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Archive for the ‘independent publisher’ Category

A lovely photo by Sherron, taken on our back deck.

The sunny weather means that I’ve been outside, raking and doing yardwork…and found the imprint of a maple leaf, pressed into the cement.

The picture I took wasn’t nearly as nice…

Photo by Sherron Burns

Photo by Sherron Burns

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Message for Mr. Li

earthquake in Lushan
subterranean powers unappeased
ancient legends foretell
upheaval & change
new faces unstained by blame

 

© Cliff Burns, 2013 (All Rights Reserved)

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Just posted a new tale, bit of a brain-teaser, over at Scribd.

The story is called “The 1001st Night” and clocks in at around 1450 words. Very odd, but I like it. The way it weaves back and forth, exhibiting multiple points of view and perspectives and yet somehow coalescing into…well, see for yourself.

I’ll be adding it to my “Stories” page here (eventually) but Scribd has racked up some impressive numbers for me since I signed up and I thought I’d give them first dibs.

If you’re a real completist, you should probably subscribe to my Twitter link too because I’ve been known to post little snippets and Twitter-verse there and nowhere else. Just to keep everyone on their toes.

Glad to be offering new work for your perusal.

Hope you enjoy “The 1001st Night”.

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Front coverAn astonishing review of my New & Selected Poems (1984-2011) just posted over at a site called Pseudo-Intellectual Reviews.

The reviewer and I belong to the same LibraryThing group and she mentioned she was picking up a copy but, sheesh, I didn’t expect such a smart and, yes, glowing review.

It’s the first critique of any sort the poems have received. I get general rumblings of praise from the people who’ve read New & Selected Poems but folks seem reluctant to address the subject matter or prominent themes. I worried, in my Afterword, that the collection might be too personal, too intense and I think there might be something to that. If you watch the footage of the book launch, the poems are often received in what I would describe as strained silence. Sherron told me that at one point a woman near her was softly weeping.

Dear Lord

What kind of strange zeitgeist has my verse tapped into?

Poems are a hard enough sell these days—apocalyptic, mind-bending excavations on the human spirit may not be what readers are looking for.

Cripes, look at the bestseller list.

Yup, once again, it appears I’ve missed the mark.

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feed2I was one of the invited guests at the launch of the second installment of the Battlefords’ only homegrown arts magazine, Feed the Artist. I contributed a brief essay to this latest issue and was impressed by the quality of the work (prose and visuals) I found throughout. It’s quite gorgeous; make sure you check it out.

Congratulations to everyone involved with Feed the Artist, the editors and artists who worked so hard to bring a dedicated arts and culture publication to the citizens of this region.

Here’s what I said to the sixty or so people who assembled at Crandleberry’s to give the magazine a grand send-off.

Thanks to everyone who attended. It was a magical evening.

* * * * *

I think it’s appropriate that we’re launching the new issue of “Feed the Artist” here, in a very public venue as opposed to a more formal setting.  While there might be benefits to holding events in clean, well-lighted places, featuring all the latest bells and whistles, there’s also something cold and antiseptic and, let’s face it, increasingly corporate about these fancy-shmancy new galleries and performing arts centers.

Some of you either participated in or were witnesses to the “Tree” piece that was conceived and created around a locale in Battleford. The natural setting became an important element within the performance. I’m also thinking about the “Flash Mobs” that have broken out in this region of late, people congregating in public places and singing and dancing while startled spectators try to take everything in.

All of this is happening outside the rarefied air of institutions and brick and mortar facilities. Because art, after all, is portable, not confined to designated areas and “safe” zones. Why not utilize non-traditional locations to tell stories and highlight the rich history and culture of this region?

Time for artists to escape museums and galleries and theaters and bookstores and re-enter public spaces, remind the citizens of our communities that we have something to say about life, the universe…and the human condition. Something essential, something they need to know if they’re to stay sane in an increasingly frantic and chaotic world.

Lawrence Ferlinghetti’s “Populist Manifesto” addressed some of these points nearly forty years ago, so I’ll conclude by reading an excerpt from that work (what’s an arts gathering without a manifesto?).

Populist Manifesto (Excerpt)

Poets, come out of your closets, 
Open your windows, open your doors, 
You have been holed-up too long 
in your closed worlds. 
Come down, come down 
from your Russian Hills and Telegraph Hills, 
your Beacon Hills and your Chapel Hills, 
your Mount Analogues and Montparnasses, 
down from your foothills and mountains, 
out of your teepees and domes. 
The trees are still falling 
and we’ll to the woods no more. 
No time now for sitting in them 
As man burns down his own house 
to roast his pig 
No more chanting Hare Krishna 
while Rome burns. 
San Francisco’s burning, 
Mayakovsky’s Moscow’s burning 
the fossil-fuels of life. 
Night & the Horse approaches 
eating light, heat & power, 
and the clouds have trousers. 
No time now for the artist to hide 
above, beyond, behind the scenes, 
indifferent, paring his fingernails, 
refining himself out of existence. 
No time now for our little literary games, 
no time now for our paranoias & hypochondrias, 
no time now for fear & loathing, 
time now only for light & love.

-Lawrence Ferlinghetti (Copyright, 1974)

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A local arts collective, Feed the Artist, distributed blank postcards and asked folks to write themselves a “message from the future”.

I really like the people behind the group so I was happy to contribute. Here’s my offering—you can see all the postcards by dropping by Crandleberry’s (coffehouse & cyber cafe) and viewing the display. And a reminder that the second issue of the Feed the Artist magazine, featuring many fine artists, will be launched at Crandleberry’s Friday, March 15th, 7:00 p.m.

Hope to see you there.

(Click on images to enlarge)

Mars I

Mars II

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deer

Guest (Uninvited)

passing my upstairs window eight-forty a.m.
balancing a brimming mug of strong over-sugared
coffee surprised & perplexed by the doe in my backyard
calmly nibbling the exposed tips of raspberry
bushes lacking the timid mien one expects
from a creature who like the unfortunate
Odysseus has wandered far from home
wrecking itself upon my snowy shore oblivious
of any hostile scrutiny the resident sorcerer
determined to protect his secluded realm already
brooding up a terrible remedy to cure this thoughtless
trespass restore his enchanted solitude

 

March 4, 2013

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Ticonderoga

Thick barreled   befitting small clumsy fingers
grimly shaping consecutive rows of letters
extra marks for keeping between the lines

bent   studious  anticipating lifetime habits
in thrall of shrill supervisors
documenting every shortcoming
critical of the slightest fault

laboring with little hope of reward
succeeding without getting ahead
ancient before their time

 

March 1, 2013

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surfaceThese days I’m toiling away on a rewrite of the concluding novella of my short story collection in progress Exceptions & Deceptions.

While I’m otherwise occupied, feel free to enjoy two of my recent ambient tunes.

The second, longer piece is an extended version of the soundtrack music for my new short film “Exoplanet”.

WOW Signal

The Zone

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Cliff/SnowTake a look at this.

We’ve had more snow this winter than in at least a decade. We’ve broken one snow shovel, shaken our fists at the sky and moved God knows how many tons of snow from our sidewalks and property. And, of course, this much snow means a big run-off come Spring. It’s a good thing we’re situated on a fairly substantial hill—hopefully the water will flow down and away from us.

I notice that at 49, snow shoveling is a whole lot less fun than it used to be. I have to take frequent breaks, lean on my shovel, gazing glumly at the white expanse in front of me. Our long driveway has become my nemesis; I joke that it’s an alternative landing strip for the space shuttle. I say even worse things when I’m scraping it off at thirty below. Because as well as being a snowy winter in these parts, it’s also been seasonably cold. Note the choice of words. We’ve gotten off lucky for the past few years, experiencing relatively mild cold seasons. Not this year. 2012-13, we’re getting the real deal. Saskatchewan at its most nasty and inclement.

In the old days, the cold never got to me. I could play road hockey with my pals until our clothes were frozen stiff as cardboard, our cheeks and noses raw and inflamed. Not any more. My body has developed a strange sensitivity over the past decade and I’m prone to awful chills, getting the shakes so bad my jaw locks tight and my body stiffens, arms clamped against my sides, shoulders up around my ears.

I think I’m starting to understand why so many Canadians become “snowbirds”, fleeing to warmer climes as soon as the first Arctic front descends from the north.

But this is Canada, after all, and whining about the cold weather is like complaining that grapes won’t grow on Pluto. There are certain realities you just have to adjust to, certain mentalities you have to adapt.

Be at one with the snow…become your shovel...

Keeping in mind, in six months we’ll be bitching about the heat and bugs.

On that happy note…Cheers!

Snow2

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