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Archive for the ‘Music’ Category

Some months ago I wrote a series of prose poems to accompany six visual pieces I’d created.

The marriage of words and images worked wonderfully and I’m delighted to present “A Personal Cosmology” to readers. The first segment is below, click on the PDF link to read the work in its entirety.

 

 

A Personal Cosmology

…and how about some music while you’re reading, an ambient number I call “Atmospheric Disturbance”:

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night:hotelAs previously reported, I’ve completed the final polish of my next Black Dog Press release, a short story collection called Sex & Other Acts of the Imagination.

In the week since I’ve wrapped up work on Sex, I’ve been in kind of a “transition” phase, as I prepare for another edit of my novel-in-progress.

I couldn’t just dive back into the novel after spending several weeks tinkering with a batch of really dark, harrowing short stories—I needed a break, a way to ease into it.

I go through these periods every so often and it’s during these times that I create some of the strange short films and ambient musical pieces that you’ll find under my Films/Music” tab. It’s also when I’ll retreat to my cold, damp basement and slap some acrylic paint on canvas for a few days. Experimenting. Playing.

And I’m prone to sudden attacks of poetry, as well.

Which is what happened this time around.

For the past 7-10 days there’s been a lot of scribbling going on around here and much of it centers around a suite of stanzas I’ve put together under the title “Sixteen Rites of Deconditioning”.

To explain:

For at least fifteen years I’ve kept a couple of notebooks devoted to…I’m not sure what you’d call it. Automatic writing? Free associations? Visions?

When I’m in a certain mindset I feel a compulsion to scrawl words, disjointed sentences, dream sequences, snippets of verse. The spell only lasts a few hours, a day at the most, but I’m often surprised by what these sessions produce. Recently I decided to go through both notebooks and write down certain key words or lines or themes that stood out. Once I assembled a roster of these bits, I began to shape them, dividing them up, juxtaposing certain parts, creating fascinating fusions, collisions and cross-fertilizations.

I was delighted with the end result and just posted “Sixteen Rites of Deconditioning” on my Scribd page–I encourage you to zip over there and cast you eyes over a mind-blowing poem, by far the longest and most complex I’ve written to date.

I welcome your comments and reactions—the poem is certainly subject to a variety of interpretations and I’m interested by how people experience “Sixteen Rites”, if it strikes any familiar chords.

Am I plugged in to the zeitgeist…or spending far too much time alone in my office?

Let me know what you think.

splatter

 

 

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I’m a space geek, a genuine, dyed-in-the-wool fanatic when it comes to anything to do with making the stars our destination.

I think it’s a complete drag how we seem to have stalled here in near-Earth orbit. Sending tourists up to the International Space Station at twenty million bucks a pop, while dispatching robot drone ships to the far reaches of the solar system, letting them do the work for us. No need for boots on the ground, expensive manned programs, grand visions…

I’ve loved science fiction all my life. Bradbury, Dick, Matheson, Beaumont, Ellison…those were my boys.

I’m also crazy about cinema.

Put it all together and you’ll (perhaps) understand what went into the making of “Planetfall”:

 

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My new short film, “The Pact”, now available for viewing on YouTube:

…and be sure to check out the other films on my personal “channel”.

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dishI’m glad you asked.

Well, since my last post, I’ve been a busy lad, working hard on the novel-in-progress, kicking PayPal’s ass and—

What’s that? I haven’t mentioned my on-going dispute with those lovely folks at PayPal/eBay, have I? Here’s the poop:

Three years ago I filed a formal complaint with the Privacy Commission of Canada. PayPal brusquely informed me that my on-line transactions had reached a certain (arbitrary) limit and I could no longer use their services until I allowed them to link to my bank account. Ahem. Anyone who knows me will tell you that I am touchy about my security and privacy almost to the point of paranoia. There was no way I was going to give those corporate scum-suckers that kind of potential access to my personal banking information.

So I ratted PayPal out to the Privacy Commissioner. Insisted that I was being denied services and my rights as a private citizen were being violated.

After several years of investigations and submissions from both parties, the Privacy Commissioner has concluded that my complaint was “well-founded” and I have had my PayPal account fully restored. Not only that, Paypal has agreed to change its practices and fully implement the Privacy Commission’s recommendations regarding on-line transactions by November 30, 2014. These “corrective measures” will provide PayPal clients with more information and an “alternative solution”, other than the illegal and unwarranted collection of personal banking information.

My thanks to the folks at the Privacy Commission for pursuing such a lengthy and complex case and for holding PayPal’s feet to the fire until they were forced to acknowledge the legitimacy of my concerns.

Vindication! This is what happens when you refuse to be one of the dull-witted, simple-minded “sheeple”. As consumers and citizens of a free country we have rights and must make every effort to ensure our private data isn’t being collected/mined or our financial security rendered vulnerable by greedhead corporations and/or overly nosy, inquisitive government agencies.

So stay vigilant.

voiceWhat else? The novel…ah, yes, the novel. What can I tell you—very little really. It progresses, slowly but surely. Still anticipating an early 2015 release date…other than that, I have nothing to add. Cautiously optimistic but unwilling to go any further. How’s that for unhelpful?

When I’ve not been writing or editing, I’ve been watching a number of good movies, some of which I’ve reviewed over on my film blog. You did know I had a film site, right? Oh, for Heaven’s sake…well, you’ll find it here. I post infrequently (surprise, surprise) and refuse to have anything to do with silly popcorn movies, rom-coms or abominations by the likes of Michael Bay, JJ Abrams, Zack Snyder or (saving the loudest retch for last) James Cameron. I try to champion obscure or forgotten movies, doing my bit to enlighten contemporary cinema-goers, many of whom haven’t seen anything older than “Jaws”. Hands down, the best film I’ve seen so far in 2014 is a Czech film Sherron gave me for Christmas called “Marketa Lazarova”. Nothing else has come close. Set in the Medieval era, complications involving two warring clans…strong intimations of Bergman’s “Virgin Spring” and Kurasawa’s “Throne of Blood”. I intend to watch it again before I sit down and write my review. So much to take in—there is greatness in that film.

March 8th, Sherron and I attended a performance by the Saskatoon Symphony. Not a regular occurrence, I’m shame-faced to admit, but this time around the bill was too good to resist, featuring two of my favorite 20th Century composers, Benjamin Britten and Ralph Vaughan Williams. After the intermission, three different choirs filed out and added their voices to Vaughan Williams’ “Sea Symphony” (the text derived from poems by Walt Whitman). Two solo vocalists, Monica Huisman and Peter McGillivray, were also highlighted and the evening concluded, as conductor Victor Sawa promised in his pre-concert chat, not with a huge flourish, but a gentle exhortation to sail on, ever onward, risking everything, abandoning safe anchorages and familiar stars:

“O my brave soul!
O farther farther sail!
O daring joy, but safe! are they not all the seas of God?
O farther, farther, farther sail! …”

Unforgettable.

Lots of reading and music in the past few weeks—some titles that stand out, Nicholson Baker’s Human Smoke (recommended by Penn Gillete on one of his “Penn Point” podcasts), Zealot: The Life and Times of Jesus of Nazareth (Reza Aslan), as well as lots of poetry by the likes of Ted Kooser, Tom Hennen, Donald Hall and W.S. Merwin. In terms of tunes, I’ve been enjoying everything from a compilation of Simply Saucer songs I picked up in a thrift shop, to the Foo Fighters, Airbag, Radio Moscow, Bob Mould, Hayes Carll, Spiritualized…how am I doing?

And I want to take a moment to give a shout out to some individuals deserving of special mention, this month’s Roll Call of Honor:

First of all, a huge “Thank You” to Jason Brock for surprising the hell out of me with a couple of first edition Richard Matheson books. Gifts that arrived from out of the blue (an act of generosity I’ll remember a long time).

A big hug to my sister, Colleen, who recently retired from her longtime position with Viterra and, I hope, will now sit back and smell the roses for awhile—God knows, you deserve it, gal!

And, finally, a sad but fond farewell to a man who often represented the conscience of his nation, Tony Benn. One of my colleagues on LibraryThing posted the following quote, which sums the man up perfectly:

“Ask the powerful five questions:
What power have you got?
Where did you get it from?
In whose interests do you exercise it?
To whom are you accountable?
How can we get rid of you?”

Tony Benn (1925-2014)

satellite

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fireplaceGene Autry crooning from the CD player, the Christmas tree filling the house with its pine scent, wood popping in the fireplace…ah, yes, it’s beginning to feel a lot like Christmas.

Those who follow this blog are aware that I love Christmas and still cling to the faint possibility of Santa Claus (hey, the cookies I leave out are always eaten when I get up in the morning, explain that).

This year possesses an extra poignancy, I suspect, because it’s our last Christmas before our youngest lad moves out, leaving us with ye olde empty nest. And a much smaller food bill (but I digress).

Hectic around here, as it is for everybody else this time of year. Trying to finish last minute shopping, get parcels away to relatives and loved ones, keeping the walk shoveled and the house warm during some recent cold snaps.

I’ll probably do a year end review at some point but not on this occasion.

Instead I want to announce a special Christmas treat:

I’ve created, with the help of those over-priced buggers at Cafe Press, some pins/buttons. The button with the smallest print reads “Frustrate algorithms.” Sorry, despite my best efforts, I remain mediocre at taking still photos.

Button

(Click on images to enlarge)

These pins reflect aspects of my personal philosophy, that subversive, non–conformist attitude I’ve had for as far back as I can remember.

I’m giving away three sets of pins along with three personally inscribed copies of my latest book, Exceptions & Deceptions, for the best questions or comments submitted in the next month. Post your remarks, then, if you want to be eligible for a prize, send your particulars (address, etc.) to blackdogpress@yahoo.ca. I’ll make my choices sometime in mid-January and post the names of winners at that time.

Feeling very positive as this year comes to a close. There’s a desire now that I’m fifty to start living a more spiritually and aesthetically fulfilling life, to continue to expand my horizons by exposing myself to smart, daring books and films and music, eschewing the trivial and formulaic. Off with the old skin, on with the new.

“…Identity is the daughter of birth,
but in the end, the invention of its owner,
not an heirloom from the past.”

-Mahmoud Darwish, from Almond Blossoms & Beyond
(Translated by Mohammad Shaheen)

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CliffBurns1A number of things on my plate in the past while, which leads, inevitably, to another long gap between posts.

Starting with the fun stuff, I attended a screening of F.W. Murnau’s silent classic “Nosferatu” and wrote about it over on my film blog. Some musicians from the Saskatoon Symphony provided accompaniment and, what can I tell you, it was an absolutely brilliant evening. The following day I turned fifty and couldn’t imagine a more fitting way to celebrate.

Yeah, I said celebrate. I’ve hit the big five-oh and, okay, physically I’m not as strong or durable as I was twenty years ago, but mentally and artistically I feel close to the top of my game. Growing spiritually, as well, and that’s an ongoing process. I’m in a good space, some of the fears and obsessional thinking that once upon a time dragged me down are either gone or have eased to the point where they no longer cause the kind of damage they used to. My family played a huge part in that transformation and also the sense that my life and work are serving a tiny role in a Grand Design God-knows-how-many years in progress. My faith life is essential to my entire sense of well-being; without it, I’m a miserable cur, hardly worthy of consideration, barely rating a glance.

In terms of my work:

Researching for the novel, reading reference books and trolling on-line for more info, looking for those obscure little tid-bits that add the perfect dollop of detail to a scene, imparting an authenticity that makes the Reader shiver (love those moments).

I collaborated on a sound collage with my youngest son, Sam. He’s getting to be quite the musician so when my wife asked the two of us to put together an “environment” for a puppet and mask project she’s creating, I was curious to see what we came up with. Turned out to be a weird, ambient piece nearly four minutes long. Now we’re going to edit together a short film using that soundtrack and footage Sherron’s assembled over the last couple of years. Hope to have that done in the next week or so.

What else…well, I’d been giving some thought to writing something for the CBC/Enroute Short Story Contest but every time I checked my well of inspiration, it was dry as fossilized bone. So with the deadline looming I’d pretty much given up any notion of sending anything…until a couple of days ago, when I sat down and started tapping away, managing to complete a tale that adhered to the 1500 word limit (barely) and turned out to be a darn good story. Imagine that—posted it yesterday, just under the wire.

Have to confess, I hate entering or submitting my work anywhere—as an indie, I’d rather publish it myself. But the prize money for a six page story is unbelievable, ridiculous, and the notion of spending two weeks in residence at Banff…how could I resist?

From what I’ve heard, the contest receives between 1800-2000 entries annually, so I’m not holding my breath.

But wouldn’t it be nice…

What else? Ah, I’ve been in my basement cave, doing some more painting. A couple of canvases currently being prepped, exercising my visual muscles, expressing myself beyond the precincts of the printed word. Who cares if I’m any good at it?

And music, lots of music playing, which is always an indication I’m in an inspired state of mind. Frequently heard these days: The Eels, Bob Mould, Brain Jonestown Massacre, Jimmy Eat World, R.L. Burnside, Radio Moscow, old Dylan. Keeping it eclectic.

I guess that just about sums things up. Heading into November around here, but the yard work is pretty much done, all I have to do is order some pine wood and see about winter tires for the car.

The next six to eight months will be spent on the novel (mostly), so by Spring, 2014 I should have the lion’s share of the editing done (crosses his fingers). I’ll keep you apprised of developments and, hopefully, will be posting more frequently than I have been of late.

But no promises…

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