone to awful chills, getting the shakes so bad my jaw locks tight and my body stiffens, arms clamped against my sides, shoulders up around my ears.

I think I’m starting to understand why so many Canadians become “snowbirds”, fleeing to warmer climes as soon as the first Arctic front descends from the north.

But this is Canada, after all, and whining about the cold weather is like complaining that grapes won’t grow on Pluto. There are certain realities you just have to adjust to, certain mentalities you have to adapt.

Be at one with the snow…become your shovel...

Keeping in mind, in six months we’ll be bitching about the heat and bugs.

On that happy note…Cheers!

Snow2

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Humanity is on the receiving end of a good deal of vitriol and abuse these days.

Fundamentalists of all stripes yearn for Armageddon, a “great cleansing”, a final accounting that will separate the sinners from the righteous, the forsaken from the saved. Whacked out environmentalists and New Agers look forward with gleeful anticipation to the upheaval and destruction that, according to the Mayan calendar, are due to wreak havoc on great tracts of the planet on or about December 21st, 2012. Weird. Please note: these folks are usually separated by huge, yawning gulfs in terms of their philosophy/ideology and yet here they are pining for the same thing: the wholescale destruction of vast populations of their fellow human beings.

It will start in the Middle East. Ancient scores settled with modern day technology. The Holy Land rendered uninhabitable, reprisals that envelop the world.

Or maybe a dirty bomb in Manhattan.

A meteor from outer space.

Alien invasion…

Everyone in agreement that mankind is doomed…and deserving of every rotten thing about to happen to us. A pox on our heads!

I find this kind of thinking hateful, a self-loathing pathological in its pure virulence. Both sides are also seemingly allied by their belief in “original sin”—homo sapiens are vile and depraved from birth (and maybe before). We are beyond redemption (most of us) and should pay the ultimate price for rejecting the presence of a higher power (God or Gaia; it amounts to the same thing, right?).

Our crimes against the environment condemn us, no question. We have stripped and burnt and undermined and defaced a substantial segment of our natural world. Our voracious appetites, rampant consumerism and selfishness have also directly contributed to a disproportionate amount of suffering inflicted on the majority of our planetary brothers and sisters. We possess every creature comfort and it is entirely at their expense. There’s a First World because there’s a Third World.

Hey, I get all that.

But I also know that we walked on the moon. Sent down a paper-thin craft, guided by a computer that was little more than a glorified pocket calculator. Got Armstrong and Aldrin to the surface, then brought them back alive.  And we’ve dispatched robot probes to just about every planet, even have a vessel on the verge of entering interstellar space

Think of the books, theater, dance performances, movies, the artwork and architecture we’ve created; the way we’ve related to our environment in positive ways.

Now try to conceive of the complexity of the minds capable of imagining such things. Men and women imbued with gifts and insights which allow them to alter the way the rest of us perceive the universe.

We know of nothing more astonishing or inexplicable than the human brain. It makes the fanciest, state of the art super-computer look like a, well, a soul-less calculating machine. Which is what it is. Sorry, all you geeks out there.

The brain is capable of extraordinary mental leaps and bounds, possessing a muscularity and agility belied by its rather mundane appearance. Two pounds of inanimate tissue containing trillions of nerve endings. Every millimeter interlocked through ever-changing networks of electro-chemical connections. A magnificent feat of engineering. Clever beyond its designer’s wildest dreams.

Maker of horror and holocaust.

Jesus Christ and Buddha.

Of genocide and ethnic cleansing.

…penicillin and Groucho Marx.

Keep screaming and waving your pictures of Kigali and Katyn…meanwhile, I’ll continue my stream of conscious rant/monolog about the Salk Vaccine and the eradication of smallpox.

I will concede there’s strong evidence we’re killers, born and bred.

But we also come equipped with a conscience, a little voice that insists we atone for our wrongs. It allows us to acknowledge the darkness but prohibits us, by specific commandment, from despairing, even in the complete absence of light.

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I receive a good number of private communications from readers, colleagues, aspiring writers and the occasional troll.

I’ve put together a short roster of the best of the best of these queries and my responses (though, in some cases I’ve pared the original question down and added more detail to my replies).

Here are the top ten:

What’s the difference between calling yourself a “self-publisher” and an “independent author”?

In a word, talent. Oh, and professional credentials. Oh, and the seriousness with which you approach your craft.

Before I started my own imprint back in 1990, I’d already received a Canada Council grant and published a good number of tales in various venues around the world. I toiled every day on my writing and though the money was almost nonexistent, I didn’t care, it was all about becoming the best writer I could possibly be. I was focused, obsessed with my work. I created Black Dog Press because I detected a dearth of vision and intelligence among the editors I was dealing with and since I’m the kind of guy who doesn’t take rejection lying down, I decided to empower myself, rather than accept the verdict of dingbats.

Most self-publishers, however, are hobbyists, part-timers, dolts with little knowledge of what entails good writing, they merely want to see their name on a book, regardless if it’s any good. They don’t labor over their work, endlessly polishing and editing, growing and developing as artists. Such notions are beneath them. Some have the decency to confine themselves to giving copies of their amateurish efforts to friends and family and I have no bone to pick with them. It’s the morons who’ve written a memoir about their so-called interesting life or a spin-off novel lifted from some popular franchise and are deluded enough to believe they are “real” writers that raise my ire.

Why are you such an asshole?

Yes, I’ve received a number of communications along these lines, usually from the aforementioned amateurs and wannabes. They demand that I take their vampire porn or zombie splatter or “poor me” memoirs seriously and resent the notion of applying professional standards (y’know, like spelling, syntax, grammar) to their abominable tripe.

To them, there’s no difference between great writing and garbage, since such standards are arbitrary and unfair (usually they have trouble with big words like “arbitrary”, but I digress). As I’ve written previously, I have nothing against aspiring writers, beginners, folks who genuinely care about the printed word and want to create the best work they can. It’s the ones who foolishly believe their 10-book vampire series (released as super cheap/free e-books to inflate their “sales”) is imbued with true genius that I take exception to…and vilify accordingly. They read shit, they watch shit, they write shit. I dismiss (and diss) them out of hand. They are part-time turd-peddlers and pretenders and they deserve nothing but contempt. And I give it to them…in spades.

How much money do you make?

Seriously? Dude, you think I’m gonna open my bank records to you? Let’s just say that if you got into writing (or any art) for the money, you’re a fucking prostitute, and I mean the kind of gutter trash that solicits around public toilets and drops to their knees at the slightest indication of praise or approval.

I doubt I’ll ever become rich from my writing but a number of my favorite writers lived and died in poverty and anonymity, yet their body of work out-lives them and most of their popular contemporaries. I’m in this for the long haul and will trust posterity to determine my stature as an artist. I’ve stated on numerous occasions that I’d rather have a million readers than a million dollars and anyone who knows me is well aware that I’m not joking or resorting to hyperbole. I’m an author’s author…and it’s unlikely that the fuckwits who read Fifty Shades of Grey will have much affinity for my work.

No regrets there.

You’ve been called an “elitist”–do you agree?

Yup. No question. I place high standards on my work, set the bar higher and higher with each new effort. I don’t confine myself to formula and refuse to cater to anyone’s expectations. Sales figures (see above) are irrelevant, the most important thing is releasing a work that is a celebration of the best in literature, a novel, poem or short story that pushes me to the limits of my abilities and sometimes beyond.

I write with intelligence and insight and I demand that from every film, book or artwork I see. I don’t waste my time on “popcorn movies”, mind candy or escapist entertainment. I feed my spirit and get inspired by innovative, original work.

Are you a horror writer? A fantasy or science fiction writer? How do you categorize yourself?

Well, I don’t. Not really. I utilize some of the devices and tropes from all three of the genres you mentioned but only to further the aims of my storylines. I suppose you could also call me a fabulist or surrealist…but I think any niches or slots are distinctly unhelpful when it comes to work as singular and unusual as mine.

I’m a literary writer, that’s the way I perceive myself. As for the rest…

I really think you’d like my writing. Can I send some of my stuff your way to critique?

No.  Absolutely not. It’s not my role to be your editor or ego booster. Real writers write and that’s that. A thousand rejections and the opinions of others should have absolutely no effect on you if you’re truly devoted to the calling. Nabokov talked about “writing in defiance of all the world’s muteness” and that’s advice you should take to heart. Write and write and write. If you need feedback, there are plenty of opportunities for that through local writing groups and guilds and God knows how many on-line venues where up and coming writers gather to talk turkey and swap story samples. But leave the pros alone. We have our own schedules, deadlines and pressing projects. Don’t annoy us with your self-centered, egotistical lobbying.

You seem to genuinely hate traditional publishing and your harsh language must have drawn their attention. Don’t you worry about ruining your chances of becoming a truly famous writer?

Yes, I’ve heard through the grapevine that some of my remarks have made poobahs in publishing extremely cranky with me. How dare I question their intelligence, their professionalism, their psychopathology and their integrity? But, see, I’ve dealt with these bird-brains (editors, agents, publishers) for over twenty years and as I wrote in a recent post on RedRoom, I despise the vast majority of them. I hope I run into a few of the biggest arseholes before my arthritic hands wreck my chances of punching their fucking lights out. A substantial proportion of the people who decide what books get published are too stupid to be trusted with sharp objects and should be, if there was any justice in the world, employed as assistant managers of a fast food restaurant, a job more befitting their low intelligence quotient and lousy inter-personal skills.

As for being famous…it just isn’t a priority. Obviously.

I want to become an independent author too–how do I get started?

First of all, I wish you’d take a long, hard look at your work and decide, as objectively as possible, if you have anything to contribute to literature. Is your writing really that unique and unprecedented? Is it even literate? Have you spent years learning the craft of editing, ruthlessly paring and polishing your poetry/prose until it shines? There are quite enough bad, self-published books out there, why contribute to the dung pile?

But, really, if you’re determined, there are sites you can go to for advice (a couple are on my blog roll). A good ol’ Google search under “independent writing and publishing” will probably take you somewhere helpful. It’s a long, arduous process and the learning curve can be steep. And once your book is published, then you’re faced with marketing and distribution—and good luck getting your self-published offering into most book stores. I still find it a chore and I’ve been at it a long time.

Why are you so jealous of writers more successful than you (i.e. Amanda Hocking, Stephenie Meyer, E.L. James)?

Jealous of…?  Er, no, I’m not jealous of rich writers or sub-literate authors who manage to score a book deal. Literary whores with the skill set of a Grade Eight diarist and the aesthetics of a village idiot.  Personally, I’m envious of scribes whose talent leaves me gasping like a fish washed up on some sandy shore. I’m referring to giants like Thomas Pynchon, James Crumley, Don DeLillo, Annie Dillard—artists of the highest caliber, whose books will stand the test of time. I labor in the shadow of greatness. Daunting? You betcha. But it’s a challenge I accept every time I enter my home office, sit at my desk and commence another day of work. I crave to be an author of stature. And that has nothing to do with the size of my bank account.

I sense you’re a lonely, bitter, isolated man. Is that an accurate representation?

I’m still chuckling over this one. I don’t think the correspondent in question was trying to be offensive or “trolling”, merely curious and so my response was quite tolerant (for me).

I’ve been a loner all my life and require little in the way of companionship. I belong to no professional writing organizations, nor do I seek out other authors to befriend or chat up. I’ve been happily married for over 20 years and have two teenage sons. Between my work and my family, there’s little time left over for leisure or company. It’s just never been a priority to me. I have a small, intimate circle of friends who are fiercely loyal and who have been around me long enough to inspire my affection and trust. They understand my hectic schedule and introspective lifestyle and place no demands on me. But they also know I’m the kind of guy who’d walk through a wall of fire for a loved one and would defend a pal to my dying breath. It’s the Scotch/Irish in me, I suppose. The rage, the violence…and the passion I bring to every aspect of my life. Those who know and love me respect that and tolerate the long silences that are part and parcel of my calling.

As for everyone else…who cares what they think or believe? They don’t know me and I don’t spare a moment for their views and opinions.

Fuck ‘em.

* * * * *

Thanks for the questions and feedback. My email address is blackdogpress@yahoo.ca.

Always pleased to hear from you…

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The woman, let’s call her Margaret, pauses at the conclusion of her account, looking up at me with an expression of bewilderment. “I don’t know why I told you all that. You have that kind of face…” She trails off and our conversation concludes not long afterward.

Why did Margaret, a woman I barely know, just spend nearly ten minutes bending my ear about her husband’s fraught relationship with his brother? In the process disclosing many intimate details that should never be passed along to a virtual stranger.

And she’s not the only one.

People tell me things. All sorts of things. Funny and crazy and tragic and personal. People on buses, people who do work on my house, people I’m waiting in line with at the bank…casual acquaintances and complete strangers. Men and women turning to me, a confession already forming in their mind.

“You’re a good listener,” my wife tells me. “That’s part of it. You seem interested in what they’re saying. That’s your first mistake…”

Maybe Yoko Ono is right and there are “a lot of lonely people out there”.  I guess that was part of the attraction of the Post Secret project a few years ago. People dying to get their crimes and misdeeds off their chest…anonymously, of course, their courage only extended so far. Similarly, it’s easier to confess some things to strangers or barely familiar faces than to family members and loved ones. A weird kink of psychology.

I spend most of my time alone, isolated. When I do interact with folks, I’m anxious to talk about anything but my work and dull routine…and that might be at least partially responsible for the true confessions and guilty secrets I’ve been subjected to over the years. Some of them not for the squeamish. And if I make the mistake of admitting I’m an author, there are individuals who immediately perk up:  well, if you’re a writer, you’ll love hearing what’s been going on in my life lately

Er, not really, no.

But once people start revealing their problems and complaints there’s just no holding them back. I’ve heard about failed marriages, infidelity, felonies and misdemeanors, nodded sympathetically as men and women tearfully surrendered indiscretions they should have been saving for their priest or shrink. I have no right to this knowledge and yet, afterward, feel protective of what I’ve learned, a certain responsibility to be discreet. The sanctity of the confessional. I think folks sense that as well; a quiet, lonely, reclusive man: who can I possibly tell?

It’s very difficult for me to be rude. I detest breaking into someone’s train of thought, interrupting them in mid-sentence because something they’re telling me is inappropriate, better kept to themselves. Politeness has its drawbacks and I’ve endured many an awkward, one-sided conversation simply because I lack the chutzpah to clear my throat, give an impatient frown or simply walk away.

And, anyway, how can you walk away from a young clerk, enormously pregnant, helping me find a stencil set and, meanwhile, telling me about the heart defect that threatens the life of her unborn baby. Thirty seconds after walking into the store. What can I say? How do I respond?

But she’s looking at me, describing the diagnosis and proposed treatment, affirming the importance of faith in her life, talking freely, without a trace of self-consciousness.

Something in my manner or expression assuring her, a sympathy that cannot be feigned.

While I, for my part, refuse to deny her the kindness of a stranger, shared concern for a child in distress.

My time is not so important, surely, that I can’t spare a minute or two to commiserate or console. These meetings, though frequently taxing, part of the burden I bear for having “that kind of face”.

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Excuse me if I speak out of a sense of wonder.

I know the news is bad (as usual), another horror unfolding right before our eyes, brought to us in real time, boasting pools of real blood. Shouts and screams; pandemonium. The gruesome footage first exploited, then preserved for posterity.  There are cameras everywhere these days and not much escapes their notice. The best bits make it on to the nightly news. The ninety year-old grandma fending off two burly robbers with a replica .38. Looters smashing windows and emptying storefronts with the ferocious glee of rampaging Mongols. The fat kid facing down his tormentors in the school foyer, finally fighting back after years of taking it on the chin. Drawing on reservoirs of rage as he batters his opponent. We gape, we weep, we applaud, we shake our heads.

What a world.

But that isn’t all there is to it. There is sanity and normality out there. The crazy shit, it exists, no denying it.  Usually the setting is some big city, concentrations of people leading to explosions and meltdowns with tragic consequences. But not always. Small towns and remote farm houses are just as prone to evil thoughts, the cruelties equally inventive.

I repeat:  that isn’t all there is to it.

This month I’ve done more traveling than I have in ages. Usually, it’s my wife and kids who take off, leaving me alone in my office, grinding away on a big summer project. At it for eighteen hours at a time, no need to socialize or pretend to be human. It’s a ritual that’s been reprised almost every summer I can remember. But this year it was different. I had a couple of projects nearing completion and discovered a desire, an urge, an imperative, to enjoy my summer, seek out company, visit unexplored places, drink in experience. First, it was off to northern Manitoba, visiting Sherron’s brother and family. They live on the shores of a gorgeous lake and we spent several lovely evenings trolling around on their pontoon boat, our hooks dragging in the water. Snagged two lovely pickerels—no, really, here’s the proof:

Er, that’s me in the hat. My brother-in-law would never forgive me if I didn’t clarify that. And he’s a big guy, as you can tell. I caught those two babies literally our last morning there and the relief on both our faces is palpable. Finally...

Returning home, a long, ten-hour drive, barely catching our breath (it seemed) and then heading off to Grasslands National Park in southwest Saskatchewan. Stayed at a lovely bed and breakfast that used to be an old Convent (hey, Mette, Robert & Christine!), driving and hiking around the park, astonished by the diversity of the eco-system, having an unsettling encounter with a bison (no fences, folks) and constantly scanning the ground for rattlesnakes. Glorious, just glorious. Visually striking region and perhaps that explains the many artists who make their home in the vicinity. Judging by the work on exhibit at the Grasslands Gallery (hey, Laureen!) in Val Marie, there are some very talented folks in that neck of the woods. Er, bush, actually. Not many trees in those parts. Scrub, rolling ground and vast fields of wild plants and flowers.

It’s semi-arid, hilly and wind-scoured; cowboy country. This ol’ western nut felt right at home there. Wrote that poem you’ll find in the preceding post.  Met a lot of really nice people who didn’t give the impression they were about to embark on an axe-murdering spree or intended to poison their neighbor in retaliation for an incident that occurred decades ago. We walked in the hills and stood on some tall bluffs and buttes that looked out over a land that was beautiful and light-filled and right. Between the sky, the universe and that modest height, there was an unspoken concord, a sense that, whatever else may be going on on the vast, spreading universe, Sherron and I had been granted a short but memorable glimpse of the goodness and majesty no dark cloud can entirely conceal.

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What are your goals as a writer, as a creative person?

This question has been much on my mind for the past while.  I’ve been accused of being an “elitist” and what have you because I insist that if you write for the purpose of making money, seeking fame and fortune, you are little more than a whore.  I have also been pretty clear that I have no interest in pursuing some big, fat publishing contract, nor do I give a tinker’s damn whether you’ve won a Hugo, an Edgar or the fucking Nobel Prize for that matter.  Baubles and trinkets.  Bullion and bullshit.

Kids, I’ve been offered the chance to write franchise novels (“Star Wars” or “Star Trek”) and told the agent involved to shove it.  As far as I’m concerned, you do something like that, “sharecrop” someone else’s universe, you are off the artistic roll call.  (Thanks, Bill, couldn’t have said it better myself.)

I don’t go to conventions, suck up to editors, try to flog my work to them like a door-to-door vacuum cleaner salesman.

I don’t shill myself by teaching writing workshops—such ventures help spread the abhorrent lie that good writers can be stamped out like fucking cookies.  I’ve written about that in more detail here (the more delicate among you may have to avert your eyes at certain points in the essay).

Okay, so that’s what I don’t want…but what is my greatest aspiration as a writer?

To be the best.  To push myself to the limit and produce work that breaks new ground, written in language so finely wrought it’s like reading through a score by one of the great classical musicians.  Note perfect.  I want to be held up there with the finest authors in the world and not be found wanting.

I have no interest in being average.  A “decent” writer.  Ugh.  Better to be forgotten than instantly forgettable, which pretty much sums up most of the books being released these days.

Because I have chosen to go the indie route, I have automatically rendered my writing suspect in many people’s eyes.  If I’m acting as my own publisher and printer that must mean my stuff is no good, rejected by mainstream places because it fails to meet their exalted standards.  Which automatically begs the question:  have you been in a book store recently, seen the kind of shit the traditional publishers are spewing out like a drunk’s partially digested lunch?

I expend an incredible amount of time and effort revising and polishing my work—my novel So Dark the Night took over three years to write (not including the research that preceded it).  And I’m a full time writer.  Imagine that.  Day in and day out for 3+ years.  (Shudder)  But I knew I had a wonderful book, was confident that once it was finished and released, people would love it.  And I was right.

But, again, because I’m not a self-promoter, I think I’ve hurt sales of both my novels.  I even resisted sending out review copies, partially because I knew that no matter how good the books were, how professionally executed and bound, there would still be the stigma of the indie/self-published label.  This despite a professional writing career spanning over 25 years, many publication credits, anthology appearances, critical raves.  I haven’t sent copies to some of the famous authors I’m acquainted with, seeking their praise and approbation.  There’s just something within me that balks at the notion.  I want my books discovered, not read because of some kind of viral ad campaign.

So Dark the Night and Of the Night are superb literary efforts.  They are sprinkled with genre elements (mystery, horror/dark fantasy) but they are intended for an intelligent, discerning mainstream audience.  They have enormous cross-over appeal thanks to winning characters, snappy dialogue and homages to film noir, pulp fiction, and cult cinema and TV.  Fans of Paul Auster, Jonathan Carroll, Nicholas Christopher, David Mitchell, Philip K. Dick and Jorge Luis Borges will find a lot to like in both novels.

What they won’t find is the kind of incompetent, derivative, semi-literate drivel that is prevalent both in the self-published world and, as I’ve just related, on the traditional publishing scene as well.  You wanna read the next Stephanie Meyer or Dan Brown or J.A. Konrath?  I’m sorry, you’ve come to the wrong place.  I’m a real writer, boys and girls, I seek to create ART.  I want to destroy your preconceptions and offer you prose that is exciting, intoxicating and pitch perfect, right down to the placement of commas.

I want to be the best writer in the world.

There.  I’ve said it.

It’s a pipe dream, of course, there’s no such thing.  But for me, the bar is raised to the highest possible peg and I won’t lower my expectations for any market niche, slot on the bestseller list or dollar figure you can name.  My literary heroes are men and women who slaved away tirelessly, selflessly, stubbornly, refusing to conform to the whims of agents, editors or readers.  Iconoclasts and artisans, defending their work, their legacies, with the ferocity of pit bulls.  Facing penury, enduring lives of desperation, anonymity, pain and hopelessness, yet never forsaking their vision or abandoning their ideals.

With role models like that, it’s impossible to even entertain the possibility of selling out.

My idols would never forgive me.

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